With a Nantucket Shell, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; The hollow sea-shell, which for years hath stood / On dusty shelves, when held against the ear / Proclaims its stormy parent, and we hear / The faint, far murmur of the breaking flood. / We hear the sea. The Sea? It is the blood / In our own veins, impetuous and near", Eugene Lee-Hamilton, Sonnet. Sea-shell Murmurs'.
Quotes about beach
page 3
Page 73
2000s, Promises to Keep (2008)
Euro Trash Cinema magazine interview (March 1996)
translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900
"Introduction" to New World or No World (1970)
General sources
" State of the State Address: A New Direction for Maryland http://governor.maryland.gov/2015/02/04/state-of-the-state-address/" (4 February 2015)
Quoted in Anil Dawar, "'Build a tower block? Not in our dockyard,'" http://www.telegraph.co.uk/news/uknews/1519779/Build-a-tower-block-Not-in-our-dockyard.htmlThe Telegraph (2006-05-30)
Comment on the proposed construction of a 17-storey block of flats near his home in the St Katharine Docks, London.
Vargas on nude beaches in Pichilemu, in Terra (24 December 2002)
comment to audience at book signing at Macy's in New York City (November 21, 2006)
2007, 2008
The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 62.
The One
Song lyrics, The One (1992)
Quote in Boudin's letter to Ferdinand Martin, 28 August 1867; as cited in exh. text; 'Eugène Boudin', ed. Christoph Bode, Musée Jacquemart-André, Paris, July 2013
'Nos petites poupées', Boudin called the rich and super-rich women from Paris who spent their summers in Deauville and Trouville at the beach
1850s - 1870s
“Two there on the beach / as close together as nostrils. / Calm sea day.”
CraveOnline http://www.craveonline.com/film/articles/507781-exclusive-cannes-interview-lloyd-kaufman-on-nuke-em-high May 28, 2013]
2013
Mohamed Nasheed, Reuters (January 25, 2016), "Former Maldives' president calls for sanctions against government figures" http://www.reuters.com/article/britain-maldives-nasheed-idUSKCN0V3270
Source: Academy Series - Priscilla "Hutch" Hutchins, Deepsix (2001), Chapter 22 (p. 323)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 260.
Theo Jansen http://streamingmuseum.org/theo-jansen/ at streamingmuseum.org, 2014.
Describing the Allied assault on the Nijmegen bridge during Operation Market Garden in 1944
In the Heart of Darkness http://www.baen.com/Library/0671878859/0671878859.htm (1998)
Quote of Boudin, as cited by Dalya Alberge, in 'Life's a beach: Boudin...' in 'Independent online' http://www.independent.co.uk/arts-entertainment/lifes-a-beach-boudin-was-well-a-bit-on-the-dull-side-but-his-paintings-were-wild-and-beautiful-dalya-1471851.html, 9 February 1993
Boudin's reaction when a art-critic asked him for some biographical details
undated quotes
December “SIGNS OF THE TIMES“
The Sheep Look Up (1972)
Quoted in "Hitler's Generals" - Page 191 - by Correlli Barnett - History - 2003
Letter to George Washington (August 1778)
"They Stopped the Moving Sands" part of a letter to his agent Lurton Blassingame, outlining an article on how the USDA was using poverty grasses to protect Florence, Oregon from harmful sand dunes (11 July 1957); the article was never published, but did develop several of the ideas that led to "Dune"; as quoted in The Road to Dune (2005), p. 266
General sources
Quote in 'Aristide Maillol', ed. Andrew C. Ritchie, Albright Art Gallery N. Y. 1945, p. 31 + 45; as cited by Angelo Carnafa, in 'A sculpture of interior Solitude', Associated University Presse, 1999, p. 167
Interview with Walter Harris in 1960 reported in The Times (26 May 2009).
