Quotes about prelude

A collection of quotes on the topic of prelude, other, people, likeness.

Quotes about prelude

“Humour is, in fact, a prelude to faith; and laughter is the beginning of prayer … Laughter is swallowed up in prayer and humour is fulfilled by faith.”

Reinhold Niebuhr (1892–1971) American protestant theologian

Source: Children of Light and the Children of Darkness

Faith, Laughter

“A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

Letter to Isaac Glikman, August 28, 1955; Josiah Fisk & Jeff Nichols (eds.) Composers on Music (1997) p. 364.

Beauty, Music

“The discussion of the sexual problem is only a somewhat crude prelude to a far deeper question, and that is the question of the psychological relationship between the sexes. In comparison with this the other pales into insignificance, and with it we enter the real domain of woman. Woman's psychology is founded on the principle of Eros, the great binder and loosener, whereas from ancient times the ruling principle ascribed to man is Logos.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

Source: "Woman in Europe" (1927), P.254

Sex, Question, Problem, Time

“Whenever we would prepare the mind by a forcible appeal, an opening quotation is a symphony preluding on the chords those tones we are about to harmonize.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Isaac D'Israeli, Curiosities of Literature, "Quotation".
Misattributed, Isaac D'Israeli

“Anger is the prelude to courage.”

Eric Hoffer (1898–1983) American philosopher

Courage, Anger

“The most potent weapon of the oppressor is the mind of the oppressed.
So as a prelude whites must be made to realise that they are only human, not superior. Same with Blacks. They must be made to realise that they are also human, not inferior.”

Steve Biko (1946–1977) anti-apartheid activist in South Africa

Statement quoted in the Boston Globe (25 October 1977)
Context: Even today, we are still accused of racism. This is a mistake. We know that all interracial groups in South Africa are relationships in which whites are superior, blacks inferior. So as a prelude whites must be made to realize that they are only human, not superior. Same with blacks. They must be made to realize that they are also human, not inferior.

“It's always easier to say good-bye when you know it's just a prelude to hello.”

Maureen Johnson (1973) writer from the USA

Source: The Last Little Blue Envelope

“This was but a prelude;
where books are burnt
human-beings will be burnt
in the end”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Books

“For what is delusion but the prelude to hurt. And what is hurt but the prelude to rage.”

Joyce Carol Oates Blonde

Source: Blonde

Rage, Hurt

“How many times had those awful words - "I know what I'm doing" - been uttered throughout history as prelude to disaster?”

Christopher Buckley Supreme Courtship

Source: Supreme Courtship

History, Time

“The rain is a necessary prelude to beautiful weather. So even if your heart is in downpour right now it only means it will become exceptionally beautiful in time.”

Bisco Hatori (1975) Japanese manga artist

Source: Ouran High School Host Club, Vol. 5

Beauty, Time, Heart, Weather

“If you think, from this prelude, that anything like a romance is preparing for you, reader, you never were more mistaken. Do you anticipate sentiment, and poetry, and reverie? Do you expect passion, and stimulus, and melodrama? Calm your expectations; reduce them to a lowly standard. Something real, cool and solid lies before you; something unromantic as Monday morning, when all who have work wake with the consciousness that they must rise and betake themselves thereto.”

Charlotte Brontë book Shirley

Source: Shirley (1849), Ch. 1: Levitical

Thinking, Passion

“For so many who had been driven from their office buildings, these five weeks were only the prelude to spending months cloistered in cramped and inadequate office space while they advised senators on some of the toughest calls they would ever have to make … As the gap widened between perceptions of fear or danger in Washington and in much of the rest of the country, I believe it had a significant influence on why representatives reacted to terrorism concerns in a way that was fundamentally different from most of their constituents.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

On the effects of the 2001 anthrax attacks, from While America Sleeps: A Wake-up Call for the Post-9/11 Era, as quoted in [Moyer, Justin, The speed read: ‘While America Sleeps,’ by Russ Feingold, https://www.washingtonpost.com/opinions/we-read-so-you-dont-have-to-while-america-sleeps-by-russ-feingold/2012/02/28/gIQATdIszR_story.html?utm_term=.8231b88d08d1, 20 August 2018, The Washington Post, March 8, 2012]
2012

