Quotes about word

page 84

Which Level of God Do You Believe In? (2004)
Context: There are several different meanings of the words "religion" and "spirituality," all of which are important. The whole point about an integral or comprehensive approach is that it must find a way to believably include all of those important meanings in a coherent whole.

Gift from the Sea (1955)
Context: I believe most people are aware of periods in their lives when they seem to be "in grace" and other periods when they feel "out of grace," even though they may use different words to describe these states. In the first happy condition, one seems to carry all one’s tasks before one lightly, as if borne along on a great tide; and in the opposite state one can hardly tie a shoe-string. It is true that a large part of life consists in learning a technique of tying the shoe-string, whether one is in grace or not. But there are techniques of living too; there are even techniques in the search for grace.

The Master-Word In Medicine (1903)
Context: Though a little one, the master-word looms large in meaning. It is the open sesame to every portal, the great equalizer in the world, the true philosopher's stone, which transmutes all the base metal of humanity into gold. The stupid man among you it will make bright, the bright man brilliant, and the, brilliant student steady. With the magic word in your heart all things are possible, and without it all study is vanity and vexation. The miracles of life are with it; the blind see by touch, the deaf hear with eyes, the dumb speak with fingers. To the youth it brings hope, to the middle-aged confidence, to the aged repose. True balm of hurt minds, in its presence the heart of the sorrowful is lightened and consoled. It is directly responsible for all advances in medicine during the past twenty-five centuries. Laying hold upon it Hippocrates made observation and science the warp and woof of our art. Galen so read its meaning that fifteen centuries stopped thinking, and slept until awakened by the De Fabrica, of Vesalius, which is the very incarnation of the master-word. With its inspiration Harvey gave an impulse to a larger circulation than he wot of, an impulse which we feel to-day. Hunter sounded all its heights and depths, and stands out in our history as one of the great exemplars of its virtues With it Virchow smote the rock, and the waters of progress gushed out while in the hands of Pasteur it proved a very talisman to open to us a new heaven in medicine and a new earth in surgery. Not only has it been the touchstone of progress, but it is the measure of success in every-day life. Not a man before you but is beholden to it for his position here, while he who addresses you has that honor directly in consequence of having had it graven on his heart when he was as you are to-day. And the master-word is Work, a little one, as I have said, but fraught with momentous sequences if you can but write it on the tablets of your hearts and bind it upon your foreheads. But there is a serious difficulty in getting you to understand the paramount importance of the work-habit as part of your organization. You are not far from the Tom Sawyer stage with its philosophy "that work consists of whatever a body is obliged to do, and that play consists of whatever a body is not obliged to do."
A great many hard things may be said of the work-habit. For most of us it means a hard battle; the few take to it naturally; the many prefer idleness and never learn to love labor.

Source: Prometheus Bound, lines 1032–1033

A Narrative of Some of the Lord's Dealings with George Müller Written by Himself, Fourth Part.
Fourth Part of Narrative

Afterword to his short story "The Children's Story" (1963).
The Children's Story (1982)
Context: I asked all kinds of people of every age, "You know the 'I pledge allegiance…'" but before I could finish, at once they would all parrot it, the words almost always equally blurred. In every case discovered that not one teacher, ever — or anyone — had ever explained the words to any one of them. Everyone just had to learn it to say it. The Children's Story came into being that day. It was then that I realized how completely vulnerable my child's mind was — any mind for that matter — under controlled circumstances. Normally I write and rewrite and re-rewrite, but this story came quickly — almost by itself. Barely three words were changed. It pleases me greatly because it keeps asking me questions … Questions like what's the use of "I pledge allegiance" without understanding? Like why is it so easy to divert thoughts and implant others? Like what is freedom and why is it so hard to explain? The Children's Story keeps asking me all sorts of questions I cannot answer. Perhaps you can — then your children will…

In Defense of the Earth (1956), She Is Away
Context: Now I know surely and forever,
However much I have blotted our
Waking love, its memory is still
there. And I know the web, the net,
The blind and crippled bird. For then, for
One brief instant it was not blind, nor
Trapped, not crippled. For one heart beat the
Heart was free and moved itself. O love,
I who am lost and damned with words,
Whose words are a business and an art,
I have no words. These words, this poem, this
Is all confusion and ignorance.
But I know that coached by your sweet heart,
My heart beat one free beat and sent
Through all my flesh the blood of truth.

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 8. Of the Ancient Practice of Painting
Context: An illustrious Circle, overcome by the artistic beauty of the forces under his command, threw aside his marshal's baton and his royal crown, exclaiming that he henceforth exchanged them for the artist's pencil. How great and glorious the sensuous development of these days must have been is in part indicated by the very language and vocabulary of the period. The commonest utterances of the commonest citizens in the time of the Colour Revolt seem to have been suffused with a richer tinge of word or thought; and to that era we are even now indebted for our finest poetry and for whatever rhythm still remains in the more scientific utterance of these modern days.

Segment 67
Peoples Archive interview
Context: The word fractal, once introduced, had an extraordinary integrating effect upon myself and upon many people around. Initially again it was simply a word to write a book about, but once a word exists one begins to try to define it, even though initially it was simply something very subjective and indicating my field. Now the main property of all fractals, put in very loose terms, is that each part — they're made of parts — each part is like the whole except it is smaller. After having coined this word I sorted my own research over a very long period of time and I realised that I had been doing almost nothing else in my life.

“Relativism and the Use of Language,” pp. 124-126.
Language is Sermonic (1970)
Context: One type of critic today tends to attack language as a means of communication on this very ground — the ground that words are conventional in their meaning and are therefore falsifying. The point of the criticism is that a convention is something abstracted and, therefore, untrue, a generalized sign of the thing itself, which we use because we are unable or unwilling to render the thing in itself in its fullness. A word in this conception is nothing but a stereotype, and “stereotype” is here an expression of disparagement, because it is felt that “typing” anything that is real distorts the thing by presenting it in something less than its full individuality and concreteness. Let us suppose that I make reference to a tree standing in my yard. The term “tree” does not designate the object with any degree of particularity. It does not tell whether the tree is young or old, low or tall, an oak, pine, or maple. The term is, therefore, merely a utility symbol, which I employ in communicating because in my laziness or incompetence I cannot find a fuller and more individualizing way of expressing this tree. If I were really communicating, the argument goes, I would reject the falsifying stereotype and produce something more nearly like the picture of the tree. But if the analysis I have offered earlier is correct, these critics are beginning at the wrong end. They are assuming that individual real objects are carriers of meaning, that the meaning is found in them as redness is found in an apple, and that it ought to be expressed with the main object of fidelity to the particular. What they overlook is that meaning does not exist in this sense, that it is something that we create for purposes of cognition and communication, and that the ideal construct has the virtue of its ideality. Hence it appears that they misconceive the function of the word as conventional sign or “typifier.” For if it is true that the word conveys something less than the fullness of the thing signified, it is also true that it conveys something more. A word in this role is a generalization. the value of a generalization is that while it leaves out the specific feature that are of the individual or of the moment, it expresses features that are general to a class and may be lacking or imperfect in the single instance.

