Quotes about character
page 29

Robert Greene photo
Robert Greene photo
Robert Greene photo
Robert Greene photo
Robert Greene photo
Jorge Luis Borges photo
Samuel Adams photo

“The eyes of the people are upon us. […] If we despond, public confidence is destroyed, the people will no longer yield their support to a hopeless contest, and American liberty is no more. […] Despondency becomes not the dignity of our cause, nor the character of those who are its supporters. Let us awaken then, and evince a different spirit, - a spirit that shall inspire the people with confidence in themselves and in us, - a spirit that will encourage them to persevere in this glorious struggle, until their rights and liberties shall be established on a rock. We have proclaimed to the world our determination 'to die freemen, rather than to live slaves.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

We have appealed to Heaven for the justice of our cause, and in Heaven we have placed our trust. [...] We shall never be abandoned by Heaven while we act worthy of its aid and protection.
addressing a meeting of delegates to the Continental Congress, assembled at Yorktown, Pennsylvania, September 1777 ; as quoted in The Life and Public Services of Samuel Adams, Volume 2, by William Vincent Wells; Little, Brown, and Company; Boston, 1865 ; pp. 492-493

William H. McRaven photo

“As Americans, we should be frightened — deeply afraid for the future of the nation. When good men and women can’t speak the truth, when facts are inconvenient, when integrity and character no longer matter, when presidential ego and self-preservation are more important than national security — then there is nothing left to stop the triumph of evil.”

William H. McRaven (1955) United States admiral

McRaven wrote in a February 20 editorial in the Washington Post about the dismissal by the president of the acting director of national intelligence, Joseph Maguire, for having briefed congressional intelligence committee members about emerging evidence of foreign efforts to interfere in the 2020 presidential election. https://www.washingtonpost.com/opinions/william-mcraven-if-good-men-like-joe-maguire-cant-speak-the-truth-we-should-be-deeply-afraid/2020/02/21/2068874c-5503-11ea-b119-4faabac6674f_story.html

Steven Crowder photo
Trevor Loudon photo

“Socialism, is in short a manifestation of mental illness or major character deficiency.”

Trevor Loudon New Zealand politician

"Are Socialists Psychos?" https://www.trevorloudon.com/2006/12/are-socialists-psychos/

James McBride (writer) photo

“I tell them that a simple story is the best story, and that time and place is really crucial to good storytelling. Establish your stories in a specific time and place and get your characters set solidly within that framework before you let them start moving from one room to the next...”

James McBride (writer) (1957) American journalist

On the writing advice he gives to his students in "James McBride's Advice For New Writers: 'A Simple Story Is The Best Story'" https://www.npr.org/2020/02/29/810052791/james-mcbrides-advice-for-new-writers-a-simple-story-is-the-best-story in NPR (2020 Feb 29)

James McBride (writer) photo

“Most of my characters: they don't yell, they don't scream. They don't curse, by and large. They're good people. And you know what? Good people don't have to be boring. The really interesting parts of life are the parts we are not witness to. Because the man who decides to shake his neighbor's hand, or help him cut the grass, they're the true heroes…”

James McBride (writer) (1957) American journalist

On writing about good people in “‘Color of Water’ author, James McBride, reflects on race, politics and his new book” https://www.washingtonpost.com/entertainment/books/novelist-james-mcbride-talks-about-race-politics--and-his-new-book/2017/09/25/8774c4a4-97a1-11e7-82e4-f1076f6d6152_story.html in The Washington Post (2017 Sept 26)

Uwem Akpan photo
Uwem Akpan photo
June Downey photo

“Variation in the amplitude of written characters involves doubtless many important considerations relative to the facilitation and inhibition of movement.”

June Downey (1875–1932) American psychologist

August 1909, Popular Science Monthly Volume 75, Article:"The Varificational Factor in Handwriting", p. 151
about Handwriting

June Downey photo

“Writing with attention preoccupied or distracted results variously in the enlargement or dwarfing of characters, an alternative result that seems to depend upon deep-seated tendencies of the individual.”

June Downey (1875–1932) American psychologist

August 1909, Popular Science Monthly Volume 75, Article:"The Varificational Factor in Handwriting", p. 151
about Handwriting

Philip Roth photo
Philip Roth photo
Robert Skidelsky photo

“To understand the crisis we need to get beyond the blame game. For at the root of the crisis was not failures of character or competence, but a failure of ideas.”

