Quotes about synthesis
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Dennis Gabor photo

“It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
Source: Inventing the Future (1963), p. 18-19

H. G. Wells photo

“Suppose, now, there is such a thing as an all-round inferior race. Is that any reason why we should propose to preserve it for ever…? Whether there is a race so inferior I do not know, but certainly there is no race so superior as to be trusted with human charges. The true answer to Aristotle’s plea for slavery, that there are “natural slaves,” lies in the fact that there are no “natural” masters… The true objection to slavery is not that it is unjust to the inferior but that it corrupts the superior. There is only one sane and logical thing to be done with a really inferior race, and that is to exterminate it. Now there are various ways of exterminating a race, and most of them are cruel. You may end it with fire and sword after the old Hebrew fashion; you may enslave it and work it to death, as the Spaniards did the Caribs; you may set it boundaries and then poison it slowly with deleterious commodities, as the Americans do with most of their Indians; you may incite it to wear clothing to which it is not accustomed and to live under new and strange conditions that will expose it to infectious diseases to which you yourselves are immune, as the missionaries do the Polynesians; you may resort to honest simple murder, as we English did with the Tasmanians; or you can maintain such conditions as conduce to “race suicide,” as the British administration does in Fiji. Suppose, then, for a moment, that there is an all-round inferior race… If any of the race did, after all, prove to be fit to survive, they would survive—they would be picked out with a sure and automatic justice from the over-ready condemnation of all their kind. Is there, however, an all-round inferior race in the world? Even the Australian black-fellow is, perhaps, not quite so entirely eligible for extinction as a good, wholesome, horse-racing, sheep-farming Australian white may think. These queer little races, the black-fellows, the Pigmies, the Bushmen, may have their little gifts, a greater keenness, a greater fineness of this sense or that, a quaintness of the imagination or what not, that may serve as their little unique addition to the totality of our Utopian civilisation. We are supposing that every individual alive on earth is alive in Utopia, and so all the surviving “black-fellows” are there. Every one of them in Utopia has had what none have had on earth, a fair education and fair treatment, justice, and opportunity…Some may be even prosperous and admired, may have married women of their own or some other race, and so may be transmitting that distinctive thin thread of excellence, to take its due place in the great synthesis of the future.”

Source: A Modern Utopia (1905), Ch. 10, sect. 3

Hermann Hesse photo

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

The Glass Bead Game (1943)

Zeev Sternhell photo
Zakir Hussain (politician) photo
Richard Courant photo
Umberto Boccioni photo
Pope Benedict XVI photo
Gino Severini photo
Sören Kierkegaard photo
Umberto Boccioni photo

“We wanted a complementarity of form and colour. So we made a synthesis of analyses of colour (the divisionism of Seurat, Signac and Cross) and analyses of form”

Umberto Boccioni (1882–1916) Italian painter and sculptor

of Picasso and Georges Braque
In 'Dynanisme plastique' 1914, Boccioni; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 134
1914 - 1916

Camille Pissarro photo
A.C. Cuza photo

“The science of anti-Semitism has as its object Judaism as a social problem, being thus, necessarily, the synthesis of all sciences that can contribute to its solution.”

A.C. Cuza (1857–1947) Romanian politician

From "Ştiinţa antisemitismului" ("The Science of Anti-Semitism"), Apararea Nationala ("The National Defense") No. 16, Nov. 15, 1922, lst year.

Russell L. Ackoff photo
Salvador Dalí photo
Pappus of Alexandria photo
Hans Urs Von Balthasar photo
William S. Burroughs photo
Gustave Courbet photo
Henry Moore photo
Zeev Sternhell photo
Thomas Piketty photo

“I am trying to put the distributional question and the study of long-run trends back at the heart of economic analysis. In that sense, I am pursuing a tradition which was pioneered by the economists of the 19th century, including David Ricardo and Karl Marx. One key difference is that I have a lot more historical data. With the help of Tony Atkinson, Emmanuel Saez, Facundo Alvaredo, Gilles Postel-Vinay, Jean-Laurent Rosenthal, Gabriel Zucman and many other scholars, we have been able to collect a unique set of data covering three centuries and over 20 countries. This is by far the most extensive database available in regard to the historical evolution of income and wealth. This book proposes an interpretative synthesis based upon this collective data collection project.”