"Under One Small Star"
Poems New and Collected (1998), Could Have (1972)
Context: I know I won't be justified as long as I live,
since I myself stand in my own way.
Don't bear me ill will, speech, that I borrow weighty words,
then labor heavily so that they may seem light.

Black Boy (1945)

Source: Memoirs of a Superfluous Man (1943), p. 194
Context: Culture is knowing the best that has been thought and said in the world; in other words, culture means reading, not idle and casual reading, but reading that is controlled and directed by a definite purpose. Reading, so understood, is difficult, and contrary to an almost universal belief, those who can do it are very few. I have already remarked the fact that there is no more groundless assumption than that literacy carries with it the ability to read. At the age of seventy-nine Goethe said that those who make this assumption "do not know what time and trouble it costs to learn to read. I have been working at it for eighteen years, and I can't say yet that I am completely successful."

Signs of Change (1888), How We Live And How We Might Live
Context: The word Revolution, which we Socialists are so often forced to use, has a terrible sound in most people's ears, even when we have explained to them that it does not necessarily mean a change accompanied by riot and all kinds of violence, and cannot mean a change made mechanically and in the teeth of opinion by a group of men who have somehow managed to seize on the executive power for the moment. Even when we explain that we use the word revolution in its etymological sense, and mean by it a change in the basis of society, people are scared at the idea of such a vast change, and beg that you will speak of reform and not revolution. As, however, we Socialists do not at all mean by our word revolution what these worthy people mean by their word reform, I can't help thinking that it would be a mistake to use it, whatever projects we might conceal beneath its harmless envelope. So we will stick to our word, which means a change of the basis of society; it may frighten people, but it will at least warn them that there is something to be frightened about, which will be no less dangerous for being ignored; and also it may encourage some people, and will mean to them at least not a fear, but a hope.

Beating the drums of hope and faith (2004)
Context: What I read in the Qur’an, and what I learned from the words of Muhammad, Jesus and others really struck a chord with me, so I chose to implement the wisdom I found. I don’t feel as though I "changed" to any new "religion", rather, I just grew as an individual: I matured spiritually. … I believe the proverbial "search" doesn’t end until we die.

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 263–264.
Context: I had been living four or five months in New Bedford when there came a young man to me with a copy of the Liberator, the paper edited by William Lloyd Garrison and published by Isaac Knapp, and asked me to subscribe for it. I told him I had but just escaped from slavery, and was of course very poor, and had no money then to pay for it. He was very willing to take me as a subscriber, notwithstanding, and from this time I was brought into contact with the mind of Mr. Garrison, and his paper took a place in my heart second only to the Bible. It detested slavery, and made no truce with the traffickers in the bodies and souls of men. It preached human brotherhood; it exposed hypocrisy and wickedness in high places; it denounced oppression; and with all the solemnity of "Thus saith the Lord," demanded the complete emancipation of my race. I loved this paper and its editor. He seemed to me an all-sufficient match to every opponent, whether they spoke in the name of the law or the gospel. His words were full of holy fire, and straight to the point. Something of a hero-worshiper by nature, here was one to excite my admiration and reverence. It was my privilege to listen to a lecture in Liberty Hall by Mr. Garrison, its editor. He was then a young man, of a singularly pleasing countenance, and earnest and impressive manner. On this occasion he announced nearly all his heresies. His Bible was his textbook — held sacred as the very word of the Eternal Father. He believed in sinless perfection, complete submission to insults and injuries, and literal obedience to the injunction if smitten "on one cheek to turn the other also." Not only was Sunday a Sabbath, but all days were Sabbaths, and to be kept holy. All sectarianism was false and mischievous — the regenerated throughout the world being members of one body, and the head Christ Jesus. Prejudice against color was rebellion against God. Of all men beneath the sky, the slaves, because most neglected and despised, were nearest and dearest to his great heart. Those ministers who defended slavery from the Bible were of their "father the devil"; and those churches which fellowshiped slaveholders as Christians, were synagogues of Satan, and our nation was a nation of liars. He was never loud and noisy, but calm and serene as a summer sky, and as pure. "You are the man — the Moses, raised up by God, to deliver his modern Israel from bondage," was the spontaneous feeling of my heart, as I sat away back in the hall and listened to his mighty words, — mighty in truth, — mighty in their simple earnestness.

Love is Enough (1872), Song VII: Dawn Talks to Day
Context: Dawn talks to Day
Over dew-gleaming flowers,
Night flies away
Till the resting of hours:
Fresh are thy feet
And with dreams thine eyes glistening,
Thy still lips are sweet
Though the world is a-listening.
O Love, set a word in my mouth for our meeting,
Cast thine arms round about me to stay my heart's beating!
O fresh day, O fair day, O long day made ours!

Letter VII
The Nemesis of Faith (1849)
Context: Oh! what a frightful business is this modern society; the race for wealth — wealth. I am ashamed to write the word. Wealth means well-being, weal, the opposite of woe. And is that money? or can money buy it? We boast much of the purity of our faith, of the sins of idolatry among the Romanists, and we send missionaries to the poor unenlightened heathens, to bring them out of their darkness into our light, our glorious light; but oh! if you may measure the fearfulness of an idol by the blood which stains its sacrifice, by the multitude of its victims, where in all the world, in the fetish of the poor negro, in the hideous car of Indian Juggernaut, can you find a monster whose worship is polluted by such enormity as this English one of money!

"Fidelity"
Begin to Hope (2006)
Context: I never loved nobody fully
Always one foot on the ground
And by protecting my heart truly
I got lost in the sounds
I hear in my mind
All these voices
I hear in my mind all these words
I hear in my mind all this music
And it breaks my heart
It breaks my heart...

"How Awful When Poetry Ages As It Is Read"
I've Learned Some Things (2008)
Context: Is the truth of tablecloths to be spread? How awful always to take refuge in known words
A person should let himself go.

Source: The Revolt of the Angels (1914), Ch. XXXV
Context: The archangel Michael took supreme command. He reassured their minds by his serenity. His countenance, wherein his soul was visible, expressed contempt for danger. By his orders, the chiefs of the thunderbolts, the Kerûbs, grown dull with the long interval of peace, paced with heavy steps the ramparts of the Holy Mountain, and, letting the gaze of their bovine eyes wander over the glittering clouds of their Lord, strove to place the divine batteries in position. After inspecting the defences, they swore to the Most High that all was in readiness. They took counsel together as to the plan they should follow. Michael was for the offensive. He, as a consummate soldier, said it was the supreme law. Attack, or be attacked, — there was no middle course.
"Moreover," he added, "the offensive attitude is particularly suitable to the ardour of the Thrones and Dominations."
Beyond that, it was impossible to obtain a word from the valiant chief, and this silence seemed the mark of a genius sure of himself.

