Quotes about mark
page 4

Rachel Cohn photo
Lurlene McDaniel photo
Margaret Atwood photo
James Joyce photo

“Three quarks for Muster Mark! (383.1)”

These lines were the source of the name of the particular entities known in modern physics as Quarks
Finnegans Wake (1939)

Patrick Modiano photo

“Of all the punctuation marks; he told me ellipses were his favorites.”

Patrick Modiano (1945) French writer

Suspended Sentences (1993)

Ignatius Sancho photo
Luís de Camões photo

“Now let the judging reader mark what rex
The idol gold (which all the world adoreth)
Plays both in poor and rich: by money's thurst
All laws and ties (divine, and human) burst.”

Luís de Camões (1524–1580) Portuguese poet

Veja agora o juízo curioso
Quanto no rico, assim como no pobre,
Pode o vil interesse e sede inimiga
Do dinheiro, que a tudo nos obriga.
Stanza 96, lines 5–8 (tr. Richard Fanshawe)
Epic poetry, Os Lusíadas (1572), Canto VIII

Wilt Chamberlain photo
Calvin Coolidge photo

“Your great demonstration which marks this day in the City of Washington is only representative of many like observances extending over our own country and into other lands, so that it makes a truly world-wide appeal. It is a manifestation of the good in human nature which is of tremendous significance. More than six centuries ago, when in spite of much learning and much piety there was much ignorance, much wickedness and much warfare, when there seemed to be too little light in the world, when the condition of the common people appeared to be sunk in hopelessness, when most of life was rude, harsh and cruel, when the speech of men was too often profane and vulgar, until the earth rang with the tumult of those who took the name of the Lord in vain, the foundation of this day was laid in the formation of the Holy Name Society. It had an inspired purpose. It sought to rededicate the minds of the people to a true conception of the sacredness of the name of the Supreme Being. It was an effort to save all reference to the Deity from curses and blasphemy, and restore the lips of men to reverence and praise. Out of weakness there began to be strength; out of frenzy there began to be self-control; out of confusion there began to be order. This demonstration is a manifestation of the wide extent to which an effort to do the right thing will reach when it is once begun. It is a purpose which makes a universal appeal, an effort in which all may unite.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Authority and Religious Liberty (1924)

Heinrich Heine photo

“Mark this well, you proud men of action: You are nothing but the unwitting agents of the men of thought who often, in quiet self-effacement, mark out most exactly all your doings in advance.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

History of Religion and Philosophy in Germany, Vol. III (1834)

P.G. Wodehouse photo
Thomas Robert Malthus photo

“Though I may not be able to in the present instance to mark the limit at which further improvement will stop, I can very easily mention a point at which it will not arrive.”

Thomas Robert Malthus (1766–1834) British political economist

Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter IX, paragraph 8, lines 14-16

George Galloway photo
Otto Weininger photo
Pope John Paul II photo

“Christians and Muslims, we have many things in common, as believers and as human beings. We live in the same world, marked by many signs of hope, but also by multiple signs of anguish. For us, Abraham is a very model of faith in God, of submission to his will and of confidence in his goodness. We believe in the same God, the one God, the living God, the God who created the world and brings his creatures to their perfection.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Address to young Muslims in Casablanca on 19 August 1985, during the pope's apostolic journey to Morocco
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/speeches/1985/august/documents/hf_jp-ii_spe_19850819_giovani-stadio-casablanca_en.html

Geert Wilders photo

“Every day, we hear Western leaders repeat the sickening mantra that Islam is a religion of peace. Whenever an atrocity is committed in the name of Islam, whenever somebody is beheaded in Syria or Iraq, Barack Obama, David Cameron, my own Dutch Prime Minister Mark Rutte and many of their colleagues rush to television cameras to tell the world that it has nothing whatsoever to do with Islam. How stupid can you be?”

