About Sultan ‘Alau’d-Din Khalji (AD 1296-1316) and his generals conquests in Warangal (Andhra Pradesh) Elliot and Dowson, History of India as told by its own Historians,Vol. III, p. 81-85
Khazainu’l-Futuh
Quotes about trees
page 16
translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..da's er een [ een boom-studie] uit m'n eersten tijd; zoo doe 'k het niet meer; kijk dat ding eens geschilderd wezen; en in dien tijd zeiden mijn leermeesters dat er op die manier niets van mij terecht zou komen. Wat een lui waren dat hè [o.a. zijn tijdelijke vroege leermeester Koekoek, c. 1844-45]? En wie waren dat zoo al? Ja daar zullen we maar over zwijgen; die menschen zijn nu al dood; maar 't was toen de opvatting, de natuur alleen als hulpmiddel te gebruiken; zij moest nog verfraaid worden met verbeelding en zoo al meer .... imaginatie.... 't stomste wat er op de wereld is. (L. de Haes: Vindt u verbeelding dan zoo verwerpelijk?) Verwerpelijk, och ik vind het eenvoudig een ziekelijke eigenschap, zie je wel; verbeelding, dat is de weg naar de krankzinnigheid. Verbeeld je dat je uit je verbeelding gaat schilderen zonder de natuur te kennen; daar komt immers niets van terecht. Al die menschen van verbeelding verbeelden zich zoo veel, en 't is 't grootste ongeluk wat je op de wereld kan hebben, weet je waar 't alleen goed voor is: om je gebreken te idealiseeren.
Quote of Gabriël, 1893; as cited by L. de Haes, in 'P.J.C. Gabriël'; published in Elsevier's geïllustreerd maandschrift 3., April/May 1893, pp. 453-473
1880's + 1890's
As quoted in Burnley Bibb, The Work of Alfred Sisley, The Studio, December 1899,
Quote of Millet, in his letter from Barbizon, c. 1850 to fr:Alfred_Sensier in Paris; as cited by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty https://ia902205.us.archive.org/30/items/barbizonpainters00hoeb/barbizonpainters00hoeb.pdf – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 38
In 1850 Millet entered into an arrangement with Alfred Sensier, who provided him with materials and money in return for drawings and paintings (source: Murphy, Alexandra R. Jean-François Millet. Museum of Fine Arts, Boston, 1984, p. xix), see: Wikipedia, Millet
1835 - 1850
Ann Druyan interviewed by the Committee for Skeptical Inquiry. — "Ann Druyan Talks About Science, Religion, Wonder, Awe … and Carl Sagan" http://www.csicop.org/si/show/ann_druyan_talks_about_science_religion/. Skeptical Inquirer 27 (6). November–December 2003.
"The Tallest Tale", p. 317
Leonardo's Mountain of Clams and the Diet of Worms (1998)
“God don't lie…. And these are his words…. He speaks in stones and trees, the bones of things.”
Source: Blood Meridian (1985), Chapter IX, Judge Holden
"The Plum Tree" [Der Pfaumenbaum] (1934) from The Svendborg Poems [Svendborger Gedichte] (1939); in Poems, 1913-1956, p. 243
Poems, 1913-1956 (1976)
10 August 2015 via MTV http://www.mtv.com/news/2236490/frozen-director-debunks-major-disney-conspiracy-theory/, affirmed 15 December 2017 by Seventeen https://www.seventeen.com/celebrity/movies-tv/news/a33173/chris-buck-talks-tarzan-frozen-theory/
"Atheist".
Rhymes for the Irreverent (1965)
“The Autumn Land” (p. 251)
Short Fiction, Skirmish (1977)
from E.J. Martin's website at http://morayeel.louisiana.edu/ejMARTIN/ejMARTIN-artist.html and http://www.neoimages.net/statement.aspx?id=1312
What the Future Holds (1984)
“And elm-trees, massed like ostrich feather plumes,
Are streaked and shot with fire.”
Poem: Lost Lane
The Storm is Over, The Land Hushes to Rest, l. 38-43.
Poetry
1895, pages 350-351
John of the Mountains, 1938
“You will be home before the leaves fall from the trees.”
Addressing German soldiers departing for the front in WWI (August 1914), as quoted in The Chanak Affair (1969) by David Walder, p. 21
1910s
Variant: You men will be home when the leaves fall.
"Am I Not Among the Early Risers"
West Wind (1997)
The Golden Violet - The Broken Spell
The Golden Violet (1827)
Letter to Eric Kennington (6 May 1935)
Mondrian's poem has strong connections with 'dynamism' of Futurism
Quote from his article 'The Grand Boulevards', Piet Mondriaan, in Dutch magazine 'De Groene Amsterdammer', 27 March 1920 pp. 4-5
1920's
“There's something to be said for returning the whole syntax tree.”
[199710221833.LAA24741@wall.org, 1997]
Usenet postings, 1997
"Jesus never existed" http://www.patheos.com/blogs/reasonadvocates/2015/11/03/jesus-never-existed/, Patheos (November 3, 2015)
Patheos
The Blessed Damozel http://www.cs.rice.edu/~ssiyer/minstrels/poems/715.html (1850)
(on why he left America to travel the world) ALARM Magazine (July 7, 2008).
“The pine trees whispering, the gerons cry
The plover's passing wing, his lullaby”
from The Camper
“He plants trees to benefit another generation.”
Serit arbores, quae alteri saeclo prosint
Caecilius Statius, Synephebi, as quoted by Cicero in De Senectute, VII.
