Quotes about beach
page 3

Charles Henry Webb photo

“I send thee a shell from the ocean-beach;
But listen thou well, for my shell hath speech.
Hold to thine ear
And plain thou'lt hear
Tales of ships.”

Charles Henry Webb (1834–1905) American poet

With a Nantucket Shell, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; The hollow sea-shell, which for years hath stood / On dusty shelves, when held against the ear / Proclaims its stormy parent, and we hear / The faint, far murmur of the breaking flood. / We hear the sea. The Sea? It is the blood / In our own veins, impetuous and near", Eugene Lee-Hamilton, Sonnet. Sea-shell Murmurs'.

Will Cuppy photo

“[Footnote:] Most people erroneously call this snake the Puff Adder, Beach Adder, or Blowing Viper. So, naturally, they kill it.”

Will Cuppy (1884–1949) American writer

The Hog-Nosed Snake
How to Become Extinct (1941)

Sara Teasdale photo
Megan Mullally photo
Joe Biden photo

“When seagull droppings landed on my head at a campaign event at Bowers Beach two days before Election Day, I chose to read it as a sign of a coming success.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Page 73
2000s, Promises to Keep (2008)

Chuck Berry photo
Jozef Israëls photo

“No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900

John Fante photo
Sydney Smith photo
Ben Croshaw photo
Frank Herbert photo
Larry Hogan photo

“No state can match the beauty of the Chesapeake Bay, our beaches and farms, or the mountains of Western Maryland, the Port of Baltimore, or the historic charm of every corner of our state.”

Larry Hogan (1956) American politician

" State of the State Address: A New Direction for Maryland http://governor.maryland.gov/2015/02/04/state-of-the-state-address/" (4 February 2015)

John Fante photo

“There is no design involved. It would look tawdry down the wrong end of a beach in Torremolinos. This isn't a case of just not wanting it in my backyard. This area is historically significant with listed buildings and it's next to the Tower of London, which is a world heritage site.”

David Mellor (1949) former British politician, non-practising barrister, broadcaster, journalist and businessman

Quoted in Anil Dawar, "'Build a tower block? Not in our dockyard,'" http://www.telegraph.co.uk/news/uknews/1519779/Build-a-tower-block-Not-in-our-dockyard.htmlThe Telegraph (2006-05-30)
Comment on the proposed construction of a 17-storey block of flats near his home in the St Katharine Docks, London.

Dave Barry photo
Jorge Vargas González photo

“This is made since a long time in Pichilemu, because of that, and the anxiety of our inhabitants we are proposing that these beaches become legal.”

Jorge Vargas González (1967) Chilean politician

Vargas on nude beaches in Pichilemu, in Terra (24 December 2002)

Gloria Estefan photo
Oscar Niemeyer photo
Lee Child photo
Ogden Nash photo
Theo Jansen photo
Oriana Fallaci photo

“I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures… Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.”

"Rage and the Pride">Oriana Fallaci - The Rage and the Pride http://www.amazon.co.uk/Rage-Pride-Oriana-Fallaci/dp/084782599X - Universe Publishing; Intl edition, 2002, ISBN 9780847825998

Jean Metzinger photo
Elton John photo

“For each man in his time is Cain
Until he walks along the beach
And sees his future in the water,
A long lost heart within his reach.”

Elton John (1947) English rock singer-songwriter, composer and pianist

The One
Song lyrics, The One (1992)

John Boyle O'Reilly photo
Eugène Boudin photo
Robert Hunter photo
Lloyd Kaufman photo
Mohamed Nasheed photo

“Sanctions imposed can easily be rolled back. But unless they are imposed, President (Abdullah) Yameen will have no incentive to take further action. It is only a question of time before the Maldives witnesses an incident comparable to the tragedy that occurred on the beaches of Tunisia last year. I will definitely go to the Maldives. But only the question is how and when.”

