Quotes about scenery

A collection of quotes on the topic of scenery, people, likeness, beauty.

Quotes about scenery

Terry Pratchett photo
Hugh Laurie photo
Marvin Minsky photo
Friedrich Nietzsche photo
George Eliot photo
Rainer Maria Rilke photo
Marcel Proust photo

“When from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.And once again I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy), immediately the old gray house upon the street, where her room was, rose up like the scenery of a theater.”

Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.<p>Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

Nicolas Chamfort photo
Evelyn Waugh photo
Steven Spielberg photo

“Watching violence in movies or TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.”

Steven Spielberg (1946) American film director, screenwriter, producer, video game designer, and studio entrepreneur

In an interview by the Brazilian magazine Veja (1993). Spielberg adds that so far he has not permitted his young son to watch some of his well-known movies (Jaws, the Indiana Jones series) because of the amount of blood and violence shown.

H.P. Lovecraft photo

“I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous—that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn't. It makes no difference how well they mean or how cordial they are—they simply get on my nerves unless they chance to represent a peculiarly similar combination of tastes, experiences, and heritages; as, for instance, Belknap chances to do... Therefore it may be taken as axiomatic that the people of a place matter absolutely nothing to me except as components of the general landscape and scenery. Let me have normal American faces in the streets to give the aspect of home and a white man's country, and I ask no more of featherless bipeds. My life lies not among people but among scenes—my local affections are not personal, but topographical and architectural. No one in Providence—family aside—has any especial bond of interest with me, but for that matter no one in Cambridge or anywhere else has, either. The question is that of which roofs and chimneys and doorways and trees and street vistas I love the best; which hills and woods, which roads and meadows, which farmhouses and views of distant white steeples in green valleys. I am always an outsider—to all scenes and all people—but outsiders have their sentimental preferences in visual environment. I will be dogmatic only to the extent of saying that it is New England I must have—in some form or other. Providence is part of me—I am Providence—but as I review the new impressions which have impinged upon me since birth, I think the greatest single emotion—and the most permanent one as concerns consequences to my inner life and imagination—I have ever experienced was my first sight of Marblehead in the golden glamour of late afternoon under the snow on December 17, 1922. That thrill has lasted as nothing else has—a visible climax and symbol of the lifelong mysterious tie which binds my soul to ancient things and ancient places.”

H.P. Lovecraft (1890–1937) American author

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

Friedrich Nietzsche photo
William James photo
Mitch Albom photo

“Scenery without solace is meaningless.”

Source: The Five People You Meet in Heaven

Sylvia Plath photo
John Keats photo

“Scenery is fine — but human nature is finer.”

John Keats (1795–1821) English Romantic poet

Letter to Benjamin Bailey (March 13, 1818)
Letters (1817–1820)

Neal A. Maxwell photo
Jean Paul Sartre photo
Mitch Albom photo
Thomas Francis Meagher photo

“In this assembly, every political school has its teachers — every creed has its adherents — and I may safely say, that this banquet is the tribute of United Ireland to the representative of American benevolence. Being such, I am at once reminded of the dinner which took place after the battle of Saratoga, at which Gates and Burgoyne — the rival soldiers — sat together. Strange scene! Ireland, the beaten and the bankrupt, entertains America, the victorious and the prosperous! Stranger still! The flag of the Victor decorates this hail — decorates our harbour — not, indeed, in triumph, but in sympathy — not to commemorate the defeat, but to predict the resurrection, of a fallen people! One thing is certain — we are sincere upon this occasion. There is truth in this compliment. For the first time in her career, Ireland has reason to be grateful to a foreign power. Foreign power, sir! Why should I designate that country a "foreign power," which has proved itself our sister country? England, they sometimes say, is our sister country. We deny the relationship — we discard it. We claim America as our sister, and claiming her as such, we have assembled here this night. Should a stranger, viewing this brilliant scene inquire of me, why it is that, amid the desolation of this day — whilst famine is in the land — whilst the hearse-plumes darken the summer scenery of the island, whilst death sows his harvest, and the earth teems not with the seeds of life, but with the seeds of corruption — should he inquire of me, why it is, that, amid this desolation, we hold high festival, hang out our banners, and thus carouse — I should reply, "Sir, the citizens of Dublin have met to pay a compliment to a plain citizen of America, which they would not pay — 'no, not for all the gold in Venice'”

Thomas Francis Meagher (1823–1867) Irish nationalist & American politician

to the minister of England."
Ireland and America (1846)

Dejan Stojanovic photo

“I can see myself before myself—a being through dark scenery.”

“Spring Music,” p. 34
Circling: 1978-1987 (1993), Sequence: “A Conversations with Atoms”

Daniel Handler photo
Thomas Henry Huxley photo
Wilfred Thesiger photo
Prem Rawat photo
Ayumi Hamasaki photo

“An interested stranger asked me
How do I see the scenery from here?
I reply
It's how you think it would be.
It's useless to explain
Everybody GO! Everybody JUMP!”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Humming 7/4
Lyrics, My Story

Hannah Senesh photo

“We wondered why we ever thought there was, during the Cold War, any serious danger of Russia conquering the world when they couldn't even deliver the scenery for The Tempest.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 29 : Avoiding Utopia

David Thomas (born 1813) photo
Guillaume Apollinaire photo

“From this new alliance – for until now costume and scenery on one hand, choreography on the other, have been linked only artificially – there has resulted in Parade a kind of sur-réalisme.”

