Quotes about joy
page 8

“Mathematics because of its nature and structure is peculiarly fitted for high school instruction [Gymnasiallehrfach]. Especially the higher mathematics, even if presented only in its elements, combines within itself all those qualities which are demanded of a secondary subject. It engages, it fructifies, it quickens, compels attention, is as circumspect as inventive, induces courage and self-confidence as well as modesty and submission to truth. It yields the essence and kernel of all things, is brief in form and overflows with its wealth of content. It discloses the depth and breadth of the law and spiritual element behind the surface of phenomena; it impels from point to point and carries within itself the incentive toward progress; it stimulates the artistic perception, good taste in judgment and execution, as well as the scientific comprehension of things. Mathematics, therefore, above all other subjects, makes the student lust after knowledge, fills him, as it were, with a longing to fathom the cause of things and to employ his own powers independently; it collects his mental forces and concentrates them on a single point and thus awakens the spirit of individual inquiry, self-confidence and the joy of doing; it fascinates because of the view-points which it offers and creates certainty and assurance, owing to the universal validity of its methods. Thus, both what he receives and what he himself contributes toward the proper conception and solution of a problem, combine to mature the student and to make him skillful, to lead him away from the surface of things and to exercise him in the perception of their essence. A student thus prepared thirsts after knowledge and is ready for the university and its sciences. Thus it appears, that higher mathematics is the best guide to philosophy and to the philosophic conception of the world (considered as a self-contained whole) and of one’s own being.”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 40.

William Carlos Williams photo

“Nor peace nor ease the heart can know
Which, like the needle true,
Turns at the touch of joy or woe,
But turning, trembles too.”

Frances Greville (1727–1789) Irish poet

A Prayer for Indifference, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Samuel Johnson photo
Arundhati Roy photo
Donald Barthelme photo
André Gide photo

“True kindness presupposes the faculty of imagining as one’s own the suffering and joys of others.”

André Gide (1869–1951) French novelist and essayist

Portraits and Aphorisms (1903), Pretexts

Jim Butcher photo
Joss Whedon photo

“The greatest expression of rebellion is joy.”

Joss Whedon (1964) American director, writer, and producer for television and film

Acceptance speech for Dr. Horrible's Sing-Along Blog at the Creative Art Emmys

John Muir photo

“I did find Calypso hotdog — but only once, far in the depths of the very wildest of Canadian dark woods, near those high, cold, moss-covered swamps. … I felt as if I were in the presence of superior beings who loved me and beckoned me to come. I sat down beside them and wept for joy.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr (1866); published as "The Calypso Borealis, Botanical Enthusiasm" in Boston Recorder, 21 December 1866; republished in Bonnie Johanna Gisel, Kindred & Related Spirits: The Letters of John Muir and Jeanne C. Carr (2001), page 41
Muir's first published writing, concerning the orchid Calypso http://plants.usda.gov/java/profile?symbol=CABU.
1860s

William Julius Mickle photo
Jerome David Salinger photo
Radhanath Swami photo
Julian of Norwich photo
Clive Barker photo

“True joy is a profound remembering; and true grief the same.”

Clive Barker (1952) author, film director and visual artist

Part Five “Revels”, Chapter i “Cal, Among Miracles” (p. 199)
(1987), BOOK TWO: THE FUGUE

John Ruysbroeck photo
Nicholas of Cusa photo
Gregor Mendel photo

“Three sacraments that contribute to life, baptism, confession, communion, have been used at Easter time. (Eucharist connects completely faith and baptism, God and man incompletely) Triumph: As expected of pious Christians, the joy of victory is heard in the midst of an unjust world; victory and not disparagement, insult, persecution. With the day of the victory of Christ, the Easter, the bonds are broken, the death and sin laid (?), and the Redeemer of mankind rises strongly the human race from night time and fetters, in blessed heights, heavenly gates!).”

Gregor Mendel (1822–1884) Silesian scientist and Augustinian friar

Excerpt from a sermon on Easter delivered by Mendel, found in Folia Mendeliana (1966), Volume 6, Moravian Museum in Brünn.
Original: Drei Sakramente, die das Leben spenden: Taufe, Beichte, Kommunion sind zur Osterzeit eingesetzt worden. (Eucharistie verbindet vollkommen, Glaube und Taufe unvollkommen dem Gottmenschen). Sieg: Wie mutet es einen frommen Christen an, mitten in der ungerechten Welt von Sieg zu hören, und nicht wieder Hintansetzung, Beschimpfung, Verfolgung; auch Siegesfreude. Mit dem Siegestag Christi, mit dem Ostertag, sind die Bande zerrissen, die der Tod und die Sünde aufgelegt ( ? ), und stark erhebt sich das Menschengeschlecht mit seinem Erlöser aus Nachtzeit und Fesseln in weite selige Höhen, himmlische Gefilde!).
Sermon on Easter

Peter S. Beagle photo
Julian of Norwich photo
José Martí photo

“Once I reveled in a destiny
like no other joy I'd known:
when the warden — reading
my death sentence — wept.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

I (Yo soy un hombre sincero) as translated by Esther Allen in José Martí : Selected Writings (2002), p. 273
Simple Verses (1891)

Richard Wilbur photo
François Fénelon photo
James Montgomery photo

“Joys too exquisite to last,
And yet more exquisite when past.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

The Little Cloud.
Bartlett's Familiar Quotations, 10th ed. (1919).

