Quotes about wind
page 8

Sara Teasdale photo
Ilana Mercer photo

“Like environmentalists, politicians generally privilege flora and fauna over folks. (NIMBYs excepted. Senator Edward Kennedy is a not-in-my-backyard environmentalist: he opposes wind farms in Nantucket Sound, offshore from his Hyannis Port compound.)”

Ilana Mercer South African writer

"In Defense of the Fence," http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=39WorldNetDaily.com, April 4, 2008.
2000s, 2008

Han-shan photo
Robert M. Pirsig photo

“A wind fane changabil huf puffe
Always is a woomman.”

The Fovrth Booke
The First Foure Bookes of Virgil his Aeneis (1582)

Mahmud of Ghazni photo
José Luis Rodríguez Zapatero photo

“The earth belongs to nobody except the wind.”

José Luis Rodríguez Zapatero (1960) Former Prime Minister of Spain

At the 15th Climate Change Summit, Copenhagen, 17th December 2009.
Source: http://noticias.lainformacion.com/medio-ambiente/zapatero-desconcierta-a-todos-con-su-frase-sobre-la-tierra-y-el-viento_sEhELshTqdhjO0fz7EJwe2/
As President, 2008

Jim Butcher photo

“Harry Dresden: Sometimes the most remarkable things seem commonplace. I mean, when you think about it, jet travel is pretty freaking remarkable. You get in a plane, it defies the gravity of a entire planet by exploiting a loophole with air pressure, and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something, and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research, blood, sweat, tears and lives have gone into the history of air travel, and it has totally revolutionized the face of our planet and societies.
But get on any flight in the country, and I absolutely promise you that you will find someone who, in the face of all that incredible achievement, will be willing to complain about the drinks. The drinks, people. That was me on the staircase to Chicago-Over-Chicago. Yes, I was standing on nothing but congealed starlight. Yes, I was walking up through a savage storm, the wind threatening to tear me off and throw me into the freezing waters of lake Michigan far below. Yes, I was using a legendary and enchanted means of travel to transcend the border between one dimension and the next, and on my way to an epic struggle between ancient and elemental forces. But all I could think to say, between panting breaths, was, "Yeah. Sure. They couldn't possibly have made this an escalator."”

The Dresden Files, Summer Knight (2002)

Jean Dubuffet photo

“.. the wind of 'art brut' blows on writing as well as on other avenues of artistic creation.”

Jean Dubuffet (1901–1985) sculptor from France

Quote in the text of Jean Dubuffet, 'Project pour un petit texte liminaire introduisant les publications de 'L'art brut dans l'écrire', 1969 (1969), published in Le Langage de la rupture', Paris: Presses Universitaires de France, 1978
1960-70's

Lil Wayne photo
Heinrich Neuhaus photo

“As for the piano, I was left to my own devices practically from the age of twelve. As is frequently the case in teachers' families, our parents were so busy with their pupils (literally from morning until late at night) that they hardly had any time for their own children. And that, in spite of the fact that with the favourable prejudice common to all parents, they had a very high opinion of my gifts. (I myself had a much more sober attitude. I was always aware of a great many faults although at times I felt that I had in me something "not quite usual".) But I won't speak of this. As a pianist, I am known. My good and bad points are known and nobody can be interested in my "prehistoric period". I will only say that because of this early "independence" I did a lot of silly things which I could have easily avoided if I had been under the vigilant eye of an experienced and intelligent teacher for another three or four years. I lacked what is known as a "school". I lacked discipline. But it is an ill wind that blows nobody any good; my enforced independence compelled me, though sometimes by very devious ways, to achieve a great deal on my own and even my failures and errors subsequently proved more than once to be useful and educational, and in an occupation such as learning to master an art, where if not all, then almost all depends on individuality, the only sound foundation will always be the knowledge gained as the result of personal effort and personal experience.”

Heinrich Neuhaus (1888–1964) Soviet musician

The Art of Piano Playing (1958), Ch. 1. The Artistic Image of a Musical Composition

Pierce Brown photo
Conrad Aiken photo
Wendell Berry photo
Bob Parsons photo

“In business you wind up trying a lot of things, most of which won’t work. The way you become a good business person is to fail, fail, fail and fail.”