Interview (30 October 1982) in Re/Search no. 8/9 (1984)
Context: I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again … the future is just going to be a vast, conforming suburb of the soul.

Bodhi Tree lecture (1999)
Context: The word witch is related to the root of the word "willow," a very flexible tree. Since ancient times witches have been known as those who can bend or shape fate. We twist the energies. The idea of witch became synonymous with wise woman, and with others who were herbalists and healers and keepers of the old traditions after the advent of Christianity. We were the ones who really knew the land and knew what grew there, and how to use it.

"Kafka and His Precursors" ["Kafka y sus precursores"], as translated in Labyrinths (1964)
Variant translation: The fact is that all writers create their precursors. Their work modifies our conception of the past, just as it is bound to modify the future.
Other Inquisitions (1952)
Context: In the critic's vocabulary, the word "precursor" is indispensable, but it should be cleansed of all connotations of polemic or rivalry. The fact is that every writer creates his own precursors. His work modifies our conception of the past, as it will modify the future.

"Creation"
By Still Waters (1906)
Context: Sacred thy laughter on the air,
Holy thy lightest word that fell,
Proud the innumerable hair
That waved at the enchanter's spell.
Oh Master of the Beautiful,
Creating us from hour to hour,
Give me this vision to the full
To see in lightest things thy power!
This vision give, no heaven afar,
No throne, and yet I will rejoice,
Knowing beneath my feet a star,
Thy word in every wandering voice.

Preface
The Way to Christ (1622)
Context: If thou wilt use these Words aright, and art in good Earnest, thou shalt certainly find the Benefit thereof. But I desire thou mayest be warned, if thou art not in Earnest, not to meddle with the dear Names of God, in and by which the most High Holiness is invoked, moved, and powerfully desired, lest they kindle the Anger of God in thy Soul. For we must not abuse the Holy Names of God. This little Book is only for those that would fain repent, and are in a Desire to begin. Such will find what Manner of Words therein, and whence they are born. Be you herewith commended to the Eternal Goodness and Mercy of God.

Creation Myths (1972), Creation Renewed & Reversed
Context: In other words, the idea of the philosopher's stone of the alchemists is identical with the idea of the glorified body. This offers an archetypal approach to some Eastern ideas, because in different Eastern yoga practices and meditation the goal is to produce within oneself the so-called diamond body which is an immortal nucleus of the personality.

Source: Gargantua and Pantagruel (1532–1564), Gargantua (1534), Chapter 54 : The inscription set upon the great gate of Theleme.
Context: p>Here enter you, pure, honest, faithful, true
Expounders of the Scriptures old and new.
Whose glosses do not blind our reason, but
Make it to see the clearer, and who shut
Its passages from hatred, avarice,
Pride, factions, covenants, and all sort of vice.
Come, settle here a charitable faith,
Which neighbourly affection nourisheth.
And whose light chaseth all corrupters hence,
Of the blest word, from the aforesaid sense.The holy sacred Word,
May it always afford
T' us all in common,
Both man and woman,
A spiritual shield and sword,
The holy sacred Word.</p

As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.

I and Thou (1923)
Context: Some would deny any legitimate use of the word God because it has been misused so much. Certainly it is the most burdened of all human words. Precisely for that reason it is the most imperishable and unavoidable. And how much weight has all erroneous talk about God's nature and works (although there never has been nor can be any such talk that is not erroneous) compared with the one truth that all men who have addressed God really meant him? For whoever pronounces the word God and really means Thou, addresses, no matter what his delusion, the true Thou of his life that cannot be restricted by any other and to whom he stands in a relationship that includes all others.

Source: Isaiah's Job (1936), IV
Context: One of the most suggestive episodes recounted in the Bible is that of a prophet's attempt — the only attempt of the kind on the record, I believe — to count up the Remnant. Elijah had fled from persecution into the desert, where the Lord presently overhauled him and asked what he was doing so far away from his job. He said that he was running away, not because he was a coward, but because all the Remnant had been killed off except himself. He had got away only by the skin of his teeth, and, he being now all the Remnant there was, if he were killed the True Faith would go flat. The Lord replied that he need not worry about that, for even without him the True Faith could probably manage to squeeze along somehow if it had to; """"and as for your figures on the Remnant,"""" He said, """"I don't mind telling you that there are seven thousand of them back there in Israel whom it seems you have not heard of, but you may take My word for it that there they are.""""

Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.
Context: I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word. Shakespeare gives us the word, Balzac, sometimes, after pages of vain striving, gives us the word, Tourgueneff gives it with miraculous certainty; but Henry James, no; a hundred times he flutters about it; his whole book is one long flutter near to the one magical and unique word, but the word is not spoken; and for want of the word his characters are never resolved out of the haze of nebulae. You are on a bowing acquaintance with them; they pass you in the street, they stop and speak to you, you know how they are dressed, you watch the colour of their eyes.

The Nuts of Knowledge (1903)
Context: It was the warrior within
Who called 'Awake, prepare for fight:
Yet lose not memory in the din:
Make of thy gentleness thy might:
'Make of thy silence words to shake
The long-enthroned kings of earth:
Make of thy will the force to break
Their towers of wantonness and mirth.

1930s, Address at San Diego Exposition (1935)
Context: As President of the United States I say to you most earnestly once more that the people of America and the Government of those people intend and expect to remain at peace with all the world. In the two years and a half of my Presidency, this Government has remained constant in following this policy of our own choice. At home we have preached, and will continue to preach, the gospel of the good neighbor. I hope from the bottom of my heart that as the years go on, in every continent and in every clime, Nation will follow Nation in proving by deed as well as by word their adherence to the ideal of the Americas — I am a good neighbor.

New York Times interview (1985)

The Serpent, Adam, and Eve, in Pt. I, Act I
1920s, Back to Methuselah (1921)
Context: THE SERPENT: The voice in the garden is your own voice.
ADAM: It is; and it is not. It is something greater than me: I am only a part of it.
EVE: The Voice does not tell me not to kill you. Yet I do not want you to die before me. No voice is needed to make me feel that.
ADAM [throwing his arm round her shoulder with an expression of anguish]: Oh no: that is plain without any voice. There is something that holds us together, something that has no word —
THE SERPENT: Love. Love. Love.
ADAM: That is too short a word for so long a thing.

