Address at the Rameswaram Temple on Real Worship
Context: This is the gist of all worship — to be pure and to do good to others. He who sees Shiva in the poor, in the weak, and in the diseased, really worships Shiva; and if he sees Shiva only in the image, his worship is but preliminary. He who has served and helped one poor man seeing Shiva in him, without thinking of his caste, or creed, or race, or anything, with him Shiva is more pleased than with the man who sees Him only in temples.
Quotes about image
page 18
“The new electronic interdependence recreates the world in the image of a global village.”
The Gutenberg Galaxy (1962)
Context: The new electronic interdependence recreates the world in the image of a global village. (p. 36)
Preface
Cosmic Imagery: Key Images in the History of Science (2008)
“I make images of the living for the living. I try to celebrate life.”
Biographical profile
Official site
Context: I make images of the living for the living. I try to celebrate life. Iconic photographer Dorothea Lange, once said ‘I too have come to lend my voice to those least able to have a voice of their own.’ I agree.
Source: Pilgrim of the Absolute (1947), p. 36
The True Levellers Standard Advanced (1649)
Tãrîkh-i-Firishta by Firishta. Sultãn Shamsu’d-Dîn Iltutmish (AD 1210-1236) Ujjain (Madhya Pradesh)
“To Hosea, marriage is the image of the relationship of God and Israel. ... Idolatry is adultery.”
Volume 1, p. 50
The Prophets (1962)
Source: A Way to Be Free: The Autobiography of Robert LeFevre, Volume I, (1999), p. 137
Friedrich Wilhelm Schelling, On the History of Modern Philosophy (1833) [Translated from the German by Andrew Bowie]
S - Z
On observing Richard Chavez creating the UFW flag (as quoted in “Pioneering Chicano artist José Montoya dies” https://www.vidaenelvalle.com/news/article28206523.html in Vida en la Valle; 2013 Oct 3)
On adapting a literary masterpiece for the big screen in “Interview: Benjamin Bratt” https://www.cinemablend.com/new/Interview-Benjamin-Bratt-6673.html in Cinema Blend
On what he aimed to portray in his early works in “An Interview with Luis Valdez” https://journals.ku.edu/latr/article/download/491/466/ in LATIN AMERICAN THEATRE REVIEW (Spring 1982)
On writing poetry in “Gregory Pardlo: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/gregory-pardlo-how-i-write/ in The Writer (2019 Jul 17)
On the heart as the focus for her book Mend the Living in “‘What is a heart? You have an organ in your body and you have a symbol of love’” https://www.theguardian.com/books/2017/apr/28/maylis-de-kerangal-interview-wellcome-prize-writing in The Guardian (2017 Apr 28)
Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)
On depicting everyday life for Mexican Americans in “Carmen Lomas Garza in the Artist Studio, April 2011” https://www.famsf.org/blog/carmen-lomas-garza-artist-studio-april-2011 (de Young Museum of Art)
Karmas and Diseases, Divine Life Society, http://dlshq.org/download/karmadisease.htm (1959)
On his work The Sympathizer in “Viet Thanh Nguyen: From both sides” https://www.writermag.com/writing-inspiration/author-interviews/viet-thanh-nguyen-sides/ in The Writer (2017 Jan 17)
On his relationship with home state Texas in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times
Aquarelle - Experiences of a Practitioner, Alfred Freddy Krupa , MB-Tisak (Croatia), 1994
1990s
On how his correlates the language of a poet with practicing law in “The Writer’s Block Transcripts: A Q&A with Martin Espada” https://www.sampsoniaway.org/interviews/2015/12/11/the-writers-block-transcripts-a-qa-with-martin-espada/ in Sampsonia Way (2015 Dec 11)
"Man an Animal", p. 17
The Universal Kinship (1906), The Physical Kinship
Source: Better-World Philosophy: A Sociological Synthesis (1899), The Derivation of the Nature of Living Beings, pp. 176–177
As quoted in The Private Albert Einstein (1992) by Peter A. Bucky and Allen G. Weakland, p. 86
Attributed in posthumous publications
On finding ways to honor women in “Joy Harjo: An Interview” https://www.pw.org/content/joy_harjo_an_interview in Poets & Writers (July/August 1993)
AH 416. He ordered the upper part to be broken and the remainder to be transported to his residence, Ghaznin, with all its coverings and trappings of gold, jewels, and embroidered garments. Part of it has been thrown into the hippodrome of the town, together with the Cakrasvamin, an idol of bronze, that had been brought from Taneshar. Another part of the idol from Somanath lies before the door of the mosque of Ghaznin, on which people rub their feet to clean them from dirt and wet.