Geert Wilders (1963) Dutch politician

Speech http://www.pvv.nl/index.php/36-fj-related/geert-wilders/7981-geert-wilders-speech-danish-free-press-society-copenhagen-2-11-2014.html at the 10 years memorial conference for Theo Van Gogh arranged by the Danish Free Press Society (Copenhagen, 2 November 2014).
2010s

Joseph Strutt photo
David Brewster photo

“The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he wants to live humbly for one.”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

Cited by a character in J. D. Salinger's The Catcher in the Rye (1951) as a statement of Stekel, this has often been attributed to Salinger, and may actually be a paraphrase by him of a statement of the German writer Otto Ludwig (1813-1865) which Stekel himself quotes in his writings:
Das Höchste, wozu er sich erheben konnte, war, für etwas rühmlich zu sterben; jetzt erhebt er sich zu dem Größern, für etwas ruhmlos zu leben.
The highest he could raise himself to was to die gloriously for something; now he rises to something greater: to live humbly for something.
Gedanken Otto Ludwigs : Aus seinem Nachlaß ausgewählt und herausgegeben von Cordelia Ludwig (1903) p. 10 http://archive.org/stream/gedankenottolud00ludwgoog#page/n39/mode/2up; this is quoted by Stekel in "Die Ausgänge der psychoanalytischen Kuren" in Zentralblatt für Psychoanalyse : Medizinische Monatsschrift für Seelenkunde (1913), p. 188 http://archive.org/stream/ZB_III_1913_4_5_k#page/n19/mode/2up, and in Das liebe Ich : Grundriss einer neuen Diätetik der Seele (1913), page 38 http://books.google.de/books?id=PgFAAAAAIAAJ&q=r%C3%BChmlich.
Misattributed

Fulke Greville, 1st Baron Brooke photo
Barend Cornelis Koekkoek photo

“In my opinion the aim of the painter is similar with that of the poet, insofar that both want to affect the feelings of the viewer or reader. As soon as their scenes.... are lacking the mark of nature, of truth, than both will fail to realize it. The Dutch painter feels - as well as the Germans do - the influence of sublime nature, but the Dutch painter first wants to be acquainted with 'plain truth', to combine it afterwards with the poetic..”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Het doel van den schilder is, naar mijn wijze van zien, in zoverre met dat des dichters gelijk, dat beiden op het gevoel van den beschouwer of den lezer willen werken. Dit kunnen zij onmogelijk doen, zodra hunne taferelen.. ..den stempel der natuur, de waarheid missen.. .De Nederlandschee schilder gevoelt even goed als de Duitsche den invloed der verhevenen natuur, maar de Nederlander wil eerst met het 'eenvoudige ware' bekend zijn, om hetzelve later met dichterlijke te vereenigen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 29-30

William Julius Mickle photo
G. K. Chesterton photo

“An open mind is really a mark of foolishness, like an open mouth. Mouths and minds were made to shut; they were made to open only in order to shut.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Original quote:
For my friend said that he opened his intellect as the sun opens the fans of a palm tree, opening for opening's sake, opening infinitely for ever. But I said that I opened my intellect as I opened my mouth, in order to shut it again on something solid. I was doing it at the moment. And as I truly pointed out, it would look uncommonly silly if I went on opening my mouth infinitely, for ever and ever.
The Extraordinary Cabman, one of many essays collected in Tremendous Trifles (1909)
Misattributed

Ernest King photo

“The mark of a great shiphandler is never getting into situations that require great shiphandling.”

Ernest King (1878–1956) United States Navy admiral, Chief of Naval Operations

Unsourced

Christiaan Huygens photo
Marie François Xavier Bichat photo

“One might almost say that the plant is the framework, the foundation of the animal, and that to form the animal it sufficed to cover this foundation with a system of organs fitted to establish relations consists forms with the world outside. It follows of the succession substance of the animal form two quite distinct classes. One class in a continual into its own assimilation molecules that the functions and of excretion; through these functions the animal incessantly transsurrounding bodies, later to reject these molecules when they have become heterogeneous to it. Through this first class of functions the animal exists only within itself; through the other class it exists outside; it is an inhabitant of the world, and not, like the plant, of the place which saw its birth. The animal feels and perceives its surroundings, reflects its sensations, moves of its own will under their influence, and, as a rule, can communicate by its voice its desires and its fears, its pleasures or its pains. I call organic life the sum of the functions of the former class, for all organised creatures, plants or animals, possess them to a more or less marked degree, and organised structure is the sole condition necessary to their exercise. The combined functions of the second class form the ' animal' life named because it is the exclusive attribute of the animal kingdom.”

