Quotes about doing
page 41

Anacreon photo

“The black earth drinks, in turn
The trees drink up the earth.
The sea the torrents drinks, the sun the sea,
And the moon drinks the sun.
Why, comrades, do ye flout me,
If I, too, wish to drink?”

Anacreon (-570–-485 BC) Greek lyric poet, notable for his drinking songs and hymns

Variant: Fruitful earth drinks up the rain, Trees from earth drink that again; The sea too drinks the air, the sun Drinks the sea, and him the moon. Is it reason, then, do ye think, That I should thirst when all else drink?
Source: Odes, 21.

Theodore Roosevelt photo
Barack Obama photo

“I know you didn't do this for me. You did this—you did this because you believed so deeply in the most American of ideas—that in the face of impossible odds, people who love this country can change it.”

Barack Obama (1961) 44th President of the United States of America

Iowa Caucus Victory Speech, Delivered at the Iowa Democratic caucus on 3 January 2008 http://www.youtube.com/watch?v=cNZaq-YKCnE
2008

Ozzy Osbourne photo
Steve Irwin photo
Uri Geller photo

“I'll no longer say that I have supernatural powers. I am an entertainer. I want to do a good show. My entire character has changed.”

Uri Geller (1946) Israeli illusionist

Interview in Magische Welt, November 2007; cited by James Randi, "Geller Reversal", SWIFT, 18 January 2008 http://www.randi.org/site/index.php/swift-blog/149-swift-january-18-2008.html

A.C. Bhaktivedanta Swami Prabhupada photo
Andrew Jackson photo

“Oh, do not cry. Be good children, and we shall all meet in Heaven … I want to meet you all, white and black, in Heaven.”

Andrew Jackson (1767–1845) American general and politician, 7th president of the United States

Last recorded words, to his grand-children and his servants, as quoted in The National Preacher (1845) by Austin Dickinson, p. 192.

Barack Obama photo
Harper Lee photo
Bertrand Russell photo
Susan Sontag photo
Iggy Pop photo
William S. Burroughs photo

“Build a good name. Keep your name clean. Don’t make compromises, don’t worry about making a bunch of money or being successful — be concerned with doing good work and make the right choices and protect your work. And if you build a good name, eventually, that name will be its own currency.”

William S. Burroughs (1914–1997) American novelist, short story writer, essayist, painter, and spoken word performer

Recounted by Patti Smith in an Interview by Christian Lund http://vimeo.com/57857893, the Louisiana Literature festival August 24, 2012, at the Louisiana Museum of Modern Art

Vivian Stanshall photo
John Hospers photo
Bernard Montgomery, 1st Viscount Montgomery of Alamein photo

“Rule 1, on page 1 of the book of war, is: "Do not march on Moscow". Various people have tried it, Napoleon and Hitler, and it is no good. That is the first rule. I do not know whether your Lordships will know Rule 2 of war. It is: "Do not go fighting with your land armies in China."”

Bernard Montgomery, 1st Viscount Montgomery of Alamein (1887–1976) British Army officer, Commander of Allied forces at the Battle of El Alamein

It is a vast country, with no clearly defined objectives.
In the House of Lords, 30 May 1962 ( Hansard, Col. 227 http://hansard.millbanksystems.com/lords/1962/may/30/the-army-estimates#S5LV0241P0-00791)

George Washington photo

“Not only do I pray for it, on the score of human dignity, but I can clearly forsee that nothing but the rooting out of slavery can perpetuate the existence of our union, by consolidating it in a common bond of principle.”

George Washington (1732–1799) first President of the United States

Attributed to George Washington, John Bernard, Retrospections of America, 1797–1811, p. 91 (1887). This is from Bernard's account of a conversation he had with Washington in 1798. Reported as unverified in Respectfully Quoted: A Dictionary of Quotations (1989).
Posthumous attributions

Leon Trotsky photo
Barack Obama photo
Abraham Lincoln photo
Theodore Roosevelt photo
Thomas Paine photo
Bertrand Russell photo
Abraham Lincoln photo

“My paramount object in this struggle is to save the Union, and is not either to save or to destroy slavery. If I could save the Union without freeing any slave I would do it, and if I could save it by freeing all the slaves I would do it; and if I could save it by freeing some and leaving others alone I would also do that.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Letter to Horace Greeley (1862)
Context: My paramount object in this struggle is to save the Union, and is not either to save or to destroy slavery. If I could save the Union without freeing any slave I would do it, and if I could save it by freeing all the slaves I would do it; and if I could save it by freeing some and leaving others alone I would also do that. What I do about slavery, and the colored race, I do because I believe it helps to save the Union; and what I forbear, I forbear because I do not believe it would help to save the Union.

