Quotes about creationism
page 6

James Thomson (poet) photo
Ivan Kostov Nikolov photo
Flower A. Newhouse photo
Albert Camus photo
Gore Vidal photo
Pope Benedict XVI photo
Kurt Schwitters photo
Calvin Coolidge photo
Jean Dubuffet photo

“.. the wind of 'art brut' blows on writing as well as on other avenues of artistic creation.”

Jean Dubuffet (1901–1985) sculptor from France

Quote in the text of Jean Dubuffet, 'Project pour un petit texte liminaire introduisant les publications de 'L'art brut dans l'écrire', 1969 (1969), published in Le Langage de la rupture', Paris: Presses Universitaires de France, 1978
1960-70's

Ray Comfort photo
Albert Gleizes photo
Ranil Wickremesinghe photo

“A priority for us is the creation of more jobs that will minimise poverty and provide for prosperity for all Sri Lankans. Towards this, we need to enhance our capacity to successfully compete in global markets while creating the necessary space for investments to come in.”

Ranil Wickremesinghe (1949) Former Prime Minister of Sri Lanka

On reducing poverty in SL (Sri Lanka), quoted on World Finance (February 16, 2016), "Sri Lanka has reduced poverty but challenges remain" http://www.worldfinance.com/home/sri-lanka-has-reduced-poverty-but-challenges-remain

James Jeans photo
Joseph Smith, Jr. photo

“Element had an existence from the time he [God] had. The pure principles of element are principles which can never be destroyed; they may be organized and re-organized, but not destroyed. They had no beginning, and can have no end.... [T]he mind of man — the immortal spirit. Where did it come from? All learned men and doctors of divinity say that God created it in the beginning; but it is not so: the very idea lessens man in my estimation. I do not believe the doctrine; I know better. Hear it, all ye ends of the world; for God has told me so... We say that God himself is a self-existent being. Who told you so? It is correct enough; but how did it get into your heads? Who told you that man did not exist in like manner upon the same principles? Man does exist upon the same principles. God made a tabernacle and put a spirit into it, and it became a living soul.... The mind or the intelligence which man possesses is [co-eternal] with God himself. I know that my testimony is true... Is it logical to say that the intelligence of spirits is immortal, and yet that it had a beginning? The intelligence of spirits had no beginning, neither will it have an end. That is good logic. That which has a beginning may have an end. There never was a time when there were not spirits; for they are [co-eternal] with our Father in heaven.... I take my ring from my finger and liken it unto the mind of man—the immortal part, because it has no beginning. Suppose you cut it in two; then it has a beginning and an end; but join it again, and it continues one eternal round. So with the spirit of man. As the Lord liveth, if it had a beginning, it will have an end. All the fools and learned and wise men from the beginning of creation, who say that the spirit of man had a beginning, prove that it must have an end; and if that doctrine is true, then the doctrine of annihilation would be true. But if I am right, I might with boldness proclaim from the house-tops that God never had the power to create the spirit of man at all. God himself could not create himself.”

History of the Church, 6:308-309 (7 April 1844)
1840s, King Follett discourse (1844)

Paula Modersohn-Becker photo

“The intensity with which a subject is grasped (still life's, portraits, or creations of the imagination) – that is what makes for beauty in art.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 198
1899

William Winwood Reade photo
Ray Comfort photo
George E. P. Box photo
Aldo Leopold photo
Oliver Goldsmith photo
Lesslie Newbigin photo
Grant MacEwan photo

“I believe instinctively in a God for whom I am prepared to search.

I believe it is an offence against the God of Nature for me to accept any hand-me-down, man-defined religion or creed without the test of reason. I believe no man dead or alive knows more about God than I can know by searching.

I believe that the God of Nature must be without prejudice, with exactly the same concern for all of His children, and that the human invokes no more, no less of fatherly love than the beaver or the sparrow.

I believe I am an integral part of the environment and, as a good subject, I must establish an enduring relationship with my surroundings. My dependence upon the land is fundamental.

I believe destructive waste and greedy exploitation are sins.

I believe the biggest challenge is in being a helper rather than a destroyer of the treasures in Nature's storehouse, a conserver, a husbandman and partner in caring for the Vineyard.

I accept, with apologies to Albert Schweitzer, "a Reverence for Life" and all that is of the Great Spirit's creation.

