Quotes about admire
page 9

John Steinbeck photo
Janusz Korwin-Mikke photo

“This is not about the aesthetics: there is a rule in a society: "Whoever you deal with, makes you become them", therefore watching the efforts of para-athletes, which are nevertheless very admirable, can bring the temporary mobility disorder. If we want humanity to develop, the television should show us people who are healthy, beautiful, strong, honest and wise - not perverts, murderers, weaklings, losers, idiots or, unfortunately, invalids.”

Janusz Korwin-Mikke (1942) polish politician

Polish: I nie chodzi o estetykę: w społeczeństwie obowiązuje zasada: „Z kim przestajesz, takim się stajesz”, więc i oglądanie – godnych podziwu skądinąd – wysiłków para-sportowców może przynieść – przejściowe, na szczęście – zaburzenia w motoryce!). Jeśli chcemy, by ludzkość się rozwijała, w telewizji powinnismy ogladac ludzi zdrowych, pieknych, silnych, uczciwych, madrych – a nie zboczeńców, morderców, słabeuszy, nieudaczników, kiepskich, idiotów – i inwalidów, niestety.
Source: Blog of the autor http://3obieg.pl/para-olimpiada-czyli-paranoja

“We pass at once into the magnificent edifice which bears the name of Panini as its architect and which justly commands the wonder and admiration of everyone who enters, and which, by the very fact of its sufficing for all the phenomenon which language presents, bespeaks at once the marvelous ingenuity of its inventor and his profound penetration of the entire material of the language.”

Pāṇini ancient Sanskrit grammarian

Albrecht Weber in: Progress in Drug Research / Fortschritte der Arzneimittelforschung / Progrès des Recherches Pharmaceutiques http://download.springer.com/static/pdf/268/bfm%253A978-3-0348-7078-8%252F1.pdf?auth66=1419562349_15c515850884730be93b3e4cadfc447d&ext=.pdf, springer.com

Pat Condell photo

“I admire anyone who's genuinely trying to achieve spiritual enlightenment and live a peaceful life. But religious dogma is a barrier to that. The last thing a dogmatist wants is for anyone to be enlightened, any more than a pharmaceutical company wants anybody cured.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Time Out London" (2006) https://web.archive.org/web/20141024084907/http://www.timeout.com/london/comedy/pat-condell-interview-1
2006

J.M.W. Turner photo

“In our variable climate where [all] the seasons are recognizable in one day, where all the vapoury turbulence involves the face of things, where nature seems to sport in all: her dignity and dispensing incidents for the artist’s study.... how happily is the landscape painter situated, how roused by every change in nature in every moment, that allows no languor even in her effects which she places before him, and demands most peremptorily every moment his admiration and investigation, to store his mind with every change of time and place.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote from Turner's lectures, 1811; as cited in Life and Work of J.M.W. Turner, Andrew Wilton; London: Academy Editions, 1979; as quoted in 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 367-368
In 1811 already Turner gave his first lectures as Professor of Perspective; in one of his lectures he spoke of the advantages of the British climate for landscape artists
1795 - 1820

Thomas Carlyle photo

“It is the very joy of man's heart to admire, where he can; nothing so lifts him from all his mean imprisonments, were it but for moments, as true admiration.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

Edmund Waller photo

“To man, that was in th' evening made,
Stars gave the first delight;
Admiring, in the gloomy shade,
Those little drops of light.”

Edmund Waller (1606–1687) English poet and politician

An Apology for Having Loved Before (1664).
Poetical Works of Edmund Waller and Sir John Denham (1857)

John Adams photo

“A desire to be observed, considered, esteemed, praised, beloved, and admired by his fellows is one of the earliest, as well as the keenest dispositions discovered in the heart of man.”

John Adams (1735–1826) 2nd President of the United States

"Discourses on Davila: A Series of Papers on Political History," No. 4 Gazette of the United States (1790–1791)
1790s, Discourses on Davila (1790)

Pablo Casals photo
Alexandre Vinet photo
Thomas Carlyle photo
Charles Taze Russell photo
Daniel J. Boorstin photo

“While the Jeffersonian did not flatly deny the Creator's power to perform miracles, he admired His refusal to do so.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Lost World of Thomas Jefferson (1948), Ch. 1, part 2: The Economy of Nature, p. 41.

Jackson Pollock photo
Will Cuppy photo
Johan Cruyff photo
Terry Eagleton photo

“When it comes to who exactly should be exploited, the system is admirably egalitarian.”

