Quotes about spray

A collection of quotes on the topic of spray, likeness, call, herring.

Quotes about spray

Martin Brundle photo
Terry Pratchett photo
Matthew Arnold photo

“Only, from the long line of spray”

St. 1
Dover Beach (1867)

Juan Antonio Villacañas photo
Rachel Caine photo
Laurie Halse Anderson photo
Sue Monk Kidd photo
Richelle Mead photo
Gabriel García Márquez photo
Rick Riordan photo
Carl Sandburg photo
James A. Garfield photo

“Let us learn wisdom from this illustrious example. We have passed the Red Sea of slaughter; our garments are yet wet with its crimson spray. We have crossed the fearful wilderness of war, and have led our four hundred thousand heroes to sleep beside the dead enemies of the Republic. We have heard the voice of God amid the thunders of battle commanding us to wash our hands of iniquity, to 'proclaim liberty throughout all the land unto all the inhabitants thereof.' When we spurned his counsels we were defeated, and the gulfs of ruin yawned before us. When we obeyed his voice, he gave us victory. And now at last we have reached the confines of the wilderness. Before us is the land of promise, the land of hope, the land of peace, filled with possibilities of greatness and glory too vast for the grasp of the imagination. Are we worthy to enter it? On what condition may it be ours to enjoy and transmit to our children's children? Let us pause and make deliberate and solemn preparation. Let us, as representatives of the people, whose servants we are, bear in advance the sacred ark of republican liberty, with its tables of the law inscribed with the 'irreversible guaranties' of liberty. Let us here build a monument on which shall be written not only the curses of the law against treason, disloyalty, and oppression, but also an everlasting covenant of peace and blessing with loyalty, liberty, and obedience; and all the people will say, Amen.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Speech in the House of Representatives (1866)

Ralph Steadman photo
Yasunari Kawabata photo
Rachel Carson photo
Conor Oberst photo
Sheri-D Wilson photo

“Did you know orchids
employ trickery to attract insects?
They spray a deceptive scent
resembling insect pheromones.
Bad flower! Bad flower!
Liar! Liar! Petals on fire!”

Sheri-D Wilson (1958) Canadian Spoken Word Poet

"Heart"
Goddess Gone Fishing for a Map of the Universe (2012)

Mercedes Lackey photo
Hendrik Werkman photo

“the art-critic has provided the products of my lab with a (new) label: 'abracadabra'.... [but] one can not speak about abracadabra-ism, and that is its advantage on all –isms: it doesn't know time and limits and especially not the 'periods of time' [but] only seasons.... all -isms are dead, blown away, sprayed in the air, gone (here imagery does not fit, imagery is always wrong) - only for the 'abracadabra' is the future wall, the coming wall in the next house - how much the 'peinture' of other fabrics is curving and folding itself, polished or blown-up, it's all for nothing... We are not addressing those offspring but only the artists in this world..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): de critiek heeft de producten van mijn laboratorium voorzien van een (nieuw) etiket: abracadabra.. ..van abacadabraïsme kan men niet spreken en dat is haar voorsprong op alle ismen: het kent geen tijd en geen grenzen en vooral geen 'perioden' [maar] slechts jaargetijden.. ..alle ismen zijn dood, verwaaid, verstoven, weg (hier past beeldspraak niet, beeldspraak is altijd valsch) slechts voor het abracadabra is de toekomstige wand, de komende wand in het komende huis hoe ook de peintuur van ander maaksel zich kromt en plooit, poets of opblaast, het is al om niet.. ..wij richten ons immers niet tot deze nakomers maar uitsluitend tot de artisten op deze globe..
Quote of Werkman from his 'Proclamatie / Procamation 2. Nov. 1932, published at nr. 13, at the left border of the river Aa'; print on paper; (transl. Fons Heijnsbroek) - from the collection of Gemeentemuseum The Hague
Werkman is referring to an article by nl:Johan Dijkstra in the 'Provinciale Groninger Courant' who called Werkman's art-works 'abacadraba', but meant in a rather positive sense, because Dijkstra missed it at the exhibition of De Ploeg, Autumn 1932
1930's

Robert Greene (dramatist) photo
Herman Melville photo
Warren Farrell photo
GG Allin photo
Robert Fripp photo

“I woke at 9:57 having got to bed at 6:30 subsequent to spraying burning guitar over David Bowie's new album and not leaving the studio until 5:00.”

Robert Fripp (1946) English guitarist, composer and record producer

In the road diary which accompanies the CD release of the 1980 League Of Gentlemen album "Thrang, Thrang, Gozimbulx", about Bowie's album Scary Monsters (and Super Creeps)
Elsewhere

Thomas Hardy photo

“When I set out for Lyonnesse,
A hundred miles away,
The rime was on the spray,
And starlight lit my lonesomeness.”