Fear, Way, Country

“Now let me trace for a moment the sequence of events that led up to the secession crisis. Prelude to Southern Secession. I'll begin by saying that the decisive act of secession—the secession which caused all future secessions—was not what happened after Lincoln’s election. It was the secession of the seven states of the Deep South from the Democratic convention in Charleston of 1860. As far as I know, Mr. DiLorenzo doesn’t even know anything about this. He can still comment on that when he wants to.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, The Real Abraham Lincoln: A Debate (2002), The Right of Secession Is Not the Right of Revolution

Decision, Future

“I am wedded to the notion that Inspiration is the sine que non, the non negotiable prelude to writing a poem.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Wedding

“Already at the age of 21 I played the complete organ works of Bach - and this by memory. As a child and youngster I had been taught by one of the last master-students of the legendary Helmut Walcha, and I completely had been affected by this style of insight into Bach and the internal structures. This method of regarding the independent coherence of all the voices gave me a special comprehension of Bach and his philosophy. Lastly one can say that I have been growing up with Bach, even to this day. If you understand the free organ works (preludes, toccatas, fugues), the chorales, and especially the trio sonatas, you have an insight into Bach that others don’t have. Especially the soloistic and independent leadings of the three voices of the trio sonatas is artistically the major aim of an organist; and already the Orgelbüchlein, the part 5 of the Peters Edition, shows Bach in all his structural and emotional effects. Albert Schweitzer described the Orgelbüchlein as something where the tonal speech of Bach is unbeatable. The comprehension of the organ-Bach is an understanding of the counterpoint and the polyphonic structures, and the coherence of Bach himself.”

Burkard Schliessmann classical pianist

Talkings on Bach

Age, Understanding, Memory, Parting

“Giraldus was the youngest of four blood-brothers. And when the three others in their childish games used to build castles and cities and palaces in the sands or mud, as a prelude to their future life, he, as a like prelude, always devoted himself entirely to building churches and to constructing monasteries.”
Qui cum ex fratribus quatuor germanis pariter et uterinis natu minor existeret, tribus aliis nunc castra nunc oppida nunc palatia puerilibus, ut solet haec aetas, praeludiis in sabulo vel pulvere protrahentibus construentibus, modulo suo, solus hic simili praeludio semper ecclesias eligere et monasteria construere tota intentione satagebat.

Gerald of Wales (1146) Medieval clergyman and historian

De Rebus a Se Gestis (Autobiography), chapter 1; translation from James Bruce Ross and Mary Martin McLaughlin (eds.) The Portable Medieval Reader ([1949] 1977) p. 344.

Life, Game, Future

“Until now, neither the distinction between “worthy, since durable” and “vain, since transient,” nor the unbridgeable abyss separating the two, has disappeared for a moment from reflections on human happiness. Nonentity, the demeaning and humiliating insignificance of the individual bodily presence in the world by comparison with the unperturbed eternity of the world itself, has haunted philosophers (and non-philosophers, during their brief spells of falling into and staying in a philosophical mood) for more than two millennia. In the Middle Ages it was raised to the rank of the highest purpose and supreme concern of mortals, and deployed to promote spiritual values over the pleasures of the flesh—as well as to explain (and, hopefully argue away) the pain and misery of the brief earthly existence as a necessary and therefore welcome prelude to the endless bliss of the afterlife. It returned with the advent of the modern era in a new garb: that of the futility of individual interests and concerns, shown to be abominably short-lived, fleeting and vagrant when juxtaposed with the interests of “the social whole”—the nation, the state, the cause.”

Zygmunt Bauman (1925–2017) Polish philosopher and sociologist

Source: The Art of Life (2008), p. 31.

Pain, Happiness, Pleasure, Age

“What is our life but a succession of preludes to that unknown song whose first solemn note is sounded by death?”

Alphonse de Lamartine book Méditations poétiques

Méditations Poétiques (1820), Second series, Sermon 15

Life, Death, Success

“Guerrilla warfare is a people's warfare; an attempt to carry out this type of war without the population's support is a prelude to inevitable disaster.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Method of Guerrilla Warfare (1963)

War, People, Support

“I think it is a great day for freedom. I watched the scenes on television last night and again this morning because I felt one ought not only hear about them but see them because you see the joy on people's faces and you see what freedom means to them; it makes you realise that you cannot stifle or suppress people's desire for liberty and so I watched with the same joy as everyone else and I hope that they will be a prelude to the Berlin Wall coming down.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Remarks on the Berlin Wall (10 November 1989) http://www.margaretthatcher.org/document/107819 Third term as Prime Minister

People, Hope, Thinking, Freedom

“Let us not be taken in by the howls of contrived grievances which the spokesmen of Islam in India have started hawking in increasingly hysterical voices. In the history of Islam this has always been a prelude to predatory action. Hajjaj had hawked some grievances against Raja Dahir on the eve of equipping an armed force more formidable than any that had ever been sent against Sindh. The Pirpur Report of the Muslim League was only a preparation for the demand for Pakistan.”