Charles Fabry photo

“My whole existence has been devoted to science and to teaching, and these two intense passions have brought me very great joy.”

Charles Fabry (1867–1945) French physicist

[as quoted by Joseph F. Mulligan, American journal of physics, Volume 66 (9), American Association of Physics Teachers, American Institute of Physics, 1998, 797]

Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920

Aleister Crowley photo
Václav Havel photo
Robert Burton photo

“All my joys to this are folly
Naught so sweet as melancholy.”

The Author's Abstract.
The Anatomy of Melancholy (1621)

George Chapman photo
Anthony Burgess photo
Julian of Norwich photo
Paul Theroux photo

“Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art.”

Paul Theroux (1941) American travel writer and novelist

Hockney’s Alphabet, D is for Death, ed. Stephen Spender (1991)
Book published to raise money for AIDS victims.

Harry Turtledove photo

“The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in.”

Source: The Guns of the South (1992), p. 180

Anne Brontë photo
Arthur Guirdham photo
Alexandra Kollontai photo
Julian of Norwich photo
Tom Lehrer photo
John Dryden photo

“Joy rul'd the day, and Love the night.”

Source: Fables, Ancient and Modern (1700), The Secular Masque (1700), Line 82.

James Hudson Taylor photo

“There are three great truths, 1st, That there is a God; 2nd, That He has spoken to us in the Bible; 3rd, That He means what He says. Oh, the joy of trusting Him!”

James Hudson Taylor (1832–1905) Missionary in China

(A.J. Broomhall. Hudson Taylor and China’s Open Century, Book Six: Assault on the Nine. London: Hodder and Stoughton and Overseas Missionary Fellowship, 1988, 322).

Isaac Watts photo

“Joy to the world! the Saviour reigns;
Let men their songs employ;
While fields and floods, rocks, hills, and plains
Repeat the sounding joy.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Stanza 2.
1710s, Psalm 98 "Joy to the World!" (1719)

John Keats photo
Baruch Spinoza photo

“But love for an object eternal and infinite feeds the mind with joy alone, and a joy which is free from all sorrow. This is something greatly to be desired and to be sought with all our strength.”
Sed amor erga rem aeternam et infinitam sola laetitia pascit animum, ipsaque omnis tristitiae est expers; quod valde est desiderandum totisque viribus quaerendum.

Baruch Spinoza (1632–1677) Dutch philosopher

I, 10; translation by W. Hale White (Revised by Amelia Hutchison Stirling)
On the Improvement of the Understanding (1662)

Samuel Johnson photo
George Bancroft photo
Caspar David Friedrich photo

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840

Julian of Norwich photo
Charles Baudelaire photo

“It is at once by way of poetry and through poetry, as with music, that the soul glimpses splendors from beyond the tomb; and when an exquisite poem brings one’s eyes to the point of tears, those tears are not evidence of an excess of joy, they are witness far more to an exacerbated melancholy, a disposition of the nerves, a nature exiled among imperfect things, which would like to possess, without delay, a paradise revealed on this very same earth.”

Charles Baudelaire (1821–1867) French poet

C'est à la fois par la poésie et à travers la poésie, par et à travers la musique, que l'âme entrevoit les splendeurs situées derrière le tombeau; et, quand un poème exquis amène les larmes au bord des yeux, ces larmes ne sont pas la preuve d'un excès de jouissance, elles sont bien plutôt le témoignage d'une mélancolie irritée, d'une postulation des nerfs, d'une nature exilée dans l'imparfait et qui voudrait s'emparer immédiatement, sur cette terre même, d'un paradis révélé.
XI: "Notes nouvelles sur Edgar Poe III," IV
L'art romantique (1869)

Julian of Norwich photo
Yehudi Menuhin photo

“What guides us is children's response, their joy in learning to dance, to sing, to live together. It should be a guide to the whole world.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Tessa Souter Anything I Can Do... You Can Do Better: How to unlock your creative dreams and change your life http://books.google.co.in/books?id=GJzWPzwI79kC&pg=PA156, Random House, 31 July 2011, p. 156

William Carlos Williams photo

“My first poem was a bolt from the blue … it broke a spell of disillusion and suicidal despondence. … it filled me with soul satisfying joy.”

The Autobiography of William Carlos Williams (1951) [W. W. Norton & Co., 1967, ISBN 978-0811202268]
General sources

Jules Payot photo
B.K.S. Iyengar photo
Susan Cooper photo
Constantine P. Cavafy photo
Ben Croshaw photo
André Maurois photo
André Maurois photo
Charles Wesley photo

“Love divine, all loves excelling,
Joy of heaven to earth come down,
Fix in us thy humble dwelling,
All thy faithful mercies crown;
Jesu, thou art all compassion,
Pure unbounded love thou art,
Visit us with thy salvation,
Enter every trembling heart.”

