Quotes about ballet

A collection of quotes on the topic of ballet, dance, dancing, dancer.

Quotes about ballet

Yuzuru Hanyu photo

““I believe – and this is the case not only for figure skating but for other forms of art including ballet and musicals as well – that this artistry is very much based on having the correct technique and a strong foundation at the core of everything. It is upon these that the artistry is built, and without that strong foundation and that basis in technique, it is not possible to have that full artistry required as well.””

Yuzuru Hanyu (1994) Japanese figure skater (1994-)

Source: Original: (ja) たとえばバレエとかミュージカルとかもそうですけれども、芸術というのは、明らかに正しい技術、徹底された基礎によって裏付けされた表現力、芸術であって、それが足りないと芸術にはならないと僕は思っています。

Source: Interview at the Foreign Correspondence Club of Japan from 27 February 2018
https://quotepark.com/authors/yuzuru-hanyu/

Dmitri Shostakovich photo
Angelina Jolie photo
Avril Lavigne photo
Rudolf Nureyev photo

“Musicals gave the U.S. an ethnic culture that undoubtedly influenced ballet.”

Rudolf Nureyev (1938–1993) Soviet ballet dancer and choreographer

Source: Gervaso, Roberto. La mosca al naso, Rizzoli Editore (1980)

“I'm steel-toed boots in a ballet-slipper world.”

Richard Kadrey (1957) San Francisco-based novelist, freelance writer, and photographer

Source: Sandman Slim

Anaïs Nin photo
James Patterson photo

“You are a fridge with wings. We're freaking ballet dancers.”

James Patterson (1947) American author

Variant: You're a fridge with wings. We're freaking ballet dancers! -Fang
Source: The Angel Experiment

Bashō Matsuo photo

“Ballet in the air…
Twin butterflies until, twice white
They Meet, they mate”

Bashō Matsuo (1644–1694) Japanese poet

Source: Japanese Haiku

Paulo Coelho photo
George Balanchine photo
James Patterson photo
David Nicholls photo
Martha Graham photo
Alexander Calder photo

“Fernand Léger's film, 'Ballet Mecanique' is the result of the desire for a picture in motion.”

Alexander Calder (1898–1976) American artist

1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)

Susan Sontag photo
Andy Partridge photo
Sarah Chang photo
Tom Baker photo
Joseph Martin Kraus photo

“But what have those colourful ballets to do with the opera's? Ballets, that do not concern the opera at the least. Do they not spoil all possible action, that they in their course violently interrupt?”

Joseph Martin Kraus (1756–1792) German composer

Was sollen aber die buntschäckigten Balletten in den Opern? Balletten, die auf die Oper nicht die geringste Beziehungen haben. Verderben sie nicht alle mögliche Wirkung, die sie in ihrem Gange gewaltsam unterbrechen?
32
Etwas von und über Musik fürs Jahr 1777

Constant Lambert photo
Rukmini Devi Arundale photo

“That she learned ballet not with the idea of becoming a full-fledged dancer. It was just to train my body and more for the sheer joy of learning something beautiful.”

Rukmini Devi Arundale (1904–1986) Indian Bharatnatyam dancer

[Meduri, Avanthi, Rukmini Devi Arundale, 1904-1986: A Visionary Architect of Indian Culture and the Performing Arts, http://books.google.com/books?id=uNYZ1vp-xFIC, 1 January 2005, Motilal Banarsidass Publishe, 978-81-208-2740, 8, 10]

Quentin Crisp photo
Fred Astaire photo
Joanna Newsom photo
Mary McCarthy photo
Fred Astaire photo

“The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us…Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals…I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Gene Kelly interviewed in Hirschhorn, Clive. Gene Kelly, A Biography. W.H Allen, London, 1984. p. 117. ISBN 0491031823.

Charles Bukowski photo
Albert Gleizes photo
Danny Tidwell photo

“I don’t even know if I’ll ever feel what I did when he finished dancing his solo on Wednesday night’s [2007-08-15] show. When he left the ballet world, he was losing his love of dance, and to me, watching that solo, he came full circle. He came back.”

Danny Tidwell (1984) American dancer

Denise Wall, Tidwell's mother, the morning before the final results show. In her mind "he had already won" regardless of the outcome
Rutherford, Laine M. (August 17, 2007). "Beach's Tidwell is voted America's second-favorite dancer" http://content.hamptonroads.com/story.cfm?story=130465&ran=89902 HamptonRoads.com. Retrieved August 17, 2007.
About

Danny Tidwell photo

“This latest skirmish in the high art/low art war has played out most fiercely over Mr. Tidwell, who shocked balletomanes when he left American Ballet Theater in 2005, then added insult to injury by joining the third season of “So You Think You Can Dance.””

Danny Tidwell (1984) American dancer

The New York Times
La Rocco Claudia. "TV Viewers Discover Dance, and the Debate Is Joined" http://www.nytimes.com/2007/09/21/arts/dance/21revo.html?ref=dance#, The New York Times, September 21, 2007
About

Greg Egan photo

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988)
Fiction

Tom Robbins photo
Natacha Rambova photo
Rachele Brooke Smith photo

“I worked so hard to be so versatile in so many different things. There’s just not a lot of girls who can do ballet and flips and break dance and crazy hip-hop moves. So I would really encourage young dancers and actors to work to be as versatile as possible.”