Robert Skidelsky (1939) Economist and author

Source: John Maynard Keynes: The Return of the Master (2009), Ch. 1 : What Went Wrong?

Mitt Romney photo
William Quan Judge photo
Bhagat Singh photo

“Love always elevates the character of man. It never lowers him, provided love be love.”

Bhagat Singh (1907–1931) Indian revolutionary

Quotes By Bhagat Singh, WpLINEQuotes https://www.wplinequotes.xyz/2020/03/bhagat-singh-quotes.html,

“DESOLATE are the mansions of the fair, the stations in Minia, where they rested, and those where they fixed their abodes! Wild are the hills of Goul, and deserted is the summit of Rijaam.
The canals of Rayaan are destroyed: the remains of them are laid bare and smoothed by the floods, like characters engraved on the solid rocks.
Dear ruins! Many a year has been closed, many a month, holy and unhallowed, has elapsed, since I exchanged tender vows with their fair inhabitants!
The rainy constellations of spring have made their hills green and luxuriant: the drops from the thunder-clouds have drenched them with profuse as well as with gentle showers:
Showers, from every nightly cloud, from every cloud veiling the horizon at day-break, and from every evening cloud, responsive with hoarse murmurs.
Here the wild eringo-plants raise their tops: here the antelopes bring forth their young, by the sides of the valley: and here the ostriches drop their eggs.
The large-eyed wild-cows lie suckling their young, a few days old—their young, who will soon become a herd on the plain.
The torrents have cleared the rubbish, and disclosed the traces of habitations, as the reeds of a writer restore effaced letters in a book;
Or as the black dust, sprinkled over the varied marks on a fair hand, brings to view with a brighter tint the blue stains of woad.
I stood asking news of the ruins concerning their lovely habitants; but what avail my questions to dreary rocks, who answer them only by their echo?”

Labīd (560–661) Sahabah and poet

Translated by C. J. Lyall, quoted in Arabian Poetry, p. 41-42. First Stanza, lines 1-10 https://archive.org/details/arabianpoetryfo00clougoog/page/n127/mode/2up
The Poem of Labīd (translated by C. J. Lyall in 1881)

James Thurber photo
Rex Tillerson photo

“I will be honest with you, it troubles me that the American people seem to want to know so little about issues, that they are satisfied with a 128 characters.”

Rex Tillerson (1952) 69th United States Secretary of State

Commenting about Twitter in 2018.

Source: https://www.cnbc.com/2018/12/07/rex-tillerson-says-he-pushed-back-on-illegal-trump-demands.html

Don Lee (author) photo

“I’d like to see us get to the point where Asian American authors can have Asian American characters and a big deal isn’t made about it, or at least so it’s not the first thing mentioned…”

Don Lee (author) (1959) American writer

On what he hopes for the future of Asian American writers in “Don Lee: The Ethnic Literature Box” https://www.guernicamag.com/don-lee-the-ethnic-literature-box/ in Guernica Magazine (2012 Jun 25)

“Like all men I have a maternal instinct, but I can clutch only so many characters to my breast at one time.”

Brian Reynolds Myers (1963) American professor of international studies

"Touch of Evil: A selective investigation of recent mysteries and thrillers" http://www.theatlantic.com/magazine/archive/2006/04/touch-of-evil/304721/ (April 2006), The Atlantic
2000s

Max Müller photo

“I need hardly say that I agree with almost every word of my critics. I have repeatedly dwelt on the entirely hypothetical character of the dates I ventured to assign to the first three periods of Vedic literature. All I have claimed for them has been that they are minimum dates”

Max Müller (1823–1900) German-born philologist and orientalist

Max Muller. (Preface to the text of the Rigveda, Vol.4, p.xiii). Quoted in https://talageri.blogspot.com/2016/07/the-recorded-history-of-indo-european_27.html

Henri de Saint-Simon photo

“The progress of the human mind, the revolutions which occur in the development of knowledge, give each century its special character.”

Henri de Saint-Simon (1760–1825) French early socialist theorist

Preface
The Reorganization of the European Community (1814)

Immanuel Kant photo
Immanuel Kant photo
Immanuel Kant photo
Immanuel Kant photo
Ekta Kapoor photo

“When you're writing a character, you have to know where they're coming from. You may never use that information, but you have to know it. It just helps you mark the journey better.”

