Quotes about writing
page 18

Kent Beck photo

“When you feel the need to write a comment, first try to refactor the code so that any comment becomes superfluous.”

Kent Beck (1961) software engineer

Source: Refactoring: Improving the Design of Existing Code, 1999, p. 88

Philip K. Dick photo
Cole Porter photo

“Good authors, too, who once knew better words
Now only use four-letter words
Writing prose —
Anything goes.”

Cole Porter (1891–1964) American composer and songwriter

"Anything Goes"
Anything Goes (1934)

Leslie Feist photo

“Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about what happened anymore. It would be impossible.”

Leslie Feist (1976) Canadian musician

On attempts at keeping a journal, as quoted in Stylus (20 December 2005)

John Doe photo

“If I was a better poet like William Carlos Williams I’d be able to write about anything, but I’m just a minor poet. So I just write about things like moments of crisis that tend to be on the sadder, darker side. You can spend ten minutes in a really dark place and write a song about it that lasts forever.”

John Doe (1954) American singer, songwriter, actor, poet, guitarist and bass player

http://www.npr.org/templates/story/story.php?storyId=11304560, John Doe: The 'X' Man Returns, 2008-06-02, Wertheimer, Linda, 2007-06-23, audio, Weekend Edition Saturday, National Public Radio

Halldór Laxness photo
Merrick Garland photo

“Everybody, I think, who hopes to become a judge would aspire to be able to write as well as Justice Oliver Wendell Holmes. None are going to be able to attain that. But I’ll try at least — if confirmed to be as brief and pithy as he is.”

Merrick Garland (1952) American judge

[Merrick Garland, Confirmation hearing on nomination of Merrick Garland to the United States Court of Appeals for the District of Columbia Circuit, United States Senate, December 1, 1995]; quote excerpted in:
[March 18, 2016, http://blogs.wsj.com/law/2016/03/16/judge-merrick-garland-in-his-own-words/, Judge Merrick Garland, In His Own Words, Joe Palazzolo, March 16, 2016, The Wall Street Journal]
Confirmation hearing on nomination to United States Court of Appeals for the District of Columbia Circuit (1995)

Joseph Addison photo
Chinua Achebe photo
Horace Smith photo
Clive Staples Lewis photo

“I wrote the books I should have liked to read. That's always been my reason for writing. People won't write the books I want, so I have to do it for myself.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

As quoted in C.S. Lewis (1963), by Roger Lancelyn Green, p. 9

Nils Funcke photo

“The ideal is a totally free debate where everyone can write what they want so that all opinions can be let out, even uncomfortable or insulting opinions. The alternative, to hide opinions that exist in a democratic society, is too dangerous. For example, today we see that there is an obvious skepticism against immigration in Europe. These opinions exist whether we want it or not. But these thoughts might flourish even more if we do not discuss them. Today there are a number of questions that are "unmentionable."”

Nils Funcke (1953) Swedish writer and journalist

We should take them back. Not until then can we have a constructive debate.
Nils Funcke (Swedish journalist and expert on freedom of expression) in interview with Sanna Trygg, October 2010. http://blogs.lse.ac.uk/polis/files/2012/01/IsCommentFree_PolisLSETrygg.pdf http://blogs.lse.ac.uk/polis/2012/01/19/is-comment-free-new-polis-research-report-on-the-moderation-of-online-news/

Greil Marcus photo
Tony Buzan photo
Christopher Hitchens photo
Joyce Carol Oates photo

“An author frequently chooses solemn or overwhelming subjects to write about; he is so impressed at writing about Life and Death that he does not notice that he is saying nothing of the slightest importance about either.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Ten Books," The Southern Review (Autumn 1935) [p. 9]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Alan Bennett photo
Sadegh Hedayat photo
Russell Hoban photo
Dana Gioia photo
Francis Bacon photo

“Who then to frail mortality shall trust
But limns the water, or but writes in dust.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

The World (1629)

Ben Hecht photo
Richard Rodríguez photo
Frank O'Hara photo
David Crystal photo
Quirinus Kuhlmann photo
John Kenneth Galbraith photo

“I never enjoyed writing a book more; indeed, it is the only one I remember in no sense as a labor but as a joy.”

Introduction, Section I, p. x
Source: The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

Michel De Montaigne photo
Marilyn Manson photo
John Wallis photo
Nigella Lawson photo

“The thing I liked about writing about food when I started it was that I felt I was writing about food in a different way. Not like a food writer.”

