Quotes about marble (172 quotes, page 2)

“Its decadence, satiety, and languor [of Roman civilization] interested me. And I kept looking and returning to their wall paintings with their veiled melancholy and their elegant plasticity. I admired the way they used their geology in their art — the sense of mineral, clay. rock, marble, and stone.”

William Baziotes (1912–1963) American painter

from his letter to Alfred H. Barr, Jr. 6 November, 1955; as cited in the text of 'The Baziotes Memorial Exhibition' and its accompanying catalogue by Lawrence Alloway; Solomon R. Guggenheim Museum 1965, p. 11
1950s

Art , Way , Sense , Painting

“I choose a block of marble and chop off whatever I do not need.”

Auguste Rodin (1840–1917) French sculptor

Attributed to Rodin in: Naum Ya. Vilenkin (1958). Stories about Sets, p. 125
1950s-1990s

“And the cold marble leapt to life a god.”

Henry Hart Milman (1791–1868) English historian and churchman

The Belvedere Apollo, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Life , God

“Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts.”

Thomas Pynchon book Gravity's Rainbow

Gravity's Rainbow (1973)

Life

“Even the last scintillating assembly of the leaders of the Reich could scarcely distract me from my cares. That was the gala celebration of Goering's birthday on January 12, 1944, which he held at Karinhall. We all came with expensive presents, such as Goering expected: cigars from Holland, gold bars from the Balkans, valuable paintings and sculptures. Goering had let me know that he would like to have a marble bust of Hitler, more than life size, by Breker. The overladen gift table had been set up in the big library. Goering displayed it to his guests and spread out on it the building plans his architect had prepared for his birthday. Goering's palace-like residence was to be more than doubled in size. At the magnificently set table in the luxurious dining room flunkies in white livery served a somewhat austere meal, in keeping with the conditions of the time. Funk, as he did every year, delivered the birthday speech at the banquet. He lauded Goering's abilities, qualities, and dignities and offered the toast to him as "one of the greatest Germans."”

Albert Speer (1905–1981) German architect, Minister of Armaments and War Production for Nazi Germany

Funk's extravagant words contrasted grotesquely with the actual situation. The whole thing was a ghostly celebration taking place against a background of collapse and ruin.
Source: Inside the Third Reich: Memoirs (1970), p. 322

Life , Birthday , Time , Painting

“[Footnote:] Other foolish birds include the Semipalmated Plover, the Marbled Godwit, the Carolina Mosshead, the Tasmanian Googlenose and the Fool Hen or Franklin Grouse of the Rockies.”

Will Cuppy (1884–1949) American writer

The Dotterel
How to Tell Your Friends from the Apes (1931)

Fools , Bird

“Life is made up of marble and mud.”

Nathaniel Hawthorne book The House of the Seven Gables

Source: The House of the Seven Gables (1851), Ch. II : The Little Shop-Window

Life

“What sculpture is to a block of marble, education is to the human soul.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 215 (6 November 1711).
The Spectator (1711–1714)

Graduation , Teachers' Day , Education , Soul

“The staircase that leads to God. What does it matter if it is make-believe, if we really climb it? What difference does it make who builds it, or if it is made of marble or word, of brick, stone, or mud? The essential thing is that it be solid and that in climbing it we feel the peace that is inaccessible to those who do not climb it.”

Joseph Joubert (1754–1824) French moralist and essayist

God , Peace , Feeling

“Either I am going mad, or this country has lost its marbles, especially when it comes to our legal system. Listen to this. A child murderer had been awarded compensation because the food in jail did not cater for his Islamic beliefs — it was not halal. Halal food bans pork, and all other animals must be slaughtered in a certain way. I didn't know you had to kill cabbages. The baby killer is a Muslim. For four months, in the Maryborough Correctional Centre, he was fed a vegetarian diet. He complained to QCAT (the Queensland Civil and Administrative Tribunal), and he got $3000. When I tell you what this callous bastard did, I think you'll agree he's lucky to even get bread and water. In some countries, he wouldn't still be alive to even get a meal. Raymond Akhtar Ali ran an halal butcher's shop. He was married, but started having an affair with a 22-year-old employee, Amanda Blackwell. The Supreme Court was told she become his "sex slave"; he got her pregnant. When the baby was born in secret, this devout Muslim killed the child, and the butcher, butchered the baby. The dismemebered body was buried throughout his house. In 2000, Ali was sentenced to life imprisonment. And this killer, due for parole next year, had the audacity to complain about the jail food. So he was fed vegetables. So what? This is a sick joke.”

Derryn Hinch (1944) New Zealand–Australian media personality

Today Tonight, 15 August 2013.

Life , Secret , Food , Sex

“We cannot avoid moodiness; but we may turn to account, as does the poet, the various dispositions of the mind, or give them form and shape, as the sculptor his marble.”