Source: Kindergarten Chats (1918), Ch. 10 : A Roman Temple
Context: Taste is one of the weaker words in our language. It means a little less than something, a little more than nothing; certainly it conveys no suggestion of potency. It savors of accomplishment, in the fashionable sense, not of power to accomplish in the creative sense. It expresses a familiarity with what is au courant among persons of so-called culture, of so-called good form. It is essentially a second-hand word, and can have no place in the working vocabulary of those who demand thought and action at first hand. To say that a thing is tasty or tasteful is, practically, to say nothing at all.

The Relation of the State to the Invididual (1890)
Context: Anarchists, whose mission in the world is the abolition of aggression and all the evils that result therefrom, perceived that, to be understood, they must attach some definite and avowed significance to the terms which they are obliged to employ, and especially to the words "State" and "government." Seeking, then, the elements common to all the institutions to which the name "State" has been applied, they have found them two in number: first, aggression; second, the assumption of sole authority over a given area and all within it, exercised generally for the double purpose of more complete oppression of its subjects and extension of its boundaries.

Source: A Neglected Argument for the Reality of God (1908), V
Context: My original essay, having been written for a popular monthly, assumes, for no better reason than that real inquiry cannot begin until a state of real doubt arises and ends as soon as Belief is attained, that "a settlement of Belief," or, in other words, a state of satisfaction, is all that Truth, or the aim of inquiry, consists in. The reason I gave for this was so flimsy, while the inference was so nearly the gist of Pragmaticism, that I must confess the argument of that essay might with some justice be said to beg the question. The first part of the essay, however, is occupied with showing that, if Truth consists in satisfaction, it cannot be any actual satisfaction, but must be the satisfaction which would ultimately be found if the inquiry were pushed to its ultimate and indefeasible issue. This, I beg to point out, is a very different position from that of Mr Schiller and the pragmatists of to-day. I trust I shall be believed when I say that it is only a desire to avoid being misunderstood in consequence of my relations with pragmatism, and by no means as arrogating any superior immunity from error which I have too good reason to know that I do not enjoy, that leads me to express my personal sentiments about their tenets. Their avowedly undefinable position, if it be not capable of logical characterisation, seems to me to be characterised by an angry hatred of strict logic, and even some disposition to rate any exact thought which interferes with their doctrines as all humbug. At the same time, it seems to me clear that their approximate acceptance of the Pragmaticist principle, and even that very casting aside of difficult distinctions (although I cannot approve of it), has helped them to a mightily clear discernment of some fundamental truths that other philosophers have seen but through a mist, and most of them not at all. Among such truths — all of them old, of course, yet acknowledged by few — I reckon their denial of necessitarianism; their rejection of any "consciousness" different from a visceral or other external sensation; their acknowledgment that there are, in a Pragmatistical sense, Real habits (which Really would produce effects, under circumstances that may not happen to get actualised, and are thus Real generals); and their insistence upon interpreting all hypostatic abstractions in terms of what they would or might (not actually will) come to in the concrete. It seems to me a pity they should allow a philosophy so instinct with life to become infected with seeds of death in such notions as that of the unreality of all ideas of infinity and that of the mutability of truth, and in such confusions of thought as that of active willing (willing to control thought, to doubt, and to weigh reasons) with willing not to exert the will (willing to believe).

2000s, 2003, Hope and Conscience Will Not Be Silenced (July 2003)
Context: There was a time in my country's history where one in every seven human beings was the property of another. In law, they were regarded only as articles of commerce, having no right to travel or to marry or to own possessions. Because families were often separated, many were denied even the comfort of suffering together. For 250 years the captives endured an assault on their culture and their dignity. The spirit of Africans in America did not break. Yet the spirit of their captors was corrupted. Small men took on the powers and airs of tyrants and masters. Years of unpunished brutality and bullying and rape produced a dullness and hardness of conscience. Christian men and women became blind to the clearest commands of their faith and added hypocrisy to injustice. A republic founded on equality for all became a prison for millions. And yet in the words of the African proverb, no fist is big enough to hide the sky. All of the generations oppressed under the laws of man could not crush the hope of freedom and defeat the purposes of God.

Cinema, p. 17
Catching the Big Fish (2006)
Context: I'm not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you've got time and sequences. You've got dialogue. You've got music. You've got sound effects. You have so many tools. And so you can express a feeling and a thought that can't be conveyed any other way. It's a magical medium.
For me, it's so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. It's not just words or music — it's a whole range of elements coming together and making something that didn't exist before. It's telling stories. It's devising a world, an experience, that people cannot have unless they see that film.

"Close Encounters of the Fourth Kind" http://www.thenation.com/docprint.mhtml?i=20061211&s=leonard, The Nation (22 November 2006)
Context: Where did all the liberals go? If the gringos in their villas dream at all, it's of sugar-plum stock options. Never mind social justice, what happened to habeas corpus? Faith-based globocops police the words in our mouths and the behaviors in our bed while sorehead cable blabbercasters rant them on. Blood lust, wet dreams, collateral damage and extraordinary rendition; Halliburton and Abu Ghraib; an erotics of property, a theology of greed and a holy war on the poor, the old, the sick, the odd and the other — when oh when will the Tatzelwurm turn?

The Magic of Images: Word and Picture in a Media Age (2004)
Context: The computer, with its multiplying forums for spontaneous free expression from e-mail to listservs and blogs, has increased facility and fluency of language but degraded sensitivity to the individual word and reduced respect for organized argument, the process of deductive reasoning. The jump and jitter of us commercial television have demonstrably reduced attention span in the young.

Source: A Woman's Thoughts About Women (1858), Ch. 8
Context: Let every one of us cultivate, in every word that issues from our mouth, absolute truth. I say cultivate, because to very few people — as may be noticed of most young children — does truth, this rigid, literal veracity, come by nature. To many, even who love it and prize it dearly in others, it comes only after the self-control, watchfulness, and bitter experience of years.

"A Task"
Context: We were permitted to shriek in the tongue of dwarfs and demons
But pure and generous words were forbidden
Under so stiff a penalty that whoever dared to pronounce one
Considered himself as a lost man.

The Spirit of Revolt (1880)
Context: When a revolutionary situation arises in a country, before the spirit of revolt is sufficiently awakened in the masses to express itself in violent demonstrations in the streets or by rebellions and uprisings, it is through action that minorities succeed in awakening that feeling of independence and that spirit of audacity without which no revolution can come to a head.
Men of courage, not satisfied with words, but ever searching for the means to transform them into action, — men of integrity for whom the act is one with the idea, for whom prison, exile, and death are preferable to a life contrary to their principles, — intrepid souls who know that it is necessary to dare in order to succeed, — these are the lonely sentinels who enter the battle long before the masses are sufficiently roused to raise openly the banner of insurrection and to march, arms in hand, to the conquest of their rights.