Nigella Lawson (1960) British food writer, journalist and broadcaster

As quoted in "Reality bites" by Simon Hattenstone in The Guardian http://www.guardian.co.uk/g2/story/0,3604,784535,00.html (2 September 2002)

Yolanda King photo

“We can throw up our hands in despair, we can write off the millions that are homeless, or we can choose to believe in a different way and we can do our share to bring that world into being.”

Yolanda King (1955–2007) American actress

Excerpts from speech given at UCSC's 20th annual Dr. Martin Luther King Jr. Memorial Convocation. (January 20, 2004) http://currents.ucsc.edu/03-04/01-26/king.html
2000s

“To me, there are two different types of musicians. Those who are display oriented and those who are content oriented, Bill Evans being a prime example of the content orientation. I am not interested in the displayers—guys who want to be playing a lot of notes to try to impress you that they got a lot of things that they can lay in there. I'm more interested in somebody picking something that has some really great feeling and laying it in, in a really good time concept. Jimmy Rowles is a perfectly good example of that. His choice of notes may not be uncommon, but boy where he lays them down is so individual that I will go for that every time. The same thing applies with composers. When you're a young composer and you first have a chance—and this goes with everybody—you write your most complex works when you're a young man. And then, as you get a little bit older, you find that you can lot simpler things [sic] and still enjoy the devil out of what you're doing.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22It+seems+that+today,+particularly+with+younger+piano%22&source=bl&ots=vkOwylFb7q&sig=zPFSLx48xHOhugAAlpcRNKTxUlQ&hl=en&sa=X&ved=0ahUKEwjY_Zay4cbRAhWLKiYKHdVRC3gQ6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Jacques Ellul photo
Stewart Lee photo
Lois Duncan photo

“I understand the craft of writing, because it’s who and what I am. The commercial world of publishing, both in the past and today, is an ongoing mystery to me. Fads are constantly changing.”

Lois Duncan (1934–2016) American young-adult and children's writer

On writing and publishing, interview with Megan Abbott (2011)
2003–2016

Richard Stallman photo

“I have not seen anyone assume that all the citizens of New York are guilty of murder, violence, robbery, perjury, or writing proprietary software.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

My Doom and You (2004) http://www.gnu.org/philosophy/my_doom.html
2000s

Steven Wright photo
Donald J. Trump photo

“[About David Becker] He's grovelling again. You know, I always talk about the reporters that grovel when they want to write something that you want to hear but not necessarily millions of people want to hear or have to hear.”

Donald J. Trump (1946) 45th President of the United States of America

"Trump's voter fraud talk has liberals worried" http://www.bbc.com/news/world-us-canada-38764653/, BBC (27 January 2017)
2010s, 2017, January

Dinu Lipatti photo

“You see, it is not enough to be a great composer. To write music like that you must be a chosen instrument of God.”

Dinu Lipatti (1917–1950) Pianist, Composer

Listening Beethoven's F minor Quartet; Quoted by Walter Legge, in Walter Legge: Words and Music (1998) edited by Alan Sanders

Max Müller photo
William Foote Whyte photo
Arthur Schopenhauer photo
William Kingdon Clifford photo

“Upon Clifford's death the labour of revision and completion was entrusted to Mr. R. C. Rowe, then Professor of Pure Mathematics at University College, London. …On the sad death of Professor Rowe, in October 1884, I was requested… to take up the task of editing… For the latter half of Chapter III. and for the whole of Chapter IV. …I am alone responsible. Yet whatever there is in them of value I owe to Clifford; whatever is feeble or obscure is my own. …With Chapter V. my task has been by no means light. …Without any notice of mass or force it seemed impossible to close a discussion on motion; something I felt must be added. I have accordingly introduced a few pages on the laws of motion. I have since found that Clifford intended to write a concluding chapter on mass. How to express the laws of motion in a form of which Clifford would have approved was indeed an insoluble riddle to me, because I was unaware of his having written anything on the subject. I have accordingly expressed, although with great hesitation, my own views on the subject; these may be concisely described as a strong desire to see the terms matter and force, together with the ideas associated with them, entirely removed from scientific terminology—to reduce, in fact, all dynamic to kinematic. I should hardly have ventured to put forward these views had I not recently discovered that they have (allowing for certain minor differences) the weighty authority of Professor Mach, of Prag. But since writing these pages I have also been referred to a discourse delivered by Clifford at the Royal Institution in 1873, some account of which appeared in Nature, June 10, 1880. Therein it is stated that 'no mathematician can give any meaning to the language about matter, force, inertia used in current text-books of mechanics.”

