“Poetry is a highly visible art in Ireland; in our rapidly secularised society, it has become a kind of erzatz religion, applying the elevated ceremonial language without the divisive doctrine.”

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Dennis O'Driscoll30

Irish poet, critic 1954–2012

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Tu Fu: Poems (p. 91)
Classics Revisited (1968)

“No human society is too primitive to have some kind of literature. The only thing is that primitive literature hasn't yet become distinguished from other aspects of life: it's still embedded in religion, magic and social ceremonies.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 2: The Singing School

“Without language we would have no reason, without reason no religion, and without these three essential aspects of our nature, neither mind nor bond of society.”

Johann Georg Hamann (1730–1788) German philosopher

Sämtliche Werken, ed. Josef Nadler (1949-1957), vol. III, p. 231.

“Poetry is the art that is closest to music, standing between music and narrative orality (which can be speechmaking, sermon or theater). Poetry is the voice of what can’t be spoken, the mode of truth-telling when meaning needs to rise above or skim below everyday language in shapes not discernible by the ordinary mind. It trumps the rhetoric of politicians. Poetry is prophetic by nature and not bound by time. Because of these qualities poetry carries grief, heartache, ecstasy, celebration, despair, or searing truth more directly than any other literary art form. It is ceremonial in nature. Poetry is a tool for disruption and creation and is necessary for generations of humans to know who they are and who they are becoming in the wave map of history. Without poetry, we lose our way.”

Joy Harjo (1951) American writer

On the art of poetry in “An Interview with Joy Harjo, U.S. Poet Laureate” https://poets.org/text/interview-joy-harjo-us-poet-laureate?gclid=EAIaIQobChMIiJP5naHW5QIV0Rx9Ch0tGgkkEAAYASAAEgIJD_D_BwE in Poets.org (2019 Mar 31)

“Poetry is the art of using words charged with their utmost meaning. A society whose intellectual leaders lose the skill to shape, appreciate, and understand the power of language will become the slaves of those who retain it — be they politicians, preachers, copywriters, or newscasters.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

“Language has an incantory power. The source qualities of language go to the very roots of our experience of poetry.”

David Yezzi (1966) American poet

Interview with Ernest Hibert (2006)

“He that has doctrinal knowledge and speculation only, without affection, never is engaged in the business of religion.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

“Any art is a concentrated feeling of love elevated to a world view and translated into an artistic language of symbols.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote from Werefkin's lecture in 1914; as quoted in M. K. ČIURLIONIS AND MARIANNE VON WEREFKIN: THEIR PATHS AND WATERSHEDS, by Laima Lauckaité; Institute of Culture, Philosophy and Art, Vilnius
Werefkin gave her lecture during a regular Art Society meeting, 22 March 1914
after 1911

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

“As against the "invisible hand" of Adam Smith, there has to be a visible hand of politicians whose objective is to have the kind of society that is caring and humane.”

Pierre Trudeau (1919–2000) 15th Prime Minister of Canada

Part 3, 1974 - 1979 Victory And Defeat, p. 190
Memoirs (1993)

“Poetry is a highly visible art in Ireland; in our rapidly secularised society, it has become a kind of erzatz religion, applying the elevated ceremonial language without the divisive doctrine.”

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Dennis O'Driscoll30

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