Quotes about scenery

A collection of quotes on the topic of scenery, people, likeness, beauty.

Quotes about scenery

“(About sweeping)….
What he was in FACT doing was moving the dirt around with a broom, to give it a change of scenery and a chance to make new friends.”

Terry Pratchett book Maskerade

Source: Maskerade

Change, Chance

“It was a beautiful afternoon; one to make you realise that God really can be very good sometimes with weather and scenery.”

Hugh Laurie book The Gun Seller

The Gun Seller (1996)

God, Beauty, Weather

“Hearing music is like viewing scenery and… when we hear good music our minds react in very much the same way they do when we see things.”

Marvin Minsky (1927–2016) American cognitive scientist

Music, Mind, and Meaning (1981)

Music, Way

“Even the most beautiful scenery is no longer assured of our love after we have lived in it for three months, and some distant coast attracts our avarice: possessions are generally diminished by possession…”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

The Gay Science (1882)

Love, Beauty, Distant

“The memory has as many moods as the temper, and shifts its scenery like a diorama.”

George Eliot book Middlemarch

Source: Middlemarch

Mood, Memory

“Who has not sat before his own heart's curtain? It lifts: and the scenery is falling apart.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Heart

“When from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.And once again I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy), immediately the old gray house upon the street, where her room was, rose up like the scenery of a theater.”

Marcel Proust book In Search of Lost Time

Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.<p>Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

People, Faith, Hope, Soul

“High society is a poor play, a bad, boring opera, made slightly better by its staging, costumes and scenery.”

Nicolas Chamfort (1741–1794) French writer

Reflections

“He had no wish to obliterate anything he had written, but he would dearly have liked to revise it, envying painters, who are allowed to return to the same theme time and time again, clarifying and enriching until they have done all they can with it. A novelist is condemned to provide a succession of novelties, new names for characters, new incidents for his plots, new scenery; but, Mr Pinfold maintained, most men harbour the germs of one or two books only; all else is professional trickery of which the most daemonic of the masters — Dickens and Balzac even — were flagrantly guilty.”

Evelyn Waugh book The Ordeal of Gilbert Pinfold

Source: The Ordeal of Gilbert Pinfold (1957), Chapter 1

Men, Books, Time, Success

“Watching violence in movies or TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.”

Steven Spielberg (1946) American film director, screenwriter, producer, video game designer, and studio entrepreneur

In an interview by the Brazilian magazine Veja (1993). Spielberg adds that so far he has not permitted his young son to watch some of his well-known movies (Jaws, the Indiana Jones series) because of the amount of blood and violence shown.

Perfection

“I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous—that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn't. It makes no difference how well they mean or how cordial they are—they simply get on my nerves unless they chance to represent a peculiarly similar combination of tastes, experiences, and heritages; as, for instance, Belknap chances to do... Therefore it may be taken as axiomatic that the people of a place matter absolutely nothing to me except as components of the general landscape and scenery. Let me have normal American faces in the streets to give the aspect of home and a white man's country, and I ask no more of featherless bipeds. My life lies not among people but among scenes—my local affections are not personal, but topographical and architectural. No one in Providence—family aside—has any especial bond of interest with me, but for that matter no one in Cambridge or anywhere else has, either. The question is that of which roofs and chimneys and doorways and trees and street vistas I love the best; which hills and woods, which roads and meadows, which farmhouses and views of distant white steeples in green valleys. I am always an outsider—to all scenes and all people—but outsiders have their sentimental preferences in visual environment. I will be dogmatic only to the extent of saying that it is New England I must have—in some form or other. Providence is part of me—I am Providence—but as I review the new impressions which have impinged upon me since birth, I think the greatest single emotion—and the most permanent one as concerns consequences to my inner life and imagination—I have ever experienced was my first sight of Marblehead in the golden glamour of late afternoon under the snow on December 17, 1922. That thrill has lasted as nothing else has—a visible climax and symbol of the lifelong mysterious tie which binds my soul to ancient things and ancient places.”

H.P. Lovecraft (1890–1937) American author

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

Love, Life, People, Family

Friedrich Nietzsche book The Gay Science

The Gay Science (1882), Sec. 14

Love, Distant, Making love, Beauty

“Why should you believe your eyes? You were given eyes to see with, not to believe with. Your eyes can see the mirage, the hallucination as easily as the actual scenery.”

