Quotes about anything
page 28

G. K. Chesterton photo

“The simplification of anything is always sensational.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Varied Types (1903)

Helen Reddy photo

“Oh yes, I am wise
But it's wisdom born of pain
Yes, I've paid the price
But look how much I gained
If I have to, I can do anything
I am strong
I am invincible
I am woman”

Helen Reddy (1941) Australian actress

"I Am Woman"; written and sung by Reddy
Lyrics, "I Don't Know How To Love Him"(1971)

Oscar Levant photo
Joel Bakan photo

“These are the elements of an emerging order that may prove to be as dangerous as any fundamentalism that history has produced. For in a world where anything or anyone can be owned, manipulated, and exploited for profit, everything and everyone will be.”

Joel Bakan (1959) Canadian writer, musician, filmmaker and legal scholar

Source: The Corporation: The Pathological Pursuit of Profit and Power (2004), Chapter 5, Corporations Unlimited, p. 138

Melinda M. Snodgrass photo
Nas photo

“I'm capable of anything, my imagination can give me wings”

Nas (1973) American rapper, record producer and entrepreneur

Thugz Mansion (N.Y.)
On Albums, God's Son (2002)

Robert A. Heinlein photo
Elliott Smith photo
Emil M. Cioran photo

“I'd rather offer my life as a sacrifice than be necessary to anything.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

Arthur Schopenhauer photo
Henry Adams photo

“Never esteem anything as of advantage to you that will make you break your word or lose your self-respect.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Marcus Aurelius, Meditations, iii. 7
Misattributed

Aldo Leopold photo
Jeff Koons photo

“My work will use everything that it can to communicate. It will use any trick; it'll do anything — absolutely anything — to communicate and to win the viewer over. Even the most unsophisticated people are not threatened by it; they aren't threatened that this is something they have no understanding of. They can look at it and they can participate with it. And also somebody who has been very highly educated in art and deals with more esoteric areas can also view it and find that the work is open as far as being something that wants to add more to our culture. The work wants to meet the needs of' the people. It tries to bring down all the barriers that block people From their culture. that shield and hide them. It tells them to embrace the moment instead of always feeling that they're being indulged by things that they do not participate in. It tells them to believe in something and to eject their will. The idea of St. John and baptism right now is that there are greater things to come. And it's about embracing guilt and shame and moving forward instead of letting this negative society always thwart us — always a more negative society, always more negative.”

Jeff Koons (1955) American artist

Partly cited in: Linda Weintraub, Arthur Coleman Danto, Thomas McEvilley. Art on the edge and over: searching for art's meaning in contemporary society, 1970s-1990s. Art Insights, Inc., 1996. p. 201; And cited in Kristine Stiles, ‎Peter Howard Selz (1996). Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. p. 381
"From Full Phantom Five," 1988

Sören Kierkegaard photo

“But it never occurred to him to want to be a philosopher, or dedicate himself to Speculation; he was still too fickle for that. True, he was not drawn now to one thing and now to another – thinking was and remained his passion – but he still lacked the self-discipline required for acquiring a deeper coherence. Both the significant and the insignificant attracted him equally as points of departure for his pursuits; the result was not of great consequence – only the movements of thought as such interested him. Sometimes he noticed that he reached one and the same conclusion from quite different starting points, but this did not in any deeper sense engage his attention. His delight was always just to be pressing on; wherever he suspected a labyrinth, he had to find the way. Once he had started, nothing could bring him to a halt. If he found the going difficult and became tired of it before he ought, he would adopt a very simple remedy – he would shut himself up in his room, make everything as festive as possible, and then say loudly and clearly: I will do it. He had learned from his father that one can do what one wills, and his father’s life had not discredited this theory. Experiencing this had given Johannes indescribable pride; that there could be something one could not do when one willed it was unbearable to him. But his pride did not in the least indicate weakness of will, for when he had uttered these energetic words he was ready for anything; he then had a still higher goal – to penetrate the intricacies of the problem by force of will. This again was an adventure that inspired him. Indeed his life was in this way always adventurous. He needed no woods and wanderings for his adventures, but only what he possessed – a little room with one window.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus p. 22-23
1840s, Johannes Climacus (1841)

C. D. Broad photo
Paul Cézanne photo

“You can't ask a man to talk sensibly about the art of painting if he simply doesn't know anything about it. But by God, how can he [ Zola was his youth friend, who used Cezanne as a model in Zola's novel 'L'Oeuvre'] dare to say that a painter is done because he has painted one bad picture? When a picture isn't realized, you pitch it in the fire and start another one.”

