Quotes about image
page 18

Swami Vivekananda photo

“This is the gist of all worship — to be pure and to do good to others. He who sees Shiva in the poor, in the weak, and in the diseased, really worships Shiva; and if he sees Shiva only in the image, his worship is but preliminary.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Address at the Rameswaram Temple on Real Worship
Context: This is the gist of all worship — to be pure and to do good to others. He who sees Shiva in the poor, in the weak, and in the diseased, really worships Shiva; and if he sees Shiva only in the image, his worship is but preliminary. He who has served and helped one poor man seeing Shiva in him, without thinking of his caste, or creed, or race