William Kingdon Clifford (1845–1879) English mathematician and philosopher

This fragmentary account of the discourse undoubtedly proves that Clifford held on the categories of matter and force as clear and original ideas as on all subjects of which he has treated; only, alas! they have not been preserved.
Preface by Karl Pearson
The Common Sense of the Exact Sciences (1885)

Stanley Kubrick photo

“One man writes a novel. One man writes a symphony. It is essential that one man make a film.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Quoted in The Edmonton Journal (8 March 1999), C3

L. K. Advani photo

“Dr Koenraad Elst, in his two-volume book titled The Saffron Swastika, marshals an incontrovertible array of facts to debunk slanderous attacks on the BJP by a section of the media. About the Rath Yatra, he writes: ‘But what about Advani’s bloody Rath Yatra (car procession) from Somnath to Ayodhya in October 1990? Very simple: it is not at all that the Rath Yatra was a bloody affair. While in the same period, there was a lot of rioting in several parts of the country (particularly Hyderabad, Karnataka and Uttar Pradesh), killing about 600 people in total, there were no riots at all along the Rath Yatra trail. Well, there was one: upper-caste students pelted stones at Advani because he had disappointed them by not supporting their agitation against the caste-based reservations which V. P. Singh was promoting. Even then, no one was killed or seriously wounded. It is a measure of the quality of the Indian English-language media that they have managed to turn an entirely peaceful procession, an island of orderliness in a riot-torn country, into a proverbial bloody event (“Advani’s blood yatra”). And it was quite a sight how the pressmen in their editorials blamed Advani for communal riots of which the actual, non-Advanirelated causes were given on a different page of the same paper. Whether Advani with his Rath Yatra was at 500 miles distance from a riot (as with the riot in Gonda in UP), or under arrest, or back home after the high tide of the Ayodhya agitation, every riot in India in the second half of 1990 was blamed on him’.”

L.K. Advani, My Country My Life (2008). ISBN 978-81-291-1363-4, quoting Koenraad Elst, The Saffron Swastika (2001)

John Grisham photo

“My name became a brand, and I'd love to say that was the plan from the start. But the only plan was to keep writing books.”

John Grisham (1955) American lawyer, politician, and author

Interview, Guardian, Friday 25 November 2011 http://www.guardian.co.uk/culture/2011/nov/25/john-grisham-life-in-writing

Brian K. Vaughan photo

“"Writer's block" is just another word for video games. If you want to be a writer, get writing, you lazy bastards.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

MySpace blog, 09 April 2007

Francis Escudero photo
Anton Chekhov photo

“It’s easier to write about Socrates than about a young woman or a cook.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.S. Suvorin (January 2, 1894)
Letters

Pope Alexander VI photo

“The Duke (Cesare) is a good-natured man, but he cannot tolerate affronts. I have often told him that Rome is a free city, and that everyone may write and speak as he pleases. Evil is even spoken of me, but I let it pass." The Duke replied: "Rome is accustomed to write and speak; it is well, but I will teach such people repentance."* The Pope finally reminded him how much he himself had forgiven, and especially at the time of Charles VIII's invasion, so many cardinals, whom the King himself had called his betrayers. "I could," he said, "have sentenced the Vice-Chancellor and Cardinal Vincula to death, but I did not wish to harm anyone, and I have forgiven fourteen great nobles.”

