Quotes about documentary

A collection of quotes on the topic of documentary, likeness, making, film.

Quotes about documentary

Alfred Hitchcock photo

“In the documentary the basic material has been created by God, whereas in the fiction film the director is a God; he must create life.”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in Hitchcock (revised edition 1984) by François Truffaut with the collaboration of Helen G. Scott, p. 102.

Mike Shinoda photo
Ozzy Osbourne photo
Rod Serling photo
Carrie Ann Inaba photo

“We saw that amazing documentary 'Forks Over Knives' and that cleared everything up for us. Every Sunday we're going to the farmers market now, getting our fresh fruits and veggies. It's just two weeks, but we feel much better. I love animals. I don't want to eat them.”

Carrie Ann Inaba (1968) American entertainer

After she and her fiancé, Jesse Sloan, became vegetarians, in "Carrie Ann Inaba goes vegetarian, George Takei shops for a hybrid", in MNN.com (16 November 2011) http://www.mnn.com/lifestyle/arts-culture/stories/carrie-ann-inaba-goes-vegetarian-george-takei-shops-for-a-hybrid

Damian Pettigrew photo
J. B. Bury photo

“The most solid documentary of the week was White Rhodesia (BBC1), presented by Hugh Burnett. He was on screen only two or three times and even when he was there you would have sworn he wasn't.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'A load of chunk'
Essays and reviews, The Crystal Bucket (1982)

Hannah Arendt photo
Gerhard Richter photo
Leni Riefenstahl photo

“This film was pivotal in my life, not so much because it was my first successful effort as a producer and director, but because Hitler was so fascinated by this film that he insisted I make a documentary about the Party rally in Nuremberg. The result was Triumph of the Will.”

Leni Riefenstahl (1902–2003) German film director, photographer, actress and dancer

On The Blue Light: Partly quoted in: Leni Riefenstahl (1992) The sieve of time: the memoirs of Leni Riefenstahl. p. 210

Dinesh D'Souza photo
Boris Johnson photo

“I don't see why people are so snooty about Channel 5. It has some respectable documentaries about the Second World War. It also devotes considerable airtime to investigations into lap dancing, and other related and vital subjects.”

Boris Johnson (1964) British politician, historian and journalist

"What has the BBC come to? Toilets, that's what", Daily Telegraph, 14 March 2002, p. 29.
2000s, 2002

Amir Taheri photo
Richard Holbrooke photo

“The fighting in western Bosnia intensified as the cease-fire approached. (…) Facing the end of the fighting, the Croats and the Bosnians finally buried their differences, if only momentarily, and took Sanski Most and several other smaller towns. But Prijedor still eluded them. For reasons we never fully undestood, they did not capture this important town, a famous symbol of ethnic cleansing.* (*In March 1997, I attended a showing at the Council on Foreign Relations in New York of a powerful documentary film, Calling the ghosts, that recounted the brual treatmen two Bosnian women from Prijedor had suffered during their incarceration at the notorious Omarska prison camp. Following the film, the two women angrily asked me why they were still unable to return to their hometown. I told them we'd repeatedly encouraged an assault on Prijedor. They were stonished; they said General Dudakovic, the Bosnian commander, had told them personally that "Holbrooke would not let us capture Prijedor and Bosanski Novi". I subsequently learned that this story was widely believed in the region. This revisionism was not surprising; it absolved Dudakovic and his associates of responsibility for the failure to take Prijedor. I suspect the truth is that after the disaster at the Una River the Croatians did not want to fight for a town the would have to turn over to the Muslims - and the Bosnians could not capture it unaided.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 206

William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

Yolanda King photo

“The Civil Rights Movement was not a mirage; it was not a documentary; it was not even a television special; it was live and in living color.”

Yolanda King (1955–2007) American actress

1980s, A Dream Deferred (1989)
Context: The Civil Rights Movement was not a mirage; it was not a documentary; it was not even a television special; it was live and in living color. It should not surprise us that it was a woman who sparked the movement. If Rosa Parks had not chosen to stand up that day in December 1955 by remaining seated on that bus in Montgomery, we would not be here today celebrating the life of Martin Luther King Jr. But that was the incident that propelled him into leadership and ultimately triggered the ending of segregation in the South. The doors of educational and employment opportunities were opened and blacks, Hispanics, and women of all races streamed in on an unprecedented basis.