Hans-Hermann Hoppe photo
Honoré de Balzac photo

“When women love, they forgive everything, even our crimes; when they do not love, they cannot forgive anything, not even our virtues.”

Honoré de Balzac (1799–1850) French writer

Lorsque les femmes nous aiment, elles nous pardonnent tout, même nos crimes; lorsqu'elles ne nous aiment pas, elles ne nous pardonnent rien, pas même nos vertus!
La Muse du Département http://fr.wikisource.org/wiki/La_Muse_du_d%C3%A9partement_-_II_-_34 (1843), translated by James Waring, part II, ch. XXXIV (part XIII in the translated version).

Miguel de Cervantes photo

“When thou art at Rome, do as they do at Rome.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 54.

Ludwig Wittgenstein photo

“When I am furious about something, I sometimes beat the ground or a tree with my walking stick. But I certainly do not believe that the ground is to blame or that my beating can help anything… And all rites are of this kind.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Source: 1930s-1951, Philosophical Occasions 1912-1951 (1993), Ch. 7 : Remarks on Frazer's Golden Bough, p. 131

Jordan Peterson photo

“"What's common across all human experience across all time? That's what Jung essentially meant by an archetype. We tend to think that what we see with our senses is real. And of course that's true, but what we see with our senses is what's real that works in the time frame that we exist in. So we see things that we can touch and pick up - we see tools, essentially, that are useful for our moment to moment activities. We don't see the structures of eternity, and we especially don't see the abstract structures of eternity. We have to imagine those with our imagination. Well that's partly what those stories are doing. They're saying that there are forms of stability that transcend our capacity to observe, which is hardly surprising. We know that if we are scientists, because we are always abstracting out things that we can't immediately observe. But there are moral, or metaphysical, or phenomenological realities that have the same nature. You can't see them in your life by observing them with your senses, but you can imagine them with your imagination, and sometimes the things that you imagine with your imagination are more real than the things that you see. Numbers are like that, for example. There are endless things like that. Same with fiction. A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened." If it's a pattern that repeats in many many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true."”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Sanjay Gupta photo
Leonardo Da Vinci photo
Livy photo

“You know how to vanquish, Hannibal, but you do not know how to profit from victory.”

Livy (-59–17 BC) Roman historian

Book XXII, sec. 51
History of Rome

W.B. Yeats photo

“Hands, do what you’re bid:
Bring the balloon of the mind
That bellies and drags in the wind
Into its narrow shed.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Balloon Of The Mind http://poetry.poetryx.com/poems/1595/
The Wild Swans at Coole (1919)

Emile Coué photo
Leonardo DiCaprio photo
Barack Obama photo
Oswald Spengler photo

“If by "democracy" we mean the form which the Third Estate as such wishes to impart to public life as a whole, it must be concluded that democracy and plutocracy are the same thing under the two aspects of wish and actuality, theory and practice, knowing and doing. It is the tragic comedy of the world‑ improvers' and freedom‑ teachers' desperate fight against money that they are ipso facto assisting money to be effective. Respect for the big number—expressed in the principles of equality for all, natural rights, and universal suffrage—is just as much a class‑ ideal of the unclassed as freedom of public opinion (and more particularly freedom of the press) is so. These are ideals, but in actuality the freedom of public opinion involves the preparation of public opinion, which costs money; and the freedom of the press brings with it the question of possession of the press, which again is a matter of money; and with the franchise comes electioneering, in which he who pays the piper calls the tune. The representatives of the ideas look at one side only, while the representatives of money operate with the other. The concepts of Liberalism and Socialism are set in effective motion only by money. … There is no proletarian, not even a Communist movement, that has not operated in the interests of money, and for the time being permitted by money—and that without the idealists among its leaders having the slightest suspicion of the fact.”

Source: Vol. II, Alfred A. Knopf, 1928, pp. 401–02 https://archive.org/details/in.ernet.dli.2015.49906/page/n893/mode/2up
Der Untergang des Abendlandes, Welthistorische Perspektiven (1922)
The Decline of the West (1918, 1923)

Henry A. Wallace photo
Bertrand Russell photo
Claude Monet photo

“I am in a very black mood and profoundly disgusted with painting. It really is a continual torture! Don't expect to see anything new, the little I did manage to do has been destroyed, scraped off, or torn up. You've no idea what appalling weather we've had continuously these two past months. When you're trying to convey the weather, the atmosphere and the general mood, it's enough to make you mad with rage.”

