Quotes about documentary

A collection of quotes on the topic of documentary, likeness, making, film.

Quotes about documentary

“In the documentary the basic material has been created by God, whereas in the fiction film the director is a God; he must create life.”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in Hitchcock (revised edition 1984) by François Truffaut with the collaboration of Helen G. Scott, p. 102.

Life, God

“I just realized that I hadn't posted about the film "An Inconvenient Truth" for those of you who don't know, this movie talks about global warming. I went into the movie a little skeptical, wondering if I was going to be preached at by Al Gore, the narrator and spokesperson for the film. It's a documentary, too, so I wasn't expecting anything too exciting. As it turns out, this movie is a must-see. it's not about Al Gore, tree-hugging hippies, George Clooney, Julia Roberts, George Bush, or U. S. issues. This film and the movement surrounding it is about being aware of the nasty turn our world and weather seems to be taking, and what we can do to turn it around before we ruin the only pace we have to live. The information in this film is shocking. Parts of our planet that I assumed were covered in ice are now melting, and the photos of these places, seen in the movie, make me nervous. The links from this past year's natural disasters to the overall direction of global warming is an issue that is worth looking at. The ten hottest years ever measured were in the last 14 years. The hottest was last year, but it doesn't take a genius to tell that this year is hotter.”

Mike Shinoda (1977) American musician

LP/FM MB 2006

Truth, World, Photo, Nature

“There's not a stupidest thing--I've dressed in women's clothes, I've dressed as a Nazi. I've gone onstage naked. I've gone on so drunk I didn't even know I did a show. I've done so many stupid things, but it's all part of Ozzy. I never pre-planned 99.9% of the things I've done. Some were drastically wrong, some were drastically right. I don't know if you saw the VH1 thing [VH1's Behind The Music Ozzy documentary] recently. In one hour, it's impossible to write my life down. I come from a rather large family, three older sisters and two younger brothers. On the documentary, they interviewed my sister and it was the first time I'd seen her in years. I've had a very, very unique life. I often sit back and remember when I had no money--when you're in the middle of it, you get depressed thinking it's going to last forever. All of a sudden, out of nowhere--a bolt of lightning--here I am! I'm very well-off; I've got property all over the place, I've had a very fruitful career. But I've never had a No.1 album in America. But I've lasted several generations and somebody says to me, "Do you notice any difference in the audience?"”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

I've been doing it now for 30 years. Some of the fans are older, but I've picked up new fans along the way.

Launch.com, October 30, 1998

Life, Women, Money, Stupidity

“It is difficult to produce a television documentary that is both incisive and probing when every twelve minutes one is interrupted by twelve dancing rabbits singing about toilet paper.”

Rod Serling (1924–1975) American screenwriter

Singing, Dance

“Monty Python: A documentary series on everyday life in Great Britain.”

Frank Portman King Dork

Source: King Dork

Life

“In feature films the director is God; in documentary films God is the director.”

Alfred Hitchcock (1899–1980) British filmmaker

God

“We saw that amazing documentary 'Forks Over Knives' and that cleared everything up for us. Every Sunday we're going to the farmers market now, getting our fresh fruits and veggies. It's just two weeks, but we feel much better. I love animals. I don't want to eat them.”

Carrie Ann Inaba (1968) American entertainer

After she and her fiancé, Jesse Sloan, became vegetarians, in "Carrie Ann Inaba goes vegetarian, George Takei shops for a hybrid", in MNN.com (16 November 2011) http://www.mnn.com/lifestyle/arts-culture/stories/carrie-ann-inaba-goes-vegetarian-george-takei-shops-for-a-hybrid

Love, Feeling, Animals

“One of the key topics, for me, is a study of the individual in relation to crowds and to power. A film essay on crowd psychology would avoid commentary (it has become the madness of secondary discourse in many documentaries) and rely wholly on sound and image. Ideally, it would try to provide us with new concepts on the nature of society, on violence, and on the political bestiality of our times that is linked to the way the media has become a plague of words and images stripped of substance. It is a plague infecting our lives and, as a consequence, the history of nations with all that is sensational, random, and confused.”

Damian Pettigrew Canadian filmmaker

On key topics in the documentary genre, Sundance Channel Interview (July 2004)

Way, History, Nature, Study

“[Rwanda’s Untold Story] marks an important, informative, and decisive break from the now-more-than 20 years of false and propagandistic storytelling in the Anglo-American world that has buried the real history of the period. Both the BBC 2’s This World and the documentary’s production staff deserve their audience’s gratitude - not condemnation. […] We have seen that the 38 have a penchant for slander as well as straightforward misrepresentation. It is for committing the grave intellectual and moral crime of providing an alternative but, we believe, entirely credible and evidence-based reinterpretations of what really happened in Rwanda in 1994 that the 38 would like Rwanda’s Untold Story expunged from the BBC archives and its production team sent to the woodshed.”

