Quotes about vein
page 2

Joseph Addison photo

“But so far as the Hindus are concerned, this period was a prolonged spell of darkness which ended only when the Marathas and the Jats and the Sikhs broke the back of Islamic imperialism in the middle of the 18th century. The situation of the Hindus under Muslim rule is summed up by the author of Tãrîkh-i-Wassãf in the following words: “The vein of the zeal of religion beat high for the subjection of infidelity and destruction of idols… The Mohammadan forces began to kill and slaughter, on the right and the left unmercifully, throughout the impure land, for the sake of Islãm, and blood flowed in torrents. They plundered gold and silver to an extent greater than can be conceived, and an immense number of precious stones as well as a great variety of cloths… They took captive a great number of handsome and elegant maidens and children of both sexes, more than pen can enumerate… In short, the Mohammadan army brought the country to utter ruin and destroyed the lives of the inhabitants and plundered the cities, and captured their off-springs, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was Somnãt. The fragments were conveyed to Dehlî and the entrance of the Jãmi‘ Masjid was paved with them so that people might remember and talk of this brilliant victory… Praise be to Allah the lord of the worlds.””

The Story of Islamic Imperialism in India (1994)

William Cowper photo

“There is a fountain fill'd with blood
Drawn from Emmanuel's veins;
And sinners, plung'd beneath that flood,
Lose all their guilty stains.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

No. 79, "Praise for the Fountain Opened".
Olney Hymns (1779)

John Muir photo

“There is at least a punky spark in my heart and it may blaze in this autumn gold, fanned by the King. Some of my grandfathers must have been born on a muirland for there is heather in me, and tinctures of bog juices, that send me to Cassiope, and oozing through all my veins impel me unhaltingly through endless glacier meadows, seemingly the deeper and danker the better.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr http://digitalcollections.pacific.edu/cdm/compoundobject/collection/muirletters/id/12500/rec/1 (perhaps Autumn 1870); published in William Federic Badè, The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 8: Yosemite, Emerson, and the Sequoias
1870s

John Ireland (bishop) photo
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury photo
Edwin Arnold photo
Umberto Boccioni photo

“To the Young Artists of Italy!
The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph

Elizabeth Barrett Browning photo

“Or from Browning some "Pomegranate," which, if cut deep down the middle,
shows a heart within blood-tinctured of a veined humanity.”

Elizabeth Barrett Browning (1806–1861) English poet, author

Lady Geraldine's Courtship http://classiclit.about.com/library/bl-etexts/ebbrowning/bl-ebbrown-togeorge1.htm, st. 41 (1844).

Ryan Adams photo

“I would've held your mother's hand on the day you was born.
She runs through my veins like a long black river and rattles my cage like a thunderstorm.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

How Do You Keep Love Alive?
29 (2005)

Masiela Lusha photo

“There’s a condensed softness about the Albanian people, and I’ve witnessed examples of their hospitality. Albanian blood runs through my veins and I am proud to call myself Albanian.”

Masiela Lusha (1985) Albanian actress, writer, author

Interview with Reel Lady http://reelladies.wordpress.com/2008/09/01/reel-lady-masiela-lusha/

Arnold J. Toynbee photo
Paul Auster photo
Stephen King photo
Conrad Aiken photo
Isaac Rosenberg photo
Constance Marie photo
José Martí photo
Eugene Lee-Hamilton photo

“The hollow sea-shell, which for years hath stood
On dusty shelves, when held against the ear
Proclaims its stormy parent, and we hear
The faint, far murmur of the breaking flood.
We hear the sea. The Sea? It is the blood
In our own veins, impetuous and near.”

Eugene Lee-Hamilton (1845–1907) English poet and translator

Sonnet. Sea-shell Murmurs, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; "I send thee a shell from the ocean-beach; But listen thou well, for my shell hath speech. Hold to thine ear / And plain thou'lt hear / Tales of ships", Charles Henry Webb, With a Nantucket Shell.