Mohamed Nasheed (1967) Maldivian politician, 4th president of the Maldives

Mohamed Nasheed, Reuters (January 25, 2016), "Former Maldives' president calls for sanctions against government figures" http://www.reuters.com/article/britain-maldives-nasheed-idUSKCN0V3270

Jack McDevitt photo

“Tides are like politics. They come and go with a great deal of fuss and noise, but inevitably they leave the beach just as they found it. On those few occasions when major change does occur, it is rarely good news.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Deepsix (2001), Chapter 22 (p. 323)

Yoshida Kenkō photo
Theo Jansen photo
Douglas Coupland photo
Bill Downs photo
John Cheever photo
John Updike photo

“There had been a lot of death in the newspapers lately. […] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. […] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.”

Rabbit at Rest (1990)

Joyce Brothers photo
Eric Flint photo
Eugène Boudin photo

“[I have] done various series of seascapes in different genres, beaches which demonstrated if not great art at least a reasonably faithful reproduction of the people of our age.”

Eugène Boudin (1824–1898) French painter

Quote of Boudin, as cited by Dalya Alberge, in 'Life's a beach: Boudin...' in 'Independent online' http://www.independent.co.uk/arts-entertainment/lifes-a-beach-boudin-was-well-a-bit-on-the-dull-side-but-his-paintings-were-wild-and-beautiful-dalya-1471851.html, 9 February 1993
Boudin's reaction when a art-critic asked him for some biographical details
undated quotes

Gerd von Rundstedt photo
Nathanael Greene photo
Frank Herbert photo

“Briefly, the scientists working the Oregon coast found that sand could be controlled only by the use of one type of grass (European beach grass) and by a system of follow-up plantings with other growth. The grass sets up a beachhead by holding down the sand in an intricate lacing of roots. This permits certain other plants to gain a foothold. The beach grass is extremely difficult to grow in nurseries, and part of the solution to the dune problem involved working out a system for propagating and handling the grass.”

"They Stopped the Moving Sands" part of a letter to his agent Lurton Blassingame, outlining an article on how the USDA was using poverty grasses to protect Florence, Oregon from harmful sand dunes (11 July 1957); the article was never published, but did develop several of the ideas that led to "Dune"; as quoted in The Road to Dune (2005), p. 266
General sources

John Fante photo
Aristide Maillol photo
Noel Coward photo

“Hollywood is a place where some people lie on the beach and look up at the stars, whereas other people lie on the stars and look down at the beach.”

Noel Coward (1899–1973) English playwright, composer, director, actor and singer

Interview with Walter Harris in 1960 reported in The Times (26 May 2009).

Jeffrey Moussaieff Masson photo
Richard Rodríguez photo
Bruce Parry photo
P. J. O'Rourke photo
Ogden Nash photo

“How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), Pretty Halcyon Days

Carl Sagan photo

“Those worlds in space are as countless as all the grains of sand on all the beaches of the earth.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

54 min 55 sec
Cosmos: A Personal Voyage (1990 Update), Journeys in Space and Time [Episode 8]
Context: Those worlds in space are as countless as all the grains of sand on all the beaches of the earth. Each of those worlds is as real as ours and every one of them is a succession of incidents, events, occurrences which influence its future. Countless worlds, numberless moments, an immensity of space and time. And our small planet at this moment, here we face a critical branch point in history, what we do with our world, right now, will propagate down through the centuries and powerfully affect the destiny of our descendants, it is well within our power to destroy our civilization and perhaps our species as well. If we capitulate to superstition or greed or stupidity we could plunge our world into a time of darkness deeper than the time between the collapse of classical civilization and the Italian Renaissance. But we are also capable of using our compassion and our intelligence, our technology and our wealth to make an abundant and meaningful life for every inhabitant of this planet.

Vitruvius photo

“If there are no sandpits from which it can be dug, then we must sift it out from river beds or from gravel or even from the sea beach. This kind however has these defects when used in masonry”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV, Sec. 2
Context: If there are no sandpits from which it can be dug, then we must sift it out from river beds or from gravel or even from the sea beach. This kind however has these defects when used in masonry: it dries slowly... and such a wall cannot carry vaultings. Furthermore, when sea-sand is used in walls and these are coated with stucco, a salty efflorescence is given out which spoils the surface.

