Quotes about desire
page 17

“Since taking this job things have happened. I've been spending my free time studying the Word. Each night the Lord seemed to get hold of me a little more. Night before last I was reading in Nehemiah. I finished the book, and read it through again. Here was a man who left everything as far as position was concerned to go do a job nobody else could handle. And because he went the whole remnant back in Jerusalem got right with the Lord. Obstacles and hindrances fell away and a great work was done. Jim, I couldn't get away from it. The Lord was dealing with me. On the way home yesterday morning I took a long walk and came to a decision which I know is of the Lord. In all honesty before the Lord I say that no one or nothing beyond Himself and the Word has any bearing upon what I've decided to do. I have one desire now - to live a life of reckless abandon for the Lord, putting all my energy into it. Maybe He'll send me someplace where the name of Jesus Christ is unknown. Jim, I'm taking the Lord at His word, and I'm trusting Him to prove His Word. It's kind of like putting all your eggs in one basket, but we've already put our trust in Him for salvation, so why not do it as far as our life is concerned? If there's nothing to this business of eternal life we might as well lose everything in one crack and throw our present life away with out life hereafter. But if there is something to it, then everything else the Lord says must hold true likewise. Pray for me, Jim.”

Ed McCully (1927–1956) American Christian missionary
Russell L. Ackoff photo
Francesco Berni photo

“To lose the thing we love is greater pain
Than to desire and never to obtain.”

Francesco Berni (1497–1535) Italian poet

Che lasciar quel che s'ama, e peggio assai
Che disiarlo, e non averlo mai.
XVII, 6
Rifacimento of Orlando Innamorato

Alfred Horsley Hinton photo

“The desire to see for the sake of seeing is with most people the only desire to be gratified; hence the delight in detail.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Methods - The practical application of means to end, p. 27

Harry Emerson Fosdick photo
Henry David Thoreau photo
Sarada Devi photo
Fabian Picardo photo

“Although we will not deviate from our stated position that Gibraltar will never be Spanish, we reach out our hand in friendship and reiterate equally forcefully our desire to have a strong and positive relationship of cooperation with our Spanish neighbours.”

Fabian Picardo (1972) Gibraltarian politician and barrister

[12 June 2018, Chief Minister's Address To United Nations Committee Of 24, http://vox.gi/cms/local/11516-chief-minister-s-address-to-un-committee-of-24.html, VOX Gibraltar News, 21 June 2018]
2018

John Morley, 1st Viscount Morley of Blackburn photo
Benjamin Ricketson Tucker photo
Marcus Aurelius photo
Ludwig Feuerbach photo

“The desire of a poet for his writings to be in print is as natural as a painter needs to exhibit his work in public.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

Nisargadatta Maharaj photo
Paul Thurrott photo

“Apple is a hugely successful company and its Mac business, even though it trails the wider PC market by a wide margin, is a great business, a very, very successful and desirable business. For Apple. Why anyone would care about that, other than employees of Apple, is unclear to me.”

Paul Thurrott (1966) American podcaster, author, and blogger

Market Share Matters http://winsupersite.com/blog/supersite-blog-39/commentary/market-share-matters-140372 in Paul Thurrott's Supersite For Windows (27 August 2011)

Michel Foucault photo
Maimónides photo
Nikos Kazantzakis photo
Norodom Sihanouk photo

“There are two injustices which revolt Me! First, that which makes the people believe that those responsible for the [Franco-Khmer] treaty and who continue to have dealings with the French are traitors. Secondly, that which holds that… all who do not openly insult and struggle against the French are traitors… For Myself, I refuse [this logic]… If I am a traitor, let the Crown Council permit Me to abdicate!… I can no longer stand by and watch My country drown and My people die… Over these last few months we have no longer dared look each other in the face. In our offices and schools, everywhere people are discussing politics- suspecting each other; hatching plots; promoting this person, bringing down that one, pushing the third aside; doing no constructive work while, in the country at large, killing, banditry and murder hold sway. Chaos reigns, the established order has ceased to exist… The military and the police… no longer know where their duty lies. The Issaraks are told that they are dying for Cambodia, and so are our soldiers dying in battle against them… Each day threatens [to engulf us in] a veritable civil war… This is how things now stand gentlemen. The time has come for the Nation to make clear whether it desires to follow [the way of the rebels], or to continue in the path that I have traced.”