Aimé Césaire photo
John Keats photo
Margaret Fuller photo
Jonathan Swift photo
Hunter S. Thompson photo
Cyril Connolly photo

“The lesson one can learn from Firbank is that of inconsequence. There is the vein which he tapped and which has not yet been fully exploited.”

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 5: Anatomy of Dandyism (p. 36)

Letitia Elizabeth Landon photo
Gloria Estefan photo
Houston Stewart Chamberlain photo

“What's in my veins makes me free
Oh what you have done for me!
Two who made a work of art
Mama brought the armor, Daddy engineered the heart.”

Ysabella Brave (1979) American singer

"Baby One (new original song by Ysabella Brave)" (26 August 2007) http://www.youtube.com/watch?v=QKJ7eaDWsAk

William Bateson photo
Martin Luther King, Jr. photo
Arlo Guthrie photo
Federico García Lorca photo

“But now he sleeps endlessly.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
slides on frozen horns,
faltering souls in the mist
stumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!”

Pero ya duerme sin fin.
Ya los musgos y la hierba
abren con dedos seguros
la flor de su calavera.
Y su sangre ya viene cantando:
cantando por marismas y praderas,
resbalando por cuernos ateridos,
vacilando sin alma por la niebla,
tropezando con miles de pezuñas
como una larga, oscura, triste lengua,
para formar un charco de agonía
junto al Guadalquivir de las estrellas.
¡Oh blanco muro de España!
¡Oh negro toro de pena!
¡Oh sangre dura de Ignacio!
¡Oh ruiseñor de sus venas!
Llanto por Ignacio Sanchez Mejias (1935)

Masiela Lusha photo
Alicia Witt photo
Michele Bachmann photo

“Our hearts and prayers go out to the families of the victims. This isn't something that we take lightly. My comments were not meant to be ones that were taken lightly. What I was saying in a humorous vein is there are things happening that politicians need to pay attention to. It isn't everyday we have an earthquake in the United States.”

Michele Bachmann (1956) American politician

Bachmann Plays Down Comments Linking Disasters and Deficits
The Caucus
The New York Times
2011-08-29
Sarah
Wheaton
Trip
Gabriel
http://thecaucus.blogs.nytimes.com/2011/08/29/bachmann-plays-down-comments-linking-disasters-and-deficits/
2011-09-03
asked about her "I don't know how much God has to do to get the attention of the politicians" remarks after her rally
2010s

Jerry Siegel photo
James Thomson (poet) photo
Ignatius Sancho photo
Letitia Elizabeth Landon photo
Frances Bean Cobain photo

“Stardust coursing through our veins.”

Frances Bean Cobain (1992) American artist

6 September 2014 https://twitter.com/alka_seltzer666/status/508361678451249152
Twitter https://twitter.com/alka_seltzer666 posts

Langston Hughes photo
Yu Kwang-chung photo

“The Yellow River flows torrential in my veins.
China is me I am China.”

Yu Kwang-chung (1928–2017) Taiwanese poet

"Music Percussive", in An Anthology of Contemporary Chinese Literature. Taiwan: 1949–1974. Vol. I: Poems and Essays, eds. Pang-yuan Chi et al. (Taipei: National Institute for Compilation and Translation, 1977), p. 113

