Quotes about voice
page 25

Henry Ward Beecher photo

“I ask myself: "What is that tree?" It is everything. It is God's voice, when the winds are abroad. It is God's thought, when in the deep stillness of the noon it is silent. It is the house which God has built for a thousand birds. It is a harbour of comfort to weary men and to the cattle of the field. It is that which has in it the record of ages. There it has stood for a century. The winter could not kill it, and the summer could not destroy it. It is full of beauty and strength. It has in it all these things ; and as different men look at it, each looks at so much of it as he needs ; but it takes ten men to see everything that there is in that tree — and they all do not half see it.”

Henry Ward Beecher (1813–1887) American clergyman and activist

The Nature, Importance and Liberties of Belief (1873)
Context: I look at a large tree on the lawn, and say to my neighbour: "What is that tree to you?" He looks at it, and says: "Well, I think that would cut about twenty cords of wood. You could work in a good many branches, and as the price of wood is in the market, I think I could make fifty dollars out of that tree easily, and perhaps more than that." His answer shows what the tree is to him — and it is that." I call up a boy, and say to him: "What do you think of when you look at that tree?" "Ah!" he says, "there will be a bushel of hickory-nuts on that tree, anyhow; and he begins to think how he will climb it, and shake them down, and what he will do with them. That is what the tree says to him. I say to another person: "What is that tree to you?" He says: "I would not take fifty dollars for it. Under it my cows stand in summer. The shade of that tree has stood me instead of a shed ever since I owned this farm. That tree is worth its weight in gold." He values it for its economic uses. I ask a painter: "What is that tree to you?" At once he says: "Do you see what an exquisite form it has? How picturesque it is? If you were to take it and put it in the foreground of the landscape that I am working on, what a magnificent effect you would get!" It has an aesthetic value to him. I ask another man: "What is it to you?" He goes into an explanation of its structure and qualities. He is a botanist, and he has his peculiar view of it. I ask myself: "What is that tree?" It is everything. It is God's voice, when the winds are abroad. It is God's thought, when in the deep stillness of the noon it is silent. It is the house which God has built for a thousand birds. It is a harbour of comfort to weary men and to the cattle of the field. It is that which has in it the record of ages. There it has stood for a century. The winter could not kill it, and the summer could not destroy it. It is full of beauty and strength. It has in it all these things; and as different men look at it, each looks at so much of it as he needs; but it takes ten men to see everything that there is in that tree — and they all do not half see it.
So it is with truths. Men sort them. They bring different faculties to bear in considering them. One person has philosophical reason; another has factual reason. One man brings one part of his mind to it; another brings to it another part of his mind. The truth is larger than any one man's thought of it. The truth of God usually has relations that stretch out in such a way that men may see it very differently, and all of them be true in spots, although they do not have the whole truth.

Bill Bailey photo
Julia Ward Howe photo

“From the bosom of a devastated Earth a voice goes up with
Our own. It says: "Disarm! Disarm!
The sword of murder is not the balance of justice."
Blood does not wipe our dishonor,
Nor violence indicate possession.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

Mother's Day Proclamation (1870)
Context: From the bosom of a devastated Earth a voice goes up with
Our own. It says: "Disarm! Disarm!
The sword of murder is not the balance of justice."
Blood does not wipe our dishonor,
Nor violence indicate possession.
As men have often forsaken the plough and the anvil
At the summons of war,
Let women now leave all that may be left of home
For a great and earnest day of counsel.
Let them meet first, as women, to bewail and commemorate the dead.
Let them solemnly take counsel with each other as to the means
Whereby the great human family can live in peace...

Michelle Obama photo

“When I listened to my own voice and cast the cynics aside, when I forged ahead and overcame the doubts and fears of others about who I was and what I could become, I found that their doubts and fears were misplaced. Funny thing, the more I achieved, the more I found that I was just as ready, just as qualified, just as capable as those who felt entitled to the seat at the table that I was working so hard for. And I realized that those who had been given the mantle of power in this country didn’t have any magic about them. They were no better, no smarter than me. That gnawing sense of self-doubt that is common within all of us is a lie. It’s just in our heads. Nine times out of ten, we are more ready and more prepared than we could ever know.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2000s, A Challenge to Overcome (November 2007)
Context: So these were the voices I was hearing growing up. And they gave me the strength and courage to overcome the doubt and fear I was hearing in other corners of my community. From classmates who thought a black girl with a book was acting white. From teachers who told me not to reach too high because my test scores were too low. And from well-meaning but misguided folks who said, “no, you can’t,” “you’re not smart enough,” and “you’re not ready.” Who said “success isn’t meant for little black girls from the South Side of Chicago.” And you know what? When I listened to my own voice and cast the cynics aside, when I forged ahead and overcame the doubts and fears of others about who I was and what I could become, I found that their doubts and fears were misplaced. Funny thing, the more I achieved, the more I found that I was just as ready, just as qualified, just as capable as those who felt entitled to the seat at the table that I was working so hard for. And I realized that those who had been given the mantle of power in this country didn’t have any magic about them. They were no better, no smarter than me. That gnawing sense of self-doubt that is common within all of us is a lie. It’s just in our heads. Nine times out of ten, we are more ready and more prepared than we could ever know.