Ernst, Baron von Feuchtersleben (1806–1849) Austrian psychiatrist, poet and philosopher

The Dietetics of the Soul; Or, True Mental Discipline (1838)

“And I learned very early [Josef Albers was then ten years old] how to make imitation of wood grain. This is something I have in common with Georges Braque. Braque also learned very early from his father how to imitate marble or wood grain. So I could easily make the appearance of oak or walnut on pine. That is very easy; a very simple technique. And I learned how to imitate marble. I never made such a good joke as Braque did. When he was in the Mediterranean he fooled his friends. He painted a rowboat that had wood on one side and marble on the other side. You see, when he'd row out of the city it looked as if he were in a boat of a different material than when he came back, you see, one side was imitation wood and the other side was imitation marble.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Fools , Learning , Appearance , Painting

“Above them,
parades mark the passing of days
through parks where pale colonnades arch
in marble and steel,
where all of the Twenty Thousand attending your foot fall
(and the Cause that they died for)
are lost in the idling birdcalls,
and the records they left are cryptic at best,
lost in obsolescence”

Joanna Newsom (1982) American musician

Sapokanikan
Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

“As when, O lady mine,
With chiseled touch
The stone unhewn and cold
Becomes a living mold,
The more the marble wastes,
The more the statue grows.”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

Sonnet addressed to Vittoria Colonna; tr. Mrs. Henry Roscoe (Maria Fletcher Roscoe), Vittoria Colonna: Her Life and Poems (1868), p. 169.

“A chance remark by Ardini, an Italian master carver whom I met there [in Rome], that 'marble changes colour under different people's hands' made me decide immediately that it was not dominance which one had to attain over material, but an understanding, almost a kind of persuasion, and above all greater co-ordination between head and hand. This thought has recurred again and again ever since - and has developed my greatest interests; the reason why people both move differently and stand differently in direct response to changed surroundings; the unconscious grouping of people when they are working together, producing a spatial movement which approximates to the structure of spirals in shells or rhythms in crystal structure; the meaning of the spaces between forms, or the shape of the displacement of forms in space, which in themselves have a most precise significance. All these responses spring from a factual and tactile approach to the object.”

Barbara Hepworth (1903–1975) English sculptor

Extract from Barbara Hepworth: Carvings and Drawings, (from Chapter 1: The excitement of discovering the nature of carving, 1903-1930), with an introduction by Herbert Read, London, 1952
1947 - 1960

People , Spring , Understanding , Change

“I'm not going to vote. I won't vote for a Catholic and I won't vote for a damned Republican. Maybe I've said that before. My ancestors were all Catholic and not very far back. And I have reason to hate the church.
I feel a curious kinship, though, with the Middle Ages. I have been more successful in selling tales laid in that period of time, than in any other. Truth it was an epoch for strange writers. Witches and werewolves, alchemists and necromancers, haunted the brains of those strange savage people, barbaric children that they were, and the only thing which was never believed was the truth. Those sons of the old pagan tribes were wrought upon by priest and monk, and they brought all their demons from their mythology and accepted all the demons of the new creed also, turning their old gods into devils. The slight knowledge which filtered through the monastaries from the ancient sources of decayed Greece and fallen Rome, was so distorted and perverted that by the time it reached the people, it resembled some monstrous legend. And the vague minded savages further garbed it in heathen garments. Oh, a brave time, by Satan! Any smooth rogue could swindle his way through life, as he can today, but then there was pageantry and high illusion and vanity, and the beloved tinsel of glory without which life is not worth living.
I hate the devotees of great wealth but I enjoy seeing the splendor that wealth can buy. And if I were wealthy, I'd live in a place with marble walls and marble floors, lapis lazulis ceilings and cloth-of-gold and I would have silver fountains in the courts, flinging an everlasting sheen of sparkling water in the air. Soft low music should breathe forever through the rooms and slim tigerish girls should glide through on softly falling feet, serving all the wants of me and my guests; girls with white bare limbs like molten gold and soft dreamy eyes.”

Robert E. Howard (1906–1936) American author

From a letter to Harold Preece (received October 20, 1928)
Letters

Life , God , Hate , Children

“You should stay away from your potential. I mean, that is something you should leave absolutely alone! You’ll mess it up! It’s potential, leave it! And anyway, it’s like your bank balance, you know: you always have much less than you think. […] Leave it as the locked door within yourself and then at least, in your mind, the interior will always be palatial. Wonderful gleaming marble floors, brocaded drapes. Mullioned windows, covered in mullions, whatever they are. Flamingos serving drinks. Pianos shooting out canapés into the mouths of elegant men and women who are exchanging witticisms… "Oh yes, this reminds me of the time I was in BudaPESHT with Binky… We were trying to steal a goose from the casino, muahahaha…" But it wont be like that[…] You don't want to find out that the most you could possibly achieve, if you gave it your all, if you harvested every screed of energy within you, and devoted yourself to improving yourself, that all you would get to, would be maybe eating less cheesy snacks.”

