Quotes about cloister

A collection of quotes on the topic of cloister, life, year, world.

Quotes about cloister

Dietrich Bonhoeffer photo
W. H. Auden photo
Jean Jacques Rousseau photo

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Margaret Mead photo
Shirin Ebadi photo
Alan Bennett photo
John Milton photo
Russ Feingold photo

“For so many who had been driven from their office buildings, these five weeks were only the prelude to spending months cloistered in cramped and inadequate office space while they advised senators on some of the toughest calls they would ever have to make … As the gap widened between perceptions of fear or danger in Washington and in much of the rest of the country, I believe it had a significant influence on why representatives reacted to terrorism concerns in a way that was fundamentally different from most of their constituents.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

On the effects of the 2001 anthrax attacks, from While America Sleeps: A Wake-up Call for the Post-9/11 Era, as quoted in [Moyer, Justin, The speed read: ‘While America Sleeps,’ by Russ Feingold, https://www.washingtonpost.com/opinions/we-read-so-you-dont-have-to-while-america-sleeps-by-russ-feingold/2012/02/28/gIQATdIszR_story.html?utm_term=.8231b88d08d1, 20 August 2018, The Washington Post, March 8, 2012]
2012

Natalie Merchant photo

“Ophelia was a bride of god
a novice Carmelite
in sister cells the cloister bells
tolled on her wedding night”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Ophelia (1998), Ophelia

Evelyn Underhill photo

“The next monument visited was the great Jain temple built only a few years before by Shantidas Jhaveri, one of the wealthiest men of Gujarat in his day and high in favour both with Shah Jahan and after him with Aurangzeb. …In 1638, however, when Mandelslo visited the place, this temple which he calls ‘ the principal mosque of the Banyas ’ was in all its pristine splendour and ‘ without dispute one of the noblest structures that could be seen’. ‘It was then new,’ he adds, ‘ for the Founder, who was a rich Banya merchant, named Shantidas, was living in my time.
As Mandelslo’s description is the earliest account we have of this famous monument, which was desecrated only seven years after visit by the Orders of Aurangzeb, then viceroy of Gujarat (1645), we shall reproduce it at some length. It stood in the middle of a great court which was enclosed by a high wall of freestone. All about this wall on the inner side was a gallery, similar to the cloisters of the monasteries in Europe, with a large number of cells, in each of which was placed a statue in white or black marble. These figures no doubt represented the Jain Tirthankars, but Mandelslo may be forgiven when he speaks of each of them as ‘ representing a woman naked, sitting, and having her legs lying cross under her, according to the mode of the country. Some of the cells had three statues in them, namely, a large one between two smaller ones.’ At the entrance to the temple stood two elephants of black marble in life- size and on one of them was seated an effigy of the builder. The walls of the temple were adorned with figures of men and animals. At the further end of the building were the shrines consisting of three chapels divided from each other by wooden rails. In these were placed marble statues of the Tirthankars with a lighted lamp before that which stood in the central shrine. One of the priests attending the temple was busy receiving from the votaries flowers which were placed round the images, as also oil for the lamps that hung before the rails, and wheat and salt as a sacrifice. The priest had covered his mouth and nose with a piece of linen cloth so that the impurity of his breath should not profane the images.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Mandelslo’s Travels In Western India (a.d.1638-9) https://archive.org/details/in.ernet.dli.2015.531053 p. 23-25

Dietrich Bonhoeffer photo
Maxwell D. Taylor photo
Alexis De Tocqueville photo
William Morris photo
L. Ron Hubbard photo
Erving Goffman photo
Thomas Warton photo
Jean Froissart photo

“This John Ball had the habit on Sundays after mass, when everyone was coming out of church, of going to the cloisters or the graveyard, assembling the people round him and preaching thus: "Good people, things cannot go right in England and never will, until goods are held in common and there are no more villeins and gentlefolk, but we are all one and the same."”

