Quotes about scenery
A collection of quotes on the topic of scenery, people, likeness, beauty.
Quotes about scenery

The Gay Science (1882)

“The memory has as many moods as the temper, and shifts its scenery like a diorama.”
Source: Middlemarch

“Who has not sat before his own heart's curtain? It lifts: and the scenery is falling apart.”

Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.<p>Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

In an interview by the Brazilian magazine Veja (1993). Spielberg adds that so far he has not permitted his young son to watch some of his well-known movies (Jaws, the Indiana Jones series) because of the amount of blood and violence shown.

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

“Scenery is fine — but human nature is finer.”
Letter to Benjamin Bailey (March 13, 1818)
Letters (1817–1820)

to the minister of England."
Ireland and America (1846)

“I can see myself before myself—a being through dark scenery.”
“Spring Music,” p. 34
Circling: 1978-1987 (1993), Sequence: “A Conversations with Atoms”
The Natural West: Environmental History in the Great Plains and Rocky Mountains (2003)

1860s, On a Piece of Chalk (1868)

Boulder, Colorado August 28, 1971 I Am a Road
1970s

Humming 7/4
Lyrics, My Story

Will I succeed? Will I be able to fulfil God's command?
SENESH, Hannah, DAFNE, Reuven; PALGI, Yoel; SENESH, Catherine. Hannah Senesh: Her Life and Diary. London : Sphere, 1973. p. 92.
Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 29 : Avoiding Utopia

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 566.

De cette alliance nouvelle, car jusqu'ici les décors et les costumes, d'une part, la choréographie, d'autre part, n'avaient entre eux qu'un lien factice, il est résulté, dans Parade, une sorte de sur-réalisme.
Excelsior, May 11, 1917; translation from Michael Benedikt & George E. Wellwarth (eds.) Modern French Theatre (New York: Dutton, 1964) p. xvii.
The first usage of the word surrealism in any language.

I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.
Chronicles of Wasted Time: The Green Stick (1972)

Will
Lyrics, (Miss)Understood

“Blow up the scenery, I reign supremer, see
You need a savior to save ya, so lean on me”
"Wrath of kane"
Albums, Long Live the Kane (1988)
Source: The Bhagavadgītā (1973), p. 35. (20. Kṛiṣṇa-Brahman and the Universe)

Source: The Sex Sphere (1983), p. 106
Spectrum: From Right to Left in the World of Ideas (2005), Ch. 6. "Plotting Values, Norberto Bobbio" (1998)

“My method is vertical rather than horizontal so the scenery does not change but the texture does.”
Letter to The Listener October 1971, Letters of Marshall McLuhan (1987), p. 318
1970s

1920s, The Democracy of Sports (1924)

A Hazy Shade of Winter
Song lyrics, Bookends (1968)

Quote from Constable's letter to John Dunthorne on his drawing: 'Helmingham Dell,' 1800, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 391
1800s - 1810s

26-27 March 1920
Around the World with the Prince of Wales

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

Exploring Magnificent Waterfalls http://wol.jw.org/en/wol/d/r1/lp-e/102004126?q=livingstone&p=par

The Novel: What It Is (1893)

1920s, Vermont is a State I Love (1928)

If They Come in The Morning (1971)
Judith Grant interview (1999)
Context: I literally never meet anybody who ever talks about God as something other than a kind of big man. I think God is a wondrous spirit, infinite, eternal, and unchangeable, but only interested in men as part of a giant creation which is pulsing with life.
People say, when a relative dies: "Oh, how could God have taken her away so young and with so much before her?" God doesn't give a bugger about how young she is. He probably isn't noticing particularly. That's just the way a lot of things happen. A lot gets spilled, you know, in nature. When you look at what's going on out there now, those trees are dropping seeds by literally the hundreds of thousands and millions, and one or two of them may take on. I think that that is the way that God functions. He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.

Said in opposition to federal funding of conservation efforts; reported in Blair Bolles, Tyrant from Illinois (1951), p. 119.

“In the scenery of spring,
nothing is better, nothing worse”
As translated in Haiku : Spring (1950) by Reginald Horace Blyth
Context: In the scenery of spring,
nothing is better, nothing worse;
The flowering branches are
of themselves, some short, some long.

Slaves of Time (p. 16)
Short fiction, The Robot Who Looked Like Me (1978)
Irish Independent (1943)
By Quill:, 1940s