Thomas Hardy (1840–1928) English novelist and poet

" When I Set Out For Lyonnesse http://www.poetryconnection.net/poets/Thomas_Hardy/2736" (1870), lines 1-4, from Satires of Circumstance (1914)

“[I first picked up a spray can] the day someone ram-raided the Halfords round the corner from our house.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Venue magazine (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources

Letitia Elizabeth Landon photo

“The dream on the pillow,
That flits with the day,
The leaf of the willow
A breath wears away;
The dust on the blossom,
The spray on the sea;
Ay,—ask thine own bosom—
Are emblems of thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(29th March 1823) Song - The dream on the pillow.
The London Literary Gazette, 1823

Joaquin Miller photo

“I count the columned waves at war
With Titan elements; and they,
In martial splendor, storm the bar
And shake the world, these bits of spray.”

Joaquin Miller (1837–1913) American judge

The Building of the City Beautiful (1905), Ch. V : How Beautiful!, p. 48.

Matthew Arnold photo

“Strew on her roses, roses,
And never a spray of yew.
In quiet she reposes:
Ah! would that I did too.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Requiescat" (1853), st. 1

Gavin Douglas photo

“And al smail fowlys syngis on the spray:
Welcum the lord of lycht, and lamp of day.”

Gavin Douglas (1474–1522) Scottish Churchman, Scholar, Poet

Bk. 12, prologue, line 251.
Eneados

Jeremy Corbyn photo
Chuck Palahniuk photo
Dianne Feinstein photo

“It’s important to understand how we got where we are today. In 1966, the unthinkable happened: a madman climbed the University of Texas clock tower and opened fire, killing more than a dozen people. It was the first mass shooting in the age of television, and it left a real impression on the country. It was the kind of terror we didn’t expect to ever see again. But around 30 years ago, we started to see an uptick in these types of shootings, and over the last decade they’ve become the new norm.
In July 2012, a gunman walked into a darkened theater in Aurora and shot 12 people to death, injuring 70 more. One of his weapons was an assault rifle. The sudden and utterly random violence was a terrifying sign of what was to come.
In December 2012, a young man entered an elementary school in Newtown and murdered six educators and 20 young children. One of his weapons was an assault rifle. Watching the aftermath of these young babies being gunned down was heartrending.
In June 2016, a gunman entered a nightclub in Orlando and sprayed revelers with gunfire. The shooter fired hundreds of rounds, many in close proximity, and killed 49. Many of the victims were shot in the head at close range. One of his weapons was an assault rifle.
Last month, a gunman opened fire on concertgoers in Las Vegas, turning an evening of music into a killing field. All told, the shooter used multiple assault rifles fitted with bump-fire stocks to kill 58 people. The concert venue looked like a warzone.
Over the weekend in Sutherland Springs, 26 were killed by a gunman with an assault rifle. The dead ranged from 17 months old to 77 years. No one is spared with these weapons of war. When so many rounds are fired so quickly, no one is spared. Another community devastated and dozens of families left to pick up the pieces.
These are just a few of the many communities we talk about in hushed tones—San Bernardino, Littleton, Aurora, towns and cities across the country that have been permanently scarred.”

Dianne Feinstein (1933) American politician

[Senators Introduce Assault Weapons Ban, November 8, 2017, w:Diane Feinstein, Diane, Feinstein, https://www.feinstein.senate.gov/public/index.cfm/2017/11/senators-introduce-assault-weapons-ban]
On the introduction of the Assault Weapons Ban of 2017

John Muir photo

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483)
1890s

Zach Galifianakis photo
Ralph Klein photo

“[Edmonton is a] fine city with too many socialists and mosquitoes. At least you can spray the mosquitoes.”

Ralph Klein (1942–2013) Canadian politician

Source: Welcome to Ralph's World: 10 of Ralph Klein's most colourful quotes http://www.ctvnews.ca/politics/welcome-to-ralph-s-world-10-of-ralph-klein-s-most-colourful-quotes-1.1216791

Epes Sargent photo
Anne Brontë photo
John Milton photo

“O nightingale, that on yon bloomy spray
Warbl'st at eve, when all the woods are still.”

John Milton (1608–1674) English epic poet

Sonnet, To the Nightingale (c. 1637)

Robinson Jeffers photo
Will Cuppy photo
Letitia Elizabeth Landon photo
John Muir photo
Roy Harper (singer) photo
William Cullen Bryant photo

“The rugged trees are mingling
Their flowery sprays in love;
The ivy climbs the laurel
To clasp the boughs above.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Serenade http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page189, St. 14

Sidney Lanier photo

“On Whitman - His poetry refreshed me like harsh salt spray.”