Jean Froissart (1337–1405) French writer

Cils Jehan Balle http://aballedemeufs.over-blog.com/ avoit eut d'usage que, les jours dou diemence après messe, quant toutes les gens issoient hors dou moustier, il s'en venoit en l'aitre et là praiechoit et faissoit le peuple assambler autour de li, et leur dissoit: "Bonnes gens, les coses ne poent bien aler en Engletière ne iront jusques à tant que li bien iront tout de commun et que il ne sera ne villains ne gentils homs, que nous ne soions tout ouni."
Book 2, p. 212.
Chroniques (1369–1400)

Derren Brown photo

“In our online descriptions and program literature we describe the cloisters as a public sphere for networked interaction, the gathering place for students, professors, and librarians engaged in planning, evaluating, or reviewing the efforts of research and study utilizing the whole range of technologies of literacy. We go further and describe the task of the cloisters as to "channel flows of research, learning and teaching between the increasingly networked world of the library and the intimacy and engagement of our classrooms and other campus spaces". There we continue to explore the "collectible object", which I tentatively described in Othermindedness in terms of maintaining an archive of "the successive choices, the errors and losses, of our own human community" and suggesting that what constitutes the collectible object is the value which suffuses our choices. It seemed to me then that electronic media are especially suited to tracking such "changing change".
I think it still seems so to me now but I do fear we have lost track of the beauty and nimbleness of new media in representing and preserving the meaning-making quotidian, the ordinary mindfulness which makes human life possible and valuable.
It is interesting, I think, that recounting and rehearsing this notion leaves this interview layered and speckled with (self) quotations, documentations, implicit genealogies, images, and traditions of continuity, change, and difference. Perhaps the most quoted line of afternoon over the years has been the sentence "There is no simple way to say this."”

Michael Joyce (1945) American academic and writer

The same is true of any attempt to describe the way in which the collectible object participates in (I use this word as a felicitous shorthand for the complex of ideas involved in what I called "representing and preserving the meaning-making quotidian" above) the library as living archive.
An interview with Michael Joyce and review of Liam’s Going at Trace Online Writing Centre Archive (2 December 2002) http://tracearchive.ntu.ac.uk/review/index.cfm?article=33

Émile Durkheim photo
George William Russell photo

“Pain and penitence forsaking,
Hearts like cloisters dim and grey,
By your laughter lured, awaking
Join with you the dance of day.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

John Calvin photo
John Dankworth photo
Herman Melville photo
Francis Parkman photo
José Martí photo

“I dream of cloisters of marble
where in divine silence
the heroes, standing, rest;
at night, in light of the soul,
I speak with them: at night!
They are in a row: I walk
among the rows: the stone hands
I kiss them;
the stone eyes open;
the stone lips move;
the stone beards tremble;
they seize the sword of stone; they cry:
place the sword in the sheath!
Mute, I kiss their hand.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Sueño con claustros de mármol
donde en silencio divino
los héroes, de pie, reposan;
¡de noche, a la luz del alma,
hablo con ellos: de noche!
Están en fila: paseo
entre las filas: las manos
de piedra les beso: abren
los ojos de piedra: mueven
los labios de piedra: tiemblan
las barbas de piedra: empuñan
la espada de piedra: lloran:
¡viba la espade en la vaina!
Mudo, les beso la mano.
Simple Verses (1891), I dream of cloisters of marble

Woodrow Wilson photo

“We are not put into this world to sit still and know; we are put into it to act.
It is true that in order to learn men must for a little while withdraw from action, must seek some quiet place of remove from the bustle of affairs, where their thoughts may run clear and tranquil, and the heats of business be for the time put off; but that cloistered refuge is no place to dream in.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

“ Princeton for the Nation's Service http://infoshare1.princeton.edu/libraries/firestone/rbsc/mudd/online_ex/wilsonline/4dn8nsvc.html”, Inaugural address as President of Princeton (25 October 1902); this speech is different from his 1896 speech of the same title.
1900s

George Macaulay Trevelyan photo
Cora L. V. Scott photo
Théodore Guérin photo
William Morris photo
Henry Adams photo
Miguel de Unamuno photo