Thomas Piketty (1971) French economist

Eduardo Porter, " Q&A: Thomas Piketty on the Wealth Divide http://economix.blogs.nytimes.com/2014/03/11/qa-thomas-piketty-on-the-wealth-divide/?_php=true&_type=blogs&_r=0," economix.blogs.nytimes.com, March 11, 2014.
In answer of the question: "Your book fits oddly into the canon of contemporary economics. It focuses not on growth and its determinants, but on how the spoils of growth are divided. In that sense, it reminds us of similar concerns in a book of similar title written 150 years ago: Karl Marx’s “Capital.” What parallels would you draw between the two?"

Zeev Sternhell photo
Ferdinand Foch photo
Umberto Boccioni photo

“Let us explain again by examples. In painting a person on a balcony, seen from inside the room do not limit the scene to what the square of the window renders visible; we try to render the sum total of visual sensations which the person on the balcony has experienced; the sun-baked throng in the street, the double row of houses which stretch to right and left, the beflowered balconies etc. This implies the simultaneity of the ambient, and, therefore, the dislocation and the dislocation and dismemberment of objects, the scattering and fusion of details, freed from accepted logic and independent from one another. In order to make the spectator live in the center of the picture, as we express it in our manifesto the picture must be the synthesis of what one remembers and what one sees. You must render the invisible which stirs lives beyond intervening obstacles, what we have on the right, or the left, or behind us, and not merely the small square of life artificially compressed, as it were, by the wings of a stage set. We have declared in our manifesto that what must be rendered is the dynamic sensation, that is to say, the particular rhythm of each object, its inclination, its movement, or more exactly, its interior force.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912

Gordon Brown photo

“There are as many Scottish roads to Socialism as there are predictions of Britain's economic doom - but most of them demand three things: a coherent plan for an extension of democracy and control in society and industry which sees every reform as a means to creating a socialist society; a harnessing of the forces for industrial and community self-management within a political movement; and a massive programme of education by the Labour Movement as a whole.

Gramsci's relevance to Scotland today is in his emphasis that in a society which is both mature and complex, where the total social and economic processes are geared to maintaining the production of goods and services (and the reproduction of the conditions of production), then the transition to socialism must be made by the majority of the people themselves and a socialist society must be created within the womb of existing society and prefigured in the movements for democracy at the grass roots. Socialists must neither place their faith in an Armageddon or of capitalist collapse nor in nationalisation alone. For the Jacobin notion of a vanguard making revolution on behalf of working people relates to a backward society (and prefigures an authoritarian and bureaucratic state), then the complexity of modern society requires a far reaching movement of people and existing conditions and as a co-ordinator for the assertion of social priorities by people at a community level and control by producers at an industrial level. In such a way political power will become a synthesis of – not a substitute for – community and industrial life.

This requires from the Labour Movement in Scotland today a postive commitment to creating a socialist society, a coherant strategy with rhythm and modality to each reform to cancel the logic of capitalism and a programme of immediate aims which leads out of one social order into another. Such a social reorganisation - a phased extension of public control under workers' sustained and enlarged, would in EP Thompson's words lead to "a crisis not of despair and disintegration but a crisis in which the necessity for a peaceful revolutionary transition to an alternative socialist logic became daily more evident."”

Gordon Brown (1951) British Labour Party politician

Introduction to "The Red Paper On Scotland", 1975.

Harrington Emerson photo
Martin Luther King, Jr. photo

“Communism forgets that life is individual. Capitalism forgets that life is social, and the kingdom of brotherhood is found neither in the thesis of communism nor the antithesis of capitalism but in a higher synthesis. It is found in a higher synthesis that combines the truths of both.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Where Do We Go from Here: Chaos or Community? (1967)
Context: Communism forgets that life is individual. Capitalism forgets that life is social, and the kingdom of brotherhood is found neither in the thesis of communism nor the antithesis of capitalism but in a higher synthesis. It is found in a higher synthesis that combines the truths of both. Now, when I say question the whole society, it means ultimately coming to see that the problem of racism, the problem of exploitation, and the problem of war are all tied together. These are the triple evils that are interrelated.

Benjamin N. Cardozo photo

“The reconciliation of the irreconcilable, the merger of antitheses, the synthesis of opposites, these are the great problems of the law…”

Benjamin N. Cardozo (1870–1938) United States federal judge

Other writings, The Paradoxes of Legal Science (1928)
Context: The reconciliation of the irreconcilable, the merger of antitheses, the synthesis of opposites, these are the great problems of the law... We have the claims of stability to be harmonized with those of progress. We are to reconcile liberty with equality, and both of them with order. The property rights of the individual we are to respect, yet we are not to press them to the point at which they threaten the welfare or the security of the many. We must preserve to justice its universal quality, and yet leave to it the capacity to be individual and particular.<!-- p. 4-5

Robby Krieger photo

“In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis.”