2000s, 2001, Freedom and Fear Are at War (September 2001)
Context: I ask you to uphold the values of America, and remember why so many have come here. We are in a fight for our principles, and our first responsibility is to live by them. No one should be singled out for unfair treatment or unkind words because of their ethnic background or religious faith.

1950s, Loving Your Enemies (Christmas 1957)
Context: Third we must not seek to defeat or humiliate the enemy but to win his friendship and understanding. At times we are able to humiliate our worst enemy. Inevitably, his weak moments come and we are able to thrust in his side the spear of defeat. But this we must not do. Every word and deed must contribute to an understanding with the enemy and release those vast reservoirs of goodwill which have been blocked by impenetrable walls of hate.

"True Love"
Context: In silence the heart raves. It utters words
Meaningless, that never had
A meaning. I was ten, skinny, red-headed,
Freckled. In a big black Buick,
Driven by a big grown boy, with a necktie, she sat
In front of the drugstore, sipping something
Through a straw. There is nothing like
Beauty. It stops your heart. It
Thickens your blood. It stops your breath. It
Makes you feel dirty. You need a hot bath.
I leaned against a telephone pole, and watched.
I thought I would die if she saw me.

Language Education in a Knowledge Context (1980)
Context: Definitions, like questions and metaphors, are instruments for thinking. Their authority rests entirely on their usefulness, not their correctness. We use definitions in order to delineate problems we wish to investigate, or to further interests we wish to promote. In other words, we invent definitions and discard them as suits our purposes. And yet, one gets the impression that... God has provided us with definitions from which we depart at the risk of losing our immortal souls. This is the belief that I have elsewhere called "definition tyranny," which may be defined... as the process of accepting without criticism someone else's definition of a word or a problem or a situation. I can think of no better method of freeing students from this obstruction of the mind than to provide them with alternative definitions of every concept and term with which they must deal in a subject. Whether it be "molecule," "fact," "law," "art," "wealth," "gene," or whatever, it is essential that students understand that definitions are hypotheses, and that embedded in them is a particular philosophical, sociological, or epistemological point of view.

Pharaoh, Book X, line 688
The Odyssey : A Modern Sequel (1938)
Context: Fools, art is a heavy task, more heavy than gold crowns;
it's far more difficult to match firm words than armies,
they're disciplined troops, unconquered, to be placed in rhythm,
the mind's most mighty foe, and not disperse in air.
I'd give, believe me, a whole land for one good song,
for I know well that only words, that words alone,
like the high mountains, have no fear of age or death.

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 38
Context: There are many persons of combative tendencies, who read for ammunition, and dig out of the Bible iron for balls. They read, and they find nitre and charcoal and sulphur for powder. They read, and they find cannon. They read, and they make portholes and embrasures. And if a man does not believe as they do, they look upon him as an enemy, and let fly the Bible at him to demolish him. So men turn the word of God into a vast arsenal, filled with all manner of weapons, offensive and defensive.

Part I, 4
The Kingfishers (1950)

The Clerk's Vision (1949)
Context: I remember my loves, my conversation, my friendships. I remember it all, see it all, see them all. With melancholy, but without nostalgia. And above all, without hope. I know that it is immortal, and that, if we are anything, we are the hope of something. For me, expectation has spent itself. I quit the nevertheless, the even, the in spite of everything, the moratoriums, the excuses and forgiving. I know the mechanism of the trap of morality and the drowsiness of certain words. I have lost faith in all those constructions of stone, ideas, ciphers. I quit. I no longer defend this broken tower. And, in silence, I await the event.

11 November
Without Dogma (1891)
Context: I love her now beyond all words; she sees it, — she reads it in my eyes, and in my whole manner towards her. When I succeed in cheering her up, or call forth her smiles, I am beside myself with delight. There is at present in my love something of the attachment of the faithful servant who loves his mistress. I often feel as if I ought to humble myself before her, as if my proper place were at her feet. She never can grow ugly, changed, or old to me. I accept everything, agree to everything, and worship her as she is.

35
Golden Sayings of Epictetus

A Narrative of Some of the Lord's Dealings with George Müller Written by Himself, Second Part.
Second Part of Narrative

Sakharov Prize for Freedom of Thought Acceptance Speech (2013)
Context: Why is one of the most important words in any language. You have to know why the world is the way it is or you have to want to know. If you do not have this curiosity and if you do not have the intelligence in order to be able to express this curiosity in terms that others can understand than we will not be able to contribute to progress in our world. How many of our people over these past few decades ever ask themselves why that had to submit to the authority of people who did not have the mandate of the general public. I do not think very many did. It was taken for granted that those who had power and authority could do exactly as they please. This was something that we could not accept.

On his unfinished work Hérodiade, in a letter to Henri Cazalis (30 October 1864); Oeuvres Complètes (1945) edited by Mondor & Jean-Aubry, p. 307, as translated in Mallarmé : The Poet and his Circle ([1999] 2005) by Rosemary Lloyd, p. 48.
Observations
Context: I have finally begun my Herodiade. With terror, for I am inventing a language that must necessarily burst forth from a very new poetics, that could be defined in a couple of words: Paint, not the thing, but the effect it produces. … the line of poetry in such a case should be composed not of words, but of intentions, and all the words should fade away before the sensation..

The Kasîdah of Hâjî Abdû El-Yezdî (1870)
Context: Haply the Law that rules the world allows to man the widest range;
And haply Fate's a Theist-word, subject to human chance and change.
This "I" may find a future Life, a nobler copy of our own,
Where every riddle shall be ree'd, where every knowledge shall be known;
Where 'twill be man's to see the whole of what on Earth he sees in part;
Where change shall ne'er surcharge the thought; nor hope defer'd shall hurt the heart.