Dylan Moran (1971) Irish actor and comedian

Monster (2004)

Women , Men , Drink , Thinking

“Although no sculptured marble should rise to their memory, nor engraved stone bear record of their deeds, yet will their remembrance be as lasting as the land they honored.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Source: Discourse in Commemoration of Adams and Jefferson (1826), p. 146

Memory

“How wonderful the Doges' palace is! That pink and white marble must have been a bit cold at first, but it was magical for me, seeing it gilded by several centuries of sunlight! And the basilica of San Marco! That was what converted me from those cold Italian Renaissance churches.... as soon as one goes into San Marco one feels one is in a real place of worship – that gentle filtered light and those magnificent mosaics and the great Byzantine Christ with the grey aureole! If one hasn't been in San Marco it is impossible to imagine the beauty of heavy pillars and columns without any moulding!”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: 1880's, Renoir – his life and work, 1975, p. 161-162 : (1882), in a letter to Vollard

Beauty , Feeling , Imagination , Light

“Yes, the work comes out more fair,
From a form that rebels against
Handling,
Verse, marble, onyx, enamel.”

Théophile Gautier (1811–1872) French writer

Oui, l'œuvre sort plus belle
D'une forme au travail
Rebelle,
Vers, marbre, onyx, émail.
"L'Art", line 1, in Émaux et Camées (1852; Genève: Librairie Droz, 1947) p. 130; Earl Jeffrey Richards (ed.) Christine de Pizan and Medieval French Lyric (Gainesville: University Press of Florida, 1998) p. 32.

““Your frontier ethics are so rawboned, Miss Edwards, as rough-hewn and clumsy as the log cabin in which you must have been raised.” Mrs. Stanton’s face was like marble as she spoke; only her lips moved with ugly precision. “Decency is striving for perfection in a world in which every other hoglike creature satisfies himself with sloppiness and indulgence. Decency is not in failing to murder someone. It’s in murdering the right person, and sparing your family the indignity of getting caught.””

M. K. Hobson (1969) American writer

Source: The Hidden Goddess (2011), Chapter 13, “Red Hand, Gold-Colored Eye” (pp. 221-222)

World , Family , Personality , Perfection

“I became aware that in Hank's recorded songs were the archetype rules of poetic songwriting. The architectural forms are like marble pillars and they had to be there. Even his words - all of the syllables are divided up so they make perfect mathematical sense. You can learn a lot about the structure of songwriting by listening to his records.”

Hank Williams (1923–1953) American country music singer

Bob Dylan, Chronicles: Volume One (2004)
About

Mathematics , Sense , Learning , Perfection

“…. People think that when you get saved, you're crazy. Did you ever wonder why? What would you think if you were standing beside the road and you saw the local Baptist church go by in pieces? Would you think they had all their marbles, huh? Would you think they had both oars in the water, huh? Huh? Wouldn't you think that maybe their porchlight was out?”

Mike Warnke (1946) Evangelical Christian minister

Growing Up (album) (1983)

People , Thinking , Water

“Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life... The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.”

Eugène Delacroix (1798–1863) French painter

15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Life , Men , Art , Color

“For other peoples will, I do not doubt,
still cast their bronze to breathe with softer features,
or draw out of the marble living lines,
plead causes better, trace the ways of heaven
with wands and tell the rising constellations;
but yours will be the rulership of nations,
remember Roman, these will be your arts:
to teach the ways of peace to those you conquer,
to spare defeated peoples, tame the proud.”

Allen Mandelbaum (1926–2011) American poet and professor of literature, translator from Latin and Italian

Book VI, lines 1129–1137
The Aeneid of Virgil (1971)

People , Peace , Art , Way

“I dream of cloisters of marble
where in divine silence
the heroes, standing, rest;
at night, in light of the soul,
I speak with them: at night!
They are in a row: I walk
among the rows: the stone hands
I kiss them;
the stone eyes open;
the stone lips move;
the stone beards tremble;
they seize the sword of stone; they cry:
place the sword in the sheath!
Mute, I kiss their hand.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Sueño con claustros de mármol
donde en silencio divino
los héroes, de pie, reposan;
¡de noche, a la luz del alma,
hablo con ellos: de noche!
Están en fila: paseo
entre las filas: las manos
de piedra les beso: abren
los ojos de piedra: mueven
los labios de piedra: tiemblan
las barbas de piedra: empuñan
la espada de piedra: lloran:
¡viba la espade en la vaina!
Mudo, les beso la mano.
Simple Verses (1891), I dream of cloisters of marble

Dreams , Soul , Kiss , Light

“The gravitational repulsion created by this small patch of repulsive gravity material would be, then, the driving force of the Big Bang and it would cause the region to undergo exponential expansion… there is a certain doubling time, and if you wait the same amount of time it doubles again, and if you wait the same amount of time it doubles again… and it's because these doublings build up so dramatically, it doesn't take very much time to build the whole universe. In about 100 doublings this tiny patch of 10-28 cm can become large enough, not to be the universe, but to be a small marble-sized region which will then ultimately become the observed universe, as it continues to coast outward after inflation ends.”