Bill Bailey photo
Karel Čapek photo

“Relativism is not indifference; on the contrary, passionate indifference is necessary in order for you not to hear the voices that oppose your absolute decrees”

Karel Čapek (1890–1938) Czech writer

"On Relativism" (1925)
Context: Socialism is good when it comes to wages, but it tells me nothing when it comes to other questions in life that are more private and painful, for which I must seek answers elsewhere. Relativism is not indifference; on the contrary, passionate indifference is necessary in order for you not to hear the voices that oppose your absolute decrees … Relativism is neither a method of fighting, nor a method of creating, for both of these are uncompromising and at times even ruthless; rather, it is a method of cognition. If one must fight or create, it is necessary that this be preceded by the broadest possible knowledge... One of the worst muddles of this age is its confusing of the ideas behind combative and cognitive activity. Cognition is not fighting, but once someone knows a lot, he will have much to fight for, so much that he will be called a relativist because of it.

Aeschylus photo

“Let not a woman's voice
Be loud in council! for the things without,
A man must care; let women keep within—
Even then is mischief all too probable!”

Aeschylus (-525–-456 BC) ancient Athenian playwright

Source: Seven Against Thebes (467 BC), lines 200–201 (tr. E. D. A. Morshead)

Margaret Thatcher photo

“Despite the new look of these Communist parties, despite the softness of their voices, we should be on the watch for the teeth and the appetite of the wolf.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Christian Democratic Union Conference (25 May 1976) http://www.margaretthatcher.org/document/103034
Leader of the Opposition
Context: In some European countries, we now see Communist parties dressed in democratic clothes and speaking with soft voices. Of course we hope that their oft-proclaimed change of heart is genuine. But every child in Europe knows the story of little Red Riding Hood and what happened to her in her grandmother's cottage in the forest. Despite the new look of these Communist parties, despite the softness of their voices, we should be on the watch for the teeth and the appetite of the wolf.

Charles Churchill (satirist) photo

“Of sovereign power, whom one and all
With common voice, we Reason call.”

Charles Churchill (satirist) (1731–1764) British poet

The Ghost (1763)
Context: Within the brain's most secret cells
A certain Lord Chief Justice dwells
Of sovereign power, whom one and all
With common voice, we Reason call.

Henri Nouwen photo

“In prayer, you encounter God not only in the small voice and the soft breeze, but also in the midst of the turmoil of the world, in the distress and joy of your neighbor and in the loneliness of your own heart.”

Henri Nouwen (1932–1996) Dutch priest and writer

With Open Hands (1972)
Context: To pray means to open your hands before God. It means slowly relaxing the tension which squeezes your hands together and accepting your existence with an increasing readiness, not as a possession to defend, but as a gift to receive. Above all, prayer is a way of life which allows you to find a stillness in the midst of the world where you open your hands to God’s promises and find hope for yourself, your neighbor and your world. In prayer, you encounter God not only in the small voice and the soft breeze, but also in the midst of the turmoil of the world, in the distress and joy of your neighbor and in the loneliness of your own heart.

St. Vincent (musician) photo

“You can hear one note of a Kate Bush song, or one note of her voice even, and know immediately what it is.”

St. Vincent (musician) (1982) American singer-songwriter

The Kate Bush Story (2014)
Context: You can hear one note of a Kate Bush song, or one note of her voice even, and know immediately what it is. And that is the biggest feat of any artist, especially when you consider, you know, all the roads that she's gone down.

Stephen Colbert photo

“He wants to do the right thing but has none of the tools to achieve it. Because he has no curiosity, he doesn't like to read and he won't listen anybody, except the voices in his head.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

On his character in The Colbert Report in an interview on Larry King Live (11 October 2007) http://www.cnn.com/CNN/Programs/larry.king.live/
Context: We worked very hard to keep him from being a jerk by keeping in mind he's well intentioned. Just poorly informed. He wants to do the right thing but has none of the tools to achieve it. Because he has no curiosity, he doesn't like to read and he won't listen anybody, except the voices in his head.