Claude Monet (1840–1926) French impressionist painter

Quote from Monet's letter to art-critic and his friend Gustave Geffroy, Giverny 1890; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 56
1890 - 1900

Barack Obama photo
Krist Novoselic photo
Sun Yat-sen photo
Jack Ma photo
Arnold Schwarzenegger photo
Michelle Phillips photo
Abraham Lincoln photo
Socrates photo
Theodor W. Adorno photo

“Vague expression permits the hearer to imagine whatever suits him and what he already thinks in any case. Rigorous formulation demands unequivocal comprehension, conceptual effort, to which people are deliberately disencouraged, and imposes on them in advance of any content a suspension of all received opinions, and thus an isolation, that they violently resist. Only what they do not need first to understand, they consider understandable; only the word coined by commerce, and really alienated, touches them as familiar.”

Der vage Ausdruck erlaubt dem, der ihn vernimmt, das ungefähr sich vorzustellen, was ihm genehm ist und was er ohnehin meint. Der strenge erzwingt Eindeutigkeit der Auffassung, die Anstrengung des Begriffs, deren die Menschen bewußt entwöhnt werden, und mutet ihnen vor allem Inhalt Suspension der gängigen Urteile, damit ein sich Absondern zu, dem sie heftig widerstreben. Nur, was sie nicht erst zu verstehen brauchen, gilt ihnen für verständlich; nur das in Wahrheit Entfremdete, das vom Kommerz geprägte Wort berührt sie als vertraut.
E. Jephcott, trans. (1974), § 64
Minima Moralia (1951)

Leonardo Da Vinci photo
Matthew Perry (actor) photo
Pericles photo
Uri Geller photo
W. H. Auden photo
Friedrich Nietzsche photo
Marcel Proust photo

“And not only does one not seize at once and retain an impression of works that are really great, but even in the content of any such work (as befell me in the case of Vinteuil’s sonata) it is the least valuable parts that one at first perceives… Less disappointing than life is, great works of art do not begin by giving us all their best.”

Et non seulement on ne retient pas tout de suite les œuvres vraiment rares, mais même au sein de chacune de ces œuvres-là, et cela m'arriva pour la Sonate de Vinteuil, ce sont les parties les moins précieuses qu'on perçoit d'abord... Moins décevants que la vie, ces grands chefs-d'œuvre ne commencent pas par nous donner ce qu'ils ont de meilleur.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol II: Within a Budding Grove (1919), Ch. I: "Madame Swann at Home"

Paul A. Samuelson photo

“Moral: free markets do not stabilize themselves. Zero regulating is vastly suboptimal to rational regulating. Libertarianism is its own worst enemy!”

Paul A. Samuelson (1915–2009) American economist

New millennium, An Enjoyable Life Puzzling Over Modern Finance Theory, 2009

Hidetaka Miyazaki photo
Jack Welch photo
Mark Twain photo

“It is more trouble to make a maxim than it is to do right.”

Pudd'nhead Wilson's New Calendar, Ch. III
Following the Equator (1897)

Abraham Lincoln photo
Hippocrates photo

“Life is short, and Art long; the crisis fleeting; experience perilous, and decision difficult. The physician must not only be prepared to do what is right himself, but also to make the patient, the attendants, and externals cooperate.”

Hippocrates (-460–-370 BC) ancient Greek physician

Ὁ βίος βραχὺς, ἡ δὲ τέχνη μακρὴ, ὁ δὲ καιρὸς ὀξὺς, ἡ δὲ πεῖρα σφαλερὴ, ἡ δὲ κρίσις χαλεπή. Δεῖ δὲ οὐ μόνον ἑωυτὸν παρέχειν τὰ δέοντα ποιεῦντα, ἀλλὰ καὶ τὸν νοσέοντα, καὶ τοὺς παρεόντας, καὶ τὰ ἔξωθεν.
1:1, Variant translation: Art is long; life is short; opportunity is fleeting; judgement is difficult; experience is deceitful. Compare: "The lyfe so short, the craft so long to lerne", Geoffrey Chaucer, The Assembly of Fowles, line 1.
Aphorisms