Sita Ram Goel (1921–2003) Indian activist

History of Heroic Hindu Resistance to Early Muslim Invaders (1984; 2001)

History

“They [French critics of the Paris Salon of 1824, where his painting 'the Hay Wain' received a gold medal] are very amusing and acute — but very shallow and feeble. Thus one — after saying: "'it is but justice to admire the truth — 'the color' — and 'general vivacity' & richness —" – yet they want the objects more formed and defined &c, and say they are like the rich preludes in musick, and the full harmonious warblings of the Aeolian lyre, which means 'nothing,' and they call them orations — and harangues — and high-flown conversations affecting a careless ease — &c &v &c - Is not some of this 'blame' the highest 'praise' – what is poetry?”

John Constable (1776–1837) English Romantic painter

What is Coleridge's Ancient Mariner (the very best modern poem) but something like this?
Quote from John Constable's letter to Rev. John Fisher, 1824, as quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 205
1820s

Truth, Justice, Color, Painting

“It is only with this prelude that the Declaration of 1776 proclaims the right to revolution. The people do not have an indiscriminate or uncontrolled right to establish or to abolish governments. They have a right to abolish only those governments that become "destructive of these ends". "These ends" refers to the security of equal natural rights. It is only for the sake of security of these rights that legitimate governments are instituted, or that governments may be altered or abolished. And governments are legitimate only insofar as their "just powers" are derived "from the consent of the governed". All of the foregoing is omitted from South Carolina's declaration, for obvious reasons. In no sense could it have been said that the slaves in South Carolina were governed by powers derived from their consent. Nor could it be said that South Carolina was separating itself from the government of the Union because that government had become destructive of the ends for which it was established. South Carolina in 1860 had an entirely different idea of what the ends of government ought to be from that of 1776 or 1787. That difference can be summed up in the difference between holding slavery to be an evil, if possibly a necessary evil, and holding it to be a positive good.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

Source: 2000s, A New Birth of Freedom: Abraham Lincoln and the Coming of the Civil War (2000), p. 231

People, Idea, Nature, Sense

“Never say, and never take seriously anyone who says, "I cannot believe that so-and-so could have evolved by gradual selection". I have dubbed this kind of fallacy "the Argument from Personal Incredulity". Time and again, it has proven the prelude to an intellectual banana-skin experience.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

River out of Eden (1995)

Time, Personality

“As long as 1911, when I was still a member of the Socialist Party, I wrote that the Gordian knot of Trent could be cut only by the sword. At the same date I declared that war is usually the prelude to revolution. It was therefore easy for me, when the Great War broke out, to predict the Russian and the German revolutions.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

As quoted in Talks with Mussolini, Emil Ludwig, Boston, MA, Little, Brown and Company (1933), p. 84, Interview took place between March 23 and April 4, 1932
1930s

War

“But now that war has become seemingly total and seemingly permanent, the free sport of kings has become the forced and internecine business of people, and diplomatic codes of honor between nations have collapsed. Peace is no longer serious; only war is serious. Every man and every nation is either friend or foe, and the idea of enmity becomes mechanical, massive, and without genuine passion. When virtually all negotiation aimed at peaceful agreement is likely to be seen as 'appeasement,' if not treason, the active role of the diplomat becomes meaningless; for diplomacy becomes merely a prelude to war or an interlude between wars, and in such a context the diplomat is replaced by the warlord……In other words 'the morale of the State Department is so broken that its finest men flee from it, and advise others to flee.”

C. Wright Mills book The Power Elite

The Power Elite (1956)

Men, War, People, Peace

“Consisting of a 'Prelude', a 'Main Section', and an 'Epilogue'.”

Charlotte Salomon (1917–1943) German painter

Dedicated to Ottillie Moore Charlotte's 2nd introduction page, related to image JHM no. 4155-2 https://charlotte.jck.nl/detail/M004155-b/part/character/theme/keyword: 'Consisting of..', p. 42 written in brush - she presents here the rough division of the complete series of her paintings, divided in three parts Charlotte Salomon - Life? or Theater?