Heretics and Heresies (1874)
Context: Nature never prompted a loving mother to throw her child into the Ganges. Nature never prompted men to exterminate each other for a difference of opinion concerning the baptism of infants. These crimes have been produced by religions filled with all that is illogical, cruel and hideous. These religions were produced for the most part by ignorance, tyranny and hypocrisy. Under the impression that the infinite ruler and creator of the universe had commanded the destruction of heretics and infidels, the church perpetrated all these crimes:
Men and women have been burned for thinking there is but one God; that there was none; that the Holy Ghost is younger than God; that God was somewhat older than his son; for insisting that good works will save a man without faith; that faith will do without good works; for declaring that a sweet babe will not be burned eternally, because its parents failed to have its head wet by a priest; for speaking of God as though he had a nose; for denying that Christ was his own father; for contending that three persons, rightly added together, make more than one; for believing in purgatory; for denying the reality of hell; for pretending that priests can forgive sins; for preaching that God is an essence; for denying that witches rode through the air on sticks; for doubting the total depravity of the human heart; for laughing at irresistible grace, predestination and particular redemption; for denying that good bread could be made of the body of a dead man; for pretending that the pope was not managing this world for God, and in the place of God; for disputing the efficacy of a vicarious atonement; for thinking the Virgin Mary was born like other people; for thinking that a man's rib was hardly sufficient to make a good-sized woman; for denying that God used his finger for a pen; for asserting that prayers are not answered, that diseases are not sent to punish unbelief; for denying the authority of the Bible; for having a Bible in their possession; for attending mass, and for refusing to attend; for wearing a surplice; for carrying a cross, and for refusing; for being a Catholic, and for being a Protestant; for being an Episcopalian, a Presbyterian, a Baptist, and for being a Quaker. In short, every virtue has been a crime, and every crime a virtue. The church has burned honesty and rewarded hypocrisy. And all this, because it was commanded by a book — a book that men had been taught implicitly to believe, long before they knew one word that was in it. They had been taught that to doubt the truth of this book — to examine it, even — was a crime of such enormity that it could not be forgiven, either in this world or in the next.

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 20
Context: Any philosophic explanation of Quality is going to be both false and true precisely because it is a philosophic explanation. The process of philosophic explanation is an analytic process, a process of breaking something down into subjects and predicates. What I mean (and everybody else means) by the word ‘quality’ cannot be broken down into subjects and predicates. This is not because Quality is so mysterious but because Quality is so simple, immediate and direct.

Title of 1966 Conservative election manifesto (publication GE 1).
Leader of the Opposition

Source: The Conquest of Fear (1921), Chapter VIII : The Fear Of Death And Abundance Of Life, § V
Context: My small experience in the conquest of fear can be condensed into these four words: Calmly resting! quiet trust! That amid the turmoil of the time and the feverishness of our days it is always easy I do not pretend. Still less do I pretend that I accomplish it. I have said, a few lines above, that I tried. Trying is as far as I have gone; but even trying is productive of wonderful results.

Source: This and That and the Other (1912), Ch. XXXII : The Barbarians , p. 282
Context: In a word, the Barbarian is discoverable everywhere in this that he cannot make; that he can befog or destroy, but that he cannot sustain; and of every Barbarian in the decline or peril of every civilisation exactly that has been true.
We sit by and watch the Barbarian, we tolerate him; in the long stretches of peace we are not afraid.
We are tickled by his irreverence, his comic inversion of our old certitudes and our fixed creeds refreshes us: we laugh. But as we laugh we are watched by large and awful faces from beyond: and on these faces there is no smile.

A Narrative of Some of the Lord's Dealings with George Müller Written by Himself, Third Part.
Third Part of Narrative

Song lyrics, American IV: The Man Comes Around (2002), The Man Comes Around
Context: Whoever is unjust, let him be unjust still.
Whoever is righteous, let him be righteous still.
Whoever is filthy, let him be filthy still.
Listen to the words long written down,
When the man comes around.

Oath of the four Grant children, first used in Ch. 2 : And Continues
The Ship that Flew (1939)

The Paris Review interview (1984)
Context: I let characters and symbols emerge from me, as if I were dreaming. I always use what remains of my dreams of the night before. Dreams are reality at its most profound, and what you invent is truth because invention, by its nature, can’t be a lie. Writers who try to prove something are unattractive to me, because there is nothing to prove and everything to imagine. So I let words and images emerge from within. If you do that, you might prove something in the process.

Letter 21 (73) to Henry Oldenburg , November (1675) http://oll.libertyfund.org/?option=com_staticxt&staticfile=show.php%3Ftitle=1711&chapter=144137&layout=html&Itemid=27
Context: My opinion concerning God differs widely from that which is ordinarily defended by modern Christians. For I hold that God is of all things the cause immanent, as the phrase is, not transient. I say that all things are in God and move in God, thus agreeing with Paul, and, perhaps, with all the ancient philosophers, though the phraseology may be different; I will even venture to affirm that I agree with all the ancient Hebrews, in so far as one may judge from their traditions, though these are in many ways corrupted. The supposition of some, that I endeavour to prove in the Tractatus Theologico-Politicus the unity of God and Nature (meaning by the latter a certain mass or corporeal matter), is wholly erroneous.
As regards miracles, I am of opinion that the revelation of God can only be established by the wisdom of the doctrine, not by miracles, or in other words by ignorance.

The Liberty of Man, Woman and Child (1877)
Context: There has never been upon the earth a generation of free men and women. It is not yet time to write a creed. Wait until the chains are broken — until dungeons are not regarded as temples. Wait until solemnity is not mistaken for wisdom — until mental cowardice ceases to be known as reverence. Wait until the living are considered the equals of the dead — until the cradle takes precedence of the coffin. Wait until what we know can be spoken without regard to what others may believe. Wait until teachers take the place of preachers — until followers become investigators. Wait until the world is free before you write a creed.
In this creed there will be but one word — Liberty.

In his introduction "Van is Here, But Van is Gone" to Futures Past: The Best Short Fiction of A. E. van Vogt (July 1999) http://www.sfrevu.com/ISSUES/2000/ARTICLES/20000128-03.htm
Context: Alfred E. van Vogt, since the appearance of his first two stories — "Black Destroyer" and "Discord in Scarlet" (Astounding Science Fiction, July and December 1939) the most memorable debut in the long history of the genre — has been a giant. The words seminal and germinal leap to mind. Sadly, at this juncture. the words tragedy and farewell also insinuate themselves. … Van is still with us, as I write this, in June of 1999, slightly less than fifty years since I first encountered van Vogt prose in a January 1950 issue of Startling Stories, but Van is gone. He is no longer with us. … Because the great and fecund mind of A. E. van Vogt has fallen into the clutches of that pulp thriller demon, Alzheimer's. Van is gone. … Anyone's demise or vanishment is in some small way tragic but the word "tragedy" requires greater measure for its use. … Van' s great mind now gone. Tragedy.
The ultimate tragic impropriety visited on as good a man as ever lived. A gentle. soft spoken man who was filled with ideas and humor and courtesy and kindness. Not even those who were not aficionados of Van's writing could muster a harsh word about him as a human being. He was as he remains now, quietly and purposefully, a gentleman.
But make no mistake about this: the last few decades for him were marred by the perfidious and even mean spirited and sometimes criminal acts of poltroons and self-aggrandizing mountebanks and piss-ants into whose clutches he fell just before the thug Alzheimer got him. … I came late to the friendship with Van and Lydia. Perhaps only twenty-five or so years. But the friendship continues, and at least I was able to make enough noise to get Van the Science Fiction Writers of America Grand Master Award, which was presented to him in full ceremony during one of the last moments when he was cogent and clearheaded enough understand that finally, as last, dragged kicking and screaming to honor him, the generation that learned from what he did and what he had created had, at last, fessed up to his importance.
Naturally, others took credit for his getting the award. They postured and spewed all the right platitudes. Some of them were the same ones who had said to me — during the five years it took to get them to act honorably — "we'd have given it to him sooner if you hadn't made such a fuss." Yeah. Sure. And pandas'll fly out of my ass.