I believe mortality is not complete until the individual holds all of the Great Spirit's creatures in brotherhood and has compassion for all. A fundamental concept of Good consists of working to preserve all creatures with feeling and the will to live.

I am prepared to stand before my Maker, the Ruler of the entire Universe, with no other plea than that I have tried to leave things in His Vineyard better than I found them.”

Grant MacEwan (1902–2000) Alberta politician, Mayor of Calgary, Lieutenant Governor of Alberta

[Will The Real Alberta Please Stand Up, University of Alberta Press, 2010, 185–186, Geo Takach] The MacEwan Creed, 1969 http://www.macewan.ca/web/services/ims/client/upload/ACF16FF.pdf.

Patrick Matthew photo
Peter Sloterdijk photo
David Ricardo photo

“I have already expressed my opinion on this subject in treating of rent, and have now only further to add, that rent is a creation of value, as I understand that word, but not a creation of wealth.”

David Ricardo (1772–1823) British political economist, broker and politician

Source: The Principles of Political Economy and Taxation (1821) (Third Edition), Chapter XXXII, Malthus on Rent, p. 273

Roger Raveel photo

“That I started [in the creation of his art] from my immediate environment was extremely important to me. Only the things I knew, with which I was familiar, which I had caught on their reality value, I could approach free of extra-pictorial aesthetics and pale romanticism. Of course the question remained how I - who wanted to involve modern life in my art - could continue to seek my inspiration at Machelen-aan-de-Leie, a village in the countryside, far from the city and the crowds. Where can one sense better the infiltration of modern life than in a village in the countryside? In the city everything gets integrated immediately, you can't see clearly the insulating and contrasting-alienating effect of publicity, the gas-station, the concrete, the car, etc. On the other hand, I keep saying that we must continue to see the grass, the corn and the cows. Not within an animistic unity, but from a mentality that has the courage to approach these things freely and ruthless in our era. What ordinary people make out of life is fascinating me.”

Roger Raveel (1921–2013) painter

Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's

Geoffrey West photo

“Intent and action are the fuel and vehicle in the journey of creation.”

Source: Life, the Truth, and Being Free (2010), p. 110

Zygmunt Bauman photo
Robert Chambers (publisher, born 1802) photo
Robert Maynard Hutchins photo
Clive Staples Lewis photo
George Holmes Howison photo

“Especially must we find a substitute for creation by fiat, or efficient causation. For no being that arises out of efficient causation can possibly be free”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.332

Arthur C. Clarke photo
Newton Lee photo
John Quincy Adams photo

“Respect for his ancestors excites, in the breast of man, interest in their history, attachment to their characters, concern for their errors, involuntary pride in their virtues. Love for his posterity spurs him to exertion for their support, stimulates him to virtue for their example, and fills him with the tenderest solicitude for their welfare. Man, therefore, was not made for himself alone. No; he was made for his country, by the obligations of the social compact: he was made for his species, by the Christian duties of universal charity: he was made for all ages past, by the sentiment of reverence for his forefathers; and he was made for all future times, by the impulse of affection for his progeny. Under the influence of these principles, "Existence sees him spurn her bounded reign." They redeem his nature from the subjection of time and space: he is no longer a "puny insect shivering at a breeze;" he is the glory of creation, formed to occupy all time and all extent: bounded, during his residence upon earth, only by the boundaries of the world, and destined to life and immortality in brighter regions, when the fabric of nature itself shall dissolve and perish.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

He here quotes statements made about William Shakespeare by Samuel Johnson, and then one made in reference to Timon by Alexander Pope in Moral Essays.
Oration at Plymouth (1802)

Angela Davis photo
Ben Carson photo

“Evolution and creationism both require faith.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 128

Calvin Coolidge photo

“The magnitude of the service which you rendered to your country and to humanity is beyond estimation. Sharp outlines here and there we know, but the whole account of the World War would be on a scale so stupendous that it could never be recorded. In the victory which was finally gained by you and your foreign comrades, you represented on the battle field the united efforts of our whole people. You were there as the result of a great resurgence of the old American spirit, which manifested itself in a thousand ways, by the pouring out of vast sums of money in credits and charities, by the organization and quickening of every hand in our extended industries, by the expansion of agriculture until it met the demands of famishing continents, by the manufacture of an unending stream of munitions and supplies, by the creation of vast fleets of war and transport ships, and, finally, when the tide of battle was turning against our associates, by bringing into action a great armed force on sea and land of a character that the world had never seen before, which, when it finally took its place in the line, never ceased to advance, carrying the cause of liberty to a triumphant conclusion. You reaffirmed the position of this Nation in the estimation of mankind. You saved civilization from a gigantic reverse. Nobody says now that Americans can not fight.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Jane Roberts photo
Ralph Waldo Emerson photo
Alan M. Dershowitz photo
Justus Dahinden photo