Alan Guth (1947) American theoretical physicist and cosmologist

Lecture 1: Inflationary Cosmology: Is Our Universe Part of a Multiverse? Part I
The Early Universe (2012)

Universe , Time , Waiting

“Mr. Trent puzzled him. He seemed friendly, like he really wanted to help find out who had murdered Alicia, wanted to help Jason remember what had really happened that day, but at the same time there was something strange about his questions. Jason used the word strange for want of a better word. He couldn't figure Trent out or what he wanted Jason to say. Sometimes he seemed unfriendly, like Jason had done something wrong, had broken a rule, a rule Jason didn't even know about. And those eyes of his. Like black marbles but alive, that didn't blink very much, that seemed to look right into your brain.”

Robert Cormier book The Rag and Bone Shop

Source: The Rag and Bone Shop (2000), p. 98

Question , Time , Help

“The mossy marbles rest
On the lips that he has prest
In their bloom;
And the names he loved to hear
Have been carved for many a year
On the tomb.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The last Leaf; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Love

“To find the directions and quarters of the winds your method of procedure should be as follows. In the middle of the city place a marble amussium, laying it true by the level, or else let the spot be made so true by means of rule and level that no amussium is necessary. In the very center of that spot set up a bronze gnomon or "shadow tracker." At about the fifth hour in the morning, take the end of the shadow cast by this gnomon, and mark it with a point. Then, opening your compasses to this point which marks the length of the gnomon's shadow, describe a circle from the center. In the afternoon watch the shadow of your gnomon as it lengthens, and when it once more touches the circumference of this circle and the shadow in the afternoon is equal in length to that of the morning, mark it with a point. From these two points describe with your compasses intersecting arcs and through their intersection and the centre let a line be drawn to the circumference of the circle to give us the quarters of south and north…. and thus we have designed a figure equally apportioned among the eight winds.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 5-7

“Mahmood having reached Tahnesur before the Hindoos had time to take measures for its defence, the city was plundered, the idols broken, and the idol Jugsom was sent to Ghizny to be trodden under foot…Mahmood having refreshed his troops, and understanding that at some distance stood the rich city of Mutra [Mathura], consecrated to Krishn-Vasdew, whom the Hindoos venerate as an emanation of God, directed his march thither and entering it with little opposition from the troops of the Raja of Delhy, to whom it belonged, gave it up to plunder. He broke down or burned all the idols, and amassed a vast quantity of gold and silver, of which the idols were mostly composed. He would have destroyed the temples also, but he found the labour would have been excessive; while some say that he was averted from his purpose by their admirable beauty. He certainly extravagantly extolled the magnificence of the buildings and city in a letter to the governor of Ghizny, in which the following passage occurs: "There are here a thousand edifices as firm as the faith of the faithful; most of them of marble, besides innumerable temples; nor is it likely that this city has attained its present condition but at the expense of many millions of deenars, nor could such another be constructed under a period of two centuries."…The King tarried in Mutra 20 days; in which time the city suffered greatly from fire, beside the damage it sustained by being pillaged. At length he continued his march along the course of a stream on whose banks were seven strong fortifications, all of which fell in succession: there were also discovered some very ancient temples, which, according to the Hindoos, had existed for 4000 years. Having sacked these temples and forts, the troops were led against the fort of Munj…The King, on his return, ordered a magnificent mosque to be built of marble and granite, of such beauty as struck every beholder with astonishment, and furnished it with rich carpets, and with candelabras and other ornaments of silver and gold. This mosque was universally known by the name of the Celestial Bride. In its neighbourhood the King founded an university, supplied with a vast collection of curious books in various languages. It contained also a museum of natural curiosities. For the maintenance of this establishment he appropriated a large sum of money, besides a sufficient fund for the maintenance of the students, and proper persons to instruct youth in the arts and sciences…The King, in the year AH 410 (AD 1019), caused an account of his exploits to be written and sent to the Caliph, who ordered it to be read to the people of Bagdad, making a great festival upon the occasion, expressive of his joy at the propagation of the faith.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

Money , God , People , Books

“If a man has done evil in his life, he must not be complimented in marble.”