Norodom Sihanouk (1922–2012) Cambodian King

Speech to the Council of the Throne (June 4, 1952), as quoted in Philip Short (2004) Pol Pot: The History of a Nightmare, page 76.
Speeches

Louis Brandeis photo

“What I have desired to do is to make the people of Boston realize that the most important office, and the one which all of us can and should fill, is that of private citizen. The duties of the office of private citizen cannot under a republican form of government be neglected without serious injury to the public.”

Louis Brandeis (1856–1941) American Supreme Court Justice

Statement to a reporter in the Boston Record, 14 April 1903. (quoted in Alpheus Thomas Mason, Brandeis: A Free Man's Life (1946), p. 122.)
Commonly paraphrased as "The most important office is that of the private citizen" or "The most important political office is that of the private citizen", and sometimes misattributed to his dissenting opinion in Olmstead v. United States.
Extra-judicial writings

John Steinbeck photo

“There's something desirable about anything you're used to as opposed to something you're not.”

Source: The Winter of Our Discontent (1961), Part One, Chapter VIII

Francis Place photo
Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

Dejan Stojanovic photo

“Our desire to say more grows bigger and what to say about it, except that saying is not always about saying, growing is not always about growing.”

Dejan Stojanovic (1959) poet, writer, and businessman

Big Dreams http://www.poemhunter.com/poem/big-dreams-2/
From the poems written in English

Stephenie Meyer photo
Rosa Luxemburg photo
Calvin Coolidge photo
Anthony Crosland photo
Thomas Robert Malthus photo

“It cannot be true, therefore, that among animals some of the offspring will possess the desirable qualities of the parents in greater degree, or that animals are indefinitely perfectible.”

Thomas Robert Malthus (1766–1834) British political economist

Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter IX, paragraph 9, lines 1-3

Democritus photo

“Good means not [merely] not to do wrong, but rather not to desire to do wrong.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

Joseph Strutt photo
Edsger W. Dijkstra photo
Maxwell D. Taylor photo
Frederick Douglass photo

“I was not more than thirteen years old, when in my loneliness and destitution I longed for some one to whom I could go, as to a father and protector. The preaching of a white Methodist minister, named Hanson, was the means of causing me to feel that in God I had such a friend. He thought that all men, great and small, bond and free, were sinners in the sight of God: that they were by nature rebels against His government; and that they must repent of their sins, and be reconciled to God through Christ. I cannot say that I had a very distinct notion of what was required of me, but one thing I did know well: I was wretched and had no means of making myself otherwise. I consulted a good old colored man named Charles Lawson, and in tones of holy affection he told me to pray, and to 'cast all my care upon God'. This I sought to do; and though for weeks I was a poor, broken-hearted mourner, traveling through doubts and fears, I finally found my burden lightened, and my heart relieved. I loved all mankind, slaveholders not excepted, though I abhorred slavery more than ever. I saw the world in a new light, and my great concern was to have everybody converted. My desire to learn increased, and especially, did I want a thorough acquaintance with the contents of the Bible”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 110–111.

Stanley Baldwin photo
Ayn Rand photo
Herman Kahn photo
John Woolman photo
John Boyle O'Reilly photo

“For the love that is purest and sweetest
Has a kiss of desire on the lips.”

John Boyle O'Reilly (1844–1890) Irish-born poet and novelist

A White Rose, lines 7-8, in In Bohemia (1886), p. 24.

Jozef Israëls photo

“But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.
Quote of Israëls from his text Spanje, een reisverhaal, publisher, Martinus Nijhoff, De Haag, 1899, p. unknown
Quotes of Jozef Israels, 1871 - 1900

“Sometimes I believe that evil is everything, and that good is only a beautiful desire for evil.”

Antonio Porchia (1885–1968) Italian Argentinian poet

A veces creo el mal es todo y que el bien es sólo un bello deseo del mal.
Voces (1943)

Katherine Mansfield photo
Francisco Franco photo
Andrew Sega photo
Ralph Bunche photo
Ben Carson photo
Edmund Burke photo
Jeremy Soule photo

“My secret desire is for the whole world to eventually play games and for games to have the kind of influence that books and movies do. Games are a great place for the planet's collective subconscious to grow as we further our understanding of each other.”