Ward Moore book Bring the Jubilee

Source: Bring the Jubilee

“It would probably astound each of us beyond measure to be let into his neighbors mind and to find how different the scenery was there from that of his own.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

“Scenery without solace is meaningless.”

Mitch Albom book The Five People You Meet in Heaven

Source: The Five People You Meet in Heaven

“I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, "This is what it is to be happy.”

Sylvia Plath book The Bell Jar

Source: The Bell Jar

Beauty, Peaceful, People, Mountain

“Scenery is fine — but human nature is finer.”

John Keats (1795–1821) English Romantic poet

Letter to Benjamin Bailey (March 13, 1818)
Letters (1817–1820)

Nature

“When we rejoice in beautiful scenery, great art, and great music, it is but the flexing of instincts acquired in another place and another time.”

Neal A. Maxwell (1926–2004) Mormon leader

Beauty, Art, Music, Time

“Nothing happens while you live. The scenery changes, people come in and go out, that's all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition.”

Jean Paul Sartre book Nausea

Source: Nausea

People, Change

“People think of heaven as a paradise garden, a place where they can float on clouds and laze in rivers and mountains. But scenery without solace is meaningless.”

Mitch Albom book The Five People You Meet in Heaven

Source: The Five People You Meet in Heaven (2003)

People, Mountain, Thinking

“In this assembly, every political school has its teachers — every creed has its adherents — and I may safely say, that this banquet is the tribute of United Ireland to the representative of American benevolence. Being such, I am at once reminded of the dinner which took place after the battle of Saratoga, at which Gates and Burgoyne — the rival soldiers — sat together. Strange scene! Ireland, the beaten and the bankrupt, entertains America, the victorious and the prosperous! Stranger still! The flag of the Victor decorates this hail — decorates our harbour — not, indeed, in triumph, but in sympathy — not to commemorate the defeat, but to predict the resurrection, of a fallen people! One thing is certain — we are sincere upon this occasion. There is truth in this compliment. For the first time in her career, Ireland has reason to be grateful to a foreign power. Foreign power, sir! Why should I designate that country a "foreign power," which has proved itself our sister country? England, they sometimes say, is our sister country. We deny the relationship — we discard it. We claim America as our sister, and claiming her as such, we have assembled here this night. Should a stranger, viewing this brilliant scene inquire of me, why it is that, amid the desolation of this day — whilst famine is in the land — whilst the hearse-plumes darken the summer scenery of the island, whilst death sows his harvest, and the earth teems not with the seeds of life, but with the seeds of corruption — should he inquire of me, why it is, that, amid this desolation, we hold high festival, hang out our banners, and thus carouse — I should reply, "Sir, the citizens of Dublin have met to pay a compliment to a plain citizen of America, which they would not pay — 'no, not for all the gold in Venice'”

Thomas Francis Meagher (1823–1867) Irish nationalist & American politician

to the minister of England."
Ireland and America (1846)

Life, Death, People, Truth

“I can see myself before myself—a being through dark scenery.”

Dejan Stojanovic book Circling: 1978-1987

“Spring Music,” p. 34
Circling: 1978-1987 (1993), Sequence: “A Conversations with Atoms”

“But the conventional narrative is lumpy, a story that glosses what passes for quiescence to focus on "events": the appearance of Lewis and Clark and [Father Jean Pierre] DeSmut, the removal of the native Salish people, the arrival of the railroads, irrigation and logging and town-building, booms in sheep, busts in apples. Settlement, local politics, participation in the nation's wars, schemes to make money. And now the resources are tourism and real estate based on scenery and an amenity lifestyle in a mountain paradise. These seem to be what we think of as history.”

Dan Flores (1948) American historian

The Natural West: Environmental History in the Great Plains and Rocky Mountains (2003)

Money, War, People, History

“When you traveling by bus, it is always difficult to decide whether you should sit in a seat by the window, a seat on the aisle, or a seat in the middle. If you take an aisle seat, you have the advantage of being able to stretch your legs whenever you like, but you have the disadvantage of people walking by you, and they can accidentally step on your toes or spill something on your clothing. If you take a window seat, you have the advantage of getting a clear view of the scenery, but you have the disadvantage of watching insects die was they hit the glass. If you take the middle seat, you have neither of these advantages, and you have the added disadvantage of people leaning all over you when they fall asleep. You can see at once why you should always hire a limousine or rent a mule rather than take the bus to your destination.”