“And through this despair he reaches the heroic fury of which Giordano Bruno spoke — that intellectual Don Quixote who escaped from the cloister — and became an awakener of sleeping souls (dormitantium animorum excubitor), as the ex-Dominican said of himself — he who wrote: "Heroic love is the property of those superior natures who are called insane (insano) not because they do not know, but because they over-know (soprasanno)."”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
Context: Science does not give Don Quixote what he demands of it. "Then let him not make the demand," it will be said, "let him resign himself, let him accept life and truth as they are." But he does not accept them as they are, and he asks for signs, urged thereto by Sancho, who stands by his side. And it is not that Don Quixote does not understand what those understand who talk thus to him, those who succeed in resigning themselves and accepting rational life and rational truth. No, it is that the needs of his heart are greater. Pedantry? Who knows!... And he wishes, unhappy man, to rationalize the irrational and irrationalize the rational. And he sinks into despair of the critical century whose two greatest victims were Nietzsche and Tolstoi. And through this despair he reaches the heroic fury of which Giordano Bruno spoke — that intellectual Don Quixote who escaped from the cloister — and became an awakener of sleeping souls (dormitantium animorum excubitor), as the ex-Dominican said of himself — he who wrote: "Heroic love is the property of those superior natures who are called insane (insano) not because they do not know, but because they over-know (soprasanno)."

Heloise photo

“I own, to my confusion, I fear more the offending of man than the provoking of God, and study less to please him than you. Yes, it was your command only, and not a sincere vocation, as is imagined, that shut me up in these cloisters.”

Heloise (1101–1164) French nun, writer, scholar, and abbess

Letter IV : Heloise to Abelard
Letters of Abelard and Heloise
Context: I own, to my confusion, I fear more the offending of man than the provoking of God, and study less to please him than you. Yes, it was your command only, and not a sincere vocation, as is imagined, that shut me up in these cloisters. I fought to give you ease, and not to sanctify myself. How unhappy am I? I tear myself from all that pleases me? I bury myself here alive, I exercise my self in the most rigid fastings; and such severities as cruel laws impose on us; I feed myself with tears and sorrows, and, notwithstanding this, I deserve nothing for all the hardships I suffer. My false piety has long deceived you as well as others. You have thought me easy, and yet I was more disturbed than ever. You persuaded yourself I was wholly taken up with my duty, yet I had no business but love. Under this mistake you desire my prayers; alas! I must expect yours. Do not presume upon my virtue and my care. I am wavering, and you must fix me by your advice. I am yet feeble, you must sustain and guide me by your counsel.

Emma Goldman photo

“I did not believe that a Cause which stood for a beautiful ideal, for anarchism, for release and freedom from convention and prejudice, should demand the denial of life and joy. I insisted that our Cause could not expect me to become a nun and that the movement would not be turned into a cloister. If it meant that, I did not want it. "I want freedom, the right to self-expression, everybody's right to beautiful, radiant things." Anarchism meant that to me, and I would live it in spite of the whole world — prisons, persecution, everything. Yes, even in spite of the condemnation of my own closest comrades I would live my beautiful ideal.”

This incident was the source of a statement commonly attributed to Goldman that occurs in several variants:
If I can't dance, it's not my revolution!
If I can't dance, I don't want your revolution!
If I can't dance, I don't want to be part of your revolution.
A revolution without dancing is not a revolution worth having.
If there won't be dancing at the revolution, I'm not coming.
Living My Life (1931)
Context: At the dances I was one of the most untiring and gayest. One evening a cousin of Sasha, a young boy, took me aside. With a grave face, as if he were about to announce the death of a dear comrade, he whispered to me that it did not behoove an agitator to dance. Certainly not with such reckless abandon, anyway. It was undignified for one who was on the way to become a force in the anarchist movement. My frivolity would only hurt the Cause.
I grew furious at the impudent interference of the boy. I told him to mind his own business. I was tired of having the Cause constantly thrown into my face. I did not believe that a Cause which stood for a beautiful ideal, for anarchism, for release and freedom from convention and prejudice, should demand the denial of life and joy. I insisted that our Cause could not expect me to become a nun and that the movement would not be turned into a cloister. If it meant that, I did not want it. "I want freedom, the right to self-expression, everybody's right to beautiful, radiant things." Anarchism meant that to me, and I would live it in spite of the whole world — prisons, persecution, everything. Yes, even in spite of the condemnation of my own closest comrades I would live my beautiful ideal. (p. 56)

Alessandro Cagliostro photo
John Calvin photo

“Let the Nuns therefore tarry still in their convents and cloisters, and in their brothel houses of Satan: yea I put the case they were not whores as they are, yea and worse than that, vile and shameful Sodomites, committing such heinous and abominable acts, that it is horrible to think of, I put the case I say, there were none of all these villainies, yet all the chastity they pretend is nothing before God, in comparison of that that he hath appointed, that is to say, that albeit it seem but a vile thing, and a matter of none account, for a woman to take pains about housewifery, to make clean her children when they be arrayed, to kill fleas, and other such like, although this be a thing despised, yea and such, that many will not vouchsafe to look upon it, yet are they sacrifices which GOD accepteth & receiveth, as if they were things of great price and honourable.”