Marie François Xavier Bichat (1771–1802) French anatomist and physiologist

Original: (fr) On dirait que le végétal est l'ébauche, le canevas de l'animal, et que, pour former ce dernier, il n'a fallu que revêtir ce canevas d'un appareil d'organes extérieurs, propres à établir des relations. Il résulte de là que les fonctions de l'animal forment deux classes très-distinctes. Les unes se composent d'une succession habituelle d'assimilation et d'excrétion ; par elles il transforme sans cesse en sa propre substance les molécules des corps voisins, et rejette ensuite ces molécules, lorsqu'elles lui sont devenues hétérogènes. Il ne vit qu'en lui, par cette classe de fonctions ; par l'autre il existe hors de lui : il est l'habitant du monde, et non, comme le végétal, du lieu qui le vit naître. Il sent et aperçoit ce qui l'entoure, réfléchit ses sensations, se meut volontairement d'après leur influenc, et le plus souvent peut communiquer par la voix, ses désirs et ses craintes, ses plaisirs ou ses peines. J'appelle vie organique l'ensemble des fonctions de la première classe, parce que tous les êtres organisés, végétaux ou animaux, en jouissent à un degré plus ou moins marqué, et que la texture organique est la seule condition nécessaire à son exercice. Les fonctions réunies de la seconde classe forment la vie animale, ainsi nommée, parce qu'elle est l'attribut exclusif du règne animal. Recherches Physiologiques sur la Vie et la Mort (1800) Translation: [Russell, E. S., Form and Function: A Contribution to the History of Animal Morphology, 1916, London, 28,

https://archive.org/details/formfunctioncont00russ/page/n5/mode/2up]

Ref: en.wikiquote.org - Xavier Bichat / Quotes

Thomas Fuller (writer) photo

“3769. One may as much miss the Mark, by aiming too high, as too low.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Edgar Rice Burroughs photo

“Tarzan of the Apes had decided to mark his evolution from the lower orders in every possible manner, and nothing seemed to him a more distinguishing badge of manhood than ornaments and clothing.
To this end, therefore, he collected the various arm and leg ornaments he had taken from the black warriors who had succumbed to his swift and silent noose, and donned them all after the way he had seen them worn.
About his neck hung the golden chain from which depended the diamond encrusted locket of his mother, the Lady Alice. At his back was a quiver of arrows slung from a leathern shoulder belt, another piece of loot from some vanquished black.
About his waist was a belt of tiny strips of rawhide fashioned by himself as a support for the home-made scabbard in which hung his father's hunting knife. The long bow which had been Kulonga's hung over his left shoulder.
The young Lord Greystoke was indeed a strange and war-like figure, his mass of black hair falling to his shoulders behind and cut with his hunting knife to a rude bang upon his forehead, that it might not fall before his eyes.
His straight and perfect figure, muscled as the best of the ancient Roman gladiators must have been muscled, and yet with the soft and sinuous curves of a Greek god, told at a glance the wondrous combination of enormous strength with suppleness and speed.”

Source: Tarzan of the Apes (1912), Ch. 13 : His Own Kind

Charles Dickens photo
Alexander H. Stephens photo
Yehudi Menuhin photo
Aamir Khan photo
Jim Garrison photo
Siegfried Sassoon photo

“Deep in my morning time he made his mark
And still he comes uncalled to be my guide
In devastated regions
When the brain has lost its bearings in the dark
And broken in it’s body’s pride
In the long campaign to which it had sworn allegiance.”

Siegfried Sassoon (1886–1967) English poet, diarist and memoirist

Source: Collected Poems (1949), Revisitation, Lines from a draft version of "Revisitation" omitted from final version.

L. Frank Baum photo
Anthony Burgess photo

“How can slaves be sent by Allah? You all have hairless faces, the mark of the bondman.”

Anthony Burgess (1917–1993) English writer

Fiction, Napoleon Symphony (1974)

John Davidson photo
Hayley Jensen photo

“Mark: That was the best you could do.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 5

David Attenborough photo
Justin Trudeau photo

“I am proud of what I have accomplished, especially while serving as chief justice, at the time I joined the court, it was marked by acrimony. When I became chief justice, we proved that good people who may differ in their opinions can come together and accomplish important things for the people we serve – and we do it amicably.”

Justice Young leaving Michigan Supreme Court for Detroit law firm job http://www.freep.com/story/news/local/michigan/2017/03/29/justice-young-leaving-michigan-supreme-court-detroit-law-firm-job/99772568/ (March 29, 2017)

James Baker photo
Izaak Walton photo
Sigitas Tamkevičius photo
Dorothy Parker photo

“And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader fwowed up.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Her "Constant Reader" book review of The House at Pooh Corner by A. A. Milne, in The New Yorker (20 October 1928) http://www.newyorker.com/magazine/1928/10/20/reading-and-writing-27

Geert Wilders photo
Peter Medawar photo

“The similarity between them is not the taxonomic key to some other, deeper, affinity, and our recognizing its existence marks the end, not the inauguration, of a train of thought.”