Terry Eagleton (1943) British writer, academic and educator

Source: 2010s, Why Marx Was Right (2011), Chapter 7, p. 162

Raymond Poincaré photo
Norman Tebbit photo
James Fenimore Cooper photo

“Hebrews. This book is much superior to most of the writings attributed to St. Paul, though passages in the other books are very admirable.”

James Fenimore Cooper (1789–1851) American author

Journal kept by Cooper from January to May 1848
Correspondence of James Fenimore-Cooper (1922)

G. K. Chesterton photo

“A modern man may disapprove of some of his sweeping reforms, and approve others; but finds it difficult not to admire even where he does not approve.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Said of Benito Mussolini while comparing him to Hildebrand (i. e. Pope Gregory VII), as quoted in "The Pearl of Great Price" by Robert Royal, his Introduction to "The Resurrection of Rome" by G. K. Chesterton in The Collected Works of G.K. Chesterton (1990) by Vol. XXI, p. 274

Harold Holt photo

“In the lonelier and perhaps even more disheartening moments which come to any national leader, I hope there will be a corner of your mind and heart which takes cheer from the fact that you have an admiring friend, a staunch ally that will be all the way with LBJ.”

Harold Holt (1908–1967) Australian politician, 17th Prime Minister of Australia

address to President Johnson at the White House, 27 June 1966
As prime minister
Source: The Life and Death of Harold Holt, p. 181.

Gloria Estefan photo
André Maurois photo

“Conquest brings no lasting happiness unless the person conquered was possessed of free will. Only then can there be doubt and anxiety and those continual victories over habit and boredom which produce the keenest pleasures of all. The comely inmates of the harem are rarely loved, for they are prisoners. Inversely, the far too accessible ladies of present-day seaside resorts almost never inspire love, because they are emancipated. Where is love's victory when there is neither veil, modesty, nor self-respect to check its progress? Excessive freedom raises up the transparent walls of an invisible seraglio to surround these easily acquired ladies. Romantic love requires women, not that they should be inaccessible, but that their lives should be lived within the rather narrow limits of religion and convention. These conditions, admirably observed in the Middle-Ages, produced the courtly love of that time. The honoured mistress of the chateau remained within its walls while the knight set out for the Crusades and thought about his lady. In those days a man scarcely ever tried to arouse love in the object of his passion. He resigned himself to loving in silence, or at least without hope. Such frustrated passions are considered by some to be naive and unreal, but to certain sensitive souls this kind of remote admiration is extremely pleasurable, because, being quite subjective, it is better protected against deception and disillusion.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

Harriet Harman photo

“I am a very big admirer of Hillary's and I am an admirer of Obama as well.”

Harriet Harman (1950) British politician

On Question Time http://www.youtube.com/watch?v=Etg5lm92Io8, 18 September, 2008.

“What you admire in others will develop in yourself. Therefore, to love the ordinary in any one is to become ordinary, while to love the noble and the lofty in all minds is to grow into the likeness of that which is noble and lofty.”

Christian D. Larson (1874–1962) Prolific author of metaphysical and New Thought books

Source: Your Forces and How to Use Them (1912), Chapter 8, p. 126–127

Arthur James Balfour photo
Gustave de Molinari photo

“This option the consumerit could. The present admirable constitution of the courts of justice in England was, perhaps, originally in a great measure, formed by this emulation, which anciently took place between their respective judges; each judge endeavouring to give, in his own court, the speediest and most effectual remedy, which the law would admit, for every sort of injustice. (The Wealth of Nations [New York: Modern Library, 1937]; originally 1776), p. 679--> retains of being able to buy security wherever he pleases brings about a constant emulation among all the producers, each producer striving to maintain or augment his clientele with the attraction of cheapness or of faster, more complete and better justice.If, on the contrary, the consumer is not free to buy security wherever he pleases, you forthwith see open up a large profession dedicated to arbitrariness and bad management. Justice becomes slow and costly, the police vexatious, individual liberty is no longer respected, the price of security is abusively inflated and inequitably apportioned, according to the power and influence of this or that class of consumers. The protectors engage in bitter struggles to wrest customers from one another. In a word, all the abuses inherent in monopoly or in communism crop up.”

