Quotes about aspect
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Garry Kasparov photo
George Holyoake photo
James Meade photo
Yanis Varoufakis photo
Eric Holder photo

“Lysenkoism is held up by bourgeois commentators as the supreme demonstration that conscious ideology cannot inform scientific practice and that "ideology has no place in science." On the other hand, some writers are even now maintaining a Lysenkoist position because they believe that the principles of dialectical materialism contradict the claims of genetics. Both of these claims stem from a vulgarisation of Marxist philosophy through deliberate hostility, in the first case, or ignorance, in the second. Nothing in Marx, Lenin or Mao contradicts the particular physical facts and processes of a particular set of natural phenomena in the objective world, because what they wrote about nature was at a high level of abstraction. The error of the Lysenkoist claim arises from attempting to apply a dialectical analysis of physical problems from the wrong end. Dialectical materialism is not, and has never been, a programmatic method for solving particular physical problems. Rather, dialectical analysis provides an overview and a set of warning signs against particular forms of dogmatism and narrowness of thought. It tells us, "Remember that history may leave an important trace. Remember that being and becoming are dual aspects of nature. Remember that conditions change and that the conditions necessary to the initiation of some process may be destroyed by the process itself. Remember to pay attention to real objects in space and time and not lose them utterly in idealized abstractions. Remember that qualitative effects of context and interaction may be lost when phenomena are isolated."”

Richard C. Lewontin (1929) American evolutionary biologist

And above all else, "Remember that all the other caveats are only reminders and warning signs whose application to different circumstances of the real world is contingent."
"The Problem of Lysenkoism" by Richard Lewontin and Richard Levins, in Hilary and Steven Rose (eds.), The Radicalisation of Science, Macmillan, 1976, p. 58.

Michio Kaku photo

“I say looking at the next 100 years that there are two trends in the world today. The first trend is toward what we call a type one civilization, a planetary civilization… The danger is the transition between type zero and type one and that’s where we are today. We are a type zero civilization. We get our energy from dead plants, oil and coal. But if you get a calculator you can calculate when we will attain type one status. The answer is: in about 100 years we will become planetary. We’ll be able to harness all the energy output of the planet earth. We’ll play with the weather, earthquakes, volcanoes. Anything planetary we will play with. The danger period is now, because we still have the savagery. We still have all the passions. We have all the sectarian, fundamentalist ideas circulating around, but we also have nuclear weapons. …capable of wiping out life on earth. So I see two trends in the world today. The first trend is toward a multicultural, scientific, tolerant society and everywhere I go I see aspects of that birth. For example, what is the Internet? Many people have written about the Internet. Billions and billions of words written about the Internet, but to me as a physicist the Internet is the beginning of a type one telephone system, a planetary telephone system. So we’re privileged to be alive to witness the birth of type one technology… And what is the European Union? The European Union is the beginning of a type one economy. And how come these European countries, which have slaughtered each other ever since the ice melted 10,000 years ago, how come they have banded together, put aside their differences to create the European Union? …so we’re beginning to see the beginning of a type one economy as well…”

Michio Kaku (1947) American theoretical physicist, futurist and author

"Will Mankind Destroy Itself?" http://bigthink.com/videos/will-mankind-destroy-itself (29 September 2010)

Wendy Doniger photo
Russell L. Ackoff photo

“I began graduate work in the philosophy of sciences at the University of Pennsylvania in 1941 where I came under the influence of the “grand old man” of the department, the eminent philosopher E. A. Singer, Jr. Because of the informality of the department he created I began to collaborate with two younger members of the faculty, both of whom were former students of Singer, Thomas A. Cown and C. West Churchman.
Three aspects of Singer's philosophy had a particularly strong influence on me. First, that the practice of philosophy, its application, was necessary for the development of philosophy itself. Second, that effective work on “real” problems required an interdisciplinary approach. Third, that the social area needed more work than any of the other domains of science and that this was the most difficult.
We developed a concept of a research group that would enable us to practice philosophy in the social domain by dealing with real problems. The organization we designed was called “The Institute of Experimental Method.””

Russell L. Ackoff (1919–2009) Scientist

With the participation of a number of other graduate students in philosophy and a few other members of the faculty we started this institute on a completely informal basis.
Preface, cited in Gharajedaghi, Jamshid. Systems thinking: Managing chaos and complexity: A platform for designing business architecture http://booksite.elsevier.com/samplechapters/9780123859150/Front_Matter.pdf. Elsevier, 2011. p. xii
Towards a Systems Theory of Organization, 1985

Robert Pinsky photo

“No aspect of a poem is more singular, more unique, than its rhythm.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

'The Sounds of Poetry' Farrar,Strauss & Giroux 1998
The Sounds of Poetry 1998

Harold Wilson photo
Laurie Penny photo
Jane Roberts photo
J. M. E. McTaggart photo

“The really fundamental aspect of the dialectic is not the tendency of the finite category to negate itself but to complete itself.”

J. M. E. McTaggart (1866–1925) British philosopher

Studies in the Hegelian Dialectic (1896), p. 10.

Richard Leakey photo
Erving Goffman photo
Deendayal Upadhyaya photo
Warren Farrell photo
Vanna Bonta photo

“Each character is an allegory for every aspect of human existence.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Alice A. Bailey photo
Ellen Willis photo
Pierre Hadot photo
Bhakti Tirtha Swami photo
Margaret Mead photo
Piet Mondrian photo
Joseph Massad photo

“Norman Finkelstein's The Holocaust Industry is a short but important and necessary addendum that advances important critiques of Novick and makes its own contribution to the debate by discussing aspects that Novick did not include.”

Joseph Massad (1963) Associate Professor of Arab Studies

Massad, "Deconstructing Holocaust Consciousness", Journal of Palestine Studies, 2002
"Deconstructing Holocaust Consciousness"

Carson Grant photo

“It was fun yet challenging to play the dual roles. I'm a really nice guy, and the character [of Dubious] is egocentric and hard-edged, so I had to pull out the negative aspects of me to attribute to the role.”

Carson Grant (1950) American actor

Davis, Leesa, "Who Got the Part: Carson Grant", Backstage, November 9, 2006, p. 18.
About his film role in "Dear J" printed in 2006 Backstage

Geert Wilders photo
Robert Sheckley photo
David Eugene Smith photo
Herbert Read photo

“It is not my purpose as a poet to condemn war (or to be exact, modern warfare). I only wish to present the universal aspects of a particular event”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Note appended to his poem The End of War (1933)
Literary Quotes

Marshall McLuhan photo

“The 4 aspects of each of the media actually constitute the four features of all metaphors. In other words, all human technologies whatever are, in the fullest sense, linguistic outerings, or utterings, of man.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 275

William F. Sharpe photo
Henry Wadsworth Longfellow photo
Bonnie Koppell photo
Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Edgar Bronfman, Sr. photo
Hans Reichenbach photo
Koenraad Elst photo
Rekha photo
Marcel Duchamp photo
John Banville photo
John Gray photo
Lyndall Urwick photo
Samuel Bowles photo
Philip K. Dick photo
Ganapathy Sachchidananda Swamiji photo