Paul Cézanne (1839–1906) French painter

Quote in a conversation with Vollard in Cezanne's studio in Aix - after the death of Zola in 1902; as quoted in Cézanne, Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, after 1900

Bea Arthur photo
Maneka Gandhi photo

“Can we afford to let Laloo, whose knowledge of anything except caste structures is non-existent, damage the rural economy further? The long-suffering railway ministry, which has by now lost its ability to resist any absurd decision by any of their ministers, has agreed to budget Rs 250 crore a year to buy kulhars. While all that money comes from your pocket, where will it actually go?”

Maneka Gandhi (1956) Indian politician and activist

Criticising Railway Minister Lalu Prasad's plan to introduce disposable clay-cups or kulhars to serve tea in trains, as quoted in "Clay-Pot Dictator!" http://www.outlookindia.com/article/claypot-dictator/224296, Outlook India (28 June 2004)
2001-2010

Peter D. Schiff photo
Kage Baker photo
Muammar Gaddafi photo
Samuel R. Delany photo
Alan Rusbridger photo
Phyllis Schlafly photo

“American women are the most fortunate class of people who ever lived on the face of the earth. We can do anything we want to do.”

Phyllis Schlafly (1924–2016) American activist

Cultural Conservatism and the Religious Right https://www.c-span.org/video/?c3858491/phyllis-schlafly, C-SPAN.org (April 4, 2012)

Marcus Aurelius photo
Camille Pissarro photo
Billy Davies photo
Robert A. Heinlein photo
Stanley Baldwin photo
Vyasa photo

“All right, I also have a condition:that you should not write down anything without grasping the full significance of what I say.”

Vyasa central and revered figure in most Hindu traditions

Vyasa's condition agreeing to the terms set by Ganesha. Quoted in p. 139.
Sources, Hindu Culture, An Introduction

Jeanne Calment photo

“I have a rather masculine nature. I'm not afraid of anything.”

Jeanne Calment (1875–1934) French supercentenarian who had the longest confirmed human life span in history

Source: Jeanne Calment: From Van Gogh's Time to Ours : 122 Extraordinary Years, 1998, p. 67

Robert Kagan photo

“When you don't have a hammer, you don't want anything to look like a nail.”

Alternate version: If you don't have a hammer, you don't want anything to look like a nail.
Of Paradise and Power, p. 26
According to Kagan, this is a variation of the proverb "When you have a hammer, all problems start to look like nails." (p. 25 of the same book)

Jordan Peterson photo
Ernest Manning photo
Courtney Love photo
Asger Jorn photo

“This calls for an explanation and it may be this, that no painting, however good it seems to us is anything in itself, except chemicals smeared on a flat surface. The value in the work of art is in the spectator, you see, and a painting has no bigger value than the mental and intellectual forces it arouses in the spectator.”

Asger Jorn (1914–1973) Danish artist

Jorn's quote, from his speech at the library of Silkeborg, September l0th 1953 (translated from an unpublished Danish manuscript by Guy Atkins) ; as quoted on the website of the Jorn Museum Articles by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255
1949 - 1958, Various sources