Charles Sumner (1811–1874) American abolitionist and politician

As quoted in Simon, James F., Lincoln and Chief Justice Taney (2006), Simon and Schuster, p. 268.

Life , Evil

“His cheek was pale as marble, and as cold;
But his lip trembled not, and his dark eyes
Glanced proudly round. But when they bared his breast
For the death-shot, and took a portrait thence,
He clenched his hands, and gasped, and one deep sob
Of agony burst from him; and he hid
His face awhile—his mother's look was there.
He could not steel his soul when he recalled
The bitterness of her despair. It passed—
That moment of wild anguish; he knelt down;
That sunbeam shed its glory over one,
Young, proud, and brave, nerved in deep energy;
The next fell over cold and bloody clay....”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Deserter from The London Literary Gazette (8th June 1822) Poetic Sketches. Second Series - Sketch the Sixth
The Improvisatrice (1824)

Death , Soul , Despair

“One murmurs soft and low a woman's name;
And here a vet'ran soldier calm and still
As sculptured marble sleeps, and roams at will
Through eastern lands where sunbeams scorch like flame,
By rich bazaar and town, and wood-wrapt snow-crowned hill.”

Eva Dobell (1876–1963) British poet

Unsourced, Night Duty

Sleep

“There's a one-eyed yellow idol to the north of Khatmandu,
There's a little marble cross below the town,
There's a broken-hearted woman tends the grave of Mad Carew,
And the yellow god forever gazes down.”

J. Milton Hayes The Green Eye of the Yellow God

The Green Eye of the Yellow God (1911)

God , Heart , Madness

“The yielding marble of her snowy breast.”

Edmund Waller (1606–1687) English poet and politician

On a Lady passing through a Crowd of People; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men’s bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.”

Margaret Atwood book Morning in the Burned House

Morning in the Burned House (1995), The Loneliness of the Military Historian

Men , Sadness , Angels , Quotes

“As far as the game of marbles is concerned, there is therefore no contradiction between the egocentric practice of games and the mystical respect entertained for rules. This respect is the mark of a mentality fashioned, not by free cooperation between equals, but by adult constraint.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 1 : The Rules of the Game

Game , Fashion

“He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boogie of electricity- Available At Your Nearest Switch plate Or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nerdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too- Shower With A Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who's out there? you howled in the dark when you were all frightened and all alone, and it was his answer that came back: Don't be afraid, it's just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let's go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar cast of the fingernails following asphyxiation- in its final grim struggle to survive the brain takes all oxygen that is left, even that in those living cells under the nails. Hi, folks, my name's Oz the Gweat and Tewwible, but you can call me Oz if you want- hell, we're old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can't stay, got to see a woman about a breech birth, then I've got a little smoke-inhalation job to do in Omaha.”

Stephen King Pet Sematary

Pet Sematary (1983)

Death , Food , Birth , Failure

“The marble was all burnt into perfect, snow-white lime. But on its surface, in the midst of the circle,—snow-white too, and thoroughly converted into lime,—lay a human skeleton, in the attitude of a person who, after long toil, lies down to long repose. Within the ribs—strange to say—was the shape of a human heart.
"Was the fellow's heart made of marble?" cried Bertram…
"At any rate, it is burnt into what looks like a special good lime… my kiln is half a bushel the richer for him."…
[T]he rude lime-burner lifted his pole, and, letting it fall upon the skeleton, the relics of Ethan Brand were crumbled into fragments.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

Heart , Personality , Perfection

“I dreamt that I dwelt in marble halls,
With vassals and serfs at my side.”

Alfred Bunn (1796–1860) British businessman, librettist

"I Dreamt I Dwelt In Marble Halls", The Bohemian Girl, Act 2 (1843), set to music by Michael William Balfe.

“A brackish reach of shoal off Madaket--
The sea was still breaking violently and night
Had steamed into our North Atlantic Fleet,
When the drowned sailor clutched the drag-net. Light
Flashed from his matted head and marble feet,
He grappled at the net
With the coiled, hurdling muscles of his thighs:
The corpse was bloodless, a botch of reds and whites,
Its open, staring eyes
Were lustreless dead-lights
Or cabin-windows on a stranded hulk
Heavy with sand.”

Robert Lowell (1917–1977) Poet

Poem: The Quaker Graveyard in Nantucket http://www.english.uiuc.edu/maps/poets/g_l/lowell/onlinepoems.htm

Light , Sea , Night , Dead

“Poets that lasting marble seek
Must come in Latin or in Greek.”