Jacques Lacan photo

“What concerns us is the that envelops these messages, the network in which, on occasion, something is caught. Perhaps the voice of the gods makes itself heard, but it is a long time since men lent their ears to them in their original state—it is well known that the ears are made not to hear with.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

Of the Network of Signifiers
The Four Fundamental Concepts of Psycho Analysis (1978)
Context: By, the subject, where it was, where it has always been, the dream. The ancients recognized all kinds of things in dreams, including, on occasion, messages from the gods—and why not? The ancients made something of these messages from the gods. And, anyway—perhaps you will glimpse this in what I shall say later—who knows, the gods may still speak through dreams. Personally, I don't mind either way. What concerns us is the that envelops these messages, the network in which, on occasion, something is caught. Perhaps the voice of the gods makes itself heard, but it is a long time since men lent their ears to them in their original state—it is well known that the ears are made not to hear with.

Dawn Butler photo

“I promised the youth that they would have a voice through me. We must encourage our youth, listen to them and help them to resolve youth issues. After all, they are our future.”

Dawn Butler (1969) British politician

Maiden speech on 24 May 2005
Context: I promised the youth that they would have a voice through me. We must encourage our youth, listen to them and help them to resolve youth issues. After all, they are our future. Guess what—not all youth are yobs, and not all yobs are youth. Furthermore, youths are victims of antisocial behaviour, more than any other group in our society. I will campaign and lobby extremely hard for my constituents in Brent, South to further their concerns and to put forward the case for social justice in Brent, South, the UK and worldwide.

Harry Harrison photo

“The list ended with a new charge and I would swear on a stack of thousand credit notes that high that there was a hurt tone in his voice.
"In addition the charge of assaulting a police robot will be added to your record."”

Original short-story, "The Stainless Steel Rat" in Astounding magazine (August 1957) http://www.iol.ie/~carrollm/hh/ssrshort.htm
The Stainless Steel Rat
Context: When the office door opened suddenly I knew the game was up. It had been a money-maker — but it was all over. As the cop walked in I sat back in the chair and put on a happy grin. He had the same sombre expression and heavy foot that they all have — and the same lack of humour. I almost knew to the word what he was going to say before he uttered a syllable.
"James Bolivar diGriz I arrest you on the charge—"
I was waiting for the word charge, I thought it made a nice touch that way. As he said it I pressed the button that set off the charge of black powder in the ceiling, the crossbeam buckled and the three-ton safe dropped through right on the top of the cop's head. He squashed very nicely, thank you. The cloud of plaster dust settled and all I could see of him was one hand, slightly crumpled. It twitched a bit and the index finger pointed at me accusingly. His voice was a little muffled by the safe and sounded a bit annoyed. In fact he repeated himself a bit.
"On the charge of illegal entry, theft, forgery—"
He ran on like that for quite a while, it was an impressive list but I had heard it all before. I didn't let it interfere with my stuffing all the money from the desk drawers into my suitcase. The list ended with a new charge and I would swear on a stack of thousand credit notes that high that there was a hurt tone in his voice.
"In addition the charge of assaulting a police robot will be added to your record."

“Writing is all about the preservation of your own voice.”

Gary Ross (1956) American film director

Dreams on Spec (2007)
Context: Writing is all about the preservation of your own voice. So if you give that voice away by guessing what you think and you think and you think as you go, you’ll have less to say and then it’ll go away completely!

Richard Rodríguez photo

“It is one thing to know your author-man or woman or gay or black or paraplegic or president. It is another thing to choose only man or woman or et cetera, as the only quality of voice empowered to address you, as the only class of sensibility or experience able to understand you, or that you are able to understand.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)
Context: It is one thing to know your author-man or woman or gay or black or paraplegic or president. It is another thing to choose only man or woman or et cetera, as the only quality of voice empowered to address you, as the only class of sensibility or experience able to understand you, or that you are able to understand.
How a society orders its bookshelves is as telling as the books a society writes and reads. American bookshelves of the twenty-first century describe fractiousness, reduction, hurt. Books are isolated from one another, like gardenias or peaches, lest they bruise or become bruised, or, worse, consort, confuse. If a man in a wheelchair writes his life, his book will be parked in a blue-crossed zone: "Self-Help" or "Health." There is no shelf for bitterness. No shelf for redemption. The professor of Romance languages at Dresden, a convert to Protestantism, was tortured by the Nazis as a Jew — only that — a Jew. His book, published sixty years after the events it recounts, is shelved in my neighborhood bookstore as "Judaica." There is no shelf for irony.