Edward S. Herman (1925–2017) American journalist

Peterson and Herman, “The Kagame-Power Lobby’s Dishonest Attack on the BBC 2’s Documentary on Rwanda” https://mronline.org/2014/11/01/hp011114-html-2/, MR Online, November 1, 2014. 2010s

World, History, Decision, Falseness

“Writing the history of the present is always a very different thing from writing the history of the distant past. The history of the distant past depends entirely on literary and documentary sources; the history of the present always involves unwritten material as well as documents. But the difference was much greater in the days of Thucydides than it is now.”

J. B. Bury (1861–1927) Irish historian and freethinker

p. 82 http://babel.hathitrust.org/cgi/pt?id=coo1.ark:/13960/t2g73zj2z;view=1up;seq=100 The Ancient Greek Historians (1909)

History, Distant, Past, Dependency

“The most solid documentary of the week was White Rhodesia (BBC1), presented by Hugh Burnett. He was on screen only two or three times and even when he was there you would have sworn he wasn't.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'A load of chunk'
Essays and reviews, The Crystal Bucket (1982)

Time

“The only man for whom Hitler had ‘unqualified respect’ was ‘Stalin the genius’, and while in the case of Stalin and the Russian regime we do not… have the rich documentary material that is available for Germany, we nevertheless know since Khrushchev’s speech before the Twentieth Party Congress that Stalin trusted only one man and that was Hitler.”

Hannah Arendt book The Origins of Totalitarianism

Part 3, Ch. 1 § 1.
The Origins of Totalitarianism (1951)

“This time the entire floor is covered with cut-up illustrated journals, a new tic and trick of mine (eight days now): I cut out photos from illustrated journals and dissolve them with a chemical solution and swipe and smear them. That is fabulous fun. I have always loved illustrated magazines, perhaps because of their documentary actuality. I have also already made a few attempts to paint something like that in a larger format. Curious to see how it will continue. I am pursuing something which in a certain way resembles the most recent movement: Pop art (from popular), probably came up in America and is now heating up the minds here.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 10 March 1963 - to two artist friends, Helmut and Erika Heinze
1960's

Love, Art, Way, Photo

“This film was pivotal in my life, not so much because it was my first successful effort as a producer and director, but because Hitler was so fascinated by this film that he insisted I make a documentary about the Party rally in Nuremberg. The result was Triumph of the Will.”

Leni Riefenstahl (1902–2003) German film director, photographer, actress and dancer

On The Blue Light: Partly quoted in: Leni Riefenstahl (1992) The sieve of time: the memoirs of Leni Riefenstahl. p. 210

Life, Effort, Success

“What the immigrant cannot help noticing is that America is a country where the poor live comparatively well. This fact was dramatized in the 1980s, when CBS television broadcast an anti-Reagan documentary, "People Like Us", which was intended to show the miseries of the poor during an American recession. The Soviet Union also broadcast the documentary, with a view to embarrassing the Reagan administration. But by the testimony of former Soviet leaders, it had the opposite effect. Ordinary people across the Soviet Union saw that the poorest Americans have television sets and microwave ovens and cars. They arrived at the same perception of America that I witnessed in a friend of mine from Bombay who has been unsuccessfully trying to move to the United States for nearly a decade. Finally I asked him, "Why are you so eager to come to America?"”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

He replied, "Because I really want to live in a country where the poor people are fat."
Source: Books, What's So Great About America (2003), Ch. 3: Becoming American

People, Cars, Help, Country

“I don't see why people are so snooty about Channel 5. It has some respectable documentaries about the Second World War. It also devotes considerable airtime to investigations into lap dancing, and other related and vital subjects.”

Boris Johnson (1964) British politician, historian and journalist

"What has the BBC come to? Toilets, that's what", Daily Telegraph, 14 March 2002, p. 29.
2000s, 2002

War, People, World, Dance

“The terrorist kills because he cannot compete with his adversaries. Instead of responding to Salman Rushdie’s ill-structured and unreadable novel with a novel that is well-plotted and properly written, the terrorist calls for his murder. The terrorist cannot challenge Theo van Gogh’s controversial documentary with a better one and thus decides to stab him to death. The history of contemporary Islamist terrorism is full of instances of cold-blooded murder ordered by those who could not compete in literary, political, social or even theological fields against those better than them. With the advent of globalisation, Islamist terrorism is now able to strike beyond the frontiers of the Muslim world. But the same lazy mentality is at work. The terrorist knows that he is incapable of building an alternative civilisation capable of competing with the one he despises. So he tries to destroy what becomes the cause of his humiliation.”