Source: The Nine Emotional Lives of Cats (2002), Ch. 3
Women's Weekly interview (2006)
Brown : The Last Discovery of America (2003)
Danielle Savre Interview http://www.naludamagazine.com/danielle-savre/ (December 22, 2016)
As quoted in "My hols: Bruce Parry" in Times Online UK (16 September 2007) http://travel.timesonline.co.uk/tol/life_and_style/travel/news/article2452420.ece
“Those worlds in space are as countless as all the grains of sand on all the beaches of the earth.”
54 min 55 sec
Cosmos: A Personal Voyage (1990 Update), Journeys in Space and Time [Episode 8]
Context: Those worlds in space are as countless as all the grains of sand on all the beaches of the earth. Each of those worlds is as real as ours and every one of them is a succession of incidents, events, occurrences which influence its future. Countless worlds, numberless moments, an immensity of space and time. And our small planet at this moment, here we face a critical branch point in history, what we do with our world, right now, will propagate down through the centuries and powerfully affect the destiny of our descendants, it is well within our power to destroy our civilization and perhaps our species as well. If we capitulate to superstition or greed or stupidity we could plunge our world into a time of darkness deeper than the time between the collapse of classical civilization and the Italian Renaissance. But we are also capable of using our compassion and our intelligence, our technology and our wealth to make an abundant and meaningful life for every inhabitant of this planet.
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV, Sec. 2
Context: If there are no sandpits from which it can be dug, then we must sift it out from river beds or from gravel or even from the sea beach. This kind however has these defects when used in masonry: it dries slowly... and such a wall cannot carry vaultings. Furthermore, when sea-sand is used in walls and these are coated with stucco, a salty efflorescence is given out which spoils the surface.
“One should lie empty, open, choiceless as a beach — waiting for a gift from the sea.”
Gift from the Sea (1955)
Context: The sea does not reward those who are too anxious, too greedy, or too impatient. To dig for treasures shows not only impatience and greed, but lack of faith. Patience, patience, patience, is what the sea teaches. Patience and faith. One should lie empty, open, choiceless as a beach — waiting for a gift from the sea.
"Bisexuality and the Causes of Homosexuality: The Case of the Sambia"
Context: Social and cultural factors very broadly channel and limit sexual variation in human populations. Sexual laws, codes, and roles do restrict the range and intensity of sexual practices, as far as we can judge from the cross-cultural literature (Herdt and Stoller 1990). Kinsey lent his support to this view; Ford and Beach (1950) documented it in surveys; and Margaret Mead (1961) did so in her ethnographic studies. But biosocial, genetic, and hormonal predispositions also broadly limit and channel. Each culture's theory of the combination of these social and biological constraints we could call its theory of human sexual nature. Yet none of these broad principles, nor the local theory of human sexual nature, entirely explains or predicts a particular person's sexual desires or behaviors. A sexual behavior, that is, does not necessarily indicate an erotic orientation, preference, or desire. The homosexual is not the same as the homoerotic; whether in our society or one very exotic, I will claim, we can distinguish the homosexual from the homoerotic, as Oscar Wilde's case first hinted.
1920s, Notes on Democracy (1926)
Context: What the common man longs for in this world, before and above all his other longings, is the simplest and most ignominious sort of peace: the peace of a trusty in a well-managed penitentiary. He is willing to sacrifice everything else to it. He puts it above his dignity and he puts it above his pride. Above all, he puts it above his liberty. The fact, perhaps, explains his veneration for policemen, in all the forms they take–his belief that there is a mysterious sanctity in law, however absurd it may be in fact.
A policeman is a charlatan who offers, in return for obedience, to protect him (a) from his superiors, (b) from his equals, and (c) from himself. This last service, under democracy, is commonly the most esteemed of them all. In the United States, at least theoretically, it is the only thing that keeps ice-wagon drivers, Y. M. C. A. secretaries, insurance collectors and other such human camels from smoking opium, ruining themselves in the night clubs, and going to Palm Beach with Follies girls... Under the pressure of fanaticism, and with the mob complacently applauding the show, democratic law tends more and more to be grounded upon the maxim that every citizen is, by nature, a traitor, a libertine, and a scoundrel. In order to dissuade him from his evil-doing the police power is extended until it surpasses anything ever heard of in the oriental monarchies of antiquity.