Aimee Mann photo

“When I tell him that Im falling in love
Why does he say
"Hush, hush, keep it down now.
Voices carry"?”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Voices Carry"
Song lyrics, Voices Carry (1985)

Yitzhak Rabin photo

“We say to you today in a loud and clear voice: Enough of blood and tears. Enough.
We have no desire for revenge. We harbor no hatred towards you. We, like you, are people who want to build a home, to plant a tree, to love, live side by side with you in dignity, in empathy, as human beings, as free men. We are today giving peace a chance and again saying to you in a clear voice: Enough.”

Yitzhak Rabin (1922–1995) Israeli politician, statesman and general

Excerpts of PM Rabin Knesset Speech (21 September 1993) https://web.archive.org/web/20040825072435/http://www.mfa.gov.il/MFA/Archive/Speeches/EXCERPTS%20OF%20PM%20RABIN%20KNESSET%20SPEECH%20-DOP-%20-%2021-Sep
Context: We are destined to live together, on the same soil in the same land. We, the soldiers who have returned from battle stained with blood, we who have seen our relatives and friends killed before our eyes, we who have attended their funerals and cannot look into the eyes of their parents, we who have come from a land where parents bury their children, we who have fought against you, the Palestinians. We say to you today in a loud and clear voice: Enough of blood and tears. Enough.
We have no desire for revenge. We harbor no hatred towards you. We, like you, are people who want to build a home, to plant a tree, to love, live side by side with you in dignity, in empathy, as human beings, as free men. We are today giving peace a chance and again saying to you in a clear voice: Enough.

Harold Innis photo

“The voice of a second-rate person is more impressive than the published opinion of superior ability.”

2007 edition, p. 31.
Empire and Communications (1950)
Context: Graham Wallas has reminded us that writing as compared with speaking involves an impression at the second remove and reading an impression at the third remove. The voice of a second-rate person is more impressive than the published opinion of superior ability.

Anna Akhmatova photo

“Sweet to me was not the voice of man,
But the wind's voice was understood by me.”

Anna Akhmatova (1889–1966) Russian modernist poet

"Willow" (1940)
Context: Sweet to me was not the voice of man,
But the wind's voice was understood by me.
The burdocks and the nettles fed my soul,
But I loved the silver willow best of all.

John Dalberg-Acton, 1st Baron Acton photo

“The poorest classes were exempt from direct taxes, but were excluded from office. Solon gave them a voice in electing magistrates from the classes above them, and the right of calling them to account.”

John Dalberg-Acton, 1st Baron Acton (1834–1902) British politician and historian

The History of Freedom in Antiquity (1877)
Context: From this universal degradation the world was rescued by the most gifted of the nations. Athens, which like other cities was distracted and oppressed by a privileged class, avoided violence and appointed Solon to revise its laws.... Solon gave a share of power proportioned to the demands made on their resources. The poorest classes were exempt from direct taxes, but were excluded from office. Solon gave them a voice in electing magistrates from the classes above them, and the right of calling them to account. This concession... was the beginning of a mighty change. It introduced the idea that a man ought to have a voice in selecting those to whose rectitude and wisdom he is compelled to trust his fortune, his family, and his life. And this idea completely inverted the notion of human authority, for it inaugurated the reign of moral influence... Government by consent superseded government by compulsion, and the pyramid which had stood on a point was made to stand upon its base. By making every citizen the guardian of his own interest Solon admitted the element of Democracy into the State.<!--pp. 6-7

Edwin Abbott Abbott photo

“Awestruck at the sight of the mysteries of the earth, thus unveiled before my unworthy eye, I said to my Companion, "Behold, I am become as a God. For the wise men in our country say that to see all things, or as they express it, OMNIVIDENCE, is the attribute of God alone." There was something of scorn in the voice of my Teacher as he made answer: "Is it so indeed? Then the very pick-pockets and cut-throats of my country are to be worshiped by your wise men as being Gods: for there is not one of them that does not see as much as you see now. But trust me, your wise men are wrong."”

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: Once more I felt myself rising through space. It was even as the Sphere had said. The further we receded from the object we beheld, the larger became the field of vision. My native city, with the interior of every house and every creature therein, lay open to my view in miniature. We mounted higher, and lo, the secrets of the earth, the depths of mines and inmost caverns of the hills, were bared before me.Awestruck at the sight of the mysteries of the earth, thus unveiled before my unworthy eye, I said to my Companion, "Behold, I am become as a God. For the wise men in our country say that to see all things, or as they express it, OMNIVIDENCE, is the attribute of God alone." There was something of scorn in the voice of my Teacher as he made answer: "Is it so indeed? Then the very pick-pockets and cut-throats of my country are to be worshiped by your wise men as being Gods: for there is not one of them that does not see as much as you see now. But trust me, your wise men are wrong."