Anthony Watts photo

“Why would a committee award such a prestigious prize right on the heels of his documentary [An Inconvenient Truth] being proven inaccurate and prone to exaggerations?”

Anthony Watts (1958) American television meteorologist

Et tu, Gorus? http://wattsupwiththat.com/2007/10/12/et-tu-gorus/, October 12, 2007.
Other

“I like Monty, I'd like to sit with my arm round him on the sofa all night watching documentaries on BBC Four.”

Ben Dirs journalist

England v West Indies 1st Test, 2007-17-05, BBC http://news.bbc.co.uk/sport1/hi/cricket/6672179.stm,

T. B. Joshua photo

“If you are with God in truth and faith, whatever comes as a blessing or trial will be what God allows. If you are called by God, from beginning to the end, your journey has been documented. Nothing outside your documentary will happen without God’s knowledge.”

T. B. Joshua (1963) Nigerian Christian leader

Answering a question on challenges via Facebook - "TB Joshua Answers Questions On Marriage, Deliverance And Anointing Through Facebook" http://www.nigeriadailynews.news/news/89320-t-b-joshua-answers-questions-on-marriage-deliverance-anointing-through-facebook.html Nigeria Daily News (January 13 2014)

Anand Patwardhan photo
Anand Patwardhan photo
Douglas MacArthur photo
Roger Ebert photo

“Last year, I reviewed a nine-hour documentary about the lives of Mongolian yak herdsmen, and I would rather see it again than sit through The Frighteners.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-frighteners-1996 of The Frighteners (19 July 1996)
Reviews, One-star reviews

Amy Poehler photo
David Haye photo

“I watched a TV documentary about how animals are farmed, killed and prepared for us to eat. I saw all those cows and pigs and realised I couldn’t be a part of it any more. It was horrible. I did some research to make sure I could still obtain enough protein to fight and, once satisfied that I could, I stopped [eating animal products]. I’ll never go back.”

David Haye (1980) British boxer

“PETA’s Sexiest Vegan Celebrities of 2014: Thandie Newton and David Haye Nab Top Honours!,” in Peta.org.uk (23 December 2014) http://www.peta.org.uk/blog/petas-sexiest-vegan-celebrities-2014-thandie-newton-david-haye-nab-top-honours/.

Andy Warhol photo
Damian Pettigrew photo
Tracey Ullman photo
Doug Stanhope photo
Fran Lebowitz photo
Derek Jarman photo

“People say to me, "You make fantastic films" and I say, "No, I make documentaries."”

Derek Jarman (1942–1994) British film director and artist

In Bergen Filmklub http://www.bergen-filmklubb.no/Arkiv/LENGRE_ARTIKLER/VAaREN_2005/DEREK_JARMAN.html

Karel Appel photo
Damian Pettigrew photo
Ishirō Honda photo
Calvin Coolidge photo
Melanie Phillips photo
Alan Cumming photo
George Lucas photo
Pauline Kael photo
Marino Marini photo
Sophie B. Hawkins photo

“This documentary has lifted the lid off a coffin, and now I'm looking at stuff that I didn't know was there.”

Sophie B. Hawkins (1967) American musician

The Cream Will Rise (1997)

Anthony Watts photo
Gregory Scott Paul photo

“Alas, producers of commercial dinosaur products continue to churn out low quality product that is either obsolete or improperly derivative. Dino documentaries and books have become so plentiful that they are no longer special and I do not try to keep up with them. There are also serious problems with quality and accuracy which often fail to meet the expectations of scientists. More about those problems here. I about kicked in the TV screen when one dino doc claimed that the brain of Tyrannosaurus was as large as that of a gorilla when its IQ was not all that much better than a croc’s. And why are the theropods shown pausing to challenge their prey before they charge, when the actual focus of predators is to hit and overwhelm the victim before it knows what is happening? The low standards are not surprising considering how the media and press frequently carry product that promotes belief in the paranormal. But these are quibbles. Dinosaur science has almost completely transformed over the half century that my neural network has been aware of it. The old stand-bys from Allosaurus to the always strange Stegosaurus are still fascinating, but we now know about armored sauropods, fat-bellied therizinosaurs and multi-winged, near avian, sickle claws. The reptile model is out and the avian-mammalian is dominant.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Autobiography, part V http://gspauldino.com/part5.html, gspauldino.com