Charles Wesley (1707–1788) English Methodist and hymn writer

Osborn G (1868), "The poetical works of John and Charles Wesley. Vol 4.", London: Wesleyan-Methodist Conference Office. Page 219, at archive.org. https://archive.org/details/poeticalworksofj04wesl

Winthrop Mackworth Praed photo
Julian of Norwich photo
E.L. Doctorow photo
Joseph Goebbels photo

“Old Christmas Songs. I feel something like a longing for a lost homeland.
We are giving gifts to each other. A beautiful, old New Testament from Hertha Holk is my greatest joy. I thank her for being my solace and my strength.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Alte Weihnachtslieder. Ich habe etwas wie Sehnsucht nach einem verlorenen Vaterland.
Wir beschenken uns. Ein schönes, altes Jesustestament von Hertha Holk ist meine größte Freude. Ich danke ihr, dass sie mein Trost und meine Stärke ist.
Michael: a German fate in diary notes (1926)

John Kenneth Galbraith photo
Christina Rossetti photo
Melinda M. Snodgrass photo
Martin Farquhar Tupper photo

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Wesley Willis photo
Julian of Norwich photo
John Kenneth Galbraith photo

“I never enjoyed writing a book more; indeed, it is the only one I remember in no sense as a labor but as a joy.”

Introduction, Section I, p. x
Source: The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

Stanisław Leszczyński photo

“Long ailments wear out pain, and long hopes joy.”

Stanisław Leszczyński (1677–1766) king of Poland

No. 8.
Maxims and Moral Sentences

Ian McCulloch photo
Walt Whitman photo

“Praised be the fathomless universe
For life and joy and for objects and knowledge curious;
And for love, sweet love—But praise! O praise and praise
For the sure-enwinding arms of cool-enfolding Death.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Memories of President Lincoln, 14
Bartlett's Familiar Quotations, 10th ed. (1919)

Klaus Kinski photo

“Of joys departed,
Not to return, how painful the remembrance!”

Part I, line 109.
The Grave (1743)

George Eliot photo
K. R. Narayanan photo
Fred Astaire photo
Adi Da Samraj photo
George William Russell photo
Prem Rawat photo
Ernst Ludwig Kirchner photo

“Our new little house [Kirchner moved to the Wildboden house] is a real joy to us. We shall live here comfortably and in great new order. This will really come to be a turning point of my life. Everything must be put in clear order and the little house furnished as simply and modestly as possible, while still being beautiful and intimate.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote from his Diary, 1923; as quoted by Kornfield, E. W.; Stauffer, Christine E. Stauffer (1992). Biography Ernst Ludwig Kirchner, Kirchner Museum Davos. Retrieved March 21, 2016; from Wikipedia: Kirchner
1920's

Stendhal photo

“Jean Jacques Rousseau," he answered, "is nothing but a fool in my eyes when he takes it upon himself to criticise society; he did not understand it, and approached it with the heart of an upstart flunkey…. For all his preaching a Republic and the overthrow of monarchical titles, the upstart is mad with joy if a Duke alters the course of his after-dinner stroll to accompany one of his friends.”

J.-J. Rousseau, répondit-il, n'est à mes yeux qu'un sot, lorsqu'il s'avise de juger le grand monde; il ne le comprenait pas, et y portait le cœur d'un laquais parvenu... Tout en prêchant la république et le renversement des dignités monarchiques, ce parvenu est ivre de bonheur, si un duc change la direction de sa promenade après dîner, pour accompagner un de ses amis.
Vol. II, ch. VIII
Le Rouge et le Noir (The Red and the Black) (1830)

Henry Howard, Earl of Surrey photo
Samuel Rutherford photo

“I had but one joy, the apple of the eye of my delights, to preach Christ my Lord”

Samuel Rutherford (1600–1661) Scottish Reformed theologian

Letter 225 (to his parishioners) Aberdeen 1837
Letters of Samuel Rutherford (Andrew Bonar)

John Milton photo

“Blest pair of Sirens, pledges of Heaven's joy”

John Milton (1608–1674) English epic poet

At a Solemn Music (c. 1637), line 1

“I bet there's a tear in your eye wherever you're watching this. There's nothing wrong with tears; tears are often shed in joy.”

Jimmy Magee (1935–2017) Gaelic games commentatot

As Katie Taylor triumphed at the 2012 Summer Olympics. irishtimes.com http://www.irishtimes.com/newspaper/ireland/2012/0811/1224321996178.html
Olympic Games

Margaret Junkin Preston photo

“The pure memories given
To help our joy on earth, when earth is past,
Shall help our joy in heaven.”

Margaret Junkin Preston (1820–1897) American writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 407.

Helen Keller photo
Joseph Strutt photo