Ekta Kapoor (1975) TV and film producer

Talks at Google - 16 Aug 2016, at 14 Min 24 Sec https://www.youtube.com/watch?v=4wkKtvlGykc
From Talks at Google

William Cobbett photo

“…I was desperate to write a trans character for whom it wasn’t really an issue. After you come out, after the initial makeover and being on hormones for a few years, what happens next? That’s a story nobody tells…”

Juno Dawson (1981) British youth fiction author

On her novel Clean in “Juno Dawson: ‘Teenagers have seen things that would make milk curdle’” https://www.theguardian.com/books/2018/apr/01/juno-dawson-clean-interview-transgender-anorexia-drugs in The Guardian (2018 Apr 1)

Aparna Sen photo

“When you start getting into the process of writing, then the characters start coming alive. And then they tell you what to write.”

Aparna Sen (1945) Indian filmmaker, script writer and actress

Interview at the 10th Jagran Film Festival, JFF TALKIES Episode 4 - 16 Apr 2020, at 28 Min 15 Sec https://www.youtube.com/watch?v=exGQ7wUHhOI

Germaine Greer photo
Daphne du Maurier photo

“I was always pretending to be someone else… historical characters, all those I invented for myself…I act even to this day…It's the old imagination working, a kind of make believe.”

Daphne du Maurier (1907–1989) British writer

On her childhood (from a 1977 interview as quoted in “The menacing Daphne du Maurier” https://www.independent.ie/life/the-menacing-daphne-du-maurier-36182507.html in Independent.ie (2017 Oct 2)

Martin Luther King, Jr. photo
John Morley, 1st Viscount Morley of Blackburn photo

“Dreams are important. They are messengers…Characters have appeared to me. They say, ‘Here I am. Tell my story.'”

Rudolfo Anaya (1937) Novelist, poet

On how his subconscious informs his writing in “Rudolfo Anaya: Man of visions” https://www.abqjournal.com/1074636/man-of.html in Albuquerque Journal (2017 Oct 7)

Koenraad Elst photo

“The behaviour and character of academic mullahs is once again consistent with their sorry record of misdeeds.”

Koenraad Elst (1959) orientalist, writer

363
2010s, The argumentative Hindu (2012)

Jacques Delors photo

“[Only federalism] allows democratic control and can punish abuses of power. Only federalism can guarantee respect for national character and regional variety. ... The springtime of Europe is still before us.”

Jacques Delors (1925) French economist and politician

Speech to the European Parliament (19 January 1995), quoted in The Times (20 January 1995), p. 11
President of the European Commission

Evelyn Underhill photo
Gary Soto photo

“As a writer, I'm trying to capture the voice of my characters, who sometimes will speak in Spanglish…”

Gary Soto (1952) American poet and writer

[Often my characters—a Jesus, a Hector, a Gloria—will be bilingual, or if not bilingual at least know enough Spanish to throw words and phrases into conversation.]

On his characters being bilingual in “In-depth Written Interview with Gary Soto” https://www.teachingbooks.net/interview.cgi?a=1&id=47 in Teaching Books (2007 Aug 29)

Ian Urbina photo

“… Wage theft, the intentional dumping of oil, shark finning—in each of those categories you’ll find people who are the culprits, but if you really try to understand what makes them tick, you’ll see that they’re pretty desperate characters who are victims themselves of a larger, screwed-up system…”

Ian Urbina (1972) American journalist

On trying to distinguish predator from prey in The Outlaw Ocean in “Wage Theft, Slavery, and Climate Change on the Outlaw Ocean” https://civileats.com/2019/09/27/wage-theft-slavery-and-climate-change-on-the-outlaw-ocean/ (Civil Eats; 2019 Sep 27)

Plutarch photo
Terrance Hayes photo

“…I think that poets can do anything. With a novel, we all know about plot and character and yes, there’s experimental and people can recognize that, but I think that there are rules. I don’t think of poetry that way…”

Terrance Hayes (1971) American poet

On poets having certain freedoms in “Interview with Terrance Hayes” http://katonahpoetry.com/interviews/interview-terrance-hayes/ in the Katonah Poetry Series (2017 Sep 21)

Maria Weston Chapman photo

“Slavery can only be abolished by raising the character of the people who compose the nation; and that can be done only by showing them a higher one.”