Amir Taheri (1942) Iranian journalist

"Terrorism Cannot Win: This is Why", Elaph.com, (January 16, 2014).

Death, World, History

“The fighting in western Bosnia intensified as the cease-fire approached. (…) Facing the end of the fighting, the Croats and the Bosnians finally buried their differences, if only momentarily, and took Sanski Most and several other smaller towns. But Prijedor still eluded them. For reasons we never fully undestood, they did not capture this important town, a famous symbol of ethnic cleansing.* (*In March 1997, I attended a showing at the Council on Foreign Relations in New York of a powerful documentary film, Calling the ghosts, that recounted the brual treatmen two Bosnian women from Prijedor had suffered during their incarceration at the notorious Omarska prison camp. Following the film, the two women angrily asked me why they were still unable to return to their hometown. I told them we'd repeatedly encouraged an assault on Prijedor. They were stonished; they said General Dudakovic, the Bosnian commander, had told them personally that "Holbrooke would not let us capture Prijedor and Bosanski Novi". I subsequently learned that this story was widely believed in the region. This revisionism was not surprising; it absolved Dudakovic and his associates of responsibility for the failure to take Prijedor. I suspect the truth is that after the disaster at the Una River the Croatians did not want to fight for a town the would have to turn over to the Muslims - and the Bosnians could not capture it unaided.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 206

Women, Truth, Failure, Suffering

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase: In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

People, Art, Search, Flowers

“Growing up, my diet was pretty easy and simple — I was raised on a vegetarian diet. … When I was 15, I watched the documentary Glass Walls [by PETA] and read The China Study [by T. Colin Campbell], and then it became quite clear to me why I wanted to be vegetarian and why I wanted to adopt a vegan lifestyle. After doing my research, I chose to go vegan and have been dedicated to a vegan diet for four years now. … I feel healthier on a clean, whole foods diet that is very simple — especially during competition. And since a plant-based diet is less calorically dense than other diets, I need to make sure I’m eating enough food so I up my portions a lot. I think of veggies as nutrition and water, not a food where I can get energy so I don’t even count veggies when I’m counting calories and nutrition. For energy, I go to potatoes, whole grains, and starchy veggies. I’m obsessed with carrots and sweet potatoes.”

Tia Blanco (1997)

"Why Surfer Tia Blanco Is Vegan" https://web.archive.org/web/20170315222610/http://www.mensjournal.com:80/health-fitness/articles/why-surfer-tia-blanco-is-vegan-w471552, interview with Men's Journal (March 2017).

Food, Feeling, Thinking, Study

“The Civil Rights Movement was not a mirage; it was not a documentary; it was not even a television special; it was live and in living color.”

Yolanda King (1955–2007) American actress

1980s, A Dream Deferred (1989)
Context: The Civil Rights Movement was not a mirage; it was not a documentary; it was not even a television special; it was live and in living color. It should not surprise us that it was a woman who sparked the movement. If Rosa Parks had not chosen to stand up that day in December 1955 by remaining seated on that bus in Montgomery, we would not be here today celebrating the life of Martin Luther King Jr. But that was the incident that propelled him into leadership and ultimately triggered the ending of segregation in the South. The doors of educational and employment opportunities were opened and blacks, Hispanics, and women of all races streamed in on an unprecedented basis.

Color

“Why would a committee award such a prestigious prize right on the heels of his documentary [An Inconvenient Truth] being proven inaccurate and prone to exaggerations?”

Anthony Watts (1958) American television meteorologist

Et tu, Gorus? http://wattsupwiththat.com/2007/10/12/et-tu-gorus/, October 12, 2007. Other

Truth

“I like Monty, I'd like to sit with my arm round him on the sofa all night watching documentaries on BBC Four.”

Ben Dirs journalist

England v West Indies 1st Test, 2007-17-05, BBC http://news.bbc.co.uk/sport1/hi/cricket/6672179.stm,

Night

“If you are with God in truth and faith, whatever comes as a blessing or trial will be what God allows. If you are called by God, from beginning to the end, your journey has been documented. Nothing outside your documentary will happen without God’s knowledge.”