E.C. Sachau (tr.), Alberuni's India, New Delhi Reprint, 1983, p. 102-103
Sack of Somnath (1025 CE)
On her short story collection Close Range: Wyoming Stories in “An Interview with Annie Proulx” https://www.missourireview.com/article/an-interview-with-annie-proulx/ in The Missouri Review (1999 Mar 1)
Personal life and writing career
On the subjects that she most likes to write about in “An Interview with Annie Proulx” https://www.missourireview.com/article/an-interview-with-annie-proulx/ in The Missouri Review (1999 Mar 1)
Personal life and writing career
Quoted in "The Power of the Space Club"
Source: [Paikowsky, Deganit, The Power of the Space Club, 2017, Cambridge University Press, 9781107194496, https://books.google.co.in/books?id=e9AoDwAAQBAJ&pg=PA157&lpg=PA157#v=onepage&q&f=false, 12 September 2019, en]
Priyanka Chopra
Actresses Talk About Salman
Source: http://www.india-forums.com/forum_posts.asp?TID=476977
Source: Henry Rios series of novels, The Hidden Law (1992), p.55
Slavoj Žižek, Iraq: The Borrowed Kettle, p. 2. ISBN 1844675408.
Interview with Paul Marciano for Grazia magazine, May 25 2017 https://guessjournal.com/interviews/interview-paul-marciano/
The Ageless Wisdom (1897)
Source: Killing History: The False Left-Right Political Spectrum and the Battle between the ‘Free Left’ and the ‘Statist Left', (2019), p. 361
Quoted from Gewali, Salil (2013). Great Minds on India. New Delhi: Penguin Random House.
“Historical Legend and Revisionism?” 1980 lecture, reprinted in Forever in the Shadow of Hitler? New Jersey: Humanities Press, (1993), pp. 3-4.
Source: For The Sake of Heaven (1945), p. 117
George Santayana, in "On My Friendly Critics", in Soliloquies in England (1922)
S - Z, George Santayana
Original in German: Schon einige Jahre her durft' ich keinen lateinischen Autor ansehen, nichts betrachten, was mir ein Bild Italiens erneute. Geschah es zufällig, so erduldete ich die entsetzlichsten Schmerzen. Herder spottete oft über mich, daß ich all mein Latein aus dem Spinoza lerne, denn er hatte bemerkt, daß dies das einzige lateinische Buch war, das ich las; er wußte aber nicht, wie sehr ich mich vor den Alten hüten mußte, wie ich mich in jene abstrusen Allgemeinheiten nur ängstlich flüchtete.
Johann Wolfgang von Goethe, Letters from Italy, 1786–88. Translated from the German by W. H. Auden and Elizabeth Mayer (New York: Penguin Books, 1995)
G - L, Johann Wolfgang von Goethe
Zbigniew Herbert, Spinoza's Bed [original in Polish]
G - L
The Philosophy of Modern Art: Collected Essays (1971).
Other Quotes
Source: The Dietetics of the Soul; Or, True Mental Discipline (1838), pp. 136-137
by Smita Nair Jain at The first Global Alumni Leadership Summit organized by the Indian Institute of Management - Bangalore Alumni Association 2015”
Source: Quote by Smita Nair Jain, goodreads, 2018-09-01 https://www.goodreads.com/author/quotes/1918172.Smita_Nair_Jain,
VP Singh: Former prime minister of India who tried to improve the lot of his country's lower castes
Review by Abhishek Dubey in [Dubey, Abhishek, Dressing Room, http://books.google.com/books?id=qRvJ2wdReV0C&pg=PA128, 2006, Diamond Pocket Books (P) Ltd., 978-81-8419-191-2, 128–]
About Amitabh Bachhan
Editor Manju Jain in [Jain, Manju, Narratives of Indian Cinema, http://books.google.com/books?id=ORE9TDOoU1IC&pg=PA187, 2009, Primus Books, 978-81-908918-4-4, 187–]
View by H.R. Prasad quoted in [Critical Response To Indian Poetry In English, http://books.google.com/books?id=4NcHdrqUJpYC&pg=PA11, 1 January 2008, Sarup & Sons, 978-81-7625-825-8, 11–]
The fundamental argument of Plato’s critique of rhetoric usually is exemplified by the thesis, maintained, among other things, in the Gorgias, that only he who "knows" [epistatai] can speak correctly; for what would be the use of the "beautiful," of the rhetorical speech, if it merely sprang from opinions [doxa], hence from not knowing? … Plato’s … rejection of rhetoric, when understood in this manner, assumes that Plato rejects every emotive element in the realm of knowledge. But in several of his dialogues Plato connects the philosophical process, for example, with eros, which would lead to the conclusion that he attributes a decisive role to the emotive, seen even in philosophy as the absolute science.