Source: The Art of the Dance (1928), p. 54.
Context: The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body.
Third Report, p. 174-175
U.S. Navy at War, 1941-1945: Official Reports to the Secretary of the Navy (1946)
On how he’s nostalgic about Cuba in “Andy Garcia Interview - Up Close And Personal” https://www.lasplash.com/publish/Celebrity_Talk_102/Andy_Garcia_Interview_-_Up_Close_And_Personal.php in Splash Magazines
On how Texas influences his writings in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times
The Aquarian Conspiracy (1980), Chapter Four, People Changing
“See also Brighton Beach Memoirs, The Goodbye Girl, Murder by Death, and The Odd Couple.”
Robert Kennedy, in "Live Young Forever: 12 Steps to Optimum Health, Fitness and Longevity", p. 10
California Governor Arnold Schwarzenegger, announcing http://www.sierraclub.org/john_muir_exhibit/tributes.aspx the selection of the "John Muir-Yosemite Design" for the California State Quarter (29 March 2004)
Quote in Dali's letter to his art-friend Lorca, 1927; as quoted in Surrealism and the Spanish Civil War, Robin Adèle Greeley, p. 67
Dali is striving then for a rational approach of his paintings; he is very probably referring to his painting, he made earlier in 1927: ' Little Ashes' https://upload.wikimedia.org/wikipedia/commons/b/b7/Little_Ashes.jpg
Quotes of Salvador Dali, 1920 - 1930
Speech given by Johnson at Lloyd's of London in 2006, quoted in * 2007-07-18
Boris Johnson inspired by Jaws mayor
Graeme Wilson and George Jones
The Telegraph
https://www.telegraph.co.uk/news/uknews/1557765/Boris-Johnson-inspired-by-Jaws-mayor.html
2000s, 2006
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) Ik heb het onderwerp bestudeerd en geschilderd direct naar de natuur [zijn schilderij 'Schevenings strandgezicht' uit 1869] en ik heb getracht dat motief eenvoudig en ongekunsteld weer te geven, zonder er een schilderij met veel éclat van te willen maken.
In a letter to his Belgium friend, the painter A. Verwee, 19 March 1870; as cited in Hendrik Willem Mesdag 1831 – 1915; De Schilder van de Noordzee, Johan Poort; Mesdag Documentaire Stichting cop, ISBN 90-74192-14-9; 2001, p. 15
before 1880
Quoted by many sites https://tip-shack.com/2020/04/29/luke-i-am-your-father-and-other-famous-misquotes/ and blogs https://authorjoannereed.net/life-is-better-in-a-bikini/ as a comment made by Raquel Welch during the filming of 1 Million Years BC. https://en.wikipedia.org/wiki/One_Million_Years_B.C.#Release
Misattributed
"I Told Kar-wai I Couldn't Move, Couldn't Breathe" in TIME Asia (11 October 2000) http://edition.cnn.com/ASIANOW/time/features/interviews/2000/10/11/int.tony_leung.html
“Not one American soldier is going to die on that goddamned beach.”
Source: reaction to Churchill's pitch at the Cairo Conference in November 1943 for the Americans to join in an assault on Rhodes. quoted by Correl, John T. “Churchill’s Southern Strategy.” Air Force Magazine, January 2013 https://www.airforcemag.com/article/0113churchill/
Source: Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)
Tonga
Source: Peeni Henare (2022) cited in: " Tonga airport runway being cleared of ash as Australian planes ready to depart https://www.theguardian.com/world/2022/jan/20/tonga-airport-runway-being-cleared-of-ash-as-australian-planes-ready-to-depart" in The Guardian, 19 January 2022.
Source: Finding a More Inclusive Vision of Fitness in Our Feeds, Jenna Wortham, July 6, 2017, 2017 https://www.nytimes.com/2017/07/06/magazine/finding-a-more-inclusive-vision-of-fitness-in-our-feeds.html,