Maria Weston Chapman (1806–1885) American abolitionist

As quoted in [McInerney, Daniel John, The Fortunate Heirs of Freedom: Abolition & Republican Thought, https://books.google.com/books?id=ZrnV5Rj6eckC, 1994, U of Nebraska Press, 0-8032-3172-5, 83-4]

Diana Evans photo

“Racial history lays so heavily on black people – slavery, migration, racism. But I don’t want my characters to be hidden by that…”

Diana Evans (1971) British novelist

Source: On addressing racism in her writings in “Diana Evans: 'There's a ruthlessness in me towards writing'” https://www.theguardian.com/books/2018/mar/19/diana-evans-interview-ordinary-people in The Guardian (2018 Mar 19)

Sir Charles Trevelyan, 1st Baronet photo

“The judgement of God sent the calamity to teach the Irish a lesson, that calamity must not be too much mitigated. …The real evil with which we have to contend is not the physical evil of the Famine, but the moral evil of the selfish, perverse and turbulent character of the people.”

Sir Charles Trevelyan, 1st Baronet (1807–1886) colonial administrator and historian

Charles Trevelyan, head of administration for famine relief during the Great Irish famine In: McCourt, John (19 March 2015). "Writing the Frontier: Anthony Trollope between Britain and Ireland". OUP Oxford.

Jessica Hagedorn photo

“By saying that all my characters have a little bit of me in them, I mean that I try to be invested and empathetic in all my characters—whether they are principal or secondary, deeply flawed and not very “nice.””

Jessica Hagedorn (1949) Filipino-American playwright, writer, poet, storyteller, musician, multimedia performance artist

If you’re in tune with your story then the characters do come at you organically. There isn’t an order to how they might appear.
Source: On how she invests part of herself in her characters in “JESSICA HAGEDORN” http://www.tayoliterarymag.com/jessica-hagedorn in TAYO Literary Magazine

Maximilien Robespierre photo
Liv Tyler photo
Simon Sinek photo

“You can easily judge the character of a man by how he treats those who can do nothing for him.”

Simon Sinek (1973) British/American author and motivational speaker

Source: Leaders Eat Last: Why Some Teams Pull Together and Others Don't

Chadwick Boseman photo
Milton Friedman photo

“I have been impressed time and again by the schizophrenic character of many businessmen. They are capable of being extremely far‐sighted and clear‐headed in matters that are internal to their businesses. They are incredibly short sighted and muddle‐headed in mat ters [sic!] that are outside their businesses but affect the possible survival of business in general. This short sightedness is strikingly exemplified in the calls from many businessmen for wage and price guidelines or controls or incomes policies. There is nothing that could do more in a brief period to destroy a market system and replace it by a centrally controlled system than effective governmental control of prices and wages. The short‐sightedness is also exemplified in speeches by business men on social responsibility. This may gain them kudos in the short run. But it helps to strengthen the already too prevalent view that the ptirsuit [sic!] of profits is wicked and im moral [sic!] and must be curbed and controlled by external forces. Once this view is adopted, the external forces that curb the market will not be the social consciences, however highly developed, of the pontificating executives; it will be the iron fist of Government bureaucrats. Here, as with price and wage controls, business men seem to me to reveal a suicidal impulse.”

Milton Friedman (1912–2006) American economist, statistician, and writer

“A Friedman doctrine‐- The Social Responsibility Of Business Is to Increase Its Profits” (Sept. 1970)

Milton Friedman photo

“Showing characters is where 3-D animation comes up short. It's hard to create lifelike figures that move in a realistic, believable manner-unless you're going to go into "dummy dolls."”

Rick Dyer (video game designer) American video game designer and writer

But when you take 3-D animation and put it into a first-person perspective and create a fly-through environment-well, that is where it shines. So what we're doing is using both mediums for their respective strengths.
Technician of Suspended Disbelief: Rick Dyer, Shadoan and the Frontier of Animated CD Entertainment https://www.awn.com/mag/issue1.1/articles/dyer.html (1996)

Martin Van Buren photo
Brooke Nevin photo
John Herschel photo
Rosa Luxemburg photo

“Granting, as Lenin wants, such absolute powers of a negative character to the top organ of the party, we strengthen, to a dangerous extent, the conservatism inherent in such an organ.”

