Quotes about rainy

A collection of quotes on the topic of rainy, day, likeness, time.

Quotes about rainy

John Wooden photo
Tennessee Williams photo
Fernando Pessoa photo
William Shakespeare photo

“No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth”

Variant: Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let's choose executors and talk of wills
Source: Richard II

“Millions long for immortality who don't know what to do with themselves on a rainy Sunday afternoon.”

Susan Ertz (1887–1985) British writer

Anger in the Sky (New York: Harper & Brothers, 1943), p. 134.

Dylan Thomas photo

“And I rose
In rainy autumn
And walked abroad in a shower of all my days…”

Dylan Thomas (1914–1953) Welsh poet and writer

Source: Collected Poems

Su Shi photo

“The brimming waves delight the eye on sunny days;
The dimming hills give a rare view in rainy haze.
The West Lake looks like the fair lady at her best
Whether she is richly adorned or plainly dressed.”

Su Shi (1037–1101) Chinese writer

"The West Lake, the Beauty" (《饮湖上初晴后雨》) (1073), in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Yuanchong Xu (Beijing: New World Press, 1994), p. 200

Kurt Vonnegut photo
Thomas De Quincey photo

“It was a Sunday afternoon, wet and cheerless; and a duller spectacle this earth of ours has not to show than a rainy Sunday in London.”

Pt. II, Recalling the day in 1804 when he first took opium.
Confessions of an English Opium-Eater (1822-1856)

“Rainy days should be spent at home with a cup of tea and a good book.”

Bill Watterson (1958) American comic artist

Variant: Blustery cold days should be spend propped up in bed with a mug of hot chocolate and a pile of comic books.
Source: The Calvin and Hobbes Tenth Anniversary Book

Nicole Krauss photo
Cassandra Clare photo

“Stew's so comforting on a rainy day.”

Source: I Capture the Castle

Haruki Murakami photo

“I wonder what ants do on rainy days?”

Source: Norwegian Wood

Haruki Murakami photo
Margaret George photo
A.E. Housman photo

“The rainy Pleiads wester,
Orion plunges prone,
The stroke of midnight ceases,
And I lie down alone.”

A.E. Housman (1859–1936) English classical scholar and poet

No. 11, st. 1.
More Poems http://www.kalliope.org/vaerktoc.pl?vid=housman/1936 (1936)

Poul Anderson photo
Ted Hughes photo

“Who owns the whole rainy, stony earth? Death.
Who owns all of space? Death.”

"Examination at the Womb-door"
Crow (1970)

Andy Partridge photo
Robert Frost photo
Jürgen Klopp photo
Pat Condell photo

“Well it's a gloomy, rainy old day to be here in London, but it could be worse; I could be in Saudi Arabia where men are men, and women are cattle.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"More demands from Islam" (9 October 2007) https://youtube.com/watch/?v=mHh0NdR5Jh0
2007

Margaret Thatcher photo

“My policies are based not on some economics theory, but on things I and millions like me were brought up with: an honest day's work for an honest day's pay; live within your means; put by a nest egg for a rainy day; pay your bills on time; support the police.”

Margaret Thatcher (1925–2013) British stateswoman and politician

The News of the World (20 September 1981), quoted in Chris Ogden, Maggie: An Intimate Portrait of a Woman in Power (New York: Simon and Schuster, 1990), p. 342.
First term as Prime Minister

Letitia Elizabeth Landon photo
Peter D. Schiff photo
Margaret Thatcher photo

“I can't help reflecting that it's taken a Government headed by a housewife with experience of running a family to balance the books for the first time in twenty years—with a little left over for a rainy day.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Women's Conference (25 May 1988) http://www.margaretthatcher.org/document/107248
Third term as Prime Minister

Max Ernst photo

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935

Izaak Walton photo
Hugh Iltis photo
Waylon Jennings photo

“Oh rainy day woman,
I've never seem to see you for the good times or the sunshine.
You have been a friend of mine, rainy day woman.”

Waylon Jennings (1937–2002) American country music singer, songwriter, and musician

Rainy Day Woman, from The Ramblin' Man (1974).
Song lyrics

A.E. Housman photo
Aung San Suu Kyi photo
Anastacia photo

“I can see the light of day
Even through the rainy haze.”

Anastacia (1968) American singer-songwriter

Dark White Girl
Resurrection (2014)

Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Lewis Black photo
Peter Greenaway photo
Daniel Handler photo
Jack Kerouac photo

“I was tired of painting. So many collectors bought paintings and locked them in bank vaults. The stained-glass windows allowed me to make public art…. One day a woman stopped me in the street to talk to me about Champ-de-Mars metro station. "Whether it's sunny, rainy, or snowing, I love your stained-glass windows at Champ-de-Mars. Those big dancing shapes always warm my heart." That woman was neither a collector nor an art critic, but she understood the meaning I meant to give that work.”