Edmund Waller (1606–1687) English poet and politician

Of English Verse (1668).
Poetical Works of Edmund Waller and Sir John Denham (1857)

“In the making both of lace and of statues, the remuneration to the artists can only be reduced by producing a larger number of them through more extended education. The expense of the raw material is small in both. The expense of labour in lacemaking is very large, and it is perhaps considerable also in sculpture. The discovery of more convenient localities yielding marble, may make some diminution in its cost; and the improved manufacture of thread may slightly reduce the price of lace. A reduction in the price of labour may to a very moderate extent reduce the cost of the raw material of both. But it is evident that any very great reduction is not to be expected.
Let us now contrast this possible reduction with the past history of some industrial art. The plain lace made at Nottingham, called patent net, will supply us with a good example. In the year 1813 that lace was sold in the piece at the rate of 218. a-yard. At the present time lace of the same kind, but of a better quality, is sold under the same circumstances at 3d. per yard. Thus, in less than forty years the price of the industrial produce has diminished to one eighty-fourth part of its original price.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 51-52

Education , Art , History , Time

“Virgil is serene and lovely like a marble Apollo in the moonlight; Homer is a beautiful, animated youth in the full sunlight with the wind in his hair.”

Helen Keller book The Story of My Life

Source: The Story of My Life (1903), Ch. 21

Love , Youth , Beauty , Animals

“Without the hard little bits of marble which are called 'facts' or 'data' one cannot compose a mosaic; what matters, however, are not so much the individual bits, but the successive patterns into which you arrange them, then break them up and rearrange them.”

Arthur Koestler book The Act of Creation

The Act of Creation (1970).

Success

“A man may as well hew marble without tools, or paint without colors or instruments, or build without materials, as perform any acceptable service without the graces of the Spirit, which are both the materials and instruments in the work.”

Joseph Alleine (1634–1668) Pastor, author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 320.

Color , Painting

“I say if you have the urge to pursue this, do it, especially when you’re very young. If you don’t throw your marbles out and see what happens, for the rest of your life you’ll wonder what could have happened. And that can have negative effects on the rest of your life. Not necessarily devastating, but you’ll always have that nagging thing. When you go out like I did – I went from Arkansas to New York City – and if I had done that and spent five, 10 years trying to do it, I would either have been successful or I would have said, you know, I’m done with this. I gave it my shot. The only failure is not trying. And I encourage all young people, if you have any inkling whatsoever, that you can do this. At least try.”

Rodger Bumpass (1951) American character actor and voice actor

Rodger Bumpass is Squidward Tentacles http://georgiastatesignal.com/rodger-bumpass-is-squidward-tentacles/ (September 8, 2013)

Life , People , Failure , Success

“I went to the Rayburn Building the other day on trifling business. It was an appalling experience. I had forgotten how preposterous the thing is with its pretentious megatonnage of rock and steel spreading acre after acre down the slope of Capitol Hill in sullen defiance to eternity and man.
It dwarfs the forum of the Caesars. Mussolini would have wept in envy.
Inside, one is compelled to dwell upon the insignificance of humanity. Not a single tiny wisp of beauty, nothing that is graceful, or charming, or eccentric, or human presents itself to the senses. Trying to imagine Clay and Webster in this celebration to the death of the spirit, erected to the glory that was Congress, is an exercise in comic despair.
What do we have? Banks of stainless-steel elevators. Miracles of plumbing. Corridors of cemetery marble stretching to far horizons under the most artificial light millions of dollars can create, a light that abides no shadow, grants no privacy, tolerates nothing that is interesting in the slightest degree.
Occasionally a small figure appeared in the distance, grew larger, then larger, then assumed human proportion, then passed and became smaller, and smaller, and smaller. Two ants had passed in a pyramid.”

Russell Baker (1925–2019) writer and satirst from the United States

"Moods of Washington" (p.36)
So This Is Depravity (1980)

Death , Beauty , Exercises , Imagination

“A while she stood
Transformed by grief to marble, and appeared
Her own pale monument; but when she breathed
The secret anguish of her wounded soul,
So moving were the plaints! they would have soothed
The stooping falcon to suspend his flight,
And spare his morning prey.”

Elijah Fenton (1683–1730) British poet

Act III, Scene I, p. 25
Mariamne: A Tragedy (1723)

Secret , Soul , Appearance

“His monuments decay, and death comes even to his marbles and his names.”
Monumenta fatiscunt:<br/>mors etiam saxis nominibusque venit.

Ausonius (310–395) poet

Monumenta fatiscunt:
mors etiam saxis nominibusque venit.
"Epitaphia" 31: De Nomine Cuiusdam Lucii Sculpto in Marmore, line 10; translation from Hugh Gerard Evelyn White Ausonius ([1919-21] 1951) vol. 1, p. 159.