The God-Seeker (1949), Ch. 41

On his inspiration, when he was still learning English and walking alone in the fields of Long Island, to take up the reading of No Cross, No Crown by William Penn, after having first set it aside upon realizing it was a religious book. In Memoirs of the Life and Gospel Labors of Stephen Grellet (1860), p. 20
Context: I was suddenly arrested by what seemed to be an awful voice proclaiming the words, "Eternity! Eternity! Eternity!" It reached my very soul — my whole man shook — it brought me like Saul to the ground. The great depravity and sinfulness of my heart were set before me, and the gulf of everlasting destruction to which I was verging. I was made to bitterly cry out, "If there is no God — doubtless there is a hell." I found myself in the midst of it.

Speech at Arlington Cemetery, Decoration Day (30 May 1868)
1860s
Context: I am oppressed with a sense of the impropriety of uttering words on this occasion. If silence is ever golden, it must be here, beside the graves of fifteen thousand men, whose lives were more significant than speech, and whose death was a poem, the music of which can never be sung. With words we make promises, plight faith, praise virtue. Promises may not be kept, plighted faith may be broken, and vaunted virtue be only the cunning mask of vice. We do not know one promise these men made, one pledge they gave, one word they spoke: but we do know they summed up and perfected, by one supreme act, the highest virtues of men and citizens. For love of country they accepted death, and thus resolved all doubts, and made immortal their patriotism and their virtue.

The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
Context: And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said "The words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sound of silence"

Source: Prometheus Bound, lines 335–336 (tr. G. M. Cookson)

Discussion (1932)
Context: It is venturesome to think that a coordination of words (philosophies are nothing more than that) can resemble the universe very much. It is also venturesome to think that of all these illustrious coordinations, one of them — at least in an infinitesimal way — does not resemble the universe a bit more than the others.

All we know of science or of religion comes from philosophy. It lies behind and above all other knowledge we have or use.
My Philosophy (1965) http://www.foundingchurchdc.org/dc/ref/philo/index.htm.

Free Culture (2004)
Context: Common sense is with the copyright warriors because the debate so far has been framed at the extremes — as a grand either/or: either property or anarchy, either total control or artists won't be paid. If that really is the choice, then the warriors should win.
The mistake here is the error of the excluded middle. There are extremes in this debate, but the extremes are not all that there is. There are those who believe in maximal copyright — "All Rights Reserved" — and those who reject copyright — "No Rights Reserved." The "All Rights Reserved" sorts believe that you should ask permission before you "use" a copyrighted work in any way. The "No Rights Reserved" sorts believe you should be able to do with content as you wish, regardless of whether you have permission or not.... What's needed is a way to say something in the middle — neither "all rights reserved" nor "no rights reserved" but "some rights reserved" — and thus a way to respect copyrights but enable creators to free content as they see fit. In other words, we need a way to restore a set of freedoms that we could just take for granted before.

Atlas, on bearing the burden of maintaining the worlds, in Ch. 4
Space Chantey (1968)
Context: I tried to tell you, but words will not convey it. One has to be inside it to comprehend the magnitude. … It was the beginning. It's the only thing there is. But it was haphazard for so many aeons that it spooks me to think about it. There were always three or four maintaining it, but there was no one person strong enough to take it all over. "Somewhere there must be someone strong enough to take it all over," I said to myself in a direful moment, but the strongest person I could think of was myself. I've been doing it ever since. … By my attention I hold it all in being. Nothing exists unless it is perceived. If perception fails for a moment, then that thing fails forever. … I hate to be misjudged. They say that I bear it all on my shoulders, as though I were a stud or a balk. It's not on my great shoulders, it is amazing head on my great shoulders that maintains all.

For the Love of Women, p. 239
Brother Ray : Ray Charles' Own Story (1978)
Context: Women anchor me. They're there when I need them. They're sensitive to me, and I'm sensitive to them. I'm not saying I've loved that many women. Love is a special word, and I use it only when I mean it. You say the word too much and it becomes cheap.
But sex is something else. I'm not sure that there can ever be too much sex. To me, it's another one of our daily requirements — like eating. If I go twenty-four hours without it, I get hungry. Sex needs to be open and fun, free and happy. It's whatever you make it, and I try my hardest to create situations where me and my woman can enjoy ourselves — all of ourselves — without our inhibitions getting in the way.
You got to set your mind right and the rest will come to you naturally. No restrictions, no hang-ups, no stupid rules, no formalities, no forbidden fruit — just everyone getting and giving as much as he and she can.

Lonesome Traveler (1960)

The Cultivation of Conspiracy (1998)
Context: The Latin osculum is neither very old nor frequent. It is one of three words that can be translated by the English, "kiss." In comparison with the affectionate basium and the lascivious suavium, osculum was a latecomer into classical Latin, and was used in only one circumstance as a ritual gesture: In the second century, it became the sign given by a departing soldier to a woman, thereby recognizing her expected child as his offspring.
In the Christian liturgy of the first century, the osculum assumed a new function. It became one of two high points in the celebration of the Eucharist. Conspiratio, the mount-to-mouth kiss, became the solemn liturgical gesture by which participants in the cult-action shared their breath or spirit with one another. It came to signify their union in one Holy Spirit, the community that takes shape in God's breath. The ecclesia came to be through a public ritual action, the liturgy, and the soul of this liturgy was the conspiratio. Explicitly, corporeally, the central Christian celebration was understood as a co-breathing, a con-spiracy, the bringing about of a common atmosphere, a divine milieu.

Source: Jesus or Christianity: A Study in Contrasts (1929), p. 23-24
Context: Those persons who were responsible for his tragic death had only the faintest understanding of what he was seeking to accomplish. Even his own disciples so completely misinterpreted his teaching that at the very end they argued among themselves as to who should have the chief places.... they still visualized twelve thrones of solid gold and quarreled among themselves over the seats of honor on the right and left of the king. How much less able to fathom the meaning of his words and deeds were the ecclesiastical leaders.