T. B. Joshua (1963) Nigerian Christian leader

Answering a question on challenges via Facebook - "TB Joshua Answers Questions On Marriage, Deliverance And Anointing Through Facebook" http://www.nigeriadailynews.news/news/89320-t-b-joshua-answers-questions-on-marriage-deliverance-anointing-through-facebook.html Nigeria Daily News (January 13 2014)

God, Truth, Faith, Knowledge

“In India, the early documentary scene was dominated by government propaganda made by the Films Division of India, which produced newsreels and documentaries that were compulsorily shown before every commercial film. People either arrived deliberately late or walked out for a smoke during these films, and the tag of "boring" became inescapably attached to the documentary. It has taken several decades of sustained independent work to break this tag.”

Anand Patwardhan (1950) Indian film director

Anand Patwardhan, the Michael Moore of India -Interview UC Berkeley News http://berkeley.edu/news/media/releases/2004/10/13_patwardhan.shtml (October 13, 2004)

People

“The scope of a specialised documentary classification is usually designated by its title, the subject field that it professes to classify. It is no easy task to state what is meant by a subject field. In general it can be expressed as Thing-Activity. A definable group of things… is selected, and from the many relations in which they subsist a certain number are selected as relevant.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Classification and indexing in science (1958), Chapter 1: The need for classification, p. 11.

“The most important characteristic of documentary classification is that it is concerned with subjects, not just entities of taxonomic classification. What is the nature of the specific subjects - the themes on which books, parts of books, articles or parts of articles are written? A study of book titles alone would suggest that literary subjects have simple names like 'War, Religion', 'Boats', 'Musica; pitch', 'Colour', 'Acridines', 'Wild flowers', and so on. But the study of articles on the documentation level reveals that such titles are simple in appearance only. Such a literary subject is in reality a complex aggregate of specific subjects, eahc which is the main theme discussed from one particular aspect.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Classification and indexing in science (1958), Chapter 1: The need for classification, p. 8; Partly cited in Nigerian Library and Information Science Review (1987). Vol 5-8. p. 44.

War, Books, Religion, Flowers

“My entry into the world of the documentary began as a means of political, social intervention and thirty odd years later this is still a primary motive. If I am not satisfied with the results, it is not because of a failure of the medium, but because of the limits that our system puts on the distribution of such films. All my films are badly under-utilized and hence did not have the impact on the real world that they could have had.”

Anand Patwardhan (1950) Indian film director

Tehelka Interview - November 2009 http://www.tehelka.com/story_main34.asp?filename=Ws1361007All_the.asp

World, Motivation, Failure

“In preparing this record, penned by my own hand, of my life and my participation in our great struggles for national existence, human liberty and political equality, I make no pretence to literary merit. The motive that induces me is not authorship. The import of the subject matter of my narrative is my only claim to attention. The statements of facts are a matter of documentary evidence. The comments are my own and show how I saw the matters treated of, whether others saw them in the same light or not. Respectfully dedicating this work to the millions of armed men and devoted women who participated in the great wars of this country, I leave it as a heritage to my wife and son.”

Douglas MacArthur (1880–1964) U.S. Army general of the army, field marshal of the Army of the Philippines

Source: Reminiscences (1964), p. vi

Life, Women, Men, War

“Last year, I reviewed a nine-hour documentary about the lives of Mongolian yak herdsmen, and I would rather see it again than sit through The Frighteners.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-frighteners-1996 of The Frighteners (19 July 1996) Reviews, One-star reviews

“Christian conservatives are claiming that the hit documentary March of the Penguins supports the theory of intelligent design. Meanwhile, backers of evolution claim that intelligent design is refuted in the documentary March of the Bonaduces.”

Amy Poehler (1971) American actress

http://snltranscripts.jt.org/05/05aupdate.phtml
Weekend Update samples

Intelligence, Support

“I watched a TV documentary about how animals are farmed, killed and prepared for us to eat. I saw all those cows and pigs and realised I couldn’t be a part of it any more. It was horrible. I did some research to make sure I could still obtain enough protein to fight and, once satisfied that I could, I stopped [eating animal products]. I’ll never go back.”

David Haye (1980) British boxer

“PETA’s Sexiest Vegan Celebrities of 2014: Thandie Newton and David Haye Nab Top Honours!,” in Peta.org.uk (23 December 2014) http://www.peta.org.uk/blog/petas-sexiest-vegan-celebrities-2014-thandie-newton-david-haye-nab-top-honours/.

Animals, Fight, Parting

“Our profession is concerned with three "aspects of the world". First, how people behave when they feel a need for information; second, characteristics of documentary information that constrain how we can manipulate it; and third, characteristics of the physical media that carry the information, whether they be static books or dynamic electronic networks.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: A Long Search for Information (2004), p. 27.