Gustave de Molinari (1819–1912) Belgian political economist and classical liberal theorist

Source: The Production of Security (1849), p. 57-59

Mohammad Reza Pahlavi photo
Ingmar Bergman photo

“I liked Truffaut a lot, I've felt a lot of admiration for his way to address the audience, and his storytelling…. La nuit américaine is adorable, and another film I like to see is L'enfant sauvage, with its fine humanism.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On the works of filmmaker Francois Truffaut
Variant translation: I liked Truffaut enormously, I admired him. His way of relating with an audience, of telling a story, is both fascinating and tremendously appealing. It's not my style of storytelling, but it works wonderfully well in relation to the film medium.
Jan Aghed interview (2002)

Rod Serling photo

“I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of war and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words… less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the war that came before.”

Rod Serling (1924–1975) American screenwriter

Excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children.
Other

Alauddin Khalji photo

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Henry Lee III photo
Anna Yesipova photo
Felix Adler photo
John Cheever photo
Alexis De Tocqueville photo

“Men in general are neither very good nor very bad, but mediocre… Man with his vices, his weaknesses, his virtues, this confused medley of good and ill, high and low, goodness and depravity, is yet, take him all in all, the object on earth most worthy of study, of interest, of pity, of attachment and of admiration. And since we haven't got angels, we can attach ourselves to nothing greater and more worthy of our devotion than our own kind.”

Alexis De Tocqueville (1805–1859) French political thinker and historian

Letter to Eugene Stoffels (Jan. 3, 1845) as quoted by Thomas Molnar, The Decline of the Intellectual (1961) Ch. 11 "Intellectual and Philosopher"
Original text:
Les hommes ne sont en général ni très-bons, ni très-mauvais : ils sont médiocres. [...] L'homme avec ses vices, ses faiblesses, ses vertus, ce mélange confus de bien et de mal, de bas et de haut, d'honnête et de dépravé, est encore, à tout prendre, l'objet le plus digne d'examen, d'intérêt, de pitié, d'attachement et d'admiration qui se trouve sur la terre; et puisque les anges nous manquent, nous ne saurions nous attacher à rien qui soit plus grand et plus digne de notre dévouement que nos semblables.
1840s

Nathanael Greene photo
Gerhard Richter photo
Piet Mondrian photo

“It was during this early period of experiment that I first went to Paris. The time was around 1910 when Cubism was in its beginnings. I admired Matisse, Van Dongen and the other Fauves, but I was immediately drawn to the Cubists, especially to Picasso and Léger. Of all the abstractionists (Kandinsky and the Futurists) I felt that only the Cubists had discovered the right path; and, for a time, I was much influenced by them.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Source: Quote of Mondrian about 1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 41

Thomas Little Heath photo
Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Edwin Booth photo

“Time has not grown so very old since the most prominent members of our profession, though admired by the public eye, and lauded by its tongue, were socially, viewed askance, and regarded as "merely players."”

Edwin Booth (1833–1893) 19th century American actor

dedication of the Actors' Monument in Evergreen Cemetery, Long Island, 6 June 1887, quoted in Life and art of Edwin Booth, p. 282 https://babel.hathitrust.org/cgi/pt?id=mdp.39015053687821;view=1up;seq=336

Jacques-Bénigne Bossuet photo
Adam Smith photo

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

Glenn Beck photo
Jean Cocteau photo

“The worst tragedy for a poet is to be admired through being misunderstood.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Le Coq et l’Arlequin (1918)

György Lukács photo
S. Nambi Narayanan photo
William Styron photo
Randy Pausch photo
Ann Coulter photo
Jorge Luis Borges photo

“Thus fought the heroes, tranquil their admirable hearts, violent their swords, resigned to kill and to die.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

The Garden of Forking Paths (1942), The Garden of Forking Paths

Henry Adams photo
Hayley Jensen photo
Mengistu Haile Mariam photo
Kevin Spacey photo
Camille Pissarro photo
Mark Kac photo

“I didn't even try to penetrate the comics, though many years later I came, somewhat grudgingly, to admire Pogo.”

Mark Kac (1914–1984) Polish-American mathematician

Source: Enigmas Of Chance (1985), Chapter 5, Cornell, p. 96.

Eugène Delacroix photo
Richard Rorty photo

“My principal motive is the belief that we can still make admirable sense of our lives even if we cease to have … "an ambition of transcendence."”

Richard Rorty (1931–2007) American philosopher

Introduction to Objectivity, Relativism, and Truth: Philosophical Papers, Volume I (1991).