Bob Parsons (1950) United States Marine

Forbes: GoDaddy Billionaire Bob Parsons' 7 Tips for Entrepreneurs https://www.forbes.com/sites/luisakroll/2015/10/18/godaddy-billionaire-bob-parsons-7-tips-for-entrepreneurs/ (18 October 2015)

“Just as at first the South wind makes gentle sport as it softly stirs the leaves and topmost branches of the woodland, but soon the unlucky ships are feeling all its terrible strength.”
Velut ante comas ac summa cacumina silvae lenibus adludit flabris levis Auster, at illum protinus immanem miserae sensere carinae.

Source: Argonautica, Book VI, Lines 664–666

Thomas Young (scientist) photo
John Constable photo

“This appearance of the Evening was… just after a very heavy rain — more rain in the night and very — [? light] wind which continued all the — day following while making – this sketch observed the Moon easing – very beautifully… [in the] due East over the — heavy clouds from which the late showers – had fallen.”

John Constable (1776–1837) English Romantic painter

Inscription: 12 September, 1821, written on the back of 'Hampstead Heath, Sun setting over Harrow,' his sketch in oil on paper; as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London. 1993), p. 221
1820s

Robert Louis Stevenson photo
Propertius photo

“The sailor tells of winds, the ploughman of bulls,
the soldier counts his wounds, the shepherd his sheep.”

Navita de ventis, de tauris narrat arator, Enumerat miles vulnera, pastor oves.

Propertius (-47–-16 BC) Latin elegiac poet

II, i, 43–4.
Elegies

Robert W. Service photo

“And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don’t know why;
And the greasy smoke in an inky cloak went streaking down the sky.”

Robert W. Service (1874–1958) Canadian poet

The Shooting of Dan McGrew http://freemasonry.bcy.ca/biography/service_r_w/dan_mcgrew.html (1907), The Cremation of Sam McGee http://www.wordinfo.info/words/index/info/view_unit/2640/?letter=C&spage=26

Alain photo
Algernon Charles Swinburne photo

“The thorns he spares when the rose is taken;
The rocks are left when he wastes the plain;
The wind that wanders, the weeds wind-shaken,
These remain.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

A forsaken Garden.
Undated

“The way of the Wind is a strange, wild way.”

Ingram Crockett (1856–1936) American writer

The Wind, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

James Macpherson photo

“They stood in silence, in their beauty: like two young trees of the plain, when the shower of spring is on their leaves, and the loud winds are laid.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Carric-thura". Compare:
Τὼ δ᾽ ἄνεῳ καὶ ἄναυδοι ἐφέστασαν ἀλλήλοισιν,
ἢ δρυσίν, ἢ μακρῇσιν ἐειδόμενοι ἐλάτῃσιν,
τε παρᾶσσον ἕκηλοι ἐν οὔρεσιν ἐρρίζωνται,
νηνεμίῃ· μετὰ δ᾽ αὖτις ὑπὸ ῥιπῆς ἀνέμοιο
κινύμεναι ὁμάδησαν ἀπείριτον.
The pair then faced each other, silent, unable to speak, like oaks or tall firs, which at first when there is no wind stand quiet and firmly rooted on the mountains, but afterwards stir in the wind and rustle together ceaselessly.
Apollonius of Rhodes, Argonautica (3rd century BC), Book III, lines 967–971 (tr. Richard Hunter)
The Poems of Ossian

George Eliot photo
Thomas Fuller (writer) photo

“5813. Words are but Wind; but seeing is believing.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Jean Froissart photo

“If we all spring from a single father and mother, Adam and Eve, how can they claim or prove that they are lords more than us, except by making us produce and grow the wealth which they spend? They are clad in velvet and camlet lined with squirrel and ermine, while we go dressed in coarse cloth. They have the wines, the spices and the good bread: we have the rye, the husks and the straw, and we drink water. They have shelter and ease in their fine manors, and we have hardship and toil, the wind and the rain in the fields. And from us must come, from our labour, the things which keep them in luxury”

Jean Froissart (1337–1405) French writer

Et, se venons tout d'un père et d'une mere, Adam et Eve, en quoi poent il dire ne monstrer que il sont mieux signeur que nous, fors parce que il nous font gaaignier et labourer ce que il despendent? Il sont vestu de velours et de camocas fourés de vair et de gris, et nous sommes vesti de povres draps. Il ont les vins, les espisses et les bons pains, et nous avons le soille, le retrait et le paille, et buvons l'aige. Ils ont le sejour et les biaux manoirs, et nous avons le paine et le travail, et le pleue et le vent as camps, et faut que de nous viengne et de nostre labeur ce dont il tiennent les estas.
Book 2, p. 212.
Froissart is again quoting John Ball.
Chroniques (1369–1400)