Rachele Brooke Smith (1987) American actress

Exclusive Interview with Center Stage: On Pointe’s Rachele Brooke Smith http://talknerdywithus.com/2016/06/14/exclusive-interview-with-center-stage-on-pointes-rachele-brooke-smith/ (June 14, 2016)

J.M. Coetzee photo
Joan Miró photo

“.. something as sensational as [a] heavy weight prize fight…. a rain of swings, uppercuts, and straight right and lefts to the stomach and everywhere throughout the entire event – a round lasting about twenty minutes. [remark on a ballet Miro planned to, c. 1930]”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

Quote of Miró in 'Bravo' Barcelona 1994; as cited in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 37
1915 - 1940

Danny Tidwell photo

“Jumps and turns aren't hard; artistry is. To create a whole new world for the audience, that's the fantasy of ballet.”

Danny Tidwell (1984) American dancer

Rubin, Hanna (January 2005), "On the verge in 2005, DM's 25 to Watch", Dance Magazine 79 (1):40-69

C. L. R. James photo
John Green photo

“The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.”

John Green (1977) American author and vlogger

July 19: A Day in the Life of a Writer (Who Has No Friends) http://www.youtube.com/watch?v=GXbGFyNXLwA
YouTube

Erik Naggum photo
Oscar Levant photo

“Ballet is the fairies' baseball.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

Oscar Levant, as quoted in "Oscar the Magnificent" https://www.newspapers.com/newspage/161384355/ by Burt Prelutsky, in The Los Angeles Times (January 26, 1969), p. 468

Pierre Monteux photo
Mo Yan photo
Morrissey photo

“Lots of people make the stage and it can seem very violent and over the top, but it's not really. It's always a kind of gentle ballet.”

Morrissey (1959) English singer

From "LA Confidential", interview by Jaan Uhelszki, Mojo (April 2001)
In interviews etc., About himself and his work

Heidi Klum photo

“If we don't take that time (to be romantic), then it's karate, then it's ballet, and then there's Christmas, and then my husband is flying off to tour around the world.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Discussing staying romantic in a marriage with children. Quoted by Jennifer Weiner in InStyle, February 2010.

F. Scott Fitzgerald photo
Richard Strauss photo

“Strauss told me about his new ballet, which he wrote in the summer. It’s called ‘Schlagobers’ (whipped cream) and he said, jokingly: ‘Oh yes, when one gets old one has ideas like that.”

Richard Strauss (1864–1949) German composer and orchestra director

In America with Richard Strauss. Elisabeth Schumann’s Travel Diary (14th October to 31st December 1921). Elisabeth Schumann was a soprano who worked with Strauss in the 1920s and 1930s. He dedicated his Brentano Lieder to her.
Other sources

Phil Brooks photo

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

Ryū Murakami photo
Fred Astaire photo
Susan Kay photo
Quentin Crisp photo
Jerzy Vetulani photo

“Dolphins, unlike us, do not have manual skills, but their dances, jumps, are perhaps the equivalent of our ballet. Sounds, like music in the Orthodox Church – without musical instruments – are probably their songs, by which they are holding long discourses. It is a semantically organized signal system.”

Jerzy Vetulani (1936–2017) Polish scientist

Vetulani, Jerzy (6 December 2009): W każdym z nas tkwi mr Hyde https://nto.pl/profesor-jerzy-vetulani-w-kazdym-z-nas-tkwi-mr-hyde/ar/4135849, interview. Nowa Trybuna Opolska (in Polish).

Jesse Ventura photo

“He was a member of CND and a socialist with a rather romantic and naive idea of what Soviet Russia was like, all cornfields and ballet.”

David Hockney (1937) British artist

Interview with Nigel Farndale, "The talented Mr. Hockney," The Telegraph, (15 November 2001)
2000s
Context: He [Hockney's father] hardly ever left Bradford. He was a member of CND and a socialist with a rather romantic and naive idea of what Soviet Russia was like, all cornfields and ballet. He would have gone mad for email because he was always sending letters to world leaders — Eisenhower, Mao, Stalin — telling them what was what. I think he imagined the Politburo would hold up his letter and say, "Hold everything, Kenneth Hockney has written again!"

Pelé photo
C. L. R. James photo
Hema Malini photo

“It has been more than three decades but Hema Malini’s passion for dance has not diminished. Starting in the early 70s with solo Bhratanatyam performances, the diva has reinvented herself at every stage of her career. When she felt that the pure classical dance form would not be appreciated by a less aware audience, she expanded her art form to include ballets.”

Hema Malini (1948) Indian actress, dancer and politician

Writer Bhawana Somaaya in [Bhawana Somaaya, Fragmented Frames: Reflections of a Critic, http://books.google.com/books?id=HQ3Yi9VPU8QC&pg=PP201, 1 January 2008, Pustak Mahal, 978-81-223-1016-0, 201–]

Sugar Ray Robinson photo