William Gibson photo

“A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode.”

Source: All Tomorrow's Parties‎ (2003), Ch. 38 : Vincent Black Lightning, p. 191
Context: If Skinner couldn't tell Fontaine a story about something, Fontaine would make up his own story, read function in the shape of something, read use in the way it was worn down. It seemed to comfort him.
Everything to Fontaine, had a story. Each object, each fragment comprising the built world. A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode. When he'd built Skinner's funicular, the elevator that crawled like a small cable car up the angled iron of the tower, when they old man's hip had gotten too bad to allow him to easily climb, Fontaine had a story about the derivation of each piece. He wove their stories together, applied electricity: the thing rose, clicking, to the hatch in the floor of Skinner's room.

P. D. Ouspensky photo

“I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!”

P. D. Ouspensky (1878–1947) Russian esotericist

Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm
The Symbolism of the Tarot (1913)
Context: I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity.
Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle.
His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail.
His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!

James Anthony Froude photo

“A man is born into the world — a real man — such a one as it has never seen; he lives a life consistently the very highest; his wisdom is the calm earnest voice of humanity; to the worldly and the commonplace so exasperating, as forcing upon them their own worthlessness — to the good so admirable that every other faculty is absorbed in wonder.”

Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: A man is born into the world — a real man — such a one as it has never seen; he lives a life consistently the very highest; his wisdom is the calm earnest voice of humanity; to the worldly and the commonplace so exasperating, as forcing upon them their own worthlessness — to the good so admirable that every other faculty is absorbed in wonder. The one killed him. The other said, this is too good to be a man — this is God. His calm and simple life was not startling enough for their eager imagination; acts of mercy and kindness were not enough, unless they were beyond the power of man. To cure by ordinary means the bruised body, to lift again with deep sympathy of heart the sinking sinner was not enough. He must speak with power to matter as well as mind; eject diseases and eject devils with command. The means of ordinary birth, to the oriental conception of uncleanness, were too impure for such as he, and one so holy could never dissolve in the vulgar corruption of the grave.
Yet to save his example, to give reality to his sufferings, he was a man nevertheless. In him, as philosophy came in to incorporate the first imagination, was the fulness of humanity as well as the fulness of the Godhead. And out of this strange mixture they composed a being whose life is without instruction, whose example is still nothing, whose trial is but a helpless perplexity. The noble image of the man is effaced, is destroyed. Instead of a man to love and to follow, we have a man-god to worship. From being the example of devotion, he is its object; the religion of Christ ended with his life, and left us instead but the Christian religion.

Honoré de Balzac photo

“Science depresses man; Love exalts the Angel. Science is still seeking, Love has found. Man judges Nature according to his own relations to her; the Angelic Spirit judges it in its relation to Heaven. In short, all things have a voice for the Spirit.”

Source: Seraphita (1835), Ch. 3: Seraphita - Seraphitus.
Context: Science is the language of the Temporal world, Love is that of the Spiritual world. Thus man takes note of more than he is able to explain, while the Angelic Spirit sees and comprehends. Science depresses man; Love exalts the Angel. Science is still seeking, Love has found. Man judges Nature according to his own relations to her; the Angelic Spirit judges it in its relation to Heaven. In short, all things have a voice for the Spirit.

Henri-Frédéric Amiel photo

“Whenever conscience speaks with a divided, uncertain, and disputed voice, it is not yet the voice of God.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

6 April 1851
Journal Intime (1882), Journal entries
Context: Whenever conscience speaks with a divided, uncertain, and disputed voice, it is not yet the voice of God. Descend still deeper into yourself, until you hear nothing but a clear and undivided voice, a voice which does away with doubt and brings with it persuasion, light and serenity.

Saint Patrick photo

“In a vision of the night, I saw a man whose name was Victoricus coming as it from Ireland with innumerable letters, and he gave me one of them, and I read the beginning of the letter: "The Voice of the Irish"”

Saint Patrick (385–461) 5th-century Romano-British Christian missionary and bishop in Ireland

The Confession (c. 452?)
Context: In a vision of the night, I saw a man whose name was Victoricus coming as it from Ireland with innumerable letters, and he gave me one of them, and I read the beginning of the letter: "The Voice of the Irish", and as I was reading the beginning of the letter I seemed at that moment to hear the voice of those who were beside the forest of Foclut which is near the western sea, and the were crying as if with one voice: "'We beg you, holy youth, that you shall come and shall walk again among us." And I was stung intensely in my heart so that I could read no more, and thus I awoke. Thanks be to God, because after so many ears the Lord bestowed on them according to their cry.