Samuel Taylor Coleridge photo

“The frost performs its secret ministry,
Unhelped by any wind.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

" Frost at Midnight http://etext.lib.virginia.edu/stc/Coleridge/poems/Frost_at_Midnight.html", l. 1 (1798)

Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Han-shan photo
Letitia Elizabeth Landon photo
Timothy McVeigh photo

“ATF, all you tyrannical people will swing in the wind one day for your treasonous actions against the Constitution of the United States. Remember the Nuremberg War Trials.”

Timothy McVeigh (1968–2001) American army soldier, security guard, terrorist

As quoted in "Timothy McVeigh & Terry Nichols: Oklahoma Bombing" (2010), TruTv.

William S. Burroughs photo

“Only when we step back can we see that we have been reassembling something that can stand in the wind.”

Thomas Cahill (1940) American scholar and writer

Introduction
Sailing the Wine-Dark Sea: Why the Greeks Matter (2003)

Anne Sexton photo
George Herbert photo

“676. A little wind kindles, much puts out the fire.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Paul Verlaine photo

“And so I leave
On cruel winds
Squalling
And gusting me
Like a dead leaf
Falling.”

Et je m'en vais
Au vent mauvais
Qui m'emporte
Deçà, delà,
Pareil à la
Feuille morte.
"Chanson d'automne", line 13, from Poèmes saturniens (1866); Sorrell p. 27

Anthony Watts photo

“I'm not sure the "remarkable Arctic warmth" is real, especially since the disappearance of arctic sea ice during that time has been linked not to warmer temperatures, but to wind patterns by other researchers at NASA.”

Anthony Watts (1958) American television meteorologist

3 of 4 global metrics show nearly flat temperature anomaly in the last decade http://wattsupwiththat.com/2008/03/08/3-of-4-global-metrics-show-nearly-flat-temperature-anomaly-in-the-last-decade/, wattsupwiththat.com, March 8 2008.
2008

Walter Scott photo
Letitia Elizabeth Landon photo
Ursula K. Le Guin photo
Samuel Taylor Coleridge photo
Alexis De Tocqueville photo

“We are sleeping on a volcano… A wind of revolution blows, the storm is on the horizon.”

Alexis De Tocqueville (1805–1859) French political thinker and historian

Original text: Nous dormons sur un volcan… Ne voyez-vous pas que la terre commence à trembler. Le vent de la révolte souffle, la tempête est à l’horizon.
Speaking in the Chamber of Deputies just prior to to outbreak of revolution in Europe (1848).
1840s

William March photo
Wilbur Wright photo

“Sex and politics - sex and politicians. I never understand how any politician gets a shag, really. Can you? A classic example: the David Mellor sex scandal. I bet you're the same as me. We're not shocked by these scandals involving politicians. I bet when that happened, your response was not 'Good God, that's outrageous! A man in his job, he should be running the country, not messing about like this; no wonder we're in a state; terrible!' No, that wasn't the response. You open the paper, you read about that, and you go 'Ha ha ha ha - I don't think so, Dave! I don't think so. In your dreams, perhaps.' The interesting person in that relationship is not him; it's her - Antonia. A woman of mystery; a mystery woman. Antonia de Sancha, always described as an 'unemployed actress'. Unemployed actress? How's she an unemployed actress? God! if you can feign sexual interest in David Mellor, I should think Chekhov's a piece of piss. So, she thinks 'I'm an actress. It's a role. I'll prepare'. She gets to the bedroom situation. He's in a kit-off situation, and there's Antonia giving it 'Red lorry, yellow lorry - Peter Piper picked a peck of pickled pepper'. But the hair - that's the main unattractive thing. What barber told him that suited him? Someone winding him up there. 'Yes, David, that'll suit you, mate: a greasy, oily flap of dirty-looking patent leather, wafting about down one side of your moosh; that'll drive those unemployed actresses mental!' (Linda Live, 1993)”

Linda Smith (1958–2006) comedian

Stand-up

Ai Weiwei photo
William Allingham photo

“Winds and waters keep
A hush more dead than any sleep.”