Alain de Botton photo
Neal Stephenson photo

“The ultimate "causes of price" - to use a Classical term - lie deeply embedded in the psychology and techniques of mankind and his environment, and are as manifold as the sands of the sea. All economic analysis is an attempt to classify these manifold causes, to sort them out into categories of discourse that our limited minds can handle, and so to perceive the unity of structural relationship which both unites and separates the manifoldness. Our concepts of "" and "supply" are such broad categories. In whatever sense they are used, they are not ultimate determinants of anything, but they are convenient channels through which we can classify and describe the effects of the multitude of determinants of the system of economic magnitude.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1944) " A Liquidity Preference Theory of Market Prices http://cas.umkc.edu/econ/economics/faculty/wray/631Wray/Week%207/Boulding.pdf". In: Economica, New Series, Vol. 11, No. 42 (May, 1944), pp. 55-63.
C. Brown (2003) " Toward a reconcilement of endogenous money and liquidity preference http://www.clt.astate.edu/crbrown/brownjpke.pdf" in: Journal of Post Keynesian Economics. Winter 2003–4, Vol. 26, No. 2. 323 commented on this article, saying: "Boulding (1944) argued that if liquidity preference were divorced from the "demand for money," the former could come into its own as a theory of financial asset pricing. According to this view, rising liquidity preference or a "wave of bearish sentiment" is manifest in a shift from certain asset categories, specifically, those that are characterized by high capital uncertainty (that is, uncertainty about the future value of the asset as a result of market revaluation) to assets such as commercial paper or giltedged securities."
1940s

Victor Villaseñor photo

“It was from this day on that I began to notice a real difference between our vaqueros on the ranch from Mexico and the gringo cowboys. The American cowboys always seemed so ready to act rough and tough, wanting to “break” the horse, cow, or goat or anything else. Where, on the other hand, our vaqueros—who used the word “amanzar,” meaning to make “tame,” for dealing with horses—had a whole different attitude towards everything. To “break” a horse, for the cowboys, actually, really meant to take a green, untrained horse and rope him, knock him down, saddle him while he fought to get loose, then mount him as he got up on all four legs, and ride the living hell out of the horse until you tired him out, taught him who was boss, and “broke” his spirit. To “amanzar” a horse, on the other hand, was a whole other approach that took weeks of grooming, petting, and leading the green horse around in the afternoon with a couple of well-trained horses. Then, after about a month, you began to put a saddle on the horse and tie him up in shade in the afternoon for a couple of hours until, finally, the saddle felt like just a natural part of him. Then, and only then, did a person finally mount the horse, petting and sweet-talking him the whole time, and once more the green horse was taken on a walk between two well-trained horses.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Eugene V. Debs photo
George Moore (novelist) photo
Pat Robertson photo
Luise Rainer photo
Imre Kertész photo

“Talking is not enough; words don’t clarify anything. I’ll have to hit upon something, but what?”

Imre Kertész (1929–2016) Hungarian writer

Source: Detective Story (2008), p. 49.

Lewis Pugh photo

“To do anything worthwhile, you will face periods of grinding doubt and fear.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

Website

Amir Taheri photo

“The Shah's vision of the ideal form of government was not so far removed from that of Mossadeq. In that ideal model one man, the king, prime minister or Pishva [Führer] would act as the guardian of the nation's highest interests. The Pishva, because he loves his people, could never do anything that might not be good for the people and the country. He might sacrifice the interests of the few for the benefit of the many. But he would never harm 'the people' or 'the nation' as a whole. Mossadeq's version of the same model envisaged a role for crowds, political groups - though not for political parties - and religious associations whose task was to support the Pishva by fighting his opponents and making him feel loved and cherished. In the Shah's model, the Pishva's decisions were to be carried out exclusively through the bureaucracy with the armed forces always ready to crush any opposition. All that was left for 'the nation' to do was applaud the Pishva and make him feel good. Mossadeq and the Shah advanced exactly the same argument in defence of their respective models: Iran, being constantly prey to the devilish appetite of the rapacious foreign powers, the influence of the ajnabi (foreigners), multiplying the centres of political power would allow the ajnabi to infiltrate the nation's structures. Neither man could invisage a situation in which different sections of the Iranian society might, for reasons of their own, oppose the Leader. They could conceive of no circumstances in which an opposition movement could emerge without foreign backing and intrigue.”