Daniel Handler book The Vile Village

Lemony Snicket
The Vile Village (2001)

People, Travel, Clothes

“The chalk is no unimportant element in the masonry of the earth’s crust, and it impresses a peculiar stamp, varying with the conditions to which it is exposed, on the scenery of the districts in which it occurs.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

1860s, On a Piece of Chalk (1868)

“More important, something decisive in my life, he [Guy Moore] taught me to feel affection for tribesmen. Ever since then it has been people that have mattered to me, rather than places. I have never craved magnificent scenery or opportunities for sport in the way that I have longed to be with certain tribes and, above all, certain individuals among them.”

Wilfred Thesiger (1910–2003) British explorer

Source: The Life Of My Choice (1987), p. 210.

Life, People, Way, Guy

“But there is a nature which dwells inside also. Just enjoy that also. There are beautiful hills, beautiful sceneries, and beautiful things created for you by God, but there is a scenery, beautiful mountains, beautiful air, beautiful sound, beautiful light inside also created for you.”

Prem Rawat (1957) controversial spiritual leader

Boulder, Colorado August 28, 1971 I Am a Road
1970s

God, Beauty, Mountain, Nature

“An interested stranger asked me
How do I see the scenery from here?
I reply
It's how you think it would be.
It's useless to explain
Everybody GO! Everybody JUMP!”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Humming 7/4
Lyrics, My Story

Thinking

“Early Saturday morning I climbed the hills facing Kfar Gil'adi. Wonderful scenery. And in the brilliance of the beautiful morning I understood why Moses received the Torah on a mountain top. Only in the mountains is it possible to receive orders from above, when one sees how small is man yet feels secure in the nearness of God. From there one's horizons broaden in every respect, and the order of things becomes more understandable. In the mountains one can believe - and must believe. In the mountains one involuntarily hears the query: "Whom shall I send?" And the answer, "Send me to serve the beautiful and good!"”

Hannah Senesh (1921–1944) Jewish poet and anti-nazi fighter in World War II

Will I succeed? Will I be able to fulfil God's command?
SENESH, Hannah, DAFNE, Reuven; PALGI, Yoel; SENESH, Catherine. Hannah Senesh: Her Life and Diary. London : Sphere, 1973. p. 92.

God, Beauty, Feeling, Mountain

“We wondered why we ever thought there was, during the Cold War, any serious danger of Russia conquering the world when they couldn't even deliver the scenery for The Tempest.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 29 : Avoiding Utopia

War, World

“The life of a godly man is like a river, not like a stagnant pool or a dead sea. It is ever in motion, sometimes sparkling in the sunbeam, and sometimes shivering in the clouds; sometimes chanting through scenery as beautiful as Eden, and sometimes moaning through districts of miserable desolation; sometimes clear as the day, and sometimes black as the night. Still it is ever moving to its ocean destiny — progress is its law, infinitude is its home.”

David Thomas (born 1813) (1813–1894) 19th-century Welsh preacher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 566.

Life, Law, Beauty, Home

“From this new alliance – for until now costume and scenery on one hand, choreography on the other, have been linked only artificially – there has resulted in Parade a kind of sur-réalisme.”

Guillaume Apollinaire (1880–1918) French poet

De cette alliance nouvelle, car jusqu'ici les décors et les costumes, d'une part, la choréographie, d'autre part, n'avaient entre eux qu'un lien factice, il est résulté, dans Parade, une sorte de sur-réalisme.
Excelsior, May 11, 1917; translation from Michael Benedikt & George E. Wellwarth (eds.) Modern French Theatre (New York: Dutton, 1964) p. xvii.
The first usage of the word surrealism in any language.

“A scene that has often come into my mind, both sleeping and waking — I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: “Get off the stage!”, “Let the play go on!”, “You’re interrupting!””

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.
Chronicles of Wasted Time: The Green Stick (1972)

Way, Thinking, Sleep, Waiting

“It is sad
To lose sight of myself for the sake of myself
I believe in scenery no one has ever seen,
And next to you, I wish to stay in that place that doesn't exist”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Will
Lyrics, (Miss)Understood

Sadness

“On the seat opposite him was an American tourist. The pattern of his clothes, of his overcoat, the grip he carried, down to his hopeful friendliness and his naïve absorption in the scenery, even the guidebook in his hand, all gave him away and proclaimed him a small town American seeing Europe for the first time. In another minute or so, Poirot judged, he would break into speech. His wistful dog-like expression could not be mistaken.”