Rosa Luxemburg (1871–1919) Polish Marxist theorist, socialist philosopher, and revolutionary

Leninism or Marxism? (1904)

Alice A. Bailey photo

“Glamour is astral in character, and is far more potent at this time than illusion, owing to the enormous majority of people who function astrally always.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Glamour: A World Problem (1950), The Nature of Glamor

Donna Tartt photo
Benjamin Disraeli photo

“We have been informed lately that ours will be the lot of Genoa, and Venice, and Holland. But...there is a great difference between the condition of England and those... We have during ages of prosperity created a nation of 34 millions—a nation who are enjoying, and have long enjoyed, the two greatest blessings of civil life—justice and liberty... [A] nation of that character is more calculated to create empires than to give them up, and I feel confident if England is true to herself; if the English people prove themselves worthy of their ancestors; if they possess still the courage and the determination of their forefathers, their honour will never be tarnished and their power will never diminish.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Speech in the Guildhall, London (10 November 1878), quoted in The Times (11 November 1878), p. 10. William Gladstone had written in The North American Review: "It is [America] alone who, at a coming time, can, and probably will, wrest from us that commercial primacy...We have no more title against her than Venice, or Genoa, or Holland, has had against us" ('Kin beyond Sea', The North American Review Vol. 127, No. 264 (Sep. - Oct., 1878), p. 180)

Benjamin Creme photo

“Hope, I would say, is of two kinds: there is the hope which is a wish-fulfilling fantasy... It can go a long way in sustaining the person in difficult circumstances. It is the kind of hope of Mr Micawber, a famous Charles Dickens character. He was always in dire straits, impecunious, but always living in hope, waiting “for something to turn up.””

Benjamin Creme (1922–2016) artist, author, esotericist

That kind of hope is astral desire, and will take you, as it took him, through a whole book, but will not of itself do other than sustain your ability to live life from day to day.
Source: Maitreya's Mission Vol. II (1993)

Donald J. Trump photo

“Somebody said I’m the Ernest Hemingway of 140 characters.”

Donald J. Trump (1946) 45th President of the United States of America

Quoted by * 2015-11-20
Trump says he’s the Hemingway of Twitter
The Hill
Bradford Richardson
https://thehill.com/blogs/ballot-box/gop-primaries/260949-trump-says-hes-the-hemingway-of-twitter
2010s, 2015

Bruno Heller photo
Ernest Becker photo

“[W]e understand that if the child were to give in to the overpowering character of reality and experience he would not be able to act with the kind of equanimity we need in our non-instinctive world. So one of the first things a child has to do is to learn to “abandon ecstasy,” to do without awe, to leave fear and trembling behind. Only then can he act with a certain oblivious self-confidence, when he has naturalized his world. We say “naturalized” but we mean unnaturalized, falsified, with the truth obscured, the despair of the human condition hidden, a despair that the child glimpses in his night terrors and daytime phobias and neuroses. This despair he avoids by building defenses; and these defenses allow him to feel a basic sense of self-worth, of meaningfulness, of power. They allow him to feel that he controls his life and his death, that he really does live and act as a willful and free individual, that he has a unique and self-fashioned identity, that he is somebody—not just a trembling accident germinated on a hothouse planet that Carlyle for all time called a “hall of doom.””

We called one’s life style a vital lie, and now we can understand better why we said it was vital: it is a necessary and basic dishonesty about oneself and one’s whole situation. This revelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud We don’t want to admit that we arerevelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud. We don’t want to admit that we are fundamentally dishonest about reality, that we do not really control our own lives. We don’t want to admit that we do not stand alone, that we always rely on something that transcends us, some system of ideas and powers in which we are embedded and which support us. This power is not always obvious. It need not be overtly a god or openly a stronger person, but it can be the power of an all-absorbing activity, a passion, a dedication to a game, a way of life, that like a comfortable web keeps a person buoyed up and ignorant of himself, of the fact that he does not rest on his own center. All of us are driven to be supported in a self-forgetful way, ignorant of what energies we really draw on, of the kind of lie we have fashioned in order to live securely and serenely. Augustine was a master analyst of this, as were Kierkegaard, Scheler, and Tillich in our day. They saw that man could strut and boast all he wanted, but that he really drew his “courage to be” from a god, a string of sexual conquests, a Big Brother, a flag, the proletariat, and the fetish of money and the size of a bank balance.
Human Character as a Vital Lie
The Denial of Death (1973)

Edward Norton photo

“An all-too-common reaction to something like racism is to hate the act so much you dismiss the person. But in [American History X] you're forced to confront the complexity of the character and his tragedy - and the fact, which people don't want to recognise, that someone like him can come out of a normal middle-class home.”