Kwame Nkrumah photo

“I learnt to see philosophical systems in the context of the social milieu which produced them. I therefore learnt to look for social contention in philosophical systems. It is of course possible to see the history of philosophy in diverse ways, each way of seeing it being in fact an illumination of the type of problem dealt with in this branch of human thought. It is possible, for instance, to look upon philosophy as a series of abstract systems. When philosophy is so seen, even moral philosophers, with regrettable coyness, say that their preoccupation has nothing to do with life. They say that their concern is not to name moral principles or to improve anybody's character, but narrowly to elucidate the meaning of terms used in ethical discourse, and to determine the status of moral principles and ru1es, as regards the obligation which they impose upon us. When philosophy is regarded in the light of a series of abstract systems, it can be said to concern itself with two fundamental questions: first, the question 'what there is'; second, the question how 'what there is' may be explained. The answer to the first question has a number of aspects. It lays down a minimum number of general under which every item in the world can and must be brought. It does this without naming the items themselves, without furnishing us with an inventory, a roll-call of the items, the objects in the world. It specifies, not particu1ar objects, but the basic types of object. The answer further implies a certain reductionism; for in naming only a few basic types as exhausting all objects in the world, it brings object directly under one of the basic types.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

Source: Consciencism (1964), Philosophy In Retrospect, pp. 5-6.

Friedrich Nietzsche photo

“But what changes come upon the weary desert of our culture, so darkly described, when it is touched by the magic of Dionysus! A storm seizes everything decrepit, rotten, broken, stunted; shrouds it in a whirling red cloud of dust and carries it into the air like a vulture. In vain confusion we seek for all that has vanished; for what we see has risen as if from beneath he earth into the gold light, so full and green, so luxuriantly alive, immeasurable and filled with yearning. Tragedy sits in sublime rapture amidst this abundance of life, suffering and delight, listening to a far-off, melancholy song which tells of the Mothers of Being, whose names are Delusion, Will, Woe. -
Yes, my friends, join me in my faith in this Dionysiac life and the rebirth of tragedy. The age of Socratic man is past: crown yourselves with ivy, grasp the thyrsus and do not be amazed if tigers and panthers lie down fawning at your feet. Now dare to be tragic men, for you will be redeemed. You shall join the Dionysiac procession from India to Greece! Gird yourselves for a hard battle, but have faith in the miracles of your god!”

Aber wie verändert sich plötzlich jene eben so düster geschilderte Wildniss unserer ermüdeten Cultur, wenn sie der dionysische Zauber berührt! Ein Sturmwind packt alles Abgelebte, Morsche, Zerbrochne, Verkümmerte, hüllt es wirbelnd in eine rothe Staubwolke und trägt es wie ein Geier in die Lüfte. Verwirrt suchen unsere Blicke nach dem Entschwundenen: denn was sie sehen, ist wie aus einer Versenkung an's goldne Licht gestiegen, so voll und grün, so üppig lebendig, so sehnsuchtsvoll unermesslich. Die Tragödie sitzt inmitten dieses Ueberflusses an Leben, Leid und Lust, in erhabener Entzückung, sie horcht einem fernen schwermüthigen Gesange - er erzählt von den Müttern des Seins, deren Namen lauten: Wahn, Wille, Wehe.
Ja, meine Freunde, glaubt mit mir an das dionysische Leben und an die Wiedergeburt der Tragödie. Die Zeit des sokratischen Menschen ist vorüber: kränzt euch mit Epheu, nehmt den Thyrsusstab zur Hand und wundert euch nicht, wenn Tiger und Panther sich schmeichelnd zu euren Knien niederlegen. Jetzt wagt es nur, tragische Menschen zu sein: denn ihr sollt erlöst werden. Ihr sollt den dionysischen Festzug von Indien nach Griechenland geleiten! Rüstet euch zu hartem Streite, aber glaubt an die Wunder eures Gottes!
Source: The Birth of Tragedy (1872), p. 98

Stephen Hawking photo
Socrates photo

“The typical coupling mechanisms of authority of office and logic of the task do not operate in educational organizations.”