William Allingham (1824–1889) Irish man of letters and poet

Ruined Chapel; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Yehudi Menuhin photo
Colum McCann photo
Lorin Morgan-Richards photo

“Autumn colors remind us we are all one dancing in the wind.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Quote included in list https://www.simonandschuster.com/getliterary/our-favorite-literary-quotes-about-autumn/ "11 of Our Favorite Literary Quotes about Autumn” (23 September 2019).

Clifford D. Simak photo
Carl Sandburg photo

“Man's life? A candle in the wind, hoar-frost on stone.”

Carl Sandburg (1878–1967) American writer and editor

The People, Yes http://books.google.com/books?id=bCSu8UHz9EUC&q=%22Man's+life+A+candle+in+the+wind+hoar+frost+on+stone%22&pg=PA509#v=onepage (1936)

Théodore Guérin photo
Kenneth Gärdestad photo

“Sun, wind and water are
The best as I know
But it's on you, I
Think secretly
Sun, wind and water
High mountains and deep sea
That is my dream woven off.”

Kenneth Gärdestad (1948–2018) Swedish song lyricist, architect and lecturer

Sol, vind och vatten är
Det bästa som jag vet
Men det är på dig jag
Tänker I hemlighet
Sol, vind och vatten
Höga berg och djupa hav
Det, är mina drömmar vävda av
"Sol, vind och vatten", lyrics written by Kenneth
Song lyrics, With Ted Gärdestad, Ted (1973)

Du Fu photo
Ludovico Ariosto photo

“There can be times at sea when a ship is tossed
by two different winds, one of which propels
it forward while the other one is crossed
or retrograde, and among the powerful swells
it turns and yaws as if the crew were lost.”

Come ne l'alto mar legno talora,
Che da duo venti sia percosso e vinto,
Ch'ora uno inanzi l'ha mandato, ed ora
Un altro al primo termine respinto,
E l'han girato da poppa e da prora.
Canto XXI, stanza 53 (tr. D. R. Slavitt)
Orlando Furioso (1532)

John Fante photo
Han-shan photo
Johnny Cash photo

“At my door the leaves are falling;
A cold wild wind has come.
Sweethearts walk by together;
And I still miss someone.”

Johnny Cash (1932–2003) American singer-songwriter

I Still Miss Someone, written by Johnny Cash and Roy Cash
Song lyrics, The Fabulous Johnny Cash (1958)

Tim McGraw photo
Vitruvius photo
Robert Erskine Childers photo

“A keen wind from the west struck our faces, and as swiftly as it had come the fog rolled away from us, in one mighty mass, stripping clean and pure the starry dome of heaven….”

Robert Erskine Childers (1870–1922) Irish nationalist and author

Source: Literary Years and War (1900-1918), The Riddle Of The Sands (1903), p. 217.

“And takes forth a Caucasian herb, of potency sure beyond all others, sprung of the gore that dropped from the liver of Prometheus, and grass wind-nurtured, fostered and strengthened by that blood divine among snows and grisly frosts.”
Et, qua sibi fida magis vis nulla, Prometheae florem de sanguine fibrae promit nutritaque gramina monti, quae sacer ille nives inter tristesque pruinas durat alitque cruor.

Source: Argonautica, Book VII, Lines 355–359

Anthony Burgess photo
Stephen Leacock photo
Du Fu photo

“Good rain is coming to our delight.
Its early-spring timing is perfectly right.
With wind it drifts in all through the night.
Silently it's drenching everything in sight.”

Du Fu (712–770) Chinese poet of the Tang Dynasty

"Welcome Rain in a Spring Night" (《春夜喜雨》), as translated by Ying Sun http://www.musicated.com/syh/tangpoems.htm (2008)

Letitia Elizabeth Landon photo
Anthony Watts photo

“And finally we have this, this discovery that Earth's magnetic field can be ripped open and our atmosphere laid bare to the solar wind, much like Mars. Magnetism is underrated in the grand scheme of things, in my opinion. We'd do well to pay more attention to magnetic trends in our corner of the universe and what effects it has on Earthly climate.”