John Osborne photo
Stanley Baldwin photo

“The mystery, the romance, the coincidence of real life far transcends the mystery and the romance and the coincidence of fiction. I would like at the beginning of my remarks to remind hon. Members of something that has always struck me as one of the strangest and most romantic coincidences that have entered into our political life. Far away in time, in the dawn of history, the greatest race of the many races then emerging from prehistoric mists was the great Aryan race. When that race left the country which it occupied in the western part of Central Asia, one great branch moved west, and in the course of their wanderings they founded the cities of Athens and Sparta; they founded Rome; they made Europe, and in the veins of the principal nations of Europe flows the blood of their Aryan forefathers. The speech of the Aryans which they brought with them has spread through out Europe. It has spread to America. It has spread to the Dominions beyond the seas. At the same time, one branch went south, and they crossed the Himalayas. They went into the Punjab and they spread through India, and, as an historic fact, ages ago, there stood side by side in their ancestral land the ancestors of the English people and the ancestors of the Rajputs and of the Brahmins. And now, after aeons have passed, the children of the remotest generations from that ancestry have been brought together by the inscrutable decree of Providence to set themselves to solve the most difficult, the most complicated political problem that has ever been set to any people of the world.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1929/nov/07/india in the House of Commons (7 November 1929).
1929

Ken Ham photo
Elliott Smith photo

“Your arsenal of excuses you never told herwhen you walked out on the savannah shoulderwith your veins all full of beerthinking 'well at least now everything is clear'<BR”

Elliott Smith (1969–2003) American singer-songwriter

Georgia, Georgia.
Lyrics, New Moon (posthumous, 2007)

John Buchan photo
Alexandros Panagoulis photo
Sarah McLachlan photo
George Raymond Richard Martin photo
Laura Antoniou photo
Luís de Camões photo

“No more the summer of my life remains,
My autumn's lengthening evenings chill my veins;
Down the black stream of years by woes on woes
Winged on, I hasten to the tomb's repose…”

Luís de Camões (1524–1580) Portuguese poet

Vão os anos decendo, e já do Estio
Há pouco que passar até o Outono;
A Fortuna me faz o engenho frio,
Do qual já não me jacto nem me abono;
Os desgostos me vão levando ao rio
Do negro esquecimento e eterno sono...
Stanza 9, lines 1–6 (tr. William Julius Mickle)
Epic poetry, Os Lusíadas (1572), Canto X

Colin Powell photo

“There's also a dark vein of intolerance in some parts of the party. What do I mean by that? What I mean by that is they still sort of look down on minorities.”

Colin Powell (1937) Former U.S. Secretary of State and retired four-star general

As quoted in NBC's Meet the Press http://www.thenation.com/article/when-republicans-really-were-party-lincoln/ (2013).
2010s

Elliott Smith photo

“Veins full of disappearing inkVomitting in the kitchen sink.<BR”

Elliott Smith (1969–2003) American singer-songwriter

Fond Farewell.
Lyrics, From a Basement on the Hill (posthumous, 2004)

Ned Kelly photo
George William Russell photo
Noel Gallagher photo
Richard Cobden photo
Monier Monier-Williams photo
Bill Hybels photo
Thomas Moore photo

“When thus the heart is in a vein
Of tender thought, the simplest strain
Can touch it with peculiar power.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Evenings in Greece, First Evening.
Bartlett's Familiar Quotations, 10th ed. (1919)

Shingai Shoniwa photo

“I think of the Ramones when I think of music that can save your life, but I’m not so sure about a band like Fall Out Boy who appears to make music in vein or that, at least, doesn’t sound like something they would die for.”

Shingai Shoniwa (1981) British musician

When asked: Is music more of a product today, or seen as something that can save your life? http://www.popmatters.com/pm/features/article/33984/one-of-those-bands-an-interview-with-the-noisettes/

John Cheever photo

“My veins are filled, once a week with a Neapolitan carpet cleaner distilled from the Adriatic and I am as bald as an egg. However I still get around and am mean to cats.”

John Cheever (1912–1982) American novelist and short story writer

Letter to Philip Roth (May 10, 1982); The Letters of John Cheever (1989).