Agatha Christie book The Labours of Hercules

The Labours of Hercules (1967)

Dogs, Hope, Time, Clothes

“Blow up the scenery, I reign supremer, see
You need a savior to save ya, so lean on me”

Big Daddy Kane (1968) American musician

"Wrath of kane"
Albums, Long Live the Kane (1988)

“Reservations, exclusive arrangements / Dinner with the patrons, the scenery is amazing / It's so outrageous, they whisper when they say it / When it's really real it's even realer than "The Matrix"”

Mos Def (1973) American rapper and actor

From "The Embassy"
Album The Ecstatic

“The world evades us because it becomes itself again. That stage scenery masked by habit becomes what it is. It withdraws at a distance from us.”

Albert Camus book The Myth of Sisyphus

The Myth of Sisyphus (1942), Absurd Creation

World

“Bless our Mountain Greenery home!
In a mountain greenery
Where God paints the scenery
Just two crazy people together”

Lorenz Hart (1895–1943) lyricist

Mountain Greenery http://www.lorenzhart.org/greenarysng.htm (1935)

God, People, Home, Mountain

“The universe is a puppet-show; Brahman is sole producer, Brahman is scenery and players, Brahman is sole spectator. The universe is Brahman, sportively self-deluded, taking delight in itself. The means of production is the power of delusion, or māyā; scenery and puppets are Brahman, self-stamped with 'name and form', its 'lower nature'—prakṛiti; as spectator it is puruṣa, retaining its proper nature.”

W. Douglas P. Hill (1884–1962) British Indologist

Source: The Bhagavadgītā (1973), p. 35. (20. Kṛiṣṇa-Brahman and the Universe)

Nature, Universe

“But after a while, some higher brain-center cut in, and I began being mentally able to fit the wildly changing scenery into a coherent four-dimensional whole. The process was really no more devious than the process by which one integrates the two hundred lines of a TV screen into a single two-dimensional image... which in turn is interpreted as a three-dimensional scene. It's just a matter of processing information. Impossible? I saw.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 106

Change

“Bobbio’s theoretical defence of the distinction between Left and Right, for all its eloquence, may thus be more vulnerable than it appears. If we ask why this should be so, the answer surely lies in the difficulty of constructing an axiology of political values without coherent reference to the empirical social world. Bobbio often writes as if he could separate his ideal taxonomy from contemporary history, but of course he cannot. In practice he admits the political scenery of the present into his account selectively, for the purposes of his argument. But it is in that present that the deeper reasons and limits of his intervention lie.”

Perry Anderson (1938) British historian

Spectrum: From Right to Left in the World of Ideas (2005), Ch. 6. "Plotting Values, Norberto Bobbio" (1998)

Lie, World, History, Appearance

“My method is vertical rather than horizontal so the scenery does not change but the texture does.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to The Listener October 1971, Letters of Marshall McLuhan (1987), p. 318
1970s

Change

“I want to see all Americans have a reasonable amount of leisure. Then I want to see them educated to use such leisure for their own enjoyment and betterment, and the strengthening of the quality of their citizenship. We can go a long way in that direction by getting them out of doors and really interested in nature. We can make still further progress by engaging them in games and sports. Our country is a land of cultured men and women. It is a land of agriculture, of industries, of schools, and of places of religious worship. It is a land of varied climes and scenery, of mountain and plain, of lake and river. It is the American heritage. We must make it a land of vision, a land of work, of sincere striving for the good, but we must add to all these, in order to round out the full stature of the people, an ample effort to make it a land of wholesome enjoyment and perennial gladness.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Democracy of Sports (1924)

Women, Men, People, Education

“Seasons change with the scenery;
Weaving time in a tapestry.
Won't you stop and remember me
At any convenient time?”

Paul Simon (1941) American musician, songwriter and producer

A Hazy Shade of Winter
Song lyrics, Bookends (1968)

Change, Time, Season

“Here I am quite alone amongst the Oaks and solitudes of Helmingham Park. I have taken quiet possession of the parsonage finding it quite empty. A woman comes up from the farm house (where I eat) and makes the bed; and I am left at liberty to wander were I please during the day. There are abundance of fine trees of all sort; through the place upon the whole affords good objects [rather] than fine scenery, but I can badly judge yet what I may have to shew You. I have made one of two… drawing that may be useful. I shall not come home yet.”