People, Books, World, Feeling

“What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted. And then when you saw it and you saw the sheer simplicity of it, you learned what it was all about. Those movies showed you how some people act and react with other people. They were like actual sociological 'For instance's. They were like documentaries, and if you thought it could apply to you, it was an example, and if it didn't apply to you, at least it was a documentary, it could apply to somebody you knew and it could clear up some questions you had about them.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 3: Senility

People, Idea, Question, Learning

“I don’t like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.”

Damian Pettigrew Canadian filmmaker

On the documentary art film, Le Parisien (May, 2003)

Art, Success

“I'd stand in front of the mirror and talk to myself until I fell asleep, you know. I'd interview myself as women with problems, you know, like, women in documentaries who had three kids and chainsmoked and husbands in prison that hit them! I'd be in the mirror going, [lowers voice] yeah well, you know, it's not easy since Derrin went into prison. My eyes aren't black anymore, but the twins, Tilly and Wayne, you know, they don't stop crying. SHUT UP TILLY SHUT UP TILLY!”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

Tracey Ullman: Live and Exposed (2005)

Women, Problem, Cry

“The test of an intelligence officer is not so much the ability to accumulate information; it's to judge between different pieces of information, and not to take a piece of information and use it in a piece of analysis simply because it fits your case, but to use it because it either comes from a reliable source like signals intercepts, from a human source that has been vetted over time as a reliable person, or it comes from documentary information -- papers you've stolen from another government or some other organization. The work that came out of Feith's shop that I saw, especially on Al Qaeda and Iraq, was simply … finding pieces of information in the world of intelligence information that fit the argument they wanted to make. Tenet, to his credit, had us go back 10 years in the agency's records and look and see what we knew about Iraq and Al Qaeda. I was available at the time, and I led the effort. We went back 10 years. We examined about 20,000 documents, probably something along the line of 75,000 pages of information, and there was no connection between [Al Qaeda] and Saddam.”

Michael Scheuer (1952) American counterterrorism analyst

" The Dark Side http://www.pbs.org/wgbh/pages/frontline/darkside/interviews/scheuer.html, PBS Frontline Interview, (22 June 2006). 2000s

World, Intelligence, Effort, Time

“The general structural features of the system considered as a network of units of information linked to each other and to documentary items. This may be called structural analysis.”

Brian Campbell Vickery (1918–2009) British information theorist

The Structure of Information Retrieval Systems (1959)

“Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it — from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/t/titanic.html of Titanic (1997). Four star reviews

Time

“You know the funny thing about child pornography: […] the lack of credits at the end. No ego on that side of Hollywood, is there? “Who did the editing on this film, it's seamless! I want to use him on my independent documentary”— but no names. Not even a nom de plume. Some people are in it just for the art.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

From Across The Street (2009)

People, Art

“Rome is a very loony city in every respect. One needs but spend an hour or two there to realize that Fellini makes documentaries.”

Fran Lebowitz book Metropolitan Life

"A World View" (p. 64).
Metropolitan Life (1978)

“People say to me, "You make fantastic films" and I say, "No, I make documentaries."”

Derek Jarman (1942–1994) British film director and artist

In Bergen Filmklub http://www.bergen-filmklubb.no/Arkiv/LENGRE_ARTIKLER/VAaREN_2005/DEREK_JARMAN.html

People

“quote, c. 1960; from the documentary De werkelijkheid van Karel Appel, by Dutch filmer Jan Vrijman, 1962”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quotes

“The first documentary I saw as a child was Robert Flaherty’s Nanook of the North (1922) broadcast one Sunday afternoon. Nanook enchanted me by his courage to smile in a frozen wasteland, and by the simple fact that he wore a fur coat rather than a military uniform: this gentle hunter wasn’t a conqueror. Later, I understood how great Flaherty was: he told a timeless story without using commentary or pedagogues, and he didn’t interview Nanook like a celebrity or an aggressive talk-show host. He remained off-screen, observing and listening to create that exceptional complicity we feel in this documentary that eschews didacticism. The emotion of life found its counterpart in the emotion of art - a rare and precious achievement in a genre that is often limited to the emotion of the informational narrative.”

Damian Pettigrew Canadian filmmaker

On documentary influences, Sundance Channel Interview (July 2004)

Life, Smile, Art, Feeling

“The intention of not only the screenwriter, but also the entire production staff, was to focus on how people would react if a creature such as Godzilla really did appear. What would the politicians do? How about the scientists? How would the military handle the situation? Given this, it was inevitable that the film would seem at least somewhat like a documentary.”

