
Source: The Art of War, Chapter V · Forces
A collection of quotes on the topic of boulder, likeness, other, down.
Source: The Art of War, Chapter V · Forces
Introductory notes for Diatope performance, 1978 http://www.moderecords.com/catalog/148xenakis.html
Source: An Idiot Abroad: The Travel Diaries of Karl Pilkington
Letter to Thomas Carlyle (30 October 1841)
Jared Polis, "Commemorating the Rocky Flats 1969 Fire", Congressional Record, May 12, 2009.
Accusations that USADA fabricated evidence http://inrng.com/2012/08/can-liggett-save-armstrong/ (30 August 2012)
Jared Polis, "Boulder, Colorado's Sesquicentennial", Congressional Record, June 25, 2009.
Thoughts on a Pebble, or, A First Lesson in Geology (1849)
The Election in November 1860 (1860)
Fox's Gibson, Barnes equated Iranian president's letter with positions of Democrats, progressives http://mediamatters.org/items/200605110011
“Against the outcrop boulders of a raised beach
We built our house when I and my love were young.”
"The Last Conservative"
www.csindy.com, Colorado Springs Independent, January 19, 2012, Congressman fights SOPA with porn, Bryce Crawford http://www.csindy.com/IndyBlog/archives/2012/01/19/congressman-fights-sopa-with-porn,
About
“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)
"Room of One's Own", p. 355
The Lying Stones of Marrakech (2001)
Source: Permaculture: A Designers' Manual (1988), chapter 8.20
Source: Adventures of a Mathematician - Third Edition (1991), Chapter 14, Professor Again, p. 267
"Gather at the River", page 164
Beyond the Wall: Essays from the Outside (1984)
The Marginal Safari: Scouting the Edge of South Africa (2010)
The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 12: How Best to Spend One's Yosemite Time
Advice for visitors to Yosemite given by John Muir at age 74 years. Compare advice given by the 37-year-old Muir above.
1910s
What the Bones Tell Us (1997)
“Jared Polis of Boulder is the first openly gay man elected to Congress as a non-incumbent.”
[KXRM, http://www.coloradoconnection.com/news/story.aspx?id=360695#.TzY6WURSRn0, www.coloradoconnection.com, August 10, 2009, Colo. delegation votes party lines on hate crime, Associated Press]
About
in 'Unpublished notes', c. 1925-1926, HMF archive; as quoted in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 97
1925 - 1940
" Explorations in the Great Tuolumne Cañon http://books.google.com/books?id=ZikGAQAAIAAJ&pg=P139", Overland Monthly, volume XI, number 2 (August 1873) pages 139-147 (at page 141); modified slightly and reprinted in John of the Mountains (1938), page 69
1870s
The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)
Festivus: The Holiday for the Rest of Us (2005)
Context: In the ancient days when gods played their own games, and had their own celebrations, tossing lightning bolts between mountaintops, hurling great boulders — Festivus came out of that. It's a holiday that celebrates being alive at a time when it was hard to be alive.
There was no Christ yet, no Yahweh, no Buddha. There were great ruins and raw nature. But there was a kindling spark of hope among men. They celebrated that great thunderous storms hadn't enveloped them in the past year, that landslides hadn't destroyed them. They made wishes that their crops would grow in the fields, that they'd have food the next year and the wild animals wouldn't attack and eat them.
There's something pure about Festivus, something primal, raw in the hearts of humans.
“Yes, to seek power that's vain and never granted
and for it to suffer hardship and endless pain:
this is to heave and strain to push uphill
a boulder, that still from the very top rolls back
and bounds and bounces down to the bare, broad field.”
Nam petere imperium quod inanest nec datur umquam,
atque in eo semper durum sufferre laborem,
hoc est adverso nixantem trudere monte
saxa quod tamen e summo iam vertice rursum
volvitur et plani raptim petit aequora campi.
Nam petere imperium quod inanest nec datur umquam,
atque in eo semper durum sufferre laborem,
hoc est adverso nixantem trudere monte
saxa quod tamen e summo iam vertice rursum
volvitur et plani raptim petit aequora campi.
Book III, lines 998–1002 (tr. Frank O. Copley)
De Rerum Natura (On the Nature of Things)
The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.
Crabbed Age and Youth.
Virginibus Puerisque and Other Papers (1881)
Context: All error, not merely verbal, is a strong way of stating that the current truth is incomplete. The follies of youth have a basis in sound reason, just as much as the embarrassing questions put by babes and sucklings. Their most antisocial acts indicate the defects of our society. When the torrent sweeps the man against a boulder, you must expect him to scream, and you need not be surprised if the scream is sometimes a theory. Shelley, chafing at the Church of England, discovered the cure of all evils in universal atheism. Generous lads irritated at the injustices of society, see nothing for it but the abolishment of everything and Kingdom Come of anarchy. Shelley was a young fool; so are these cocksparrow revolutionaries. But it is better to be a fool than to be dead. It is better to emit a scream in the shape of a theory than to be entirely insensible to the jars and incongruities of life and take everything as it comes in a forlorn stupidity. Some people swallow the universe like a pill; they travel on through the world, like smiling images pushed from behind. For God’s sake give me the young man who has brains enough to make a fool of himself! As for the others, the irony of facts shall take it out of their hands, and make fools of them in downright earnest, ere the farce be over. There shall be such a mopping and a mowing at the last day, and such blushing and confusion of countenance for all those who have been wise in their own esteem, and have not learnt the rough lessons that youth hands on to age. If we are indeed here to perfect and complete our own natures, and grow larger, stronger, and more sympathetic against some nobler career in the future, we had all best bestir ourselves to the utmost while we have the time. To equip a dull, respectable person with wings would be but to make a parody of an angel.
Source: "The Road" U.S. 1 (1938), The Book of the Dead
Source: From a "Race of Masters" to a "Master Race": 1948 to 1848