Amir Taheri (1942) Iranian journalist

The Unknown Life of the Shah (1991)

Richard Dawkins photo

“I'm told theology is outside my field of expertise. But is theology a "field" at all? Is there anything in "theology" to be expert ABOUT?”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

https://twitter.com/RichardDawkins/status/324171554491596803 (16 April 2013)
Twitter

Ernst Kaltenbrunner photo
Agatha Christie photo
Ben Carson photo

“If we know human anatomy and we are reasonably intelligent, he assumes that we can figure out how to do almost anything.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big (1996), p. 84

Charlotte Brontë photo
Yan Lianke photo
Donald J. Trump photo

“We've let our rivals and challengers think they can get away with anything, and they do… If President Obama's goal had been to weaken America, he could not have done a better job.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, April, Foreign Policy Speech (27 April 2016)

“In fact, using entirely reasonable assumptions, you can make the Dow's discounted market value almost anything you want it to be.”

William J. Bernstein (1948) economist

Source: The Four Pillars of Investing (2002), Chapter 2, Measuring The Beast, p. 53.

Peter F. Drucker photo
Emil M. Cioran photo
Paul Cézanne photo
Jerry Coyne photo
Allen C. Guelzo photo
Sania Mirza photo

“Too much going on, never in my life thought that I'd had to worry about anything of this sort, rather than my mehendi!”

Sania Mirza (1986) Indian tennis player

Source: PTI Me and my family know the truth: Sania http://articles.economictimes.indiatimes.com/2010-04-03/news/27587127_1_siddiquis-pakistani-cricketer-shoaib-malik-sania-mirza, The Economic Times, 3 April 2010

Marlen Esparza photo
William Faulkner photo

“A gentleman can live through anything.”

The Reivers (1962)

Mike Tyson photo
Peter Greenaway photo

“I was completely absorbed as to what would happen because anything was possible.”

Peter Greenaway (1942) British film director

The Cook, The Thief, His Wife, and Her Lover

Michele Bachmann photo
André Maurois photo
Thomas Carlyle photo
Robert Frost photo
Jerome David Salinger photo
Merlin Mann photo
Richard Henry Dana Jr. photo
Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Vince Cable photo

“These masters of the universe must be tamed in the interests of the ordinary families whose jobs and livelihoods are being put at risk… The Tories won't say anything about the current crisis as they are completely in the pockets of the hedge funds.”

Vince Cable (1943) British Liberal Democrat politician

Comment's on hedge funds http://blythvalleylibdems.org.uk/news/000037/hbos_brought_to_its_knees_by_hedge_funds_hunting_in_a_pack__cable.html, 17 September 2008.
2008

Aldous Huxley photo
Clive Staples Lewis photo
Georges Bataille photo

“Philosophy … finds itself to be no longer anything but the heir to a fabulous mystical theology, but missing a God and wiping the slate clean.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: L’Expérience Intérieure (1943), p. 9

Giacomo Casanova photo
Georges Bataille photo
Aron Ra photo

“I mean it; the Bible-god of western monotheism is just like that horrible kid. Who would want to be trapped in a house with an indomitable telepathic despot and have to guard your thoughts –or be voluntarily mindless- and endure that existence forever and ever? Religion doesn’t want to talk about life either. They hate practically everything that goes on in life. They want to talk about death and pretend that THAT is life. And those of us who know life, live life, and love life, they accuse of being dead already. Every aspect of their world-view is upside-down or backwards -as DogmaDebate brilliantly illustrated. What these religionists preach actually diminishes the very meaning of life. Humans tend to value most that which is rare and fleeting. Such is life. The more you have of anything, the less valuable it is. They’re claiming immortality for eternity, rendering the value of life infinitely worthless. They sell their imaginary after-life as if it is sooo much better than this period of discomfort we have to endure before we achieve paradise. Having to toil in this fallen, sin-corrupted, dead-and-damned world. They hate existence itself so much that they actually long for the end-of-days, and only seem to get happy when they think Armageddon is upon us.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Fukkenuckabee http://www.patheos.com/blogs/reasonadvocates/2012/12/21/fukkenuckabee/ (December 21, 2012)

Peter Jackson photo
Chris Cornell photo