Ishirō Honda (1911–1993) Japanese film director

As quoted by David Milner, "Ishiro Honda Interview" http://www.davmil.org/www.kaijuconversations.com/honda.htm, Kaiju Conversations (December 1992)

People, Appearance

“If this apprehension of the facts be correct, and the documentary evidence would appear to verify it, then certain conclusions are bound to follow. A spring will cease to flow if its source be dried up; a tree will wither if its roots be destroyed. In its main features the Declaration of Independence is a great spiritual document. It is a declaration not of material but of spiritual conceptions. Equality, liberty, popular sovereignty, the rights of man — these are not elements which we can see and touch. They are ideals. They have their source and their roots in the religious convictions. They belong to the unseen world. Unless the faith of the American people in these religious convictions is to endure, the principles of our Declaration will perish. We can not continue to enjoy the result if we neglect and abandon the cause.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Speech on the Anniversary of the Declaration of Independence (1926)

People, World, Faith, Spring

“Along with the rest of the establishment, the BBC—which, to be fair, can make superb documentaries—has swallowed wholesale the lies and distortions about domestic violence promoted by extreme, man-hating feminism through the vehicle of deeply dodgy ‘research’.”

Melanie Phillips (1951) British journalist

http://www.melaniephillips.com/articles/archives/000686.html

Hate

“The “animal rights movement” … is at once colossally powerful but ultimately hobbled by a weak spot both miniscule and fatal. … That colossal power emanates from hundreds of thousands of everyday activists who justifiably believe that conscientious consumers can, through a wide variety of measures, take gradual steps toward removing animal products from their diet. These true believers do the grunt work of activism: they hand out pamphlets, write books, blog, make documentaries, start campus veg societies, publish vegan recipes, open vegan food carts, work for animal sanctuaries, run veganic farms, and do basically anything they can to encourage consumers to contemplate the face on their plate. I consider myself a member of this noble tribe. The heel of the movement, by contrast, consists of a handful of radicals, mostly academics, who do little more than set an unrealistic benchmark of success … First, it seeks to eliminate all animal exploitation, in every realm of life, immediately, and without compromise or strategic capitulation; and second, it aims to eliminate all forms of oppression … The heel does not want the good, or even the better. It wants perfection.”

James E. McWilliams (1968) American historian

"Radical Activism and the Future of Animal Rights", in Pacific Standard (3 July 2013) https://psmag.com/social-justice/radical-activism-and-the-future-of-animal-rights-61789.

Life, Books, Food, Success

“I just don't like meat. Rotten carcasses don't feel good inside in my body. I've also seen some horrible documentaries about the hormones and things that go into meat. On a health level, meat is so scary. […] It's not just about staying away from meat, it's about keeping things in your diet that make you feel good. That's why you eat vegetarian in the first place. […] I think killing to make or eat things is horrific. It seems like there was a movement against wearing fur in fashion, but overnight it's fine again. I hate the way we pay lip service to issues like that.”

Alan Cumming (1965) Scottish actor

“ One on One with Alan Cumming https://www.vegetariantimes.com/life-garden/one-on-one-with-alan-cumming,” interview with Vegetarian Times (27 January 2011).

Hate, Health, Way, Feeling

“It's like watching a nature documentary about piranha in which all the deadly fish do is write each other love notes: Eventually, we want to see them bare their teeth and shred an ox.”

Max Sparber (1968)

City Pages, (1/31/2001)

Love, Nature, Fish

“My primary concept in approaching the production of THX 1138 was to make a kind of cinema verité film of the future — something that would look like a documentary crew had made a film about some character in a time yet to come.”

George Lucas (1944) American film producer

American Cinematographer (October 1971)

Time, Future

“One’s moviegoing tastes and habits change — I still like in movies what I always liked but now, for example, I really want documentaries. After all the years of stale stupid acted-out stories, with less and less for me in them, I am desperate to know something, desperate for facts, for information, for faces of non-actors and for knowledge of how people live — for revelations, not for the little bits of show-business detail worked up for us by show-business minds who got them from the same movies we’re tired of.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

People, Stupidity, Business, Knowledge

“Getting involved in Earthlings was pretty intense because there were still a lot of things I didn’t know. To raise compassion and awareness is so necessary. The documentary is not just about animals, it’s about how we treat each other as well. How we have empathy for the weak and we don’t abuse it. It exposes the truth. It is a very difficult film to get into mainstream because there are so many corporations that will hurt if their secrets revealed.”