Source: Christ's Object Lessons (1900), Ch. 1, p. 22
Context: Christ had truths to present which the people were unprepared to accept or even to understand. For this reason also He taught them in parables. By connecting His teaching with the scenes of life, experience, or nature, He secured their attention and impressed their hearts. Afterward, as they looked upon the objects that illustrated His lessons, they recalled the words of the divine Teacher. To minds that were open to the Holy Spirit, the significance of the Saviour's teaching unfolded more and more. Mysteries grew clear, and that which had been hard to grasp became evident.
Jesus sought an avenue to every heart. By using a variety of illustrations, He not only presented truth in its different phases, but appealed to the different hearers. Their interest was aroused by figures drawn from the surroundings of their daily life. None who listened to the Saviour could feel that they were neglected or forgotten. The humblest, the most sinful, heard in His teaching a voice that spoke to them in sympathy and tenderness.
And He had another reason for teaching in parables. Among the multitudes that gathered about Him, there were priests and rabbis, scribes and elders, Herodians and rulers, world-loving, bigoted, ambitious men, who desired above all things to find some accusation against Him. Their spies followed His steps day after day, to catch from His lips something that would cause His condemnation, and forever silence the One who seemed to draw the world after Him. The Saviour understood the character of these men, and He presented truth in such a way that they could find nothing by which to bring His case before the Sanhedrim. In parables He rebuked the hypocrisy and wicked works of those who occupied high positions, and in figurative language clothed truth of so cutting a character that had it been spoken in direct denunciation, they would not have listened to His words, and would speedily have put an end to His ministry. But while He evaded the spies, He made truth so clear that error was manifested, and the honest in heart were profited by His lessons.

Book II, 1103b
Nicomachean Ethics

Pt. 2, Ch. 3
The Struggle of the Modern (1963)
Context: Both Hopkins and Lawrence were religious not just in the ritualistic sense but in the sense of being obsessed with the word — the word made life and truth — with the need to invent a language as direct as religious utterance. Both were poets, but outside the literary fashions of their time. Both felt that among the poets of their time was an absorption in literary manners, fashions and techniques which separated the line of the writing from that of religious truth. Both felt that the modern situation imposed on them the necessity to express truth by means of a different kind of poetic writing from that used in past or present. Both found themselves driven into writing in a way which their contemporaries did not understand or respond to yet was inevitable to each in his pursuit of truth. Here of course there is a difference between Hopkins and Lawrence, because Hopkins in his art was perhaps over-worried, over-conscientious, whereas Lawrence was an instinctive poet who, in his concern for truth, understood little of the problems of poetic form, although he held strong views about them.

Compare: "So I'm walkin' down that long, lonesome road..." Paul Clayton, Who's Gonna Buy You Ribbons (When I'm Gone).
Song lyrics, The Freewheelin' Bob Dylan (1963), Don't Think Twice, It's All Right
Context: I'm walkin' down that long, lonesome road, babe
Where I'm bound, I can't tell
But goodbye's too good a word, babe
So I'll just say fare thee well

Song lyrics, The Red Shoes (1993)
Context: Feel your hair come tumbling down
Feel your feet start kissing the ground
Feel your arms are opening out
And see your eyes are lifted to God
With no words, with no song
I'm gonna dance the dream
And make the dream come true…

Markings (1964)
Context: Respect for the word is the first commandment in the discipline by which a man can be educated to maturity — intellectual, emotional, and moral.
Respect for the word — to employ it with scrupulous care and in incorruptible heartfelt love of truth — is essential if there is to be any growth in a society or in the human race.
To misuse the word is to show contempt for man. It undermines the bridges and poisons the wells. It causes Man to regress down the long path of his evolution.
"But I say unto you, that every idle word that men speak..."

Anarchism And Other Impediments To Anarchy (1985)
Context: The history of anarchism is a history of unparalleled defeat and martyrdom, yet anarchists venerate their victimized forebears with a morbid devotion which occasions suspicion that the anarchists, like everybody else, think that the only good anarchist is a dead one. Revolution — defeated revolution — is glorious, but it belongs in books and pamphlets. In this century — Spain in 1936 and France in 1968 are especially clear cases — the revolutionary upsurge caught the official, organized anarchists flat-footed and initially non-supportive or worse. The reason is not far to seek. It's not that all these ideologues were hypocrites (some were). Rather, they had worked out a daily routine of anarchist militancy, one they unconsciously counted on to endure indefinitely since revolution isn't really imaginable in the here-and-now, and they reacted with fear and defensiveness when events outdistanced their rhetoric.
In other words, given a choice between anarchism and anarchy, most anarchists would go for the anarchism ideology and subculture rather than take a dangerous leap into the unknown, into a world of stateless liberty.

Annotated Drawings by Eugene J. Martin: 1977-1978

Preface of M. Quetelet
A Treatise on Man and the Development of His Faculties (1842)
Context: The words cited from my work, when viewed isolatedly, are far from expressing the idea which I wished to attach to them. The works of genius upon which our judgments bear are in general complex; for there is no work, constructed by genius, which does not suppose the exercise of various of its faculties. A skilful analysis could alone make out the part of each of them...

Katastroika (1988)

Source: The Sacred Depths of Nature (1998), p. 173
Context: I love traditional religions. Whenever I wander into distinctive churches or mosques or temples, or visit museums of religious art, or hear performances of sacred music, I am enthralled by the beauty and solemnity and power they offer. Once we have our feelings about Nature in place, then I believe that we can also find important ways to call ourselves Jews, or Muslims, or Taoists, or Hopi, or Hindus, or Christians, or Buddhists. Or some of each. The words in the traditional texts may sound different to us than they did to their authors, but they continue to resonate with our religious selves. We know what they are intended to mean.

Idle Thoughts of an Idle Fellow (1886)
Context: And who would not risk its terrors to gain its raptures? Ah, what raptures they were! The mere recollection thrills you. How delicious it was to tell her that you loved her, that you lived for her, that you would die for her! How you did rave, to be sure, what floods of extravagant nonsense you poured forth, and oh, how cruel it was of her to pretend not to believe you! In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!

"The Origins of the Beat Generation" in Playboy (June 1959)
Context: I went one afternoon to the church of my childhood and had a vision of what I must have really meant with "Beat"… the vision of the word Beat as being to mean beatific... People began to call themselves beatniks, beats, jazzniks, bopniks, bugniks and finally I was called the "avatar" of all this.

1963, Remarks Prepared for Delivery at the Trade Mart in Dallas
Context: I want to discuss with you today the status of our strength and our security because this question clearly calls for the most responsible qualities of leadership and the most enlightened products of scholarship. For this Nation's strength and security are not easily or cheaply obtained, nor are they quickly and simply explained. There are many kinds of strength and no one kind will suffice. Overwhelming nuclear strength cannot stop a guerrilla war. Formal pacts of alliance cannot stop internal subversion. Displays of material wealth cannot stop the disillusionment of diplomats subjected to discrimination. Above all, words alone are not enough. The United States is a peaceful nation. And where our strength and determination are clear, our words need merely to convey conviction, not belligerence. If we are strong, our strength will speak for itself. If we are weak, words will be of no help.