Edward Norton (1969) american actor

" Edward Norton is up for an Oscar. But who is he? https://web.archive.org/web/20190324033705/https://www.theguardian.com/culture/1999/mar/19/awardsandprizes" (archived), theguardian.com, 19 March 1999.

“Some days you go to your office and you're the only one who shows up, none of the characters show up, and you sit there by yourself, feeling like an idiot. And some days everybody shows up ready to work. You have to show up at your office every day. If an idea comes by, you want to be there to get it in.”

Thomas Harris (1940) American author and screenwriter

Hannibal Lecter’s Creator Cooks Up Something New (No Fava Beans or Chianti) https://www.nytimes.com/2019/05/18/books/thomas-harris-new-book.html (May 18, 2019)

Isabel Lucas photo
Prevale photo

“I built the fortress of my character with all the bricks that pulled me.”

Prevale (1983) Italian DJ and producer

From the Aphorisms http://www.prevale.net/aphorisms.html page of the official website of Prevale
Original: (it) Ho costruito la fortezza del mio carattere con tutti i mattoni che mi hanno tirato addosso.

Boris Yeltsin photo

“Despite all the difficulties and severe trials being experienced by the people, the democratic process in the country is acquiring an increasingly broad sweep and an irreversible character. The peoples of Russia are becoming masters of their destiny.”

Boris Yeltsin (1931–2007) 1st President of Russia and Chairman of the Supreme Soviet of the RSFSR

Appeal to citizens of Russia http://soviethistory.msu.edu/1991-2/the-august-coup/the-august-coup-texts/eltsins-defiance/ to oppose the 1991 coup attempt against Mikhail Gorbachev. (19 August 1991)
1990s

J. Howard Moore photo
Leopold I of Belgium photo
Akira Kubo photo

“I can't choose any particular roles. I enjoyed all of them. I think it's very important for an actor to be able to enjoy playing many different kinds of characters.”

Akira Kubo (1936) Japanese actor

KAIJU CONVERSATIONS: An Interview with Akira Kubo https://web.archive.org/web/20060220090732/http://www.historyvortex.org/InterviewAkiraKubo.html (December 1995)

Joseph Goebbels photo

“German sport has only one task: to strengthen the character of the German people, imbuing it with the fighting spirit and steadfast camaraderie necessary in the struggle for its existence.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Source: April 23, 1933. https://www.ushmm.org/information/press/press-kits/traveling-exhibitions/nazi-olympics/historical-quotes

Keira Knightley photo

“There is definitely a fuck-you quality to the characters I choose.”

Keira Knightley (1985) British actress

Interview in Allure magazine (October 2007)

George Marshall photo
Andrew Francis photo
Àstrid Bergès-Frisbey photo

“Half the time, I live under [the guise of] my characters, so if I start to create an ‘official character’ for myself, it would be exhausting.”

Àstrid Bergès-Frisbey (1986) Franco-Spanish actress

Growing Up With Chanel: The Stylish Ascent of Franco-Spanish Actress Astrid Bergès-Frisbey https://www.vogue.com/article/astrid-berges-frisbey-it-girl-actress (July 14, 2014)

William Ewart Gladstone photo
Arthur Wellesley, 1st Duke of Wellington photo
Arden Cho photo

“I grew up watching Buffy the Vampire Slayer and used to dream that I would grow up to be just like her. In a way, Teen Wolf has a lot of those kinds of characters. We're just kids by day, and yet we're trying to fight demons and werewolves and bad people and save people that we love.”

Arden Cho (1985) Korean-American actress and singer

As quoted in "Arden Cho Talks Teen Wolf, Her Audition Process, Her Favorite Scene and Episode This Season, and More" in Collider (3 March 2014) https://collider.com/arden-cho-teen-wolf-interview/

Margaret Chase Smith photo
Gautama Buddha photo
John F. Kennedy photo
Michael J. Sandel photo