Sidney Lanier (1842–1881) American musician, poet

From Memorial by William Hayes Ward to The Poems of Sidney Lanier (ed. Mary D Lanier)

Samuel Beckett photo
Paul Karl Feyerabend photo
Ron White photo
Dave Barry photo
Donald J. Trump photo
Rachel Carson photo
Yasunari Kawabata photo
Ray Comfort photo

“The spray falls in a rain and from afar shrouds the vessel in a watery deluge.”
Effluit imber spumeus et magno puppem procul aequore vestit.

Source: Argonautica, Book IV, Lines 665–666

Eleanor Farjeon photo
Torquato Tasso photo

“Armida smiles to hear, but keeps her gaze
fixed on herself, love's labours to behold.
Her locks she braided and their wanton ways
in lovely order marshalled and controlled.
She wound the curls of her fine strands with sprays
of flowers, like enamel worked on gold,
and made the stranger rose join with her pale
breast's native lily, and composed her veil.”

Torquato Tasso (1544–1595) Italian poet

Ride Armida a quel dir: ma non che cesse
Dal vagheggiarsi, o da' suoi bei lavori.
Poichè intrecciò le chiome, e che ripresse
Con ordin vago i lor lascivi errori,
Torse in anella i crin minuti, e in esse,
Quasi smalto su l'or, consparse i fiori:
E nel bel sen le peregrine rose
Giunse ai nativi giglj, e 'l vel compose.
Canto XVI, stanza 23 (tr. Wickert)
Gerusalemme Liberata (1581)

Nas photo

“I've seen some cold nights and bloody days
They grabbed me bullets spray, they used me wrong so I sing this song 'til this day.”

Nas (1973) American rapper, record producer and entrepreneur

I Gave You Power
On Albums, It Was Written (1996)

“(Television) Spray and wash gets out what America gets into. (Sylvia) Send some to El Salvador.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 39

John Masefield photo
Z-Ro photo

“If I see a jacker comin' my way, I load my AK,
Don't think I won't spray, it'll be yo last day.”

Z-Ro (1977) American rapperdoj

One Two.
Song lyrics, Cocaine (2009)

Henry Howard, Earl of Surrey photo
Harlan Ellison photo
John Muir photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Anton Chekhov photo
Russell Brand photo

“On the short walk to the front past the others, either bowing or kneeling or whirling or howling, I feel glad that my life is this way; so full of jarring experience. Sometimes you feel that life is full and beautiful, all these worlds, all these people, all these experiences, all this wonder. You never know when you will encounter magic. Some solitary moment in a park can suddenly burst open with a spray of preschool children in high-vis vests, hand in hand; maybe the teacher will ask you for directions, and the children will look at you, curious and open, and you’ll see that they are perfect.”

Revolution (2014)
Context: On the short walk to the front past the others, either bowing or kneeling or whirling or howling, I feel glad that my life is this way; so full of jarring experience. Sometimes you feel that life is full and beautiful, all these worlds, all these people, all these experiences, all this wonder. You never know when you will encounter magic. Some solitary moment in a park can suddenly burst open with a spray of preschool children in high-vis vests, hand in hand; maybe the teacher will ask you for directions, and the children will look at you, curious and open, and you’ll see that they are perfect. In the half-morning half-gray glint, the cobwebs on bushes are gleaming with such radiant insistence, you can feel the playful unknown beckoning. Behind impassive stares in booths, behind the indifferent gum chew, behind the car horns, there is connection.

Matthew Arnold photo

“Now the wild white horses play,
Champ and chafe and toss in the spray.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

St. 1
The Forsaken Merman (1849)
Context: Come, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shoreward blow;
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way!

James A. Garfield photo

“Nothing touches my heart more quickly than a tribute of honor to a great and noble character; but as I sat in my seat and witnessed this demonstration, this assemblage seemed to me a human ocean in tempest. I have seen the sea lashed into fury and tossed into spray, and its grandeur moves the soul of the dullest man; but I remember that it is not the billows, but the calm level of the sea, from which all heights and depths are measured.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1880s, Speech Nominating John Sherman for President (1880)
Context: Nothing touches my heart more quickly than a tribute of honor to a great and noble character; but as I sat in my seat and witnessed this demonstration, this assemblage seemed to me a human ocean in tempest. I have seen the sea lashed into fury and tossed into spray, and its grandeur moves the soul of the dullest man; but I remember that it is not the billows, but the calm level of the sea, from which all heights and depths are measured. When the storm has passed and the hour of calm settles on the ocean, when the sunlight bathes its peaceful surface, then the astronomer and surveyor take the level from which they measure all terrestrial heights and depths.

Alex Jones photo
Matthew Arnold photo