Peter Medawar (1915–1987) scientist

In ‘Herbert Spencer and the Law of General Evolution’. Spencer Lecture, Oxford, 1963: reprinted in Medawar, P. B. (1967). The Art of the Soluble. Methuen, London. pp. 37-58.
1960s

Luther Burbank photo
John Betjeman photo

“One mark of good verse is surprise.”

John Betjeman (1906–1984) English poet, writer and broadcaster

Radio Talk. BBC Radio 4 (2 August 1978)

“[T]he only mark-to-market thing in politics is Election Day; everything else is hot air.”

Mike Murphy (political consultant) (1962) American political consultant

2010s, 2018, Interview with Bill Kristol (2018)

Samuel Pepys photo
Anton Chekhov photo
Everett Dean Martin photo
Paul Krugman photo

“When the economy is in a depression, scarcity ceases to rule. Productive resources sit idle, so that it is possible to have more of some things without having less of others; free lunches are all around. As a result, all the usual rules of economics are stood on their head; we enter a looking-glass world in which virtue is vice and prudence is folly. Thrift hurts our future prospects; sound money makes us poorer. Moreover, that's the kind of world we have been living in for the past several years, which means that it is a kind of world that students should understand. […] Depression economics is marked by paradoxes, in which seemingly virtuous actions have perverse, harmful effects. Two paradoxes in particular stand out: the paradox of thrift, in which the attempt to save more actually leads to the nation as a whole saving less, and the less-well-known paradox of flexibility, in which the willingness of workers to protect their jobs by accepting lower wages actually reduces total employment. […] In times of depression, the rules are different. Conventionally sound policy – balanced budgets, a firm commitment to price stability – helps to keep the economy depressed. Once again, this is not normal. Most of the time we are not in a depression. But sometimes we are – and 2013, when this chapter was written, was one of those times.”

Paul Krugman (1953) American economist

“Depressions are Different”, in Robert M. Solow, ed. Economics for the Curious: Inside the Minds of 12 Nobel Laureates. 2014.

Rudyard Kipling photo

“We have fed our sea for a thousand years
And she calls us, still unfed,
Though there's never a wave of all her waves
But marks our English dead.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Song of the Dead http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/volumeXI/songdead.html, II, Stanza 1 (1896).
The Seven Seas (1896)

Tim Powers photo
Lee Child photo
George Bernard Shaw photo

“A critic recently described me, with deadly acuteness, as having 'a kindly dislike of my fellow-creatures.' Perhaps dread would have been nearer the mark than dislike; for man is the only animal of which I am thoroughly and cravenly afraid.”

George Bernard Shaw (1856–1950) Irish playwright

As quoted in George Bernard Shaw, his life and works: a critical biography (authorised), Archibald Henderson, Stewart & Kidd (1911), Chapter VII (The Art Critic), pp. 201-202
1910s

Hayley Jensen photo

“Mark: I constantly admire your strength but I don't know - I heard pitching problems.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 7

Phillip Guston photo
Michelle Obama photo
Geert Wilders photo
Kurt Schuschnigg photo
Jerome Frank photo
Pope Benedict XVI photo

“[The atheist believes] a world marked by so much injustice, innocent suffering, and cynicism of power cannot be the work of a good God.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

Encyclical Letter Spe Salvi of the Supreme Pontiff Benedict XVI to the Bishops Priests and Deacons Men and Women Religious and All the Lay Faithful On Christian Hope, 30 November 2007
2007

Michel Foucault photo
Pierre Louis Maupertuis photo

“We cannot doubt that all things are regulated by a supreme Being, who, while he has imprinted on matter forces which show his power, has destined it to execute effects which mark his wisdom… Let us calculate the motion of bodies, but let us also consult the designs of the Intelligence which makes them move.”

Pierre Louis Maupertuis (1698–1759) French mathematician, philosopher and man of letters

Les Oeuvres De Mr. De Maupertuis (1752) vol. iv p. 22; as quoted by Philip Edward Bertrand Jourdain, The Principle of Least Action (1913) p. 6.

Harry V. Jaffa photo
Felix Frankfurter photo

“The mark of a truly civilized man is confidence in the strength and security derived from the inquiring mind.”