Source: Rhetoric as Philosophy (1980), p. 28
E. M. Forster, "Ronald Firbank", in Abinger Harvest (1936; London: Edward Arnold, 1961) p. 139.
Note, on "The Book of the Dead"
U.S. 1 (1938), The Book of the Dead
AH 416. He ordered the upper part to be broken and the remainder to be transported to his residence, Ghaznin, with all its coverings and trappings of gold, jewels, and embroidered garments. Part of it has been thrown into the hippodrome of the town, together with the Cakrasvamin, an idol of bronze, that had been brought from Taneshar. Another part of the idol from Somanath lies before the door of the mosque of Ghaznin, on which people rub their feet to clean them from dirt and wet.
Source: E.C. Sachau (tr.), Alberuni's India, New Delhi Reprint, 1983
Peter Gorsen, about the depiction of wounded children in Helnwein's work, Albertina Museum catalogue, Gottfried Helnwein solo-exhibition, 1985, www.gottfried-helnwein-child.com http:////www.gottfried-helnwein-child.com/index.html
Joseph L. Sanders, “The Passions in Their Clay” Mervyn Peake’s Titus Stories, reprinted in the omnibus edition The Gormenghast Novels published by The Overlook Press, p. 1093
"The State of Dalit Mobilization : An Interview with Kancha Ilaiah" in Ghadar Vol. 1, No. 3 (26 November 1997) http://www.proxsa.org/resources/ghadar/v1n2/ilaiah.html.
[Michelle Williams: Heath Ledger Has Broken My Heart, http://www.news.com.au/dailytelegraph/story/0,22049,23147754-5001021,00.html, The Daily Telegraph, Web, news.com.au, February 1, 2008, 2008-02-01, http://web.archive.org/web/20080206234312/http://www.news.com.au/dailytelegraph/story/0,22049,23147754-5001021,00.html, 2008-02-06]</ref>
[Michelle Williams Breaks Silence on Heath's Death, http://www.people.com/people/article/0,,20175486,00.html, People, Web, people.com (Time Inc.), February 1, 2008, 2008-02-02]
Source: The Monkey Grammarian (1974), Ch. 1
Roland Barthes, "The Face of Garbo," Mythologies (1957), trans. Annette Lavers [Farrar, Straus, 1986, ISBN 0-374-52150-6], p. 56
1960s, Address to Cornell College (1962)
Jan Assmann, From Akhenaten to Moses: Ancient Egypt and Religious Change, pg. 76, 2014, The American University in Cairo Press.
Chap. 4 : Determine the Strength of People’s Character
The Laws of Human Nature (2018)
Friedrich Nietzsche, in his letter to Franz Overbeck, 2 July 1885 [original in German]
M - R, Friedrich Nietzsche
The Aquarian Conspiracy (1980), Chapter Six, Liberating Knowledge: News from the Frontiers of Science
Source: Reading Architectural History (2002), Ch. 2 : The authority of the author : Biography and the reconstruction of the canon
The Aquarian Conspiracy (1980), Chapter Eleven, Spiritual Adventure: Connection to the Source
The Aquarian Conspiracy (1980), Chapter Twelve, Human Connections: Relationships Changing
The Aquarian Conspiracy (1980), Chapter Thirteen, The Whole- Earth Conspiracy
The Aquarian Conspiracy (1980), Chapter Five, The American Matrix for Transformation
p. 66 https://books.google.com/books?id=WbpvDwAAQBAJ&pg=PA66
Critique of Economic Reason, 1988
The Oddest Prophet – Søren Kierkegaard by Malcolm Muggeridge
Source: The Amazing Mr. Lutterworth (1958), p.200
“We all of us try to make God in our image. It is one of the worst of our temptations.”
The Bird in the Tree (1940), Chapter 6.3
Original: (de) Den Ich-zerfall, den süßen, tiefersehnten,
Den gibst Du mir: schon ist die Kehle rauh,
Schon ist der fremde Klang an unerwähnten
Gebilden meines Ichs am Unterbau.
"Cocaine" (1917)
On how she favors a musical quality to her poetry in the book Truthtellers of the Times: Interviews with Contemporary Women Poets https://books.google.com/books?id=LkVO9mmfwZYC&pg=PA23&lpg=PA23&dq
On how Chinese-Americans were viewed when Hwang’s debuted in the theater world in “DAVID HENRY HWANG ON THEATRE, TRUMP, AND ASIAN-AMERICAN IDENTITY” https://thetheatretimes.com/david-henry-hwang-on-theatre-trump-and-asian-american-identity/ in Theatre World (2019 Mar 15)
On how memory plays into his works in “‘What I Fear Most is Homogeneity’: An Interview with Rawi Hage” https://hazlitt.net/feature/what-i-fear-most-homogeneity-interview-rawi-hage in Hazlitt (2018 Sep 12)