“Chopin absolutely was influenced by Bach. We know that before Chopin himself performed in concert, he didn’t play anything other than Bach. His own Preludes are a reference to the Well-Tempered Clavier of Bach, and all Chopin’s students had to play Bach. In whole, Chopin admired Bach most of all composers, and it was nothing less than the Well-Tempered Clavier itself that was his musical diary. I also have said that Chopin is the crowning and climax of piano-playing. It’s something so unique, all-affecting in emotionalism, musical architecture, and structure, that all past giants are present in it: Bach and Mozart. Chopin’s elegance is so singular, that again you need much experience to convey his music in the real and original style. The question of rubato is very sensitive: It’s nothing arbitrary, but much more something well calculated and well proportioned, something that is integrated in the classical strength of form, which is constructed on the profound knowledge of the polyphonic and contrapuntal structures of Bach and Mozart. Whether the Goldbergs may relate to this question? Absolutely! I again want to mention a certain and special term: jeu perlé.”

Burkard Schliessmann classical pianist

Without this you can’t play Chopin, you can’t play Mozart, and lastly absolutely not the Goldbergs.
Talkings on Bach

Music, Question, Knowledge, Past

“We read events by what goes before and after. We think of Bunker Hill as the first real battle for independence, the prelude to the Revolution. Yet these were both after thoughts. Independence Day was still more than a year away and then eight years from accomplishment. The Revolution cannot be said to have become established until the adoption of the Federal Constitution. No, on this June day, these were not the conscious objects sought. They were contending for the liberties of the country, they were not yet bent on establishing a new nation nor on recognizing that relationship between men which the modern world calls democracy. They were maintaining well their traditions, these sons of Londonderry, lovers of freedom and anxious for the fray, and these sons of the Puritans, whom Macaulay tells us humbly abased themselves in the dust before the Lord, but hesitated not to set foot upon the neck of their king.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

From a speech https://coolidgefoundation.org/resources/early-speeches-1890-1918-17/ delivered on Bunker Hill Day (17 June 1918). 1910s, Speech on Bunker Hill Day (17 June 1918)

Men, World, Democracy, Lovers

“The general decay of those manly and spirited exercises, which formerly were practiced in the vicinity of the metropolis has not arisen from any want of inclination in the people, but from the want of places proper for the purpose: such as in times past had been allotted to them are now covered with buildings, or shut up by enclosures, so that, if it were not for skittles, dutch-pins, four-corners, and the like pastimes, they would have no amusements for the exercise of the body; and these amusements are only to be met with in places belonging to common drinking-houses, for which reason their play is seldom productive of much benefit, but more frequently becomes the prelude to drunkenness and debauchery. This evil has been increasing for a long series of years; and honest Stow laments the retrenchments of the grounds appropriated for martial pastimes which had begun to take place in his day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. lxii
The Sports and Pastimes of the People of England (1801), Exercise

People, Exercises, Drink, Evil

“I used to do Grade Exams, but my mum will tell you I didn't over-practise for them at all. I never practised, just played. I loved to play. I loved to play a lot* If one mistake is made with young children, it is trying to make them practise rather than just letting them play.' She played hymns at church ('My parents were very religious when we were young') and 'all the Top of the Pops number ones next morning at school. Things like David Bowie's "Life On Mars". That's got a very good piano part. And ever since I was six or seven years old, I always liked Bach - that's why I recorded the Anna Magdalene Notebook, little 16-bar preludes that Bach wrote for children.' I was amazed at how serious the other kids were about the whole thing, much more disciplined than I was, and with this attitude of "Ooh, I can't play sports because I might hurt my fingers" or "I can't listen to pop music because that's really terrible.”

Joanna MacGregor (1959) British musician

Childhood

Love, Life, Children, School

“The Prelude to Tristan and Isolde reminds me of the old Italian painting of a martyr whose intestines are slowly unwound from his body on a reel.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

Neue Frei Presse

Painting

“Hayek’s theory of evolutionary rationality shows how traditions and customs (those surrounding sexual relations, for example) might be reasonable solutions to complex social problems, even when, and especially when, no clear rational grounds can be provided to the individual for obeying them. These customs have been selected by the ‘‘invisible hand’’ of social reproduction, and societies that reject them will soon enter the condition of ‘‘maladaptation,’’ which is the normal prelude to extinction.”