Neal Stephenson photo
D.H. Lawrence photo
Ray Bradbury photo
Robert G. Ingersoll photo
José Martí photo

“Fierce boils in every vein
Indignant shame and passion blind,
The tempest of the lover's mind,
The soldier's high disdain.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book XII, p. 465

Robert E. Howard photo
Omar Khayyám photo
Alauddin Khalji photo
Vinayak Damodar Savarkar photo
Mary Baker Eddy photo
Robert E. Howard photo
Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Richard Francis Burton photo
John Bunyan photo
Robert G. Ingersoll photo

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

Pierre Trudeau photo
Bertolt Brecht photo

“I see with sympathy
The swollen veins on his brow, showing
How exhausting it is to be evil.”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

Mitfühlend sehe ich
Die geschwollenen Stirnadern, andeutend
Wie anstrengend es ist, böse zu sein.
"The Mask of Evil" ("Die Maske des Bösen"), as translated in Brecht on Brecht: An Improvisation (1967) by George Tabori, p. 14

Alan Watts photo

“We define (and so come to feel) the individual in the light of our narrowed "spotlight" consciousness which largely ignores the field or environment in which he is found. "Individual" is the Latin form of the Greek "atom"—that which cannot be cut or divided any further into separate parts. We cannot chop off a person's head or remove his heart without killing him. But we can kill him just as effectively by separating him from his proper environment. This implies that the only true atom is the universe—that total system of interdependent "thing-events" which can be separated from each other only in name. For the human individual is not built as a car is built. He does not come into being by assembling parts, by screwing a head on to a neck, by wiring a brain to a set of lungs, or by welding veins to a heart. Head, neck, heart, lungs, brain, veins, muscles, and glands are separate names but not separate events, and these events grow into being simultaneously and interdependently. In precisely the same way, the individual is separate from his universal environment only in name. When this is not recognized, you have been fooled by your name. Confusing names with nature, you come to believe that having a separate name makes you a separate being. This is—rather literally—to be spellbound.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 53

John Adams photo

“I have not one drop of blood in my veins but what is American.”

John Adams (1735–1826) 2nd President of the United States

To an ambassador (1785), as quoted in The Works of John Adams, Second President of the United States: Autobiography http://books.google.com/books?id=lWcsAAAAIAAJ&pg=PA392 (1851), by Charles F. Adams, p. 392.
1780s
Context: Neither my father or mother, grandfather or grandmother, great grandfather or great grandmother, nor any other relation that I know of, or care a farthing for, has been in England these one hundred and fifty years; so that you see I have not one drop of blood in my veins but what is American.

Jimmy Carter photo

“The love of liberty is a common blood that flows in our American veins.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Presidency (1977–1981), Farewell Address (1981)
Context: I have just been talking about forces of potential destruction that mankind has developed, and how we might control them. It is equally important that we remember the beneficial forces that we have evolved over the ages, and how to hold fast to them.
One of those constructive forces is enhancement of individual human freedoms through the strengthening of democracy, and the fight against deprivation, torture, terrorism and the persecution of people throughout the world. The struggle for human rights overrides all differences of color, nation or language.
Those who hunger for freedom, who thirst for human dignity, and who suffer for the sake of justice — they are the patriots of this cause.
I believe with all my heart that America must always stand for these basic human rights — at home and abroad. That is both our history and our destiny.
America did not invent human rights. In a very real sense, it is the other way round. Human rights invented America.
Ours was the first nation in the history of the world to be founded explicitly on such an idea. Our social and political progress has been based on one fundamental principle — the value and importance of the individual. The fundamental force that unites us is not kinship or place of origin or religious preference. The love of liberty is a common blood that flows in our American veins.

Frances Wright photo

“If such a patriotism as we have last considered should seem likely to obtain in any country, it should be certainly in this. In this, which is truly the home of all nations, and in the veins of whose citizens flows the blood of every people on the globe. Patriotism, in the exclusive meaning, is surely not made for America. Mischievous every where, it were here both mischievous and absurd. The very origin of the people is opposed to it.”