“The creation of space incorporates the debate about the dialogue between dream and reality. We must use the hidden surrealistic potential of our environment to awaken basic emotions.”

Justus Dahinden (1925) Swiss architect

Raumgebung beinhaltet die Auseinandersetzung mit dem dialogischen Verhältnis von Traum und Wirklichkeit. Wir müssen das surrealistische Potenzial ausschöpfen, welches in unserer Umwelt verborgen ist. Es lassen sich damit Basisgefühle wecken.
Man and Space - Mensch und Raum 2005

Yehudi Menuhin photo
Wassily Kandinsky photo
Kent Hovind photo
The Mother photo
Michael Bloomberg photo
Margaret Fuller photo
Jacob Bronowski photo
Ken Ham photo
Robert LeFevre photo
J. C. R. Licklider photo

“I came to MIT from Harvard University, where I was a lecturer. I had been at the Harvard Psychoacoustic Laboratory during World War II and stayed on at Harvard as a lecturer, mainly doing research, but also a little bit of teaching—statistics and physiological psychology—subjects like that.
Then there came a time that I thought that I had better go pay attention to my career. I had just been having a marvelous time there. I am not a good looker for jobs; I just came to the nearest place I could, which was in our city. I arranged to come down here and start up a psychology section, which we hoped would eventually become a psychology department. For the purposes of having a base of some kind I was in the Electrical Engineering Department. I even taught a little bit of electrical engineering.
I fell in love with the summer study process that MIT had. They had one on undersea warfare and overseas transport—a thing called Project Hartwell. I really liked that. It was getting physicists, mathematicians—everybody who could contribute—to work very intensively for a period of two or three months. After Hartwell there was a project called Project Charles, which was actually two years long (two summers and the time in between). It was on air defense. I was a member of that study. They needed one psychologist and 20 physicists. That led to the creation of the Lincoln Laboratory. It got started immediately as the applied section of the Research Laboratory for Electronics, which was already a growing concern at MIT.”

J. C. R. Licklider (1915–1990) American psychologist and computer scientist

Licklider in: " An Interview with J. C. R. LICKLIDER http://conservancy.umn.edu/bitstream/107436/1/oh150jcl.pdf" conducted by William Aspray and Arthur Norberg on 28 October 1988, Cambridge, MA.

Ron Richard photo
Janusz Korwin-Mikke photo

“But please remember, that in 1991 in the w:Sejm [lower chamber of polish parliament] I didn't demand the abolishment of Special Economic Zones. I demanded the creation of a single Special Economic Zone - which would encompass the whole country!”

Janusz Korwin-Mikke (1942) polish politician

Polish: Proszę jednak pamiętać, że ja w 1991 roku w Sejmie nie domagałem się likwidacji SSE. Ja domagałem się utworzenia jednej SSE – obejmującej CAŁY obszar Polski!
Source: blog, 7 April 2010

Umberto Boccioni photo

“Who can still believe in the opacity of bodies since our sharpened and modified sensitivity has already penetrated the obscure manifestations of the medium? Why should we forget in our creations the double power of our sight, capable of giving results analogous to those of X-rays?”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 154.
1910, Manifesto of Futurist Painters,' April 1910

George Ballard Mathews photo

“That a formal science like algebra, the creation of our abstract thought, should thus, in a sense, dictate the laws of its own being, is very remarkable. It has required the experience of centuries for us to realize the full force of this appeal.”

George Ballard Mathews (1861–1922) British mathematician

G.B. Mathews quoted in: F. Spencer. Chapters on Aims and Practice of Teaching, (London, 1899), p. 184. Reported in Moritz (1914).

James Branch Cabell photo

“Men have begun to observe and classify, they turn from creation to Criticism. … It is the Fashion to be a wit. … one must be able to conceal indecency with elegant diction; manners are everything, morals nothing.”