Karl E. Weick (1936) Organisational psychologist

Source: 1970s, "Educational organizations as loosely coupled systems," 1976, p. 17

Alexandre Vinet photo
Cassandra Clare photo
Jordan Peterson photo

“Do you want to be what you are or do you want to be what continually changes what you are?”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

2017 Maps of Meaning 11: The Flood and the Tower. https://www.youtube.com/watch?v=T4fjSrVCDvA
Maps of Meaning

Jordan Peterson photo
Leon Trotsky photo
Eckhart Tolle photo
Voltaire photo
Isaac Bashevis Singer photo
Francis of Assisi photo

“All those men and women … who in their body serve the world through the desires of the flesh, the concerns of the world and the cares of this life: They are held captive by the devil, whose children they are, and whose works they do.”

Francis of Assisi (1182–1226) Catholic saint and founder of the Franciscan Order

“Earlier Exhortation to the Brothers and Sisters of Penance,” Francis of Assisi: Early Documents, Volume 1, p. 43.

John Locke photo
Abraham Lincoln photo
Stig Dagerman photo
Joseph Goebbels photo
Benjamin Disraeli photo
Terry Pratchett photo

“I know it's a very human thing to say 'Is there anything I can do', but in this case I would only entertain offers from very high-end experts in brain chemistry.”

Terry Pratchett (1948–2015) English author

after announcing his Alzheimer's diagnosis. http://edition.cnn.com/2007/SHOWBIZ/books/12/13/terry.pratchett
Misc

Barack Obama photo
Hermann Grassmann photo
Jeanette Winterson photo
Gabriel Iglesias photo

“The next thing I know, I'm on the set of the movie Magic Mike. The movie is directed by a director named Steven Soderbergh, who's an amazing, amazing director, he's done a lot of great films. And, of course, Channing Tatum's in the movie. In addition, there's an actor by the name of Matthew McConaughey, who's attached to the movie. [Several audience members cheer] I'm a huge fan of Matthew McConaughey, okay? When I found out that I was gonna work with him, I was so excited, you know? People ask me, "Really, you get star-struck?" Hell yeah! I'm a comedian, not an actor. So, I show up, and, immediately, they send me to the makeup trailer that's outside. So, I go into the makeup trailer, I sit down, they start working on my hair, they start putting makeup on me, and in comes Matthew McConaughey, and he sits down on the chair right next to me. And I start freaking out, "Oh, my God, that's Matthew McConaughey!" [Stutters excitedly] And, now, I decide to introduce myself before I did or said something stupid, right? So, I look over to him, and I say, "Excuse me, Mr. McConaughey? How are you doing? My name's Gabriel Iglesias, I'm going to be playing the role of Tobias, the club DJ, and I just wanted to say Hello, and that it's an honor to work with you." And, in my head, I'm thinking, "I hope he's the same guy. I hope he's the same person in the movies, I hope his voice is the same, I hope his accent's the same." And he turns to me, and he says, [Imitating Matthew McConaughey] "All riiight." [Audience cheers] "How you doin' there, big man? You doin' good?" "I'm doing good." "All riiight."”

Gabriel Iglesias (1976) American actor

And, I'm spazzing out. [Gives excited gibberish]
Aloha, Fluffy (2013)

Napoleon I of France photo
Isa Genzken photo
Ludwig von Mises photo
Barack Obama photo
John C. Wright photo
Federico Fellini photo
Ronald Reagan photo

“The right creative act makes its own laws, and always will do.”

John Piper (artist) (1903–1992) English painter and printmaker (1903-1992)

Foreword to Enid Verity's 'Colour' Frewin 1967 ISBN 009079110X

Oscar Wilde photo
Ozzy Osbourne photo
Bertrand Russell photo

“I do not pretend to start with precise questions. I do not think you can start with anything precise. You have to achieve such precision as you can, as you go along.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1910s, The Philosophy of Logical Atomism (1918)

Leonardo Da Vinci photo

“It is bad if you praise, and worse if you reprove a thing, I mean, if you do not understand the matter well.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Sheng Shicai photo

“Chiang Kai-shek does not like my policies but he cannot do anything to me. I am too far away from his reach.”

Sheng Shicai (1895–1970) Chinese warlord

Source: Dilemmas of victory: the early years of the People's Republic of China, Jeremy Brown, Paul Pickowicz, 2007, Harvard University Press, 0674026160, 186, 462, 2010-6-28 http://books.google.com/books?id=SK7Jdfnf9RIC&pg=PA186&dq=did+not+allow+the+russians+sheng+chiang&hl=en&ei=IxRPTMKzBoT48Aas7_WRBg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CCoQ6AEwAQ#v=onepage&q=Chiang%20planned%20militay%20against%20sheng%20troops%20supplies&f=false,