Persia White (1972) American actress and singer

"Persia White Interviews With Marta Walsh", interview with Talking Makeup (27 October 2009) http://talkingmakeup.com/beauty/featured/persia-white-interviews-with-marta-walsh/.

Truth, Secret, Animals, Hurt

“Machines change their style so rapidly. If one tries to reproduce them in art as realistically as man and the horse in classical art, one immediately lapses into a kind of anecdotic or documentary art... Only the stylisation of a painter like Leger could integrate the machine as the subject matter of art. Here in Italy, the futurists, before 1914, attempted a similar integration of the machine.... César [French sculptor, in the generation of Marini] creates with elements borrowed from industry and the world of machines, sculptural fossils that appear to have survived the same kind of catastrophe as my own figures. But I would like to show you [ interviewer w:Eduard Roditi now in my studio my latest fossils..”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 89

World, Art, Appearance, Change

“Four basic operations in the effective use of graphic records (documents), to store information and make it available, have been listed by Hyslop: A, recording information in documents; B, storing recorded information—documentary items; C, identifying items containing information relevant to a given problem, situation, or subject; D, providing the identified items from storage. Information storage and retrieval in the wide sense covers all these operations. In the narrow sense used in this paper, information retrieval means only C, identifying documentary items by subject.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: The Structure of Information Retrieval Systems (1959), p. 1275.

Problem, Sense

“This documentary has lifted the lid off a coffin, and now I'm looking at stuff that I didn't know was there.”

Sophie B. Hawkins (1967) American musician

The Cream Will Rise (1997)

“The Classification Research Group (C. R. G.) in London has been discussing for some years the theory of documentary classification, and several papers have been published which reflect the course of the discussions (1–8). Beginning with an explicit disavowal of allegiance to any one published system, the Group has considered the well-known schemes, both general and special, and the work being published by those in other countries who have also been studying the subject theoretically. It has not, unfortunately, had the opportunity so far of seeing the system developed in the U. S. S. R. on the basis of the philosophy of dialectical materialism.
While the Group has not been particularly satisfied with the development of the Colon Classification itself, we have nevertheless come to the conclusion that the method of facet analysis, first used systematically by S. R. Ranganathan, though sometimes occurring previously as it were by intuition, should form the basis of all forms of information retrieval.”

Douglas John Foskett (1918–2004)

Foskett (1959) "The Construction of a Faceted Classification for a Special Subject" in: Proceedings of the International Conference on Scientific Information. p. 867

Study, Country

“Systems transfer or transform materials, energy or information - and usually all three. An information system is one whose prime function is to transfer or transform information: the telephone system is an obvious example. This book concentrates on certain types of information system: those concerned with the transfer of information between specialists, mainly with reference to their work, and mainly based on documents. The focus is thus on specialised documentary information systems.”

Brian Campbell Vickery (1918–2009) British information theorist

Preface; First paragraph
Information Systems (1973)

Books

“The UK's Channel 4 premiered a 75-minute film titled, The Great Global Warming Swindle. Through interviews with prize-winning climate experts and others, this masterful documentary explains the origins of global warming alarmism; factually addresses claims of manmade global climate change; exposes the motivations of organizations, scientists and activists sounding the alarm; and explains why it's been extremely difficult, if not downright career killing, for scientists to question global warming orthodoxy publicly. While presenting hard facts, it is artfully done, making it watchable for the layman and scientist alike.”

Anthony Watts (1958) American television meteorologist

Film can be found online, Chico Enterprise-Record, March 23, 2007.
Other

Motivation, Question, Change

“Alas, producers of commercial dinosaur products continue to churn out low quality product that is either obsolete or improperly derivative. Dino documentaries and books have become so plentiful that they are no longer special and I do not try to keep up with them. There are also serious problems with quality and accuracy which often fail to meet the expectations of scientists. More about those problems here. I about kicked in the TV screen when one dino doc claimed that the brain of Tyrannosaurus was as large as that of a gorilla when its IQ was not all that much better than a croc’s. And why are the theropods shown pausing to challenge their prey before they charge, when the actual focus of predators is to hit and overwhelm the victim before it knows what is happening? The low standards are not surprising considering how the media and press frequently carry product that promotes belief in the paranormal. But these are quibbles. Dinosaur science has almost completely transformed over the half century that my neural network has been aware of it. The old stand-bys from Allosaurus to the always strange Stegosaurus are still fascinating, but we now know about armored sauropods, fat-bellied therizinosaurs and multi-winged, near avian, sickle claws. The reptile model is out and the avian-mammalian is dominant.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Autobiography, part V http://gspauldino.com/part5.html, gspauldino.com

Books, Problem, Science

“Each of these men made a real contribution to the Nazi plan. Each man had a key part. Deprive the Nazi regime of the functions performed by a Schacht, a Sauckel, a Von Papen, or a Goering and you have a different regime. Look down the rows of fallen men and picture them as the photographic and documentary evidence shows them to have been in their days of power. Is there one who did not substantially advance the conspiracy along its bloody path toward its bloody goal? Can we assume that the great effort of these men's lives was directed toward ends they never suspected?”