Gerald Durrell photo

“There would be a dreadful outcry if anyone suggested obliterating, say, the Tower of London, and quite rightly so; yet a unique and wonderful species of animal which has taken hundreds of thousands of years to develop to the stage we see today, can be snuffed out like a candle without more than a handful of people raising a finger or a voice in protest.”

Gerald Durrell (1925–1995) naturalist, zookeeper, conservationist, author and television presenter

Encounters with Animals (1958)
Context: There would be a dreadful outcry if anyone suggested obliterating, say, the Tower of London, and quite rightly so; yet a unique and wonderful species of animal which has taken hundreds of thousands of years to develop to the stage we see today, can be snuffed out like a candle without more than a handful of people raising a finger or a voice in protest. So, until we consider animal life to be worthy of the consideration and reverence we bestow upon old books and pictures and historic monuments, there will always be the animal refugee living a precarious life on the edge of extermination, dependent for existence on the charity of a few human beings.

Reza Pahlavi photo
Aldous Huxley photo
Giovanni Morassutti photo

“The sound of the human voice is the best of nature but only if it comes out from the feelings.”

Giovanni Morassutti (1980) Italian actor, theatre director and cultural entrepreneur.

From the official website

William Godwin photo
Rajiv Malhotra photo
William Pitt, 1st Earl of Chatham photo
Regina King photo

“I would say that I’ve tried to listen to the voice inside…Luckily, from a very early age, I was able to understand that when things don’t feel quite right, that was probably not the role for me.”

Regina King (1971) actress

On the possible key to her career longevity in “The King of Queens: How Regina King Became A Hollywood Legend” https://www.essence.com/feature/regina-king-december-cover-star-interview/ in Essence Magazine (2019 Nov 20)

“I am much more articulate and able to express myself more eloquently through my art…It is with this voice that I attempt to communicate, reach out and touch others.”

Malaquías Montoya (1938) American artist

On how he turns toward art to communicate on his behalf in “Giving a Voice to the Voiceless: Malaquias Montoya, Renowned Artist” https://thebottomline.as.ucsb.edu/2014/01/giving-a-voice-to-the-voiceless-malaquias-montoya-renowned-artist in The Bottom Line (2014 Jan 29)

“I see their role as the same as ever; the artist is to give voice to the issues that are given to us in a confused manner, so that people can understand the role that they must play…I think the role of the cultural worker is to define those things we receive from those that are in power, and give it back to the community, presented it in a more clear way.”

Malaquías Montoya (1938) American artist

On how technological advancements have not diminished the cultural role of artists (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)

Elizabeth Acevedo photo
Esai Morales photo
Antonio Fresco photo

“When I find myself not knowing what to do, that’s when I do nothing and wait until I can hear that voice again, and suddenly, things are clicking again, and I am in that FLOW!”

Antonio Fresco (1983) American DJ, music producer, and radio personality

When asked about listening to yourself.
Company Rules Interview https://companyrules.home.blog/2019/05/27/welcome-guest-dj-antonio-fresco/ (2019)

Adlai Stevenson photo
Samanta Schweblin photo
Kapka Kassabova photo

“It might feel safer to stay hidden away, but safer is not always better. We all have things to say. Learning how to speak up helps us feel valued and a part of the community. And by honing our voices, we can change the world.”

On the need to hone one’s voice in “Safer Is Not Always Better: An Interview With Stacey Lee” https://parnassusmusing.net/2019/08/13/interview-stacey-lee-downstairs-girl/ in Musing (2019 Aug 13)

Vinayak Damodar Savarkar photo
William Faulkner photo
Maximilien Robespierre photo

“I bring everything I know to whatever I write, and I believe the same of other writers. A person’s complete life experience forms the basis of authorial voice, in my opinion. To hold back any part makes a narrative feel contrived.”

Tade Thompson British science fiction writer

On incorporating his medicine background into his writings in “Interview: Tade Thompson” http://www.lightspeedmagazine.com/nonfiction/interview-tade-thompson/ in Lightspeed Magazine (October 2017)

“I am constantly recharged by the different artists I work with, by the new challenges we face, and by listening to my inner voice. My trip to the ocean every year gives me great peace, and now that I am a grandfather for the first time, I am thrilled and inspired every day that I see my granddaughter because I have great hope for the future generation.”