Jeremy Soule (1975) American composer

Jeremy Soule Interview https://web.archive.org/web/20021026151734/http://www.stratosgroup.com/features/interviews.php?selected=200206jsbh (June 04, 2002).
Attributed

Murray Bookchin photo

“Our Being is Becoming, not stasis. Our Science is Utopia, our Reality is Eros, our Desire is Revolution.”

Murray Bookchin (1921–2006) American libertarian socialist author, orator, and philosopher

Desire and Need (1967).

Jane Roberts photo
Julian of Norwich photo
Martin Luther King, Jr. photo
Benjamin R. Barber photo
Yehudi Menuhin photo
Walter Raleigh photo
Ulysses S. Grant photo
Aurangzeb photo

“The infidels demolished a mosque that was under construction and wounded the artisans. When the news reached Shah Yasin, he came to Banaras from Mandyawa and collecting the Muslim weavers, demolished the big temple. A Sayyid who was an artisan by profession agreed with one Abdul Rasul to build a mosque at Banaras and accordingly the foundation was laid. Near the place there was a temple and many houses belonging to it were in the occupation of the Rajputs. The infidels decided that the construction of a mosque in the locality was not proper and that it should be razed to the ground. At night the walls of the mosque were found demolished. Next day the wall was rebuilt but it was again destroyed. This happened three or four times. At last the Sayyid hid himself in a corner. With the advent of night the infidels came to achieve their nefarious purpose. When Abdul Rasul gave the alarm, the infidels began to fight and the Sayyid was wounded by Rajputs. In the meantime, the Musalman resident of the neighbourhood arrived at the spot and the infidels took to their heels. The wounded Muslims were taken to Shah Yasin who determined to vindicate the cause of Islam. When he came to the mosque, people collected from the neighbourhood. The civil officers were outwardly inclined to side with the saint, but in reality they were afraid of the royal displeasure on account of the Raja, who was a courtier of the Emperor and had built the temple (near which the mosque was under construction). Shah Yasin, however, took up the sword and started for Jihad. The civil officers sent him a message that such a grave step should not be taken without the Emperor's permission. Shah Yasin, paying no heed, sallied forth till he reached Bazar Chau Khamba through a fusillade of stones' The, doors (of temples) were forced open and the idols thrown down. The weavers and other Musalmans demolished about 500 temples. They desired to destroy the temple of Beni Madho, but as lanes were barricaded, they desisted from going further.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Varanasi (Uttar Pradesh) Ganj-i-Arshadi, cited in : Sharma, Sri Ram, Religious Policy of the Mughal Emperors, Bombay, 1962. p. 144-45
Quotes from late medieval histories

Milkha Singh photo

“Discipline, hard work, will power…. My experience made me so hard that I wasn't even scared of death." But one story reflects his desire clearest.”

Milkha Singh (1935) Indian track and field athlete

But one story reflects his desire clearest. The 'Flying Sikh' remembers, Rohit, Brijnath, 30 July 2008, 12 July 2013, BBC News http://news.bbc.co.uk/1/hi/world/south_asia/7532626.stm,

John Buchan photo
Leon R. Kass photo
John Flavel photo

“Christ bounds and terminates the vast desires of the soul; He is the very Sabbath of the soul.”

John Flavel (1627–1691) English Presbyterian clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 559.

Nikki SooHoo photo
David Bentley Hart photo

“Christ is a persuasion, a form of evoking desire… Such an account [of Christ] must inevitably make an appeal to beauty.”

David Bentley Hart (1965) American theologian

Source: The Beauty of the Infinite (2003), p. 3

Jean Piaget photo
Marcus Aurelius photo
Vātsyāyana photo
Robert Barron (bishop) photo
Anaïs Nin photo
James Freeman Clarke photo
Robert Chambers (publisher, born 1802) photo
Maurice de Vlaminck photo
Antoni Tàpies photo
Frank Sinatra photo
Subh-i-Azal photo
André Maurois photo
Henri Nouwen photo
William H. Gass photo
Logan Pearsall Smith photo

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Albert A. Michelson photo
Pierce Brosnan photo
Yukteswar Giri photo

“Attachment is blinding; it lends an imaginary halo of attractiveness to the object of desire.”

Yukteswar Giri (1855–1936) Indian yogi and guru

Autobiography of a Yogi (1946)