Anne Morrow Lindbergh photo

“One should lie empty, open, choiceless as a beach — waiting for a gift from the sea.”

Gift from the Sea (1955)
Context: The sea does not reward those who are too anxious, too greedy, or too impatient. To dig for treasures shows not only impatience and greed, but lack of faith. Patience, patience, patience, is what the sea teaches. Patience and faith. One should lie empty, open, choiceless as a beach — waiting for a gift from the sea.

Gilbert Herdt photo

“Social and cultural factors very broadly channel and limit sexual variation in human populations. Sexual laws, codes, and roles do restrict the range and intensity of sexual practices, as far as we can judge from the cross-cultural literature (Herdt and Stoller 1990). Kinsey lent his support to this view; Ford and Beach (1950) documented it in surveys; and Margaret Mead (1961) did so in her ethnographic studies. But biosocial, genetic, and hormonal predispositions also broadly limit and channel.”

Gilbert Herdt (1949) American anthropologist

"Bisexuality and the Causes of Homosexuality: The Case of the Sambia"
Context: Social and cultural factors very broadly channel and limit sexual variation in human populations. Sexual laws, codes, and roles do restrict the range and intensity of sexual practices, as far as we can judge from the cross-cultural literature (Herdt and Stoller 1990). Kinsey lent his support to this view; Ford and Beach (1950) documented it in surveys; and Margaret Mead (1961) did so in her ethnographic studies. But biosocial, genetic, and hormonal predispositions also broadly limit and channel. Each culture's theory of the combination of these social and biological constraints we could call its theory of human sexual nature. Yet none of these broad principles, nor the local theory of human sexual nature, entirely explains or predicts a particular person's sexual desires or behaviors. A sexual behavior, that is, does not necessarily indicate an erotic orientation, preference, or desire. The homosexual is not the same as the homoerotic; whether in our society or one very exotic, I will claim, we can distinguish the homosexual from the homoerotic, as Oscar Wilde's case first hinted.

H.L. Mencken photo

“A policeman is a charlatan who offers, in return for obedience, to protect him (a) from his superiors, (b) from his equals, and (c) from himself. This last service, under democracy, is commonly the most esteemed of them all. In the United States, at least theoretically, it is the only thing that keeps ice-wagon drivers, Y.M.C.A. secretaries, insurance collectors and other such human camels from smoking opium, ruining themselves in the night clubs, and going to Palm Beach with Follies girls”

H.L. Mencken (1880–1956) American journalist and writer

1920s, Notes on Democracy (1926)
Context: What the common man longs for in this world, before and above all his other longings, is the simplest and most ignominious sort of peace: the peace of a trusty in a well-managed penitentiary. He is willing to sacrifice everything else to it. He puts it above his dignity and he puts it above his pride. Above all, he puts it above his liberty. The fact, perhaps, explains his veneration for policemen, in all the forms they take–his belief that there is a mysterious sanctity in law, however absurd it may be in fact.
A policeman is a charlatan who offers, in return for obedience, to protect him (a) from his superiors, (b) from his equals, and (c) from himself. This last service, under democracy, is commonly the most esteemed of them all. In the United States, at least theoretically, it is the only thing that keeps ice-wagon drivers, Y. M. C. A. secretaries, insurance collectors and other such human camels from smoking opium, ruining themselves in the night clubs, and going to Palm Beach with Follies girls... Under the pressure of fanaticism, and with the mob complacently applauding the show, democratic law tends more and more to be grounded upon the maxim that every citizen is, by nature, a traitor, a libertine, and a scoundrel. In order to dissuade him from his evil-doing the police power is extended until it surpasses anything ever heard of in the oriental monarchies of antiquity.

Isadora Duncan photo

“The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature.”

Isadora Duncan (1877–1927) American dancer and choreographer

Source: The Art of the Dance (1928), p. 54.
Context: The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body.