Pope Alexander VI (1431–1503) pope of the Catholic Church 1492-1503

Report of the Ferrarese ambassador, Beltrando Costabili to Ercole I d'Este, Duke of Ferrara, February 1, 1502. Archives of Modena: As quoted in History of the City of Rome in the Middle Ages (1900), Ferdinand Gregorovius, George Bell & Sons, London, Volume 7, Part 2 (1497-1503), p. 486. http://books.google.com/books?id=kW1OAAAAMAAJ&pg=PA486&dq=%22often+told+him+that+Rome+is+a+free+city%22&hl=en&sa=X&ei=PQRlUeiiBIPA9QT4s4H4CA&ved=0CC4Q6AEwAA#v=onepage&q=%22often%20told%20him%20that%20Rome%20is%20a%20free%20city%22&f=false See also L. Pastor, History of the Popes, vol.6, p. 12. http://books.google.com/books?id=hk1DAQAAIAAJ&pg=PA112&dq=%22told+him+that+Rome+is+a+free+city%22&hl=en&sa=X&ei=ojZlUeS7Dob49QTTn4HQBw&ved=0CEUQ6AEwAg#v=onepage&q=%22told%20him%20that%20Rome%20is%20a%20free%20city%22&f=false. (Commonweal writes: “Whatever his faults, the Pope appears to have been of a forgiving and clement disposition, pardoning foes when he had them in his power, and becoming reconciled with those who had bitterly opposed him. With Savonarola — pulpit methods, by the way, were scarcely as novel and extraordinary then as our author (Peter de Roo) thinks — Alexander VI dealt on the whole rather patiently, more so, indeed, than our author, who is hardly fair to the friar.” -- Commonweal (1924), Commonweal Publishing Company, volume 1, p. 185. https://www.google.com/search?tbm=bks&hl=en&q=Whatever+his+faults%2C+the+Pope+appears+to+have+been+of+a+forgiving+and+clement+disposition&btnG=#hl=en&tbm=bks&sclient=psy-ab&q=%22Whatever+his+faults%2C+the+Pope+appears+to+have+been+of+a+forgiving+and+clement+disposition%22&oq=%22Whatever+his+faults%2C+the+Pope+appears+to+have+been+of+a+forgiving+and+clement+disposition%22&gs_l=serp.3...1287.1287.1.1562.1.1.0.0.0.0.79.79.1.1.0...0.0...1c.1.8.psy-ab.VnzmdIrn1SQ&pbx=1&bav=on.2,or.r_qf.&bvm=bv.44990110,d.eWU&fp=5b7686e7449457e7&biw=1294&bih=770)

Gloria Estefan photo
James Herriot photo
Stevie Nicks photo

“I'm going to spend my life writing poems, turning them into music that will affect people and touch their hearts. I'm going to write the songs that people can't write for themselves.”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Kia Makarechi, "Stevie Nicks On Fleetwood Mac's Reunion Tour, Rihanna, Kanye West & Her Early Years In Music", http://www.huffingtonpost.com/2012/12/03/stevie-nicks-fleetwood-mac-reunion-rihanna-kanye_n_2220029.html Huffington Post, 3 December 2012

Georges Bataille photo

“Writing improves in direct ratio to the number of things we can keep out of it that shouldn't be there.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 3, Clutter, p. 13

“Indian', [mom said], you will write Indian. And if they have a problem with that let them come and talk to me. They have no business asking you your religion. How is that the basis for an educational qualification?”

Protima Bedi (1948–1998) Indian model and dancer

Reply to her daughter Pooja Bedi who was filling a form in the school in [Bedi, Ibrahim, Pooja, Timepass, http://books.google.com/books?id=8Ykpao-TL-AC, April 2003, Penguin Books India, 978-0-14-028880-3, vii]

Camille Paglia photo
Thomas Henry Huxley photo

“Rousseau's writings are so admirably adapted to touch both these classes that the effect they produced, especially in France, is easily intelligible.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

"On The Natural Inequality of Men" (January 1890) http://aleph0.clarku.edu/huxley/CE1/NatIneq.html
1890s

Mark Heard photo

“Writing brings about a catharsis of my own terror and pity. It is something I have to do.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

Vincent Van Gogh photo

“When I am writing I instinctively make a little drawing now and then like the one I sent you lately, and for instance, this morning, 'Elijah in the Desert.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Amsterdam 12 June, 1877; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 29 (letter 101)
while studying in Amsterdam at the theological school, to become clergyman
1870s

Niall Ferguson photo
John Dos Passos photo

“There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel - bound to.”

John Dos Passos (1896–1970) novelist, playwright, poet, journalist, painter

"An Interview with Mr. John Dos Passos," New York Times, Nov 23 1941

John Green photo

“I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have. It's the only way of learning how to write a story.”

John Green (1977) American author and vlogger

Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany) http://www.youtube.com/watch?v=7Gf69J1Go98&feature=channel
YouTube

Mel Brooks photo

“Who's the dummy writing this show?!”