Misattributed
Pg 66
Becoming A Barbarian (2016)
Source: The New Drawing on the Right Side of the Brain (1979), p.239
Quote recorded by fr:Alfred Sensier, in Souvenirs sur Rousseau, Paris, 1872; as cited in The Barbizon School of Painters: Corot, Rousseau, Diaz, Millet, Daubigny, etc., by D. C. Thomson; Scribner and Welford, New York 1890 – (copy nr. 78), p. 120
undated quotes
30,000 Pounds of Bananas
Song lyrics, Verities & Balderdash (1974)
Source: The Rise of Endymion (1997), Chapter 20 (p. 406)
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 13
“Oh leave this barren spot to me!
Spare, woodman, spare the beechen tree!”
The Beech Tree's Petition http://oldpoetry.com/opoem/41515, st. 1
”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)
"Class-Day Oration" (1893).
Extra-judicial writings
Quote from Corot's letter to his friend M. Francais in 1875, the year of his death
1870s
p, 125
The Training of the Human Plant (1907)
Spilling Open: The Art of Becoming Yourself (2000)
Source: The Pig Who Sang to the Moon (2003), Ch. 2, p. 59
Source: 1930s, On my Painting (1938), p. 14
“Beyond are greens where pink chestnuts, may trees and copper beeches flaunt themselves gaily.”
Page 69, Harpenden.
The King's England: Hertfordshire
“Oh for a seat in some poetic nook,
Just hid with trees and sparkling with a brook!”
Politics and Poetics
Quote from his letter, 1851; as quoted in Millet, by Romain Rolland, - translated from the French text of M. Romain Rolland by Miss Clementina Black; published: London, Duchworth & Co / New York, E. P. Dutton & Co, p. 11+12
1851 - 1870
Blue Like Jazz (2003, Nelson Books)
Digrif fu, fun, un ennyd
Dwyn dan un bedwlwyn ein byd.
Cydlwynach , difyrrach fu,
Coed olochwyd, cydlechu,
Cydfyhwman marian môr,
Cydaros mewn coed oror,
Cydblannu bedw, gwaith dedwydd,
Cydblethu gweddeiddblu gwŷdd.
Cydadrodd serch â'r ferch fain,
Cydedrych caeau didrain.
"Y Serch Lledrad" (Love Kept Secret), line 23; translation from Dafydd ap Gwilym (ed. and trans. Rachel Bromwich) A Selection of Poems (Harmondsworth, Penguin, [1982] 1985) p. 34.
II, 3
The Persian Bayán
Source: Quote of Mondrian about 1914-1918; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 43
Source: 1840s, The Concept of Anxiety (1844), p. 44-45
Creation seminars (2003-2005), The dangers of evolution
"The Blind Who Would Lead", essay in The Roving Mind (1983); as quoted in Canadian Atheists Newsletter (1994)
General sources
Source: The Doctrine of the Mean
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 7
"Song of the Open Road" — this poem is a parody of "Trees" by Joyce Kilmer
Many Long Years Ago (1945)
Introduction
Popular Astronomy: A Series of Lectures Delivered at Ipswich (1868)
“Even as God is common to all, the sun shines upon all trees”
Quoted in The Adornment of the Spiritual Marriage (1916) by C. A. Wynschenk Dom, p. 6
Niinistö, the leader of the National Coalition Party, criticised the Natura 2000 environmental protection programme on 17 May 1997.
Source: Niinistö haukkui Natura 2000 -ohjelman "Miksi suojelisimme leivän suustamme?" http://www.hs.fi/kotimaa/art-2000003625116.html Helsingin Sanomat. 18 May 1997. Retrieved 13 July 2017.
<p>Ich hatte einst ein schönes Vaterland.
Der Eichenbaum
Wuchs dort so hoch, die Veilchen nickten sanft.
Es war ein Traum.</p><p>Das küßte mich auf deutsch und sprach auf deutsch
(Man glaubt es kaum
Wie gut es klang) das Wort: "Ich liebe dich!"
Es war ein Traum.</p>
In Der Fremde (In a Foreign Land)
A Hereditary Book on the Art of War (1632)
Undated
India's Rebirth
Prologue, p. 14
Ever Since Darwin (1977)
translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) ..[dat wij beiden, (Schelfhout èn J.C. Schotel )] elk een schilderij te maaken het welk bijde als het ware één gezigt zoude uitmaken [uitzicht van Scheveningen door Schotel, èn uitzicht op het centrum van Den Haag door Schelfhout].. ..[maar] onze schilderijen zullen dus te zamen geen geheel uitmaken, maar slechts pandanten zijn.. .Ik heb de teekening genomen van het bordes of trap van het pavilloen [in Scheveningen] over de duinen naar Den Haag gezien. Op de voorgrond, die in de natuur zeer kaal en ledig is heb ik eenige bomen geplaatst..
In a letter to J.C. Schotel, 18 Nov. 1828; in: collective Stadsarchief van ErfgoedCentrum DIEP, Dordtrecht, No. 48-d
Schelfhout was referring to the assignment from the Dutch King Willem I for two paintings: one view over the old center of The Hague & one view over the beach of Scheveningen.
“Awake! the land is scattered with light, and see,
Uncanopied sleep is flying from field and tree.”
Awake, My Heart, to Be Loved, l. 13-14.
Poetry
Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Seven, p. 169
"When First the Poets Sung", line 47.
These lines were repeatedly drawn on by Sitwell in his later works.