Hugo Medrano director, playwright, and actor

On what inspires him in “An Interview with GALA Hispanic Theatre’s Hugo Medrano” https://mdtheatreguide.com/2011/10/an-interview-with-gala-hispanic-theatres-hugo-medrano/ in MD Theatre Guide (2011 Oct 8)

“Distance in time has made my voice less contrived and subjective. I don’t feel I’m writing some kind of diary (which I kind of felt I was doing when I was 16). I am far more conscious of my voice and more disciplined in separating myself from my characters…”

Randa Abdel-Fattah (1979) contemporary Australian writer of novels for young adults

On how it has changed for her writing in a teenager’s voice in “Randa Abdel-Fattah: Identity and emotion” https://www.writermag.com/writing-inspiration/author-interviews/randa-abdel-fattah/ in The Writer (2018 Jan 18)

Vivek Agnihotri photo
Vivek Agnihotri photo
Chris Hedges photo
Anne Hutchinson photo
John Quincy Adams photo

“America, in the assembly of nations, since her admission among them, has invariably, though often fruitlessly, held forth to them the hand of honest friendship, of equal freedom, of generous reciprocity. She has uniformly spoken among them, though often to heedless and often to disdainful ears, the language of equal liberty, of equal justice, and of equal rights. She has, in the lapse of nearly half a century, without a single exception, respected the independence of other nations while asserting and maintaining her own. She has abstained from interference in the concerns of others, even when conflict has been for principles to which she clings, as to the last vital drop that visits the heart. She has seen that probably for centuries to come, all the contests of that Aceldama the European world, will be contests of inveterate power, and emerging right. Wherever the standard of freedom and Independence has been or shall be unfurled, there will her heart, her benedictions and her prayers be. But she goes not abroad, in search of monsters to destroy. She is the well-wisher to the freedom and independence of all. She is the champion and vindicator only of her own. She will commend the general cause by the countenance of her voice, and the benignant sympathy of her example. She well knows that by once enlisting under other banners than her own, were they even the banners of foreign independence, she would involve herself beyond the power of extrication, in all the wars of interest and intrigue, of individual avarice, envy, and ambition, which assume the colors and usurp the standard of freedom. The fundamental maxims of her policy would insensibly change from liberty to force. The frontlet on her brows would no longer beam with the ineffable splendor of freedom and independence; but in its stead would soon be substituted an imperial diadem, flashing in false and tarnished lustre the murky radiance of dominion and power. She might become the dictatress of the world; she would be no longer the ruler of her own spirit.... Her glory is not dominion, but liberty. Her march is the march of the mind. She has a spear and a shield: but the motto upon her shield is, Freedom, Independence, Peace. This has been her Declaration: this has been, as far as her necessary intercourse with the rest of mankind would permit, her practice.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Independence Day address (1821)

Eric Rücker Eddison photo
Eric Rücker Eddison photo
Gwen Ifill photo

“I was drawn to journalism because of the need to be the necessary voice - not to force my opinions on others but to broaden the stage for the debate…”

Gwen Ifill (1955–2016) American journalist, television newscaster and author

On her career path in “Journalist Gwen Ifill: In Her Own Words” https://www.npr.org/2016/11/14/502050955/journalist-gwen-ifill-in-her-own-words in NPR (2016 Nov 14)

Mao Zedong photo
Ursula K. Le Guin photo

“I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality.”

Ursula K. Le Guin (1929–2018) American writer

Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is not profit. Its name is freedom.
National Book Awards, November 2014 https://www.newyorker.com/books/page-turner/national-book-awards-ursula-le-guin

William H. McRaven photo

“If you think for a moment that your McCarthy-era tactics will suppress the voices of criticism, you are sadly mistaken.”

William H. McRaven (1955) United States admiral

Open letter to US President Donald Trump (2018)

Chris Hedges photo
Ernest J. Gaines photo

“In dialogue, I’m dealing with the sounds I’ve heard. One of the reasons I often write from first person or multiple points of view is to hear the voices of different characters. Omniscient narration becomes a problem because, for me, the omniscient is my own voice narrating the story and then bringing in characters for dialogue.”

Ernest J. Gaines (1933–2019) Novelist, short story writer, teacher

On how he handled dialogue in his works in “An Interview with Ernest J. Gaines” https://www.missourireview.com/article/an-interview-with-ernest-j-gaines/ in The Missouri Review (1999 Dec 1)

Joy Harjo photo
Aimé Césaire photo

“My mouth shall be the mouth of those calamities that have no mouth, my voice the freedom of those who break down in the prison holes of despair.”