Guillaume Apollinaire (1880–1918) French poet

De cette alliance nouvelle, car jusqu'ici les décors et les costumes, d'une part, la choréographie, d'autre part, n'avaient entre eux qu'un lien factice, il est résulté, dans Parade, une sorte de sur-réalisme.
Excelsior, May 11, 1917; translation from Michael Benedikt & George E. Wellwarth (eds.) Modern French Theatre (New York: Dutton, 1964) p. xvii.
The first usage of the word surrealism in any language.

Malcolm Muggeridge photo
Ayumi Hamasaki photo

“It is sad
To lose sight of myself for the sake of myself
I believe in scenery no one has ever seen,
And next to you, I wish to stay in that place that doesn't exist”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Will
Lyrics, (Miss)Understood

Agatha Christie photo
Big Daddy Kane photo

“Blow up the scenery, I reign supremer, see
You need a savior to save ya, so lean on me”

Big Daddy Kane (1968) American musician

"Wrath of kane"
Albums, Long Live the Kane (1988)

Mos Def photo
Albert Camus photo
Lorenz Hart photo

“Bless our Mountain Greenery home!
In a mountain greenery
Where God paints the scenery
Just two crazy people together”

Lorenz Hart (1895–1943) lyricist

Mountain Greenery http://www.lorenzhart.org/greenarysng.htm (1935)

Rudy Rucker photo
Perry Anderson photo
Marshall McLuhan photo

“My method is vertical rather than horizontal so the scenery does not change but the texture does.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to The Listener October 1971, Letters of Marshall McLuhan (1987), p. 318
1970s

Calvin Coolidge photo
Paul Simon photo

“Seasons change with the scenery;
Weaving time in a tapestry.
Won't you stop and remember me
At any convenient time?”

Paul Simon (1941) American musician, songwriter and producer

A Hazy Shade of Winter
Song lyrics, Bookends (1968)

John Constable photo
Edward VIII of the United Kingdom photo

“Barbados: "A proper bum island this Barbados…. It's a unique sort of scenery, very ugly, & I didn't take much to the coloured population, who are revolting."”

Edward VIII of the United Kingdom (1894–1972) king of the United Kingdom and its dominions in 1936

26-27 March 1920
Around the World with the Prince of Wales

L. Frank Baum photo

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

David Livingstone photo

“The islands above the falls are covered with foliage as beautiful as can be seen anywhere. Viewed from the mass of rock which overhangs the fall, the scenery was the loveliest I had seen.”

David Livingstone (1813–1873) Scottish explorer and missionary

Exploring Magnificent Waterfalls http://wol.jw.org/en/wol/d/r1/lp-e/102004126?q=livingstone&p=par

Francis Marion Crawford photo
Calvin Coolidge photo
Angela Davis photo

“He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Judith Grant interview (1999)
Context: I literally never meet anybody who ever talks about God as something other than a kind of big man. I think God is a wondrous spirit, infinite, eternal, and unchangeable, but only interested in men as part of a giant creation which is pulsing with life.
People say, when a relative dies: "Oh, how could God have taken her away so young and with so much before her?" God doesn't give a bugger about how young she is. He probably isn't noticing particularly. That's just the way a lot of things happen. A lot gets spilled, you know, in nature. When you look at what's going on out there now, those trees are dropping seeds by literally the hundreds of thousands and millions, and one or two of them may take on. I think that that is the way that God functions. He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.

John D. Barrow photo
Joseph Gurney Cannon photo

“Not one cent for scenery.”

Joseph Gurney Cannon (1836–1926) American politician

Said in opposition to federal funding of conservation efforts; reported in Blair Bolles, Tyrant from Illinois (1951), p. 119.

Ryōkan photo

“In the scenery of spring,
nothing is better, nothing worse”

Ryōkan (1758–1831) Japanese Buddhist monk

As translated in Haiku : Spring (1950) by Reginald Horace Blyth
Context: In the scenery of spring,
nothing is better, nothing worse;
The flowering branches are
of themselves, some short, some long.

Robert Sheckley photo

“Why should films not be used for Irish-Ireland purposes and for the proper appreciation of scenery and beauty?”

Timothy Quill (1901–1960) Early Dáil member, cooperative organiser, agriculturalist

Irish Independent (1943)
By Quill:, 1940s

Cheng Yen photo
Alfred Austin photo

“One must be intoxicated by scenery, in order to appreciate it. Tranquil survey is not enough, and scrutinising curiosity is fatal.”

Alfred Austin (1835–1913) British writer and poet

Source: Lamia's Winter-Quarters (1898), p. 6.