James Branch Cabell (1879–1958) American author

"The Comedies of William Congreve" in William and Mary College Monthly (September 1897), V, p. 41, as quoted in "James Branch Cabell at William and Mary: the Education of a Novelist," by William L. Godshalk in The William and Mary Review, 5 (1967); reprinted in Kalki, Vol II, No.4, Whole No.8 (1968) http://www.silverstallion.karkeeweb.com/kalki_archives/kalki_from.html

Carl Friedrich Gauss photo

“Yes! The world would be nonsense, the whole creation an absurdity without immortality.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

As quoted in Carl Friedrich Gauss: Titan of Science (1955) by Guy Waldo Dunnington. p. 357

Prem Rawat photo
Italo Svevo photo

“Thus, after pursuing those images, I overtook them. Now I know that I invented them. But inventing is a creation, not a lie.”

È così che a forza di correr dietro a quelle immagini, io le raggiunsi. Ora so di averle inventate. Ma inventare è una creazione, non già una menzogna.
Source: La coscienza di Zeno (1923), P. 337; p. 404.

Philip Warren Anderson photo
Kazimir Malevich photo

“I transformed myself in the zero of form and emerged from nothing to creation, that is, to Suprematism, to the new realism in painting – to non-objective creation.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich, November 1916, in: 'From Cubism and Futurism to Suprematism: The New Realism in Painting'
1910 - 1920

“Being good can never do without the effort to learn, step by step, and in real circumstances of life, how to separate religious and moral words from an expelling mechanism, one which demands human sacrifice, so as to make of them words of mercy which absolve, which loose, which allow creation to be brought to completion.”

James Alison (1959) Christian theologian, priest

Source: Faith Beyond Resentment: Fragments Catholic and Gay (2001), " The man blind from birth and the Creator's subversion of sin http://girardianlectionary.net/res/fbr_ch-1_john9.htm", p. 20.

E.E. Cummings photo

“hugest whole creation may be less
incalculable than a single kiss”

E.E. Cummings (1894–1962) American poet

37
73 poems (1963)

Wernher von Braun photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Burkard Schliessmann photo
Aron Ra photo
R. G. Collingwood photo
Murray N. Rothbard photo
Kent Hovind photo
John the Evangelist photo

“These are the things that the Amen says, the faithful and true witness, the beginning of the creation by God.”

John the Evangelist (10–98) author of the Gospel of John; traditionally identified with John the Apostle of Jesus, John of Patmos (author o…

Revelation 3:14 http://www.jw.org/en/publications/bible/nwt/books/revelation/3/
Revelation

Carl Linnaeus photo

“The Earth's Creation is the glory of God, as seen from the works of Nature by Man alone.”

In the Introitus (Preface) from his late editions.
Original in Latin: "Finis Creationis telluris est gloria Dei ex opere Naturae per Hominem solum"
Variant translation: "The purpose of Creation is the glory of God, as can be seen from the works in nature by man alone."
Systema Naturae

Theo van Doesburg photo

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'The will to Style', in Dutch art-magazine De Stijl February-March 1922; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 123
1920 – 1926

Harold Innis photo
Alfonso X of Castile photo

“Had I been present at the Creation, I would have given some useful hints for the better ordering of the universe.”

Alfonso X of Castile (1221–1284) King of Castile

Si hubiera estado presente en la Creación, habría dado algunas indicaciones útiles.
After studying Ptolemy's treatise on astronomy.; reported in Thomas Carlyle, History of Frederick the Great, book ii. chap. vii. Carlyle wrote that this saying of Alfonso about Ptolemy's astronomy, "that it seemed a crank machine; that it was pity the Creator had not taken advice," is still remembered by mankind, — this and no other of his many sayings.
If the Lord Almighty had consulted me before embarking on creation thus, I should have recommended something simpler.
Quoted/paraphrased by Adam Riess in his Nobel Prize (in Physics 2011) lecture slides on Supernovae Reveal An Accelerating Universe (A Science Adventure Story).