Robert H. Jackson photo
Lawrence Lessig photo

“When they get back to the editing room, they realize that on the television, you can barely make out the show for two seconds; it's "The Simpsons," Homer Simpson on the screen. So they call up Matt Groening, who was a friend of the documentary filmmaker, and say, you know, Is this going to be a problem? It's only a couple seconds. Matt says, No, no, no, it's not going to be a problem, call so and so.”

Lawrence Lessig (1961) American academic, political activist.

OSCON 2002
Context: Here's a story: There was a documentary filmmaker who was making a documentary film about education in America. And he's shooting across this classroom with lots of people, kids, who are completely distracted at the television in the back of the classroom. When they get back to the editing room, they realize that on the television, you can barely make out the show for two seconds; it's "The Simpsons," Homer Simpson on the screen. So they call up Matt Groening, who was a friend of the documentary filmmaker, and say, you know, Is this going to be a problem? It's only a couple seconds. Matt says, No, no, no, it's not going to be a problem, call so and so. So they called so and so, and so and so said call so and so.
Eventually, the so and so turns out to be the lawyers, so when they got to the lawyers, they said, Is this going to be a problem? It's a documentary film. It's about education. It's a couple seconds. The so and so said 25,000 bucks. 25,000 bucks?! It's a couple seconds! What do you mean 25,000 bucks? The so and so said, I don't give a goddamn what it is for. $25,000 bucks or change your movie. Now you look at this and you say this is insane. It's insane. And if it is only Hollywood that has to deal with this, OK, that's fine. Let them be insane. The problem is their insane rules are now being applied to the whole world. This insanity of control is expanding as everything you do touches copyrights.

Daniel Ellsberg photo

“That was a documentary!”

Daniel Ellsberg (1931) American economist and whistleblower

An exclamation Ellsberg made to a fellow government official, after they both watched the film Dr. Strangelove.
Source: http://www.nytimes.com/2004/10/10/movies/10kapl.html?pagewanted=2&_r=0

Koenraad Elst photo
Reggie Yates photo

“There’s a unique trust between me and the public that’s grown up and that’s really important to me, but the truth is that trust has come about because the programmes I make are not about me. The subject is always bigger: that’s the lesson I’ve learned about making documentaries.”

Reggie Yates (1983) English actor, television presenter and radio DJ

On how he’s viewed differently compared to when he was a television personality in “Reggie Yates: ‘I have late-night romantic dinners with my laptop’” https://www.theguardian.com/tv-and-radio/2018/mar/18/reggie-yates-searching-for-grenfell-missing-victims-interview in The Guardian (2018 Mar 18)

Samuel R. Delany photo
Wilson Chandler photo

“I was pretty health-conscious even before going vegan. The transition came after I watched Food, Inc. and a documentary called GMO OMG.”

Wilson Chandler (1987) American basketball player

After that I went pescatarian for a while, but I went deeper and deeper with research. … Part of why I stopped eating meat is because the more acid is in your body, the harder it is for muscles to recover.
"The Real-Life Diet of Wilson Chandler, Nuggets Forward and Vegan" https://www.gq.com/story/wilson-chandler-real-life-vegan-diet, interview with GQ (December 6, 2016).

Idi Amin photo
Marilyn Ferguson photo
Ralph Nader photo
Zhang Yimou photo

“Fiction film is really different from documentary in this aspect. It is less objective, because the director expresses a subjective point of view with the movie. I would like the movie to look like a documentary, look real.”

Zhang Yimou (1950) Chinese actor, film director, screenwriter and film producer

"No one to be Missed" in Off Screen https://offscreen.com/view/zhang_yimou (April 1999)