Robby Krieger (1946) American rock guitarist and songwriter

Comment posted at his official website http://www.robbykrieger.com.
Context: In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis. In the case of Tim Buckley or Dylan you have one man's ideas. Most groups today aren't groups. In a true group all the members create the arrangements among themselves.

Karl Barth photo

“Our Yes towards life from the very beginning carries within it the Divine No which breaks forth from the antithesis and points away from what now was the thesis to the original and final synthesis. The No is not the last and highest truth, but the call from home which comes in answer to our asking for God in the world.”

Karl Barth (1886–1968) Swiss Protestant theologian

The Word of God and the Word of Man (1928)
Context: Our Yes towards life from the very beginning carries within it the Divine No which breaks forth from the antithesis and points away from what now was the thesis to the original and final synthesis. The No is not the last and highest truth, but the call from home which comes in answer to our asking for God in the world.<!-- p. 312

Zulfikar Ali Bhutto photo

“Your grand-father taught me the politics of pride, your grandmother taught me the politics of poverty. I am beholden to both for the fine synthesis.”

Zulfikar Ali Bhutto (1928–1979) Fourth President and ninth Prime Minister of Pakistan

Source: Letter to his daughter (1978), p. 14.
Context: Your grand-father taught me the politics of pride, your grandmother taught me the politics of poverty. I am beholden to both for the fine synthesis. To you, my darling daughter, I give only one message. It is the message of the morrow, the message of history. Believe only in the people, work only for their emancipation and equality. The paradise of God lies under the feet of your mother. The paradise of politics lies under the feet of the people.

P. D. Ouspensky photo

“Philosophy is based on speculation, on logic, on thought, on the synthesis of what we know and on the analysis of what we do not know. Philosophy must include within its confines the whole content of science, religion and art.”

P. D. Ouspensky (1878–1947) Russian esotericist

Source: A New Model of the Universe (1932), p. 33
Context: Philosophy is based on speculation, on logic, on thought, on the synthesis of what we know and on the analysis of what we do not know. Philosophy must include within its confines the whole content of science, religion and art. But where can such a philosophy be found? All that we know in our times by the name of philosophy is not philosophy, but merely "critical literature" or the expression of personal opinions, mainly with the aim of overthrowing and destroying other personal opinions. Or, which is still worse, philosophy is nothing but self-satisfied dialectic surrounding itself with an impenetrable barrier of terminology unintelligible to the uninitiated and solving for itself all the problems of the universe without any possibility of proving these explanations or making them intelligible to ordinary mortals.

Baruch Spinoza photo
Helena Roerich photo
Immanuel Kant photo
Johann Gottlieb Fichte photo
Salvador Dalí photo

“It was in 1929 that Salvador Dali [Dali is writing about himself] brought his attention to hear upon the internal mechanism of paranoiac phenomena and envisaged the possibility of an experimental method based on the sudden power of the systematic associations proper to paranoia; this method afterwards became the delirio-critical synthesis which hears the name of "paranoiac-critical activity."”

Salvador Dalí (1904–1989) Spanish artist

Paranoia: delirium of interpretive association bearing a systematic structure. Paranoiac-critical activity: spontaneous method of irrational knowledge based upon the interpretive-critical association of delirious phenomena.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 15

Marilyn Ferguson photo
Marilyn Ferguson photo
Marilyn Ferguson photo

“The business of the Aquarian Conspiracy is calm diagnosis of that illness—to make it clear that synthesis is needed—paradigm change rather than pendulum change.”

Marilyn Ferguson (1938–2008) American writer

The Aquarian Conspiracy (1980), Chapter Nine, Flying and Seeing: New Ways to Learn

Ralph Waldo Emerson photo

“Plato was synthesis of Europe and Asia, and a decidedly Oriental element pervades his philosophy, giving it a sunrise color.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: Abhedananda, Swami India and her people, a study in the social. political, educational and religious conditians of India. [6th ed.] Calcutta, Ramakrishna Vedanta Math [1945]

Benjamin Creme photo

“We can think in other terms. The energy of Aquarius is the energy of synthesis. So the energies of Pisces have left us divided... it has given us tremendous qualities... for example of individuality.”

Benjamin Creme (1922–2016) artist, author, esotericist

The State of the World 2010, public lecture in New York City, USA, (July 2010)

Vera Stanley Alder photo