John Calvin (1509–1564) French Protestant reformer

Que donc les nonnains demeurent en leurs convents et en leurs cloistres, et en leurs bourdeaux de Satan: ie di mesmes encores qu’elles ne fussent point putains comme elles sont, comme il y a encores pis de ces abominations de Sodome, faisans des choses si enormes et si abominables que c’est une horreur: encores, di-ie, que toutes ces vilenies-là n'y fussent point, si est-ce que toute la chasteté qu'elles pretendent, n'est rien envers Dieu, au prix de ce qu'il a ordonné, c'est asçavoir que combien que ce soyent choses contemptibles, et qui semblent estre de nulle valeur, qu'une femme ait peine d'adresser son mesnage, de nettoyer les ordures de ses enfans, de tuer les poux et autres choses semblables, que tout cela sera mesprisé, qu’on ne le daignera pas mesmes regarder, ce sont toutesfois sacrifices que Dieu reçoit et qu'il accepte, comme si c'estoyent choses precieuses et honorables.
A Sermon of Master John Caluine, vpon the first Epistle of Paul, to Timothie..., London: G. Bishop and T. Woodcoke, 1579 http://www.truecovenanter.com/calvin/calvin_19_on_Timothy.html (ch. 2:13-15).
Sermons of M. John Calvin, on the Epistles of S. Paule to Timothie and Titus, Laurence Tomson, trans., Printed for G. Bishop and T. Woodcoke, 1579, p. 231. http://books.google.com/books?id=g2WDtwAACAAJ&dq=Sermons+of+M.+John+Calvin+on+the+Epistles+of+S.+Paule+to+Timothie+and+Titus&hl=en&sa=X&ei=XY8oUZXGJoq68wS494D4Dg&ved=0CDcQ6AEwAQ (Facsimile reprint in Jean Calvin, Sermons on Timothy and Titus (16th-17th century facsimile editions), Edinburgh: Banner of Truth Trust, 1983. ISBN 0851513743 ISBN 9780851513744, p. 231. "Let the Nunnes therefore..." http://www.google.com/#hl=en&q=%22let+the+nunnes%22&um=1&ie=UTF-8&tbo=u&tbm=bks&source=og&sa=N&tab=wp&ei=CYsoUcvQNoak8AS86oCoCQ&bav=on.2,or.r_gc.r_pw.r_qf.&bvm=bv.42768644,d.eWU&fp=2dddfa4c5c79d088&biw=1086&bih=740
Sermons Sur la Premiere Epitre a Timothee (Sermons on the First Epistle to Timothy), Sermon 19 ("Dixneuvieme Sermon") in the Corpus Reformatorum, 1895, vol. 81 (Opera 31) p. 228. http://www.google.com/search?hl=en&lr=&client=firefox-a&hs=PBY&rls=org.mozilla:en-US:official&q=%22Que%20donc%20les%20nonnains%20demeurent%20en%20leurs%20convents%20et%20en%20leurs%20cloistres%22&um=1&ie=UTF-8&tbo=u&tbs=bks:1&source=og&sa=N&tab=wp http://www.google.com/search?hl=en&num=10&lr=&ft=i&cr=&safe=images&um=1&ie=UTF-8&tbo=u&tbs=bks:1&source=og&q=%22comme%20il%20y%20a%20encores%20pis%20de%20ces%20abominations%20de%20Sodome%22&sa=N&tab=wp http://books.google.com/books?ei=Ts4vTMDbF4WBlAeG3fieCQ&ct=result&id=EcU8AAAAYAAJ&dq=%22volumen+lxxxi%22+reformatorum&q=convents#search_anchor.

Mateo Alemán photo

“He soon retires (i.e., into a cloister) who finds religion late.”

Source: Guzmán de Alfarache (1599-1604), Pt. II, Lib. I, Ch. III.