Aimé Césaire (1913–2008) Martiniquais politician

Source: Notebook of a Return to the Native Land (1939), p. 13

Meghan, Duchess of Sussex photo
P.G. Wodehouse photo
Chris Cornell photo
Chris Cornell photo
Chris Cornell photo

“I think Freddie Mercury is probably the best of all time, in terms of a rock voice. There was a vulnerability to it, his technical ability was amazing, and so much of his personality would come out through his voice. I’m not even a guy to buy Queen records, really, and I still think he’s one of the best.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell Flashback Q&A: 'We Have to Be Aware That Life Is So Short', Yahoo!, May 19, 2017 https://www.yahoo.com/entertainment/chris-cornell-flashback-qa-aware-life-short-023857577.html,
Solo career Era

Arthur MacManus photo
Karl Barth photo

“The voice of him that crieth in the wilderness, Prepare ye the way of the Lord, make straight in the desert a highway for our God. Every valley shall be exalted, and every mountain and hill shall be made low: and the crooked shall be made straight, and the rough places plain: And the glory of the Lord shall be revealed!”

Karl Barth (1886–1968) Swiss Protestant theologian

This is the voice of our conscience, telling us of the righteousness of God. And since conscience is the perfect interpreter of life, what it tells us is no question, no riddle, no problem, but a fact — the deepest, innermost, surest fact of life: God is righteous. Our only question is what attitude toward the fact we ought to take.
We shall hardly approach the fact with our critical reason. The reason sees the small and the larger but not the large. It sees the preliminary, but not the final, the derived but not the original, the complex but not the simple. It sees what is human but not what is divine.
We shall hardly be taught this fact by men.
"The Righteousness of God" (1916) in The Word of God and the Word of Man (1928) as translated by Douglas Horton; this passage begins with a quote of Isaiah 40:3-5; often quoted alone has been the phrase following it: "Conscience is the perfect interpreter of life."

Enoch Powell photo
Tara Westover photo
Tara Westover photo
Plutarch photo
Tommy Robinson photo
Vasyl Slipak photo

“Mother once said our grandfather Vasyl, after whom my brother was named, had sung very well and been a very interesting person in general. So it is believed that Vasyl inherited his talent. He supposedly had a unique voice.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

2017
Orest Slipak, the brother of singer. Brother about brother. The Day. Кyiv.ua. - 2017. - 27 April. https://day.kyiv.ua/en/article/topic-day/brother-about-brother

Jeremy Hunt photo
Leanne Wood photo

“First minister, last night you participated in the first major public debate on the future for Wales within the European Union. You went head-to-head with the voice of the far right. Do you think your performance helped or hindered the Welsh campaign on the EU?”

Leanne Wood (1971) Welsh Plaid Cymru politician

UKIP condemns Leanne Wood's 'far right' Farage jibe https://www.bbc.co.uk/news/uk-wales-politics-35292163 BBC News (12 January 2016)
2016

Nicola Sturgeon photo

“Scotland’s 62% vote to remain in the EU counted for nothing. Far from being an equal partner at Westminster, Scotland’s voice is listened to only if it chimes with that of the UK majority; if it does not, we are outvoted and ignored.”

Nicola Sturgeon (1970) First Minister of Scotland and leader of the Scottish National Party

Said in a statement https://news.gov.scot/speeches-and-briefings/first-minister-statement-brexit-and-scotlands-future to the Scottish Parliament on 24 April. Here are the five best quotes from Nicola Sturgeon's indyref2 update https://www.thenational.scot/news/17595363.here-are-the-five-best-quotes-from-nicola-sturgeons-indyref2-update/ (24 April 2019) on the National website. Retrieved 23 July 2019.
2019

John Calvin photo
Johann Most photo

“Whoever has recognized the villainy of the present conditions, is in duty bound to raise his voice, in order to expose them, and thereby open the eyes of the people.”

Johann Most (1846–1906) German-American anarchist politician, newspaper editor, and orator

The Beast of Property (1884)

Mary Robinson photo

“It is a huge honour to take up the role as Chair of The Elders at such a critical moment for peace, justice and human rights worldwide. Building on the powerful legacies of Archbishop Tutu and Kofi Annan, I am confident that our group’s voice can both be heard by leaders and amplify grassroots activists fighting for their rights.”

Mary Robinson (1944) Former President of Ireland and former United Nations High Commissioner for Human Rights

Mary Robinson appointed new Chair of The Elders, https://www.theelders.org/news/mary-robinson-appointed-new-chair-elders (1 November 2018)

W.E.B. Du Bois photo
Fyodor Dostoyevsky photo
Johann Gottlieb Fichte photo
Johann Gottlieb Fichte photo
Edward Bellamy photo
Edward Bellamy photo
Väinö Linna photo

“Are you motherfuckers deaf? Shoot here … down here … follow my voice … my gun … aaahh …”

An ambushed and dying Lehto criticising the enemy for lack of accuracy, p. 194.
The Unknown Soldier

George Jones photo