Death

“With orient pearl, with ruby red,
With marble white, with sapphire blue,
Her body every way is fed,
Yet soft in touch, and sweet in view:”

Thomas Lodge (1558–1625) English dramatist and writer

Poem, Rosalynde

Way

“To prevent Incitatus, his favourite horse, from being disturbed he always picketed the neighbourhood with troops on the day before the races, ordering them to enforce absolute silence. Incitatus owned a marble stable, an ivory stall, purple blankets, and a jewelled collar; also a house, a team of slaves, and furniture – to provide suitable entertainment for guests whom Gaius invited in its name. It is said that he even planned to award Incitatus a consulship.”
Incitato equo, cuius causa pridie circenses, ne inquietaretur, viciniae silentium per milites indicere solebat, praeter equile marmoreum et praesaepe eburneum praeterque purpurea tegumenta ac monilia e gemmis domum etiam et familiam et supellectilem dedit, quo lautius nomine eius invitati acciperentur; consulatum quoque traditur destinasse.

Sueton book The Twelve Caesars

Source: The Twelve Caesars, Gaius Caligula, Ch. 55

Silence , Horse , Housing

“The Acropolis – the spaces between the columns – the depth of flutings to touch – the breadth, weight and volume – the magnificence of a single marble bole up-ended -. The passionate warm colour of the marble and all-pervading philosophic proportion and space.”

Barbara Hepworth (1903–1975) English sculptor

1961 - 1975

Passion

“Stone-cutters fighting time with marble, you fore-defeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain.”

Robinson Jeffers (1887–1962) American poet

" To The Stone-Cutters http://www.tnellen.com/cybereng/poetry/stone.html" in Tamar and Other Poems (1924)

Time , Fight

“Amedahad being inhabited also by a great number of heathens, there are Pagods, or Idol-Temples it it. That which was called the Pagod of Santidas was the chief, before King Auranzeb converted it into a Mosque. When he performed that ceremony, he caused a cow to be killed in the place, knowing very well, that after such an action, the Gentiles according to their Law, could worship no more therein. All round the temple there is a cloyster furnished with lovely Cells, beautified with Figures of Marble in relief, representing naked Women sitting after the Oriental fashion. The inside Roof of the Mosque is pretty enough, and the Walls are full of the Figures of Men and Beasts; but Auranzeb, who hath always made a show of an affected Devotion, which at length raised him to the Throne, caused the Noses of all these Figures which added a great deal of Magnificence to that Mosque, to be beat off.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Indian Records Series Indian Travels Of Thevenot And Careri https://archive.org/stream/in.ernet.dli.2015.210583/2015.210583.Indian-Records_djvu.txt Cited in Harsh Narain, The Ayodhya Temple Mosque Dispute: Focus on Muslim Sources, Appendix VI

Love , Women , Men , Law

“At length I saw a lady within call,
Stiller than chisell'd marble, standing there;
A daughter of the gods, divinely tall,
And most divinely fair.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

"A Dream of Fair Women", st. 22

God , Daughters

“The discussion of the game of marbles seems to have led us into rather deep waters. But in the eyes of children the history of the game of marbles has quite as much importance as the history of religion or of forms of government.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism 
Context: The discussion of the game of marbles seems to have led us into rather deep waters. But in the eyes of children the history of the game of marbles has quite as much importance as the history of religion or of forms of government. It Is a history, moreover, that is magnificently spontaneous; and it was therefore perhaps not entirely useless to seek to throw light on the child's judgment of moral value by a preliminary study of the social behaviour of children amongst themselves.

Children , Religion , History , Game

“It is somewhat humiliating, in this connection, to see how heavily traditional education sets about the task of making spelling enter into brains that assimilate with such ease the mnemonic contents of the game of marbles. But then, memory is dependent upon activity, and a real activity presupposes interest.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 1 : The Rules of the Game
Context: Considering that the square game is only one of the five or ten varieties of the game of marbles, it is almost alarming in face of the complexity of rules and procedure in the square game, to think of what a child of twelve has to store away in his memory. These rules, with their overlapping and their exceptions, are at least as complex as the current rules of spelling. It is somewhat humiliating, in this connection, to see how heavily traditional education sets about the task of making spelling enter into brains that assimilate with such ease the mnemonic contents of the game of marbles. But then, memory is dependent upon activity, and a real activity presupposes interest.

Education , Game , Memory , Dependency

“Thou too art a Conqueror and Victor; but of the true sort, namely over the Devil: thou too hast built what will outlast all marble and metal, and be a wonder-bringing City of the Mind, a Temple and Seminary and Prophetic Mount, whereto all kindreds of the Earth will pilgrim.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. II, ch. 8.
1830s, Sartor Resartus (1833–1834)
Context: O thou who art able to write a Book, which once in the two centuries or oftener there is a man gifted to do, envy not him whom they name City-builder, and inexpressibly pity him whom they name Conqueror or City-burner! Thou too art a Conqueror and Victor; but of the true sort, namely over the Devil: thou too hast built what will outlast all marble and metal, and be a wonder-bringing City of the Mind, a Temple and Seminary and Prophetic Mount, whereto all kindreds of the Earth will pilgrim.