Pelé photo
Ernest King photo

“The defensive organization of Iwo Jima was the most complete and effective yet encountered. The beaches were flanked by high terrain favorable to the defenders. Artillery, mortars, and rocket launchers were well concealed, yet could register on both beaches- in fact, on any point on the island. Observation was possible, both from Mount Suribachi at the south end and from a number of commanding hills and steep defiles sloping to the sea from all sides of the central Motoyama tableland afforded excellent natural cover and concealment, and lent themselves readily to the construction of subterranean positions to which the Japanese are addicted. Knowing the superiority of the firepower which would be brought against them by air, sea, and land, they had gone underground most effectively, while remaining ready to man their positions with mortars, machine guns, and other portable weapons the instant our troops started to attack. The defenders were dedicated to expending themselves- but expending themselves skillfully and protractedly in order to exact the uttermost toll from the attackers. Small wonder then that every step had to be won slowly by men inching forward with hand weapons, and at heavy costs. There was no other way of doing it. The skill and gallantry of our Marines in this exceptionally difficult enterprise was worthy of their best traditions and deserving of the highest commendation. This was equally true of the naval units acting in their support, especially those engaged at the hazardous beaches. American history offers no finer example of courage, ardor and efficiency.”

Ernest King (1878–1956) United States Navy admiral, Chief of Naval Operations

Third Report, p. 174-175
U.S. Navy at War, 1941-1945: Official Reports to the Secretary of the Navy (1946)

Andy García photo

“It’s what I know best. It’s roots. It’s Dazed And Confused and Friday Night Lights. It’s border life and El Pato and Whataburger and getting drunk in a back of a pickup. It’s dancing every weekend to country music, or Tejano music, or club music. It’s the beach. It’s, for better or worse, home.”

On how Texas influences his writings in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

William H. McRaven photo
Marilyn Ferguson photo

“Another discovery: uncertainty. Not just the uncertainty of the moment, which may pass, but oceanic uncertainty, mystery that washes across our beaches forever.”

Marilyn Ferguson (1938–2008) American writer

The Aquarian Conspiracy (1980), Chapter Four, People Changing

Jack LaLanne photo

“At age 70 the guy towed 70 boats carrying 70 people across the Long Beach harbor, with both arms and feet shackled.”

Jack LaLanne (1914–2011) American exercise instructor

Robert Kennedy, in "Live Young Forever: 12 Steps to Optimum Health, Fitness and Longevity", p. 10

John Muir photo

“John Muir has been a role model to generations of Californians and to conservationists around the world. He taught us to be active and to enjoy — but at the same time protect — our parks, our beaches, and our mountains.”

John Muir (1838–1914) Scottish-born American naturalist and author

California Governor Arnold Schwarzenegger, announcing http://www.sierraclub.org/john_muir_exhibit/tributes.aspx the selection of the "John Muir-Yosemite Design" for the California State Quarter (29 March 2004)

Salvador Dalí photo

“Just now I'm painting a beautiful woman, smiling, burnt to a crisp, with feathers of all colors, held up by a small die of burning marble; the die is in turn held up by a little puff of smoke, churned and quite; in the sky there are asses with parrot-heads, grasses and beach sand, all about to explode, all clean, incredible objective..”

Salvador Dalí (1904–1989) Spanish artist

Quote in Dali's letter to his art-friend Lorca, 1927; as quoted in Surrealism and the Spanish Civil War, Robin Adèle Greeley, p. 67
Dali is striving then for a rational approach of his paintings; he is very probably referring to his painting, he made earlier in 1927: ' Little Ashes' https://upload.wikimedia.org/wikipedia/commons/b/b7/Little_Ashes.jpg
Quotes of Salvador Dali, 1920 - 1930

T.S. Eliot photo
T.S. Eliot photo
Boris Johnson photo

“The real hero of Jaws is the mayor. A gigantic fish is eating all your constituents and he decides to keep the beaches open. OK, in that instance he was actually wrong. But in principle, we need more politicians like the mayor - we are often the only obstacle against all the nonsense which is really a massive conspiracy against the taxpayer.”