Logan Pearsall Smith photo
James Wilde, 1st Baron Penzance photo
Pierre Louis Maupertuis photo

“After so many great men have worked on this subject, I almost do not dare to say that I have discovered the universal principle upon which all these laws are based, a principle that covers both elastic and inelastic collisions and describes the motion and equilibrium of all material bodies.
This is the principle of least action, a principle so wise and so worthy of the supreme Being, and intrinsic to all natural phenomena; one observes it at work not only in every change, but also in every constancy that Nature exhibits. In the collision of bodies, motion is distributed such that the quantity of action is as small as possible, given that the collision occurs. At equilibrium, the bodies are arranged such that, if they were to undergo a small movement, the quantity of action would be smallest.
The laws of motion and equilibrium derived from this principle are exactly those observed in Nature. We may admire the applications of this principle in all phenomena: the movement of animals, the growth of plants, the revolutions of the planets, all are consequences of this principle. The spectacle of the universe seems all the more grand and beautiful and worthy of its Author, when one considers that it is all derived from a small number of laws laid down most wisely. Only thus can we gain a fitting idea of the power and wisdom of the supreme Being, not from some small part of creation for which we know neither the construction, usage, nor its relationship to other parts. What satisfaction for the human spirit in contemplating these laws of motion and equilibrium for all bodies in the universe, and in finding within them proof of the existence of Him who governs the universe!”

Pierre Louis Maupertuis (1698–1759) French mathematician, philosopher and man of letters

Les Loix du Mouvement et du Repos, déduites d'un Principe Métaphysique (1746)

John F. Kennedy photo
Hans von Bülow photo

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

Adam Smith photo
Harry Turtledove photo

“Eisenhower climbed down from his jeep. Two unsmiling dogfaces with Tommy guns escorted him to a lectern in front of the church's steps. The sun glinted from the microphones on the lectern… and from the pentagon of stars on each of Ike's shoulder straps. "General of the Army" was a clumsy title, but it let him deal with field marshals on equal terms. He tapped a mike. Noise boomed out of speakers to either side of the lectern. Had some bright young American tech sergeant checked to make sure the fanatics didn't try to wire explosives to the microphone circuitry? Evidently, because nothing went kaboom. "Today it is our sad duty to pay our final respects to one of the great soldiers of the 20th century. General George Smith Patton was admired by his colleagues, revered by his troops, and feared by his foes," Ike said. If there were a medal for hypocrisy, he would have won it then. But you were supposed tp only speak well of the dead. Lou groped for the Latin phrase, but couldn't come up with it. "The fear our foes felt for General Patton is shown by the cowardly way they murdered him: from behind, with a weapon intended to take out tanks. They judged, and rightly, that George Patton was worth more to the U. S. Army than a Stuart or a Sherman or a Pershing," Eisenhower said. "Damn straight, muttered the man standing next to Lou. He wore a tanker's coveralls, so his opinion of tanks carried weight. Tears glinted in his eyes, which told all that needed telling if his opinion of Patton.”

Harry Turtledove (1949) American novelist, short story author, essayist, historian

Source: The Man With the Iron Heart (2008), p. 61-62

Mahmud of Ghazni photo

“Mahmood having reached Tahnesur before the Hindoos had time to take measures for its defence, the city was plundered, the idols broken, and the idol Jugsom was sent to Ghizny to be trodden under foot…Mahmood having refreshed his troops, and understanding that at some distance stood the rich city of Mutra [Mathura], consecrated to Krishn-Vasdew, whom the Hindoos venerate as an emanation of God, directed his march thither and entering it with little opposition from the troops of the Raja of Delhy, to whom it belonged, gave it up to plunder. He broke down or burned all the idols, and amassed a vast quantity of gold and silver, of which the idols were mostly composed. He would have destroyed the temples also, but he found the labour would have been excessive; while some say that he was averted from his purpose by their admirable beauty. He certainly extravagantly extolled the magnificence of the buildings and city in a letter to the governor of Ghizny, in which the following passage occurs: "There are here a thousand edifices as firm as the faith of the faithful; most of them of marble, besides innumerable temples; nor is it likely that this city has attained its present condition but at the expense of many millions of deenars, nor could such another be constructed under a period of two centuries."…The King tarried in Mutra 20 days; in which time the city suffered greatly from fire, beside the damage it sustained by being pillaged. At length he continued his march along the course of a stream on whose banks were seven strong fortifications, all of which fell in succession: there were also discovered some very ancient temples, which, according to the Hindoos, had existed for 4000 years. Having sacked these temples and forts, the troops were led against the fort of Munj…The King, on his return, ordered a magnificent mosque to be built of marble and granite, of such beauty as struck every beholder with astonishment, and furnished it with rich carpets, and with candelabras and other ornaments of silver and gold. This mosque was universally known by the name of the Celestial Bride. In its neighbourhood the King founded an university, supplied with a vast collection of curious books in various languages. It contained also a museum of natural curiosities. For the maintenance of this establishment he appropriated a large sum of money, besides a sufficient fund for the maintenance of the students, and proper persons to instruct youth in the arts and sciences…The King, in the year AH 410 (AD 1019), caused an account of his exploits to be written and sent to the Caliph, who ordered it to be read to the people of Bagdad, making a great festival upon the occasion, expressive of his joy at the propagation of the faith.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