Robert H. Jackson (1892–1954) American judge

Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)

Men, Effort, Parting

“When they get back to the editing room, they realize that on the television, you can barely make out the show for two seconds; it's "The Simpsons," Homer Simpson on the screen. So they call up Matt Groening, who was a friend of the documentary filmmaker, and say, you know, Is this going to be a problem? It's only a couple seconds. Matt says, No, no, no, it's not going to be a problem, call so and so.”

Lawrence Lessig (1961) American academic, political activist.

OSCON 2002
Context: Here's a story: There was a documentary filmmaker who was making a documentary film about education in America. And he's shooting across this classroom with lots of people, kids, who are completely distracted at the television in the back of the classroom. When they get back to the editing room, they realize that on the television, you can barely make out the show for two seconds; it's "The Simpsons," Homer Simpson on the screen. So they call up Matt Groening, who was a friend of the documentary filmmaker, and say, you know, Is this going to be a problem? It's only a couple seconds. Matt says, No, no, no, it's not going to be a problem, call so and so. So they called so and so, and so and so said call so and so.
Eventually, the so and so turns out to be the lawyers, so when they got to the lawyers, they said, Is this going to be a problem? It's a documentary film. It's about education. It's a couple seconds. The so and so said 25,000 bucks. 25,000 bucks?! It's a couple seconds! What do you mean 25,000 bucks? The so and so said, I don't give a goddamn what it is for. $25,000 bucks or change your movie. Now you look at this and you say this is insane. It's insane. And if it is only Hollywood that has to deal with this, OK, that's fine. Let them be insane. The problem is their insane rules are now being applied to the whole world. This insanity of control is expanding as everything you do touches copyrights.

Problem

“That was a documentary!”

Daniel Ellsberg (1931) American economist and whistleblower

An exclamation Ellsberg made to a fellow government official, after they both watched the film Dr. Strangelove.
Source: http://www.nytimes.com/2004/10/10/movies/10kapl.html?pagewanted=2&_r=0

“The VHP-mandated scholars have, in their argumentation, pointed out no less than four attempts where scholars belonging to the anti-temple party have tried to conceal or destroy documentary evidence. Those are of course cases where the attempt failed because it was noticed in time, but the question must be asked how many similar attempts have succeeded.”

Koenraad Elst (1959) orientalist, writer

2000s, Ayodhya: The Case Against the Temple (2002)

Time, Question

“There’s a unique trust between me and the public that’s grown up and that’s really important to me, but the truth is that trust has come about because the programmes I make are not about me. The subject is always bigger: that’s the lesson I’ve learned about making documentaries.”

Reggie Yates (1983) English actor, television presenter and radio DJ

On how he’s viewed differently compared to when he was a television personality in “Reggie Yates: ‘I have late-night romantic dinners with my laptop’” https://www.theguardian.com/tv-and-radio/2018/mar/18/reggie-yates-searching-for-grenfell-missing-victims-interview in The Guardian (2018 Mar 18)

Truth, Making love, Learning

“If all human production (aesthetic or otherwise) has its documentary aspect (i. e., it can be associated, by a knowledgeable reader, with a time and place), does this endanger its aesthetic aspects per se? It is the richness of the pattern that is aesthetically at stake. How many art histories does it take to make us understand that reference (a use context) and historicity are not the same?”

Samuel R. Delany book Flight from Nevèrÿon

Section 8.55 (p. 241)
Flight from Nevèrÿon (1985)

Time, Understanding, History, Art

“I was pretty health-conscious even before going vegan. The transition came after I watched Food, Inc. and a documentary called GMO OMG.”

Wilson Chandler (1987) American basketball player

After that I went pescatarian for a while, but I went deeper and deeper with research. … Part of why I stopped eating meat is because the more acid is in your body, the harder it is for muscles to recover. "The Real-Life Diet of Wilson Chandler, Nuggets Forward and Vegan" https://www.gq.com/story/wilson-chandler-real-life-vegan-diet, interview with GQ (December 6, 2016).

Health, Food