Art

“And where is now that palace gone,
All the magical skill'd stone,
All the dreaming towers wrought
By Love as if no more than thought
The unresisting marble was?
How could such a wonder pass?”

Lascelles Abercrombie (1881–1938) Poet, academic, literary critic

Emblems of Love (1912)
Context: And where is now that palace gone,
All the magical skill'd stone,
All the dreaming towers wrought
By Love as if no more than thought
The unresisting marble was?
How could such a wonder pass?
Ah, it was but built in vain
Against the stupid horns of Rome,
That pusht down into the common loam
The loveliness that shone in Spain.
But we have raised it up again!
A loftier palace, fairer far,
Is ours, and one that fears no war.
Safe in marvellous walls we are;
Wondering sense like builded fires,
High amazement of desires,
Delight and certainty of love,
Closing around, roofing above
Our unapproacht and perfect hour
Within the splendours of love's power.

Love , Dreams

“The living world is not a marble palace. It is a higgledy-piggledy outcome of natural selection and the competition between many interacting factors. The outcome is often neither elegant nor symmetrical.”

John D. Barrow (1952–2020) British scientist

New Theories of Everything (2007), Ch. 2, p. 18

World

“Oh, wonderful teacher! Oh, favored disciples! Oh, famous school — that built no marble halls, and collected no grand library, but turned all life into opportunity”

John Heyl Vincent (1832–1920) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 62.
Context: Oh, wonderful teacher! Oh, favored disciples! Oh, famous school — that built no marble halls, and collected no grand library, but turned all life into opportunity; made houses and streets and seaside and mountain-tops, places of discipline and recitation and delight! Oh, blest example — shining this day on the pages of history — our example, our dream, our desire!

Life , School , Teachers

“Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.”

Robert Frost (1874–1963) American poet

Directive (1947)
Context: Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you'll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry –
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there's a story in a book about it…

Loss , Time , Housing , Weather

“"SINN"
We are the anthems, trumpets
long-maned waves and roaring seas
we are the heavy columns of clouds
and eager sharp granite fangs

we are the yellow sands
that marble moon, grey dust
a stone’s shadow as hard as tears
of river streams and famine time

we boundless days, empty nights
blood on the threshold, iris of guns
hangman's ropes and trenches –
of gaping hollow graves”

Marcin Malek (1975) Polish writer

Notes: Originally written in English. „Sinn”: In Gaelic means "We". Poem was created in response to an appeal of fellow Irishman, who ask to wrote something in kind of Arthur O'Shaughnessy's "Ode", maintaining similar styling. (footnote from page 42)

Among the things (2012), Page 42, verse I-III.

Tear , Time , Sea , Night

“Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touched her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffered them to die.
O'ershading sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud a golden moon doth veil,
Its sides are tinged with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe. ”

John Keats (1795–1821) English Romantic poet

Sadness , Soul , Suffering

“Venetian Memories. Jane has agreed to have copied in her brain some of Paul’s memory-traces. After she recovers consciousness in the post-surgery room, she has a new set of vivid apparent memories. She seems to remember walking on the marble paving of a square, hearing the flapping of flying pigeons and the cries of gulls, and seeing light sparkling on green water. One apparent memory is very clear. She seems to remember looking across the water to an island, where a white Palladian church stood out brilliantly against a dark thundercloud.”

Derek Parfit book Reasons and Persons

Source: Reasons and Persons (1984), p. 220

Light , Water , Memory , Flying

“A thatched roof once covered free men; under marble and gold dwells slavery.”

Seneca the Younger book Epistulae morales ad Lucilium

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter XC: On the Part Played by Philosophy in the Progress of Man

Men

“Just now I'm painting a beautiful woman, smiling, burnt to a crisp, with feathers of all colors, held up by a small die of burning marble; the die is in turn held up by a little puff of smoke, churned and quite; in the sky there are asses with parrot-heads, grasses and beach sand, all about to explode, all clean, incredible objective..”

Salvador Dalí (1904–1989) Spanish artist

Quote in Dali's letter to his art-friend Lorca, 1927; as quoted in Surrealism and the Spanish Civil War, Robin Adèle Greeley, p. 67
Dali is striving then for a rational approach of his paintings; he is very probably referring to his painting, he made earlier in 1927: ' Little Ashes' https://upload.wikimedia.org/wikipedia/commons/b/b7/Little_Ashes.jpg
Quotes of Salvador Dali, 1920 - 1930

Painting , Smile , Beauty , Grass