Patrick Modiano photo
William C. Davis photo
Anne Brontë photo
David Lloyd George photo
J.M. Coetzee photo
H. G. Wells photo

“Suppose, now, there is such a thing as an all-round inferior race. Is that any reason why we should propose to preserve it for ever…? Whether there is a race so inferior I do not know, but certainly there is no race so superior as to be trusted with human charges. The true answer to Aristotle’s plea for slavery, that there are “natural slaves,” lies in the fact that there are no “natural” masters… The true objection to slavery is not that it is unjust to the inferior but that it corrupts the superior. There is only one sane and logical thing to be done with a really inferior race, and that is to exterminate it. Now there are various ways of exterminating a race, and most of them are cruel. You may end it with fire and sword after the old Hebrew fashion; you may enslave it and work it to death, as the Spaniards did the Caribs; you may set it boundaries and then poison it slowly with deleterious commodities, as the Americans do with most of their Indians; you may incite it to wear clothing to which it is not accustomed and to live under new and strange conditions that will expose it to infectious diseases to which you yourselves are immune, as the missionaries do the Polynesians; you may resort to honest simple murder, as we English did with the Tasmanians; or you can maintain such conditions as conduce to “race suicide,” as the British administration does in Fiji. Suppose, then, for a moment, that there is an all-round inferior race… If any of the race did, after all, prove to be fit to survive, they would survive—they would be picked out with a sure and automatic justice from the over-ready condemnation of all their kind. Is there, however, an all-round inferior race in the world? Even the Australian black-fellow is, perhaps, not quite so entirely eligible for extinction as a good, wholesome, horse-racing, sheep-farming Australian white may think. These queer little races, the black-fellows, the Pigmies, the Bushmen, may have their little gifts, a greater keenness, a greater fineness of this sense or that, a quaintness of the imagination or what not, that may serve as their little unique addition to the totality of our Utopian civilisation. We are supposing that every individual alive on earth is alive in Utopia, and so all the surviving “black-fellows” are there. Every one of them in Utopia has had what none have had on earth, a fair education and fair treatment, justice, and opportunity…Some may be even prosperous and admired, may have married women of their own or some other race, and so may be transmitting that distinctive thin thread of excellence, to take its due place in the great synthesis of the future.”

Source: A Modern Utopia (1905), Ch. 10, sect. 3

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“A fool always finds one still more foolish to admire him.”

Nicolas Boileau-Despréaux (1636–1711) French poet and critic

Un sot trouve toujours un plus sot qui l'admire.
Variant A fool always finds a greater fool to admire him.
Canto I, l. 232
The Art of Poetry (1674)

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Jean Baptiste Massillon photo
George W. Bush photo
Emil M. Cioran photo
Denis Diderot photo

“Distance is a great promoter of admiration!”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

As quoted in Thesaurus of Epigrams: A New Classified Collection of Witty Remarks, Bon Mots and Toasts (1942) by Edmund Fuller

Ellsworth Kelly photo
Emily Dickinson photo

“How dreary — to be — Somebody!
How public — like a Frog —
To tell one's name — the livelong June —
To an admiring Bog!”

Emily Dickinson (1830–1886) American poet

288: I'm Nobody! Who are you?; In some editions "June" has been altered to "day".
The Complete Poems of Emily Dickinson (1960)

Hans Haacke photo

“When works of art are presented like rare butterflies on the walls, they're decontextualized. We admire their beauty, and I have nothing against that, per se. But there is more to art than that…”

Hans Haacke (1936) conceptual political artist

1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998

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George Sarton photo
Rollo May photo
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