Boris Johnson (1964) British politician, historian and journalist

Speech given by Johnson at Lloyd's of London in 2006, quoted in * 2007-07-18

Boris Johnson inspired by Jaws mayor

Graeme Wilson and George Jones

The Telegraph

https://www.telegraph.co.uk/news/uknews/1557765/Boris-Johnson-inspired-by-Jaws-mayor.html
2000s, 2006

Hendrik Willem Mesdag photo

“I have studied the subject and painted it directly to nature [his painting 'Scheveningen strandgezicht / Scheveningen, beach view'] and I have tried to reproduce that motif simply and unaffectedly, with no desire to make a painting with a lot of 'éclat' [glow].”

Hendrik Willem Mesdag (1831–1915) painter from the Northern Netherlands

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) Ik heb het onderwerp bestudeerd en geschilderd direct naar de natuur [zijn schilderij 'Schevenings strandgezicht' uit 1869] en ik heb getracht dat motief eenvoudig en ongekunsteld weer te geven, zonder er een schilderij met veel éclat van te willen maken.

In a letter to his Belgium friend, the painter A. Verwee, 19 March 1870; as cited in Hendrik Willem Mesdag 1831 – 1915; De Schilder van de Noordzee, Johan Poort; Mesdag Documentaire Stichting cop, ISBN 90-74192-14-9; 2001, p. 15
before 1880

Raquel Welch photo

“Bikinis, as well as being empowering, they are just so darn comfortable and practical – at the beach or for fighting dinosaurs.”

Raquel Welch (1940–2023) American actress

Quoted by many sites https://tip-shack.com/2020/04/29/luke-i-am-your-father-and-other-famous-misquotes/ and blogs https://authorjoannereed.net/life-is-better-in-a-bikini/ as a comment made by Raquel Welch during the filming of 1 Million Years BC. https://en.wikipedia.org/wiki/One_Million_Years_B.C.#Release
Misattributed

Tony Leung photo

“If I'm not working, I'll go on my boat and have a few drinks. Most of my friends are outside the movie business. It's too much to mix with other celebrities. When I go out I prefer no one talk about movies. I'd rather talk about waterskiing, the sea, beaches, seafood...”

Tony Leung (1962) Hong Kong actor

"I Told Kar-wai I Couldn't Move, Couldn't Breathe" in TIME Asia (11 October 2000) http://edition.cnn.com/ASIANOW/time/features/interviews/2000/10/11/int.tony_leung.html

George Marshall photo

“Not one American soldier is going to die on that goddamned beach.”

George Marshall (1880–1959) US military leader, Army Chief of Staff

Source: reaction to Churchill's pitch at the Cairo Conference in November 1943 for the Americans to join in an assault on Rhodes. quoted by Correl, John T. “Churchill’s Southern Strategy.” Air Force Magazine, January 2013 https://www.airforcemag.com/article/0113churchill/

Kate Bush photo

“Could be in a dream
Our clothes are on the beach
These prints of our feet
Lead right up to the sea
No one, no one is here
No one, no one is here
We stand in the Atlantic
We become panoramic...”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Source: Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Peeni Henare photo

“You imagine Pacific islands, the tropical nature of the place and the bright colour of the sands and beaches. It's all very grey and dull because of the ash that just blankets the entire land.”

Peeni Henare (1980) New Zealand politician

Tonga
Source: Peeni Henare (2022) cited in: " Tonga airport runway being cleared of ash as Australian planes ready to depart https://www.theguardian.com/world/2022/jan/20/tonga-airport-runway-being-cleared-of-ash-as-australian-planes-ready-to-depart" in The Guardian, 19 January 2022.

Jessamyn Stanley photo

“It’s so idealized, like, your life must be perfect if you can hold a balance posture on the beach. But the actual practice of yoga isn’t about that at all. The image isn’t important. The practice is.”

Jessamyn Stanley (1987) American yoga teacher and author

Source: Finding a More Inclusive Vision of Fitness in Our Feeds, Jenna Wortham, July 6, 2017, 2017 https://www.nytimes.com/2017/07/06/magazine/finding-a-more-inclusive-vision-of-fitness-in-our-feeds.html,