Marcelle Ferron (1924–2001) Canadian artist

Original in French: J'étais dégoûtée de la peinture. Bon nombre de collectionneurs achetaient des tableaux pour les enfermer dans des voûtes de banques. Les verrières m'ont permis de faire de l'art public.... Un jour, une femme m'a abordée dans la rue pour me parler de la station de métro Champ-de-Mars. « Qu'il fasse beau, qu'il pleuve ou qu'il neige, j'adore vos verrières du Champ-de-Mars. Ces grandes formes qui dansent me font chaud au coeur. » Cette femme n'étaient ni une collectionneuse ni une critique d'art, mais elle avait compris le sens que j'avais voulu donner à cette oeuvre.
L'esquisse d'une mémoire, 1996

Ayaan Hirsi Ali photo
Max Ernst photo
Friedensreich Hundertwasser photo
George Hendrik Breitner photo

“Last Saturday it was a rainy evening. I took advantage of that to draw once again the whole evening at Dam Square all over and Sunday I repainted my painting [of Dam square] completely, that yellow nasty color has disappeared now completely. The work has become much broader, and I believe it is really finished now. When my model came, the change struck her so strongly that she said, 'sir, the painting has become beautifully now'. I myself am very happy with it, because I believe it is really good.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Zaterdag avond was het een regenachtige avond. Ik heb daarvan geprofiteerd en [om] de heele avond op de Dam alles nog eens goed over te teekenen en Zondag mijn schilderij heelemaal overgeschilderd, de geele nare kleur is er heelemaal uit. Het is veel ruimer geworden, en ik geloof dat het er nu is. Toen mijn modelletje kwam, trof haar de verandering zoo erg dat het zei, hè meneer, nou is het schilderij mooi geworden. Ik zelf ben er erg mee in mijn schik, want het is geloof ik, heel goed.
quote of Breitner in a letter to his friend Herman van der Weele, Amsterdam, 14 June 1893; original letter in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/54
1890 - 1900

John Oliver photo

“When your rainy day fund is so big you've got to check it for swimming cartoon ducks, you might not be a non-profit anymore.”

John Oliver (1977) English comedian

Last Week Tonight (8 June 2014)
Last Week Tonight (2014–present)

Nick Drake photo
Eliza Farnham photo
Natalie Merchant photo

“what a cold and rainy day
where on earth is the sun hid away?”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), Like The Weather

Rachel Carson photo

“A rainy day is the perfect time for a walk in the woods.”

Rachel Carson (1907–1964) American marine biologist and conservationist

The Sense of Wonder (1965)
Context: A rainy day is the perfect time for a walk in the woods. I always thought so myself; the Maine woods never seem so fresh and alive as in wet weather. Then all the needles on the evergreens wear a sheath of silver; ferns seem to have grown to almost tropical lushness and every leaf has its edging of crystal drops. Strangely colored fungi — mustard-yellow and apricot and scarlet — are pushing out of the leaf mold and all the lichens and the mosses have come alive with green and silver freshness.

Robert Frost photo

“'I can repeat the very words you were saying:
"Three foggy mornings and one rainy day
Will rot the best birch fence a man can build."”

Robert Frost (1874–1963) American poet

Think of it, talk like that at such a time!
What had how long it takes a birch to rot
To do with what was in the darkened parlor?
You couldn't care! The nearest friends can go
With anyone to death, comes so far short
They might as well not try to go at all.
Home Burial (1915)

“DESOLATE are the mansions of the fair, the stations in Minia, where they rested, and those where they fixed their abodes! Wild are the hills of Goul, and deserted is the summit of Rijaam.
The canals of Rayaan are destroyed: the remains of them are laid bare and smoothed by the floods, like characters engraved on the solid rocks.
Dear ruins! Many a year has been closed, many a month, holy and unhallowed, has elapsed, since I exchanged tender vows with their fair inhabitants!
The rainy constellations of spring have made their hills green and luxuriant: the drops from the thunder-clouds have drenched them with profuse as well as with gentle showers:
Showers, from every nightly cloud, from every cloud veiling the horizon at day-break, and from every evening cloud, responsive with hoarse murmurs.
Here the wild eringo-plants raise their tops: here the antelopes bring forth their young, by the sides of the valley: and here the ostriches drop their eggs.
The large-eyed wild-cows lie suckling their young, a few days old—their young, who will soon become a herd on the plain.
The torrents have cleared the rubbish, and disclosed the traces of habitations, as the reeds of a writer restore effaced letters in a book;
Or as the black dust, sprinkled over the varied marks on a fair hand, brings to view with a brighter tint the blue stains of woad.
I stood asking news of the ruins concerning their lovely habitants; but what avail my questions to dreary rocks, who answer them only by their echo?”

Labīd (560–661) Sahabah and poet

Translated by C. J. Lyall, quoted in Arabian Poetry, p. 41-42. First Stanza, lines 1-10 https://archive.org/details/arabianpoetryfo00clougoog/page/n127/mode/2up
The Poem of Labīd (translated by C. J. Lyall in 1881)

James Blunt photo

“It's ok, cause I know
You shine even on a rainy day”

James Blunt (1974) English singer-songwriter

"Heart to Heart", written by James Blunt, Daniel Omelio, Daniel Parker
Song lyrics, Moon Landing (2013)

John Wooden photo
John D. Bulkeley photo

“As far as the Breakout is that...Breakout, itself is concerned, it was dark, and it was a rather rainy, misty night. We went at high speed, ran through the mine fields, which we knew like the palm of our hands...no problem at all.”

John D. Bulkeley (1911–1996) United States Navy Medal of Honor recipient

Recalling his experiences in evacuating General Douglas MacArthur from Corregidor during the 1941 Japanese invasion of the Philippines
Source: "Better have the books corrected." https://corregidor.org/chs_mac/bulkeley.htm (1987)