Letitia Elizabeth Landon photo

“All the fairest things of earth,
Art's creations have their birth —
Still from love and death.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1836-2) (Vol.47) Subjects for Pictures. II. The Banquet of Aspasia and Pericles
The Monthly Magazine

Thomas Wolfe photo
Robert Crumb photo
Zoroaster photo
Nicholas Murray Butler photo

“There is, I venture to think, no ground for the ordinarily accepted statement of the relation of philosophy to theology and religion. It is usually said that while^hilosophy is the creation of an individual mind, theology or religion is, like folk-lore and language, the product of the collective mind of a people or a race. This is to confuse philosophy with philosophies, a conmion and, it must be admitted, a not unnatural confusion. But while a philosophy is the creation of a Plato, an Aristotle, a Spinoza, a Kant, or a Hegel, ^hilosophy itself is, like religion, folk-lore and language, a product of the collective mind of humanity. It is advanced, as these are, by individual additions, interpretations and syntheses, but it is none the less quite istinct from such individual contributions. philosophy is humanity's hold on Totality, and it becomes richer and more helpful as man's intellectual horizon widens, as his intellectual vision grows clearer, and as his insights become more numerous and more sure. Theology is philosophy of a particular type. It is an interpretation of Totality in terms of God and His activities. In the impressive words of Principal Caird, that philosophy which is theology seeks "to bind together objects and events in the links of necessary thought, and to find their last ground and reason in that which comprehends and transcends all— the nature of God Himself." Religion is the apprehension and the adoration of the Grod Whom theology postulates.
If the whole history of philosophy be searched for material with which to instruct the beginner in what philosophy really is and in its relation to theology and religion, the two periods or epochs that stand out above all others as useful for this purpose are Greek thought from Thales to Socrates, and that interpretation of the teachings of Christ by philosophy which gave rise, at the hands of the Church Fathers, to Christian theology. In the first period we see the simple, clear-cut steps by which the mind of Europe was led from explanations that were fairy-tales to a natural, well-analyzed, and increasingly profound interpretation of the observed phenomena of Nature. The process is so orderly and so easily grasped that it is an invaluable introduction to the study of philosophic thinking. In the second period we see philosophy, now enriched by the literally huge contributions of Plato, Aristotle and the Stoics, intertwining itself about the simple Christian tenets and building the great system of creeds and thought which has immortalized the names of Athanasius and Hilary, Basil and Gregory, Jerome and Augustine, and which has given color and form to the intellectual life of Europe for nearly two thousand years. For the student of today both these developments have great practical value, and the astonishing neglect and ignorance of them both are most discreditable.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

" Philosophy" (a lecture delivered at Columbia University in the series on science, philosophy and art, March 4, 1908) https://archive.org/details/philosophyalect00butlgoog"

Ilana Mercer photo

“From financial aid (for foreign students) to an affirmative-action placement in Harvard Law School, Barry Soetoro is a Frankenstein of America’s creation.”

Ilana Mercer South African writer

“Dying for Obama’s Deadly Dogma,” http://www.targetliberty.com/2014/10/dying-for-obamas-deadly-dogma.html Target Liberty, October 17, 2014
2010s, 2014

Rousas John Rushdoony photo
John Lancaster Spalding photo
Everett Dean Martin photo
Herbert Marcuse photo

“They [great works of literature] are invalidated not because of their literary obsolescence. Some of these images pertain to contemporary literature and survive in its most advanced creations. What has been invalidated is their subversive force, their destructive content—their truth. In this transformation, they find their home in everyday living. The alien and alienating oeuvres of intellectual culture become familiar goods and services. Is their massive reproduction and consumption only a change in quantity, namely, growing appreciation and understanding, democratization of culture? The truth of literature and art has always been granted (if it was granted at all) as one of a “higher” order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism, where the most contradictory works and truths peacefully coexist in indifference. Prior to the advent of this cultural reconciliation, literature and art were essentially alienation, sustaining and protecting the contradiction—the unhappy consciousness of the divided world, the defeated possibilities, the hopes unfulfilled, and the promises betrayed. They were a rational, cognitive force, revealing a dimension of man and nature which was repressed and repelled in reality.”

Source: One-Dimensional Man (1964), pp. 60-61

Bawa Muhaiyaddeen photo
Theodor Mommsen photo

“Mankind have infinite difficulty in reaching new creations, and therefore cherish the once developed forms as sacred heirlooms.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4. Part 2. Translated by W.P. Dickson
The History of Rome - Volume 4: Part 2