Roger Scruton (1944–2020) English philosopher

"Hayek and conservatism", in Edward Feser (ed.), The Cambridge Companion to Hayek (2006)

Problem

“Only once in Chopin's music is there a direct reference to Bach, and that is, appropriately, at the beginning of his only educational work, the two sets of Etudes, Op. 10 and 25, and the three Nouvelles Etudes for Moscheles. In the first Etude, Op. 10, in C major, we find a modernized version of the Prelude no. 1 of the Well-Tempered Keyboard…”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Education, Music

“The period of the actual revolution, the so-called transitory stage, must be the introduction, the prelude to the new social conditions. It is the threshold to the NEW LIFE, the new HOUSE OF MAN AND HUMANITY. As such it must be of the spirit of the new life, harmonious with the construction of the new edifice.”

Emma Goldman book My Disillusionment in Russia

My Disillusionment in Russia (1923)

Life, Housing

“Since the Persian monarchy began some 2550 years ago, Iran has had more than 350 kings. No fewer than half of them were either assassinated or killed in battle. Many went into exile to escape death. Iran's long history is full of fallen crowns and shattered imperial dreams. Of Mohammad-Reza Shah's five immediate predecessors, one was assassinated and three were forced into exile. What makes Mohammad-Reza Shah's tragedy special is that he was, perhaps, the first Iranian king in more than a century to have a real possibility of ending his reign peacefully and dying in his own country. That this was not the case was, to a large extent, the result of Iran's chronic political underdevelopment. But the Shah's own failure to operate within the realities of Iranian society - unpleasant as they undoubtedly were - contributed to his downfall and its dramatic consequences for the nation as a whole. The fall of the Shah was, in a since, the prelude to more than a decade of instability in the region, culminating in the Iraqi invasion of Kuwait and the subsequent massacre of Kurds and shi'ites in Mesopotamia. It may take Iran and her region many more years before the shockwaves unleashed by the fall of the Shah are fully absorbed.”

Amir Taheri (1942) Iranian journalist

The Unknown Life of the Shah (1991)

Death, Dreams, History, Failure

“The houses, many of them no longer lived in by the people whose faces he all knew, are like the houses in a town you see from the train, their brick faces blank in posing the riddle, Why does anyone live here? Why was he set down here, why is this town, a dull suburb of a third-rate city, for him the center and index of a universe that contains immense prairies, mountains, deserts, forests, cities, seas? This childish mystery—the mystery of ‘any place,’ prelude to the ultimate, ‘Why am I me?’—ignites panic in his heart.”

John Updike book Rabbit, Run

Rabbit, Run (1960)

People, Mountain, Universe, Heart

“Kennaston could find in the past — even he, who was privileged to view the past in its actuality, rather than through the distorting media of books and national pride — no suggestion as to what, if anything, he was expected to do while his physical life lasted, or to what, if anything, this life was a prelude. Yet that to-day was only a dull overture to to-morrow seemed in mankind an instinctive belief. All life everywhere, as all people spent it, was in preparation for something that was to happen to-morrow.”

James Branch Cabell book The Cream of the Jest

Source: The Cream of the Jest (1917), Ch. 27 : Evolution of a Vestryman

Life, People, Books, Past

“Since Deacon Hollingshead’s arrival in town last July the Dominion had been hard at work, cleansing New York City of moral corruption.
“Corruption” is a popular word with the enthusiasts of the Dominion, usually uttered as a prelude to the knife, the docket, or the noose.”

Robert Charles Wilson book Julian Comstock: A Story of 22nd-Century America

Source: Julian Comstock: A Story of 22nd-Century America (2009), p. 317

“Whenever we would prepare the mind by a forcible appeal, an opening quotation is a symphony preluding on the chords those tones we are about to harmonize.”

Isaac D'Israeli (1766–1848) British writer

Quotation.
Curiosities of Literature (1791–1834)

“The most uninteresting part of the biography of a composer is his childhood. All those preludes are the same and the reader hurries on to the fugue.”

Dmitri Shostakovich book Testimony

Page 6
Testimony (1979)

Parting, Childhood

“A kiss is a contact, a union, an exchange. It is unknown to certain races and tribes, while others know it and consider it with disgust. They all suffer a loss. A kiss can be a cold formula, or a token of familial relationship or a prelude to the act of love. It can also be a revelation in an unspoken, secret language of feelings that have never been expressed in words.”