Frances Wright (1795–1852) American activist

Independence Day speech (1828)
Context: If such a patriotism as we have last considered should seem likely to obtain in any country, it should be certainly in this. In this, which is truly the home of all nations, and in the veins of whose citizens flows the blood of every people on the globe. Patriotism, in the exclusive meaning, is surely not made for America. Mischievous every where, it were here both mischievous and absurd. The very origin of the people is opposed to it. The institutions, in their principle, militate against it. The day we are celebrating protests against it. It is for Americans, more especially to nourish a nobler sentiment; one more consistent with their origin, and more conducive to their future improvement. It is for them more especially to know why they love their country, not because it is their country, but because it is the palladium of human liberty — the favoured scene of human improvement. It is for them more especially, to know why they honour their institutions, and feel that they honour them because they are based on just principles. It is for them, more especially, to examine their institutions, because they have the means of improving them; to examine their laws, because at will they can alter them.

Richard Wright photo
Peter Cook photo

“We've all got royal blood in our veins, you know. It's the best place for it in my view.”

Peter Cook (1937–1995) British architect

"Royalty" (1964)
E. L. Wisty
Context: We've all got royal blood in our veins, you know. It's the best place for it in my view. We've all got a little bit of royal blood in our veins, we're all in line for the succession, and if nineteen million, four hundred thousand, two hundred and eight people die, I'll be king tomorrow. It's not very likely but its a nice thought and helps keep you going.

Reza Pahlavi photo

“I say to the west: the oil that flows in your pipelines is not more important than the blood that flows in the veins of Iranians.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

As quoted by Afsané Bassir, Interview with Prince Reza Pahlavi, son of the late Shah of Iran http://www.rezapahlavi.org/details_article.php?article=50&page=7, Le Monde, June 6, 2001.
Interviews, 2001-2002
Context: I say, listen to the Iranians. During twenty-two years, you forgot the Iranians, they are close to 70 millions today who hanker for liberty. I say to the west: the oil that flows in your pipelines is not more important than the blood that flows in the veins of Iranians.

John Keats photo
Vinayak Damodar Savarkar photo
J. Howard Moore photo

“Kinship is universal. The orders, families, species, and races of the animal kingdom are the branches of a gigantic arbour. Every individual is a cell, every species is a tissue, and every order is an organ in the great surging, suffering, palpitating process. Man is simply one portion of the immense enterprise. He is as veritably an animal as the insect that drinks its little fill from his veins, the ox he goads, or the wild-fox that flees before his bellowings. Man is not a god, nor in any imminent danger of becoming one. He is not a celestial star-babe dropped down among mundane matters for a time and endowed with wing possibilities and the anatomy of a deity. He is a mammal of the order of primates, not so lamentable when we think of the hyena and the serpent, but an exceedingly discouraging vertebrate compared with what he ought to be. He has come up from the worm and the quadruped. His relatives dwell on the prairies and in the fields, forests, and waves. He shares the honours and partakes of the infirmities of all his kindred. He walks on his hind-limbs like the ape; he eats herbage and suckles his young like the ox; he slays his fellows and fills himself with their blood like the crocodile and the tiger; he grows old and dies, and turns to banqueting worms, like all that come from the elemental loins. He cannot exceed the winds like the hound, nor dissolve his image in the mid-day blue like the eagle. He has not the courage of the gorilla, the magnificence of the steed, nor the plaintive innocence of the ring-dove. Poor, pitiful, glory-hunting hideful! Born into a universe which he creates when he comes into it, and clinging, like all his kindred, to a clod that knows him not, he drives on in the preposterous storm of the atoms, as helpless to fashion his fate as the sleet that pelts him, and lost absolutely in the somnambulism of his own being.”

J. Howard Moore (1862–1916)

"Conclusion", p. 101
The Universal Kinship (1906), The Physical Kinship

Bill Hicks photo

“The idea of getting a, you know, syringe full of heroin and shooting it in the vein under my cock right now seems like almost a productive act.”

Bill Hicks (1961–1994) American comedian

I'm Sorry Folks (1989); this title may refer to a bootleg recording of a live performance.

Baruch Spinoza photo