Mel Brooks (1926) American director, writer, actor, and producer

As the voice over for a small curly haired man in a series of cartoons for The Electric Company, also repeated at the end of the Electric Company record.
Miscellaneous

Pliny the Younger photo
Richard Holbrooke photo

“Months later, Roger Cohen would write in The New York Time that preventing an attack on Banja Luka was "an acto of consummate Realpolitik" on our part, since letting the Federation [of Bosnia-Herzegovina] take the city would have "derailed" the peace process. Cohen, one of the most knowledgeable journalists to cover the was, misunderstood our motives in opposing an attack on Banja Luka. A true practitioner of Realpolitik would have encouraged the attack regardless of its human consequences. In fact, humanitarian concerns decided the case for me. Given the harsh behavior of Federation troops during the offensive, it seemed certain that the fall of Banja Luka would lead to forced evictions and random murders. I did not think the United States should contribute to the creation of new refugees and more human suffering in order to take a city that would have to be returned later. Revenge might be a central part of the ethos of the Balkans, but American policy could not be party of it. Our responsibility was to implement the American national interest, as best as we could determine it. But I am no longer certain we were right to oppose an attack on Banja Luka. Had we known then that the Bosnian Serbs would have been able to defy or ignore so many of the key political provisions of the peace agreement in 1996 and 1997, the negotiating team might not have opposed such an attack. However, even with American encouragement, it is by no means certain that an attack would have taken palce - or, if it had, that it would have been successful. Tuđman would have had to carry the burden of the attack, and the Serb lines were already stiffening. The Croatian Army had just taken heavy casualties on the Sarva. Furthermore, if it fell, Banja Luka would either have gone to the Muslims or been returned later to the Serbs, thus making it of dubious value to Tuđman. There was another intriguing factor in the equation - one of the few things that Milošević and Izetbegović had agreed on. Banja Luka, they both said, was the center of moderate, anti-Pale sentiment within the Bosnian Serb community, and should be built up in importance as a center of opposition to Pale. Izetbegovic himself was ambivalent about taking the city, and feared that if it fell, it would only add to Croat-Bosnian tensions.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 166-167

Peter Greenaway photo
Alfred Rosenberg photo
Tom Robbins photo
Johannes Brahms photo
Richard Rodríguez photo
Jonathan Edwards photo
Revilo P. Oliver photo

“The first Christian who can write decent Latin is Minucius Felix, whose Octavius, written in the first half (possibly the first quarter) of the Third Century must have done much to make Christianity respectable. He concentrates on ridiculing pagan myths that no educated man believed anyway and on denying that Christians (he means his kind, of course!) practice incest (a favorite recreation of many sects that had been saved by Christ from the tyranny of human laws) or cut the throats of children to obtain blood for Holy Communion (as some groups undoubtedly did). He argues for a monotheism that is indistinguishable from the Stoic except that the One God is identified as the Christian deity, from whose worship the sinful Jews are apostates, and insists that Christians have nothing to do with the Jews, whom God is going to punish. What is interesting is that Minucius has nothing to say about any specifically Christian doctrine, and that the names of Jesus or Christ do not appear in his work. There is just one allusion: the pagans say that Christianity was founded by a felon (unnamed) who was crucified. That, says Minucius, is absurd: no criminal ever deserved, nor did a man of this world have the power, to be believed to be a god (erratis, qui putatis deum credi aut meruisse noxium aut potuisse terrenum). That ambiguous reference is all that he has to say about it; he turns at once to condemning the Egyptians for worshipping a mortal man, and then he argues that the sign of the cross represents (a) the mast and yard of a ship under sail, and (b) the position of man who is worshipping God properly, i. e. standing with outstretched arms. If Minucius is not merely trying to pull the wool over the eyes of the gullible pagans, it certainly sounds as though this Christian were denying the divinity of Christ, either regarding him, as did many of the early Christians, as man who was inspired but was not to be identified with God, or claiming, as did a number of later sects, that what appeared on earth and was crucified was merely a ghost, an insubstantial apparition sent by Christ, who himself prudently stayed in his heaven above the clouds and laughed at the fools who thought they could kill a phantom. Of course, our holy men are quite sure that he was "orthodox."”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Jared Diamond photo

“My hope in writing this book has been that enough people will choose to profit from that opportunity to make a difference.”