Harry Harrison (1925–2012) American science fiction author

Source: Plague from Space (1965), Chapter 9 (pp. 81-82)

Love, Secret, Family, Feeling

“Remember, [in the Bible] it's adultery only if the woman is already married. It doesn't matter if the man is married. If he is, she may just become another one of his wives, and a man can have sex with other women who aren't his wives, and that's not cheating either, as long as they live with him, because a man is also allowed to have concubines, and a concubine is a sort of sexual servant who serves no other purpose and has no claim to your estate. Your wife may not have a claim to your estate either, because when you die your wife may become your brother's sexual property. That's how the Bible defines marriage! The Bible does not prohibit multiple wives or incest either. In fact, both are promoted. However, when your father dies, your mother does not become your wife, and you can't inherit any of his other wives either, and the reason that the Bible gives for that is because that would be like looking up your father's skirt… So, a man can have multiple wives and a collection of personal harlots, but he can also have sex with his slaves, and that's not cheating either. You've heard of friends with benefits? You can call this your property rights. That's the only way that makes sense, because according to the Bible all women are property, and property doesn't have rights. Now, some people equate having sex with slaves to rape, because the slave doesn't have any choice. But, according to the Bible, women don't have any choice anyway, and rape can be a prelude to matrimony; if you're a Bronze Age Israelite and you see some young cutie walking unescorted, if you like her, you want her, you can have her, even if she doesn't want you. Now, if you rape a married woman, that's a death sentence for both of you (because the Bible is stupid like that). But if she's not promised to someone else, and you rape her and you get caught, you have to pay her father fifty shekels of silver and she's yours. He may not want her back after that, even his own child, because an unmarried woman who wasn't a virgin was considered damaged goods back then, so they had this rule that "if you pop it, you buy it." So your victim becomes your bride and you're stuck together forever, and can never get divorced (so be careful who you rape). There's actually a cheaper [and] easier way to get a bride; if a man takes a wife and decides he doesn't like her, if he can prove she wasn't a virgin (or if he can convince other people that was probably not a virgin), she she will be murdered on her father's doorstep because, according to the god of infinite mercy, that's the moral thing to do. But if she can prove that she was a virgin, then she must remain married forever to the man who hates her, because that's divine wisdom too. That unpleasant arrangement for both of you will also cost you a hundred shekels, whereas you can marry your rape victim for half the price. So, if you're a complete loser, and you can't get any woman who appeals to you by the normal way, just rape whoever you like and she's yours forever.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Biblical Family Values https://www.youtube.com/watch?v=bldw8X5apnY (July 11, 2015)

Death, Wisdom, Women, God

“Ahmadinejad's dictatorial ways have hurt Iran's image across the globe and could be a prelude to dictatorship.”

Mir-Hossein Mousavi (1941) Iranian politician and architect

As quoted in "Ahmadinejad lashes out at Iran's ex-presidents", CNN (4 June 2009)

Way, Hurt

“For Muslims the Quran is the Word of God; it is sacred scripture, not a work of "literature," a manual of law, or a text of theology, philosophy or history although it is of incomparable literary quality, contains many injunctions about a Sacred Law, is replete with verses of metaphysical, theological, and philosophical significance, and contains many accounts of sacred history. The unique structure of the Quran and the flow of its content constitute a particular challenge to most modern readers. For traditional Muslims the Quran is not a typical "read" or manual to be studied. For most of them, the most fruitful way of interacting with the Quran is not to sit down and read the Sacred Tex from cover to cover (although there are exceptions, such as completing the whole text during Ramadan). it is, rather, to recite a section with full awareness of it as the Word of God and to meditate upon it as one whose soul is being directly addressed, as the Prophet's soul was addressed during its revelation. … In this context it must be remembered that the Quran itself speaks constantly of the Origin and the Return, of all things coming from God and returning to Him, who himself has no origin or end. As the Word of god, the Quran also seems to have no beginning and no end. Certain turns of phrase and teachings about the Divine Reality, the human condition, the life of this world, and the Hereafter are often repeated, but they are not mere repetitions. Rather each iteration of a particular word, phrase, or verse opens the door of a hidden passage to other parts of the Quran. Each coda is always a prelude to an as yet undiscovered truth.”