Anthony Watts (1958) American television meteorologist

Earth's Magnetic Field Has Massive Breach – scientists baffled http://wattsupwiththat.com/2008/12/16/earths-magnetic-field-has-massive-breach-scientists-baffled/, wattsupwiththat.com, December 16, 2008.
2008

Georgia O'Keeffe photo
Burkard Schliessmann photo
Karel Appel photo
Jean Metzinger photo
Wallace Stevens photo
Stephen Schwartz photo
Torquato Tasso photo

“Great Carthage low in ashes cold doth lie,
Her ruins poor the herbs in height scant pass,
So cities fall, so perish kingdoms high,
Their pride and pomp lies hid in sand and grass:
Then why should mortal man repine to die,
Whose life, is air; breath, wind; and body, glass?”

Torquato Tasso (1544–1595) Italian poet

Giace l'alta Cartago; appena i segni
Dell'alte sue ruine il lido serba.
Muojono le città, muojono i regni;
Copre i fasti e le pompe arena ed erba;
E l'uomo d'esser mortal par che si sdegni:
O nostra mente cupida e superba!
Canto XV, stanza 20 (tr. Fairfax)
Max Wickert's translation:
: Exalted Carthage lies full low. The signs
of her great ruin fade upon the strand.
So dies each city, so each realm declines,
its pomp and glory lost in scrub and sand,
and mortal man to see it sighs and pines.
(Ah, greed and pride! when will you understand?)
Gerusalemme Liberata (1581)

John Keats photo
William Wordsworth photo

“And sings a solitary song
That whistles in the wind.”

Lucy Gray, or Solitude, st. 16 (1799).
Lyrical Ballads (1798–1800)

Franz Halder photo

“It was a distance about twice as long as this room; then there was a wall, and just beyond it the crematory. When the wind blew in at the south I got smoke in my cell. It was a fat smoke, big flakes of smoke - human smoke.”

Franz Halder (1884–1972) German general

To Leon Goldensohn, April 5, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004
Sourced Encyclopedia of the Third Reich Louis L. Snyder

“Billy Bennett – I speak of the artist – was forthright, bawdy, and wholesome…[His] grossness had that gusto about it which is like a high wind blowing over a noisome place.”

Billy Bennett (1887–1942) British comedian

James Agate Immoment Toys (New York, [1945] 1969) p. 225.
Criticism

Conrad Aiken photo
Epes Sargent photo
Gerard Manley Hopkins photo
Poul Anderson photo
Stephen Crane photo
Garth Brooks photo

“On a prayer,
In a song,
I hear your voice,
And it keeps me hanging on.
Oh, raining down, against the wind,
I'm reaching out,
'Till we reach the circle's end.
When you come back to me again.”

Garth Brooks (1962) American country music artist

When You Come Back to Me Again, written by Jenny Yates and G. Brooks.
Song lyrics, Scarecrow (2001)

Amory B. Lovins photo

“The song of the wind singer will set you free.”

William Nicholson (1948) British screenwriter, playwright and novelist

Source: The "Wind on Fire" Trilogy (2000-2003), The Wind Singer (Book 1), p. 77

George Gordon Byron photo
John Masefield photo

“And in the ghostly palm-trees the sleepy tune
Of the quiet voice calling me, the long low croon
Of the steady Trade Winds blowing.”

John Masefield (1878–1967) English poet and writer

Salt-Water Ballads (1902), "Trade Winds"

Thomas Carew photo
Will Eisner photo

“Graves: “…Tigers with the souls of sheep and heads full of wind…” A CLEVER METAPHOR…NO WONDER THE “PROTOCOLS” COPIES IT!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.81

Reginald Heber photo

“I see them on their winding way,
About their ranks the moonbeams play.”

Reginald Heber (1783–1826) English clergyman

"Lines written to a March".
need further publication dates

“Vegetarianism is harmless enough though it is apt to fill a man with wind and self-righteousness.”

Address to the British Medical Association, Winnipeg, Canada (1930); as quoted in Oxford Dictionary of Medical Quotations by Peter McDonald (Oxford University Press, 2004), p. 51 https://books.google.it/books?id=MuTnCwAAQBAJ&pg=PA51.

Richard Henry Horne photo

“Far out at sea,—the sun was high,
While veer'd the wind and flapped the sail,
We saw a snow-white butterfly
Dancing before the fitful gale,
Far out at sea.”

Richard Henry Horne (1802–1884) English poet and critic

Genius; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 88.