“Yeah they did, Bob. It was a classic final, and I think the old cliché? Football was the winner there; just a terrific match. Shattering defeat for the USA; so hard to take. But only the hardest heart, Julie? Would deny Japan that. I suppose you could have an inquest in the USA played so well for much of the game. Just seemed to get a little bit panicky when the finishing line was in reach. But, really that's? That's being a little bit picky, isn't it? Because they did ever so well here. I just think the ball had Japan's name on it. They were destined to win it. Uh, just a feeling? Bob, I think Japan won rather more than just a soccer match here.”

— Ian Darke

Japan v. United States http://www.listenonrepeat.com/watch/?v=yKYkxJ6TY0c (17 July 2011). <br class="br">2010s, 2011, 2011 FIFA Women's World Cup

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Yeah they did, Bob. It was a classic final, and I think the old cliché? Football was the winner there; just a terrific …" by Ian Darke?

Ian Darke62

British association football and boxing commentator 1950

Related quotes

“You know, sometimes, I don't know why,
But this old town just seems so hopeless.
I ain't really sure, but it seems I remember the good times
Were just a little bit more in focus.”

Tom Petty (1950–2017) American musician

Here Comes My Girl, written with Mike Campbell
Lyrics, Damn The Torpedoes (1979)

“And just so conservatives don't take it to heart, I don't think Bush did it, Cuz he isn't that smart.”

Immortal Technique (1978) American rapper and activist

The Cause of Death
Albums, Revolutionary Vol. 2 (2003)

“I just feel that there's a little bit of lack of respect and class just to kind of leave a tournament like that and then come out and practice here, especially being the hostess. You know, I don't know the situation, if it's injury or whatever it is. It's just -- it just seemed really weird.”

Annika Sörenstam (1970) Swedish golfer

Annika Sorenstam comments re Michelle Wie - Press Conference 2007 LPGA Championships http://www.asapsports.com/show_interview.php?id=43436

“I think of novelists that I really return to and admire, you can almost sense that the book is somehow ahead of them, just a little bit ahead of them, no? You could write from the front: you could pull the book; there are masters that do that, and you can admire the architecture of it. […] I suppose what I look for as a reader is a writer who's risky, who's putting themselves in a position that's vulnerable, where the text knows a little bit more, is a bit ahead of them. And so I aspire to write those books, and that's why I suppose I put myself in that position.”

Hisham Matar (1970) American writer

at 43:30.
Blue Metropolis Festival (2013)

“Do you know what I really need to make a well-finished painting? 2 years at Gérome or somebody like him, working in the studio.... because that is the only way to become a good painter. That whole business.. then a small watercolour than a little painting and finally when I have earned so much that I could study, I have become too old and too miserable.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Weet U wat ik nodig heb om een goed afgewerkt schilderij te maken? 2 jaar bij Gérome of zoo iemand op 't atelier te werken.. ..want dat is de enige manier om een goed schilder te worden. Dat gewurm, dan een aquarelletje dan een schilderijtje en eindelijk als ik daardoor zo veel verdiend heb dat ik zou kunnen studeeren ben ik te oud en te beroerd geworden.
In his letter to A.P. van Stolk, nr. 51, c. 1884; RKD-Archive, The Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 29
Breitner responds to accusations from his Maecenas that he refused to learn from well-known Dutch painters how to finish his paintings well. In 1884 already Breitner started in the studio of Cormon in Paris
before 1890