John Constable (1776–1837) English Romantic painter

Quote from Constable's letter to John Dunthorne on his drawing: 'Helmingham Dell,' 1800, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 391
1800s - 1810s

Home, Solitude, Tree, Drawing

“Barbados: "A proper bum island this Barbados…. It's a unique sort of scenery, very ugly, & I didn't take much to the coloured population, who are revolting."”

Edward VIII of the United Kingdom (1894–1972) king of the United Kingdom and its dominions in 1936

26-27 March 1920
Around the World with the Prince of Wales

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

People, Books, School, Search

“The islands above the falls are covered with foliage as beautiful as can be seen anywhere. Viewed from the mass of rock which overhangs the fall, the scenery was the loveliest I had seen.”

David Livingstone (1813–1873) Scottish explorer and missionary

Exploring Magnificent Waterfalls http://wol.jw.org/en/wol/d/r1/lp-e/102004126?q=livingstone&p=par

Beauty

“It may fairly be claimed that humanity has, within the past hundred years, found a way of carrying a theatre in its pocket; and so long as humanity remains what it is, it will delight in taking out its pocket-stage and watching the antics of the actors, who are so like itself and yet so much more interesting. Perhaps that is, after all, the best answer to the question, “What is a novel?” It is, or ought to be, a pocket-stage. Scenery, light, shade, the actors themselves, are made of words, and nothing but words, more or less cleverly put together. A play is good in proportion as it represents the more dramatic, passionate, romantic, or humorous sides of real life. A novel is excellent according to the degree in which it produces the illusions of a good play—but it must not be forgotten that the play is the thing, and that illusion is eminently necessary to success.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

The Novel: What It Is (1893)

Life, Way, Question, Light

“I love Vermont because of her hills and valleys, her scenery and invigorating climate, but most of all because of her indomitable people. They are a race of pioneers who have almost beggared themselves to serve others. If the spirit of liberty should vanish in other parts of the Union, and support of our institutions should languish, it could all be replenished from the generous store held by the people of this brave little state of Vermont.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Vermont is a State I Love (1928)

Love, People, Support, Parting

“Racist oppression invades the lives of Black people on an infinite variety of levels. Blacks are imprisoned in a world where our labor and toil hardly allow us to eke out a decent existence, if we are able to find jobs at all. When the economy begins to falter, we are forever the first victims, always the most deeply wounded. When the economy is on its feet, we continue to live in a depressed state. Unemployment is generally twice as high in the ghettos as it is in the country as a whole and even higher among Black women and youth. The unemployment rate among Black youth has presently skyrocketed to 30 per cent. If one-third of America’s white youth were without a means of livelihood, we would either be in the thick of revolution or else under the iron rule of fascism. Substandard schools, medical care hardly fit for animals, overpriced, dilapidated housing, a welfare system based on a policy of skimpy concessions, designed to degrade and divide (and even this may soon be cancelled)—this is only the beginning of the list of props in the overall scenery of oppression which, for the mass of Blacks, is the universe.”

Angela Davis (1944) American political activist, scholar, and author

If They Come in The Morning (1971)

Women, People, Youth, World

“He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Judith Grant interview (1999)
Context: I literally never meet anybody who ever talks about God as something other than a kind of big man. I think God is a wondrous spirit, infinite, eternal, and unchangeable, but only interested in men as part of a giant creation which is pulsing with life.
People say, when a relative dies: "Oh, how could God have taken her away so young and with so much before her?" God doesn't give a bugger about how young she is. He probably isn't noticing particularly. That's just the way a lot of things happen. A lot gets spilled, you know, in nature. When you look at what's going on out there now, those trees are dropping seeds by literally the hundreds of thousands and millions, and one or two of them may take on. I think that that is the way that God functions. He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.

Fate, Parting

John D. Barrow (1952–2020) British scientist

Source: The Artful Universe (1995), Ch. 5, p.236

Art, Nature

“Not one cent for scenery.”

Joseph Gurney Cannon (1836–1926) American politician

Said in opposition to federal funding of conservation efforts; reported in Blair Bolles, Tyrant from Illinois (1951), p. 119.

“In the scenery of spring,
nothing is better, nothing worse”

Ryōkan (1758–1831) Japanese Buddhist monk

As translated in Haiku : Spring (1950) by Reginald Horace Blyth
Context: In the scenery of spring,
nothing is better, nothing worse;
The flowering branches are
of themselves, some short, some long.

Spring