Felix Frankfurter (1882–1965) American judge

Dennis v. United States, 241 U.S. 494, 556 (1951).
Judicial opinions

Mickey Spillane photo
Octave Mirbeau photo
Isaac Watts photo
Jean Froissart photo

“This greyhound Math left the King and went to the Duke of Lancaster, showing him all the marks of affection which he used to show to the King. He placed his forepaws on his shoulders and began to lick his face. The Duke of Lancaster, who had never seen the dog before, asked the King: "What does this greyhound want?"…"The dog is hailing and honouring you today as the King of England which you will be, while I shall be deposed."”

Jean Froissart (1337–1405) French writer

Ce lévrier nommé Blemach…laissa le roy et s'en vint tout droit au duc de Lancastre, et luy fist toutes les contenances telles que en devant il faisoit au roy Richart, et luy assist ses deux pies sus les epaules et le commença moult grandement à conjouir. Adont le duc de Lancastre qui point ne congnoissoit le lévrier, demanda au roy et dist: "Mais que veult ce lévrier faire?"…"Cestuy lévrier vous recueille et festoie aujourd'huy comme roy d'Angleterre que vous serés, et j'en seray déposé."
Book 4, p. 453.
Chroniques (1369–1400)

Jim Gaffigan photo

“Of course what makes breakfast in bed so special is you're lying down and eating bacon, the most beautiful thing on Earth. Bacon's the best, even the frying of bacon sounds like an applause. (sizzling sounds) YEAAAA BACON!!!! You wanna hear how good bacon is? To improve other food they wrap it in bacon. If it wasn't for bacon we wouldn't even know what a water chestnut is. "Thank you bacon. Sincerely, Water Chestnut the third". And those bits of bacon, bits of bacon are like the fairy dust of the food community. "you don't want this baked potato," bbbrrriinnnggg! it's now your favorite part of the meal. "not interested in a salad?" bippady boppidy bacon! Just turned it into an entre. And once you put bacon into a salad it's no longer a salad, it just becomes a game of find the bacon in the lettuce. It's like you're panning for gold, hmmmmm, EUREKA! bacon! not many ways to prepare bacon, you can either fry it or get botulism. It's amazing the shrinkage that occurs. You start with a pound you end up with a book mark. You know the only bad part about bacon is it makes you thirsty… for more bacon! I never feel like I get enough bacon. at breakfast it's like they're rationalizing it. "Here's your two strips of bacon." "But I want more! More bacon!" Whenever you're at a brunch buffet and you see that metal tray filled with the four thousand strips of bacon, don't you almost expect a rainbow to be coming out of it? "I found it I found the source of all bacon!"”

Jim Gaffigan (1966) comedian, actor, author

That bacon tray is always at the end of the buffet, you always regret all the stuff on your plate. "What am I doing with all this worthless fruit? I should have waited! If I had known you were here I would've waited...."
King Baby

Margaret Sanger photo

“I think the greatest sin in the world is bringing children into the world that have disease from their parents, that have no chance to be a human being, practically. Delinquents, prisoners, all sorts of things just marked when they're born. That to me is the greatest sin — that people can — can commit.”

Margaret Sanger (1879–1966) American birth control activist, educator and nurse

The Mike Wallace Interview (ABC) http://www.hrc.utexas.edu/multimedia/video/2008/wallace/sanger_margaret_t.html,
Posed question: "Do you believe in sin — When I say "believe" I don't mean believe in committing sin, do you believe there is such a thing as a sin

Camille Pissarro photo
John Calvin photo
Kage Baker photo
James Macpherson photo
William Cullen Bryant photo

“But ’neath yon crimson tree
Lover to listening maid might breathe his flame,
Nor mark, within its roseate canopy,
Her blush of maiden shame.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

Autumn Woods. Reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Attributed

Adam Gopnik photo
Edward Gibbon photo

“The reign of Antoninus is marked by the rare advantage of furnishing very few materials for history, which is indeed little more than the register of the crimes, follies, and misfortunes of mankind.”

Edward Gibbon (1737–1794) English historian and Member of Parliament

Vol. 1, Chap. 3. Compare: "L'histoire n'est que le tableau des crimes et des malheurs" (translated: "History is but the record of crimes and misfortunes"), Voltaire, L'Ingénu, chap. x.
The Decline And Fall Of The Roman Empire: Volume 1 (1776)

Alan Bennett photo
William Ewart Gladstone photo
Henry Clay photo
Carl Sagan photo

“Superstition is marked not by its pretension to a body of knowledge but by its method of seeking truth.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

Mark Heard photo
Samuel Johnson photo
Bob Dylan photo

“Disillusioned words like bullets bark
As human gods aim for their mark
Make everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much is really sacred”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)

Nat Turner photo
Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955