Seyyed Hossein Nasr book The Study Quran

The Study Quran: A New Translation and Commentary https://books.google.com/books?id=GVSzBgAAQBAJ&printsec=frontcover (2015)

Life, God, Truth, World

“Producers of opera nowadays usually make the mistake of translating each particular orchestral phrase into terms of a movement on the stage. In this matter one should proceed with a maximum of caution and good taste. There is no objection to bringing life to into the production by changes of position and new nuances of acting during repetitive passages of music, especially in arias. Preludes of one or two bars frequently, and especially in Mozart, clearly express some gesture on stage. But each trill on the flute does not represent a wink on the prima donna, nor every delayed chord on the strings a step or gesture. Whole passages, especially in the finales, are pure concert music and are best left undisturbed by “play acting.””

Richard Strauss (1864–1949) German composer and orchestra director

Recollections and Reflections

Life, Music, Change

“Dan Chaucer, the first warbler, whose sweet breath
Preluded those melodious bursts that fill
The spacious times of great Elizabeth
With sounds that echo still.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

" A Dream of Fair Women http://home.att.net/%7ETennysonPoetry/dfw.htm", st. 2 (1832)

Time

“It was there he composed these most beautiful of short pages which he modestly entitled the Preludes. They are masterpieces.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

On Chopin's Preludes in Histoire de Ma Vie (1902-04), Vo. IV, p. 439
Context: It was there he composed these most beautiful of short pages which he modestly entitled the Preludes. They are masterpieces. Several bring to mind visions of deceased monks and the sound of funeral chants; others are melancholy and fragrant; they came to him in times of sun and health, in the clamor of laughing children under he window, the faraway sound of guitars, birdsongs from the moist leaves, in the sight of the small pale roses coming in bloom on the snow. … Still others are of a mournful sadness, and while charming your ear, they break your heart. There is one that came to him through an evening of dismal rain — it casts the soul into a terrible dejection. Maurice and I had left him in good health one morning to go shopping in Palma for things we needed at out "encampment." The rain came in overflowing torrents. We made three leagues in six hours, only to return in the middle of a flood. We got back in absolute dark, shoeless, having been abandoned by our driver to cross unheard of perils. We hurried, knowing how our sick one would worry. Indeed he had, but now was as though congealed in a kind of quiet desperation, and, weeping, he was playing his wonderful Prelude. Seeing us come in, he got up with a cry, then said with a bewildered air and a strange tone, "Ah, I was sure that you were dead." When he recovered his spirits and saw the state we were in, he was ill, picturing the dangers we had been through, but he confessed to me that while waiting for us he had seen it all in a dream, and no longer distinguished the dream from reality, he became calm and drowsy while playing the piano, persuaded that he was dead himself. He saw himself drowned in a lake. Heavy drops of icy water fell in a regular rhythm on his breast, and when I made him listen to the sound of the drops of water indeed falling in rhythm on the roof, he denied having heard it. He was even angry that I should intepret this in terms of imitative sounds. He protested with all his might — and he was right to — against the childishness of such aural imitations. His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky. … The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.

Beauty

“If you look at the poems in Prelude, you can identify the later material by identifying the poems with more white space and unexpected line breaks. Grief did that to me and my writing. It exploded my expectations and introduced these blank pockets of deep feeling. My prose writing became more fluid and lyrical…”

Saeed Jones (1985) American poet

On how losing his mother affected his writing in “You and I Have Peril in Common: The Millions Interviews Saeed Jones” https://themillions.com/2019/11/saeed-jones-qa.html in The Millions (2019 Nov 21)

Feeling

“Even today, we are still accused of racism. This is a mistake. We know that all interracial groups in South Africa are relationships in which whites are superior, blacks inferior. So as a prelude whites must be made to realize that they are only human, not superior. Same with blacks. They must be made to realize that they are also human, not inferior.”

Steve Biko (1946–1977) anti-apartheid activist in South Africa

Statement quoted in the Boston Globe (25 October 1977)

“The larger hope of a united humanity whose burdens Israel was called to carry and still is appointed to bear must be sounded. The Messianic mission of Israel is central in the teachings of the reform-Synagog. Its symbolism must expose and propose the meaning of this mission. Judaism is preparatory and prelude to the greater glory of "Kingdom come."”

Stephen Samuel Wise (1874–1949) American rabbi (1874-1949)

Free Synagogue Pulpit: Sermons and Addresses Source: p. 76 https://archive.org/details/freesynagoguepu00wisegoog/page/n84/mode/2up

Hope