Source: Collapse: How Societies Choose to Fail or Succeed (2005), Chapter "The world as a polder: what does it all mean to us today?", section "Reasons for hope" (Penguin Books, 2011, page 525, ISBN 978-0-241-95868-1.

Brandon Boyd photo

“…whether they write poems or don’t write poems, poets are best.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Recent Poetry”, p. 227
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Gaurav Sharma (author) photo
H. Havelock Ellis photo

“Every artist writes his own autobiography.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

The New Spirit

Jonathan Mitchell photo
Girish Raghunath Karnad photo

“I've had a good life…. I have managed to do all I could wish for --even be a government servant. Now I feel whatever time I have left should be spent doing what I like best -- writing plays.”

Girish Raghunath Karnad (1938–2019) Indian playwright

Renaissance Man, 24 November 2013, India Today http://www.india-today.com/itoday/12041999/arts.html,

Henry James photo
Björn Ulvaeus photo
Jarvis Cocker photo

“There isn't much I find interesting to write about in middle-class life.”

Jarvis Cocker (1963) English musician, singer-songwriter, radio presenter and editor

Interview with The Guardian http://www.acrylicafternoons.com/guardian99.html (1999)

William Hazlitt photo

“It is better to be able neither to read nor write than to be able to do nothing else.”

William Hazlitt (1778–1830) English writer

"On the Ignorance of the Learned"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Jean-Pierre Serre photo
Ian Fleming photo

“I’m wondering whose side I ought to be on. I’m getting very sorry for the Devil and his disciples such as the good Le Chiffre. The Devil has a rotten time and I always like to be on the side of the underdog. We don’t give the poor chap a chance. There’s a Good Book about goodness and how to be good and so forth, but there’s no Evil Book about evil and how to be bad. The Devil has no prophets to write his Ten Commandments and no team of authors to write his biography. His case has gone completely by default. We know nothing about him but a lot of fairy stories from our parents and schoolmasters. He has no book from which we can learn the nature of evil in all its forms, with parables about evil people, proverbs about evil people, folk-lore about evil people. All we have is the living example of the people who are least good, or our own intuition.
‘So,’ continued Bond, warming to his argument, ‘Le Chiffre was serving a wonderful purpose, a really vital purpose, perhaps the best and highest purpose of all. By his evil existence, which foolishly I have helped to destroy, he was creating a norm of badness by which, and by which alone, an opposite norm of goodness could exist. We were privileged, in our short knowledge of him, to see and estimate his wickedness and we emerge from the acquaintanceship better and more virtuous men.”

Source: Casino Royale (1953), Ch. 20 : The Nature Of Evil

Shi Nai'an photo

“A man should not marry after thirty years of age; should not enter the government service after the age of forty; should not have any more children after the age of fifty; and should not travel after the age of sixty. This is because the proper time for those things has passed. At sunrise the country is bright and fresh, and you dress, wash, and eat your breakfast, but before long it is noon. Then you realize how quickly time passes. I am always surprised when people talk about other people's ages, because what is a lifetime but a small part of much greater period? Why talk about insects when the whole world is before you? How can you count time by years? All that is clear is that time passes, and all the time there is a continual change going on. Some change has taken place ever since I began to write this. This continual change and decay fills me with sadness.”

Shi Nai'an (1296–1372) Chinese writer

Variant translation by Lin Yutang: "A man should not marry after thirty if he is not already married, and should not enter the government service if he is not already in the service. At fifty, he should not start to raise a family, and at sixty should not travel abroad. This is because there is a time for everything; done out of season and time, there may be more disadvantages than advantages. One wakes up at dawn completely refreshed, washes his face and puts on the headdress, has his breakfast; chews willow branches [for brightening his teeth], and attends to various things. Before he knows it he asks is it noon, and is told it is long past noon. As the morning goes, so goes the afternoon, and as one day passes, so pass the 36,000 days of one's life. If one is going to be upset by this thought, how can one ever enjoy life? I often wonder at a statement that such and such a person is so many years old. By this one means an accumulation of years. But where have the years accumulated? Can one lay hold of them and count them? This shows that the me of the past has long vanished. Moreover, when I have completed this sentence, the preceding sentence has already vanished. That is the tragedy." (The Importance of Understanding, 1960; pp. 83–84)
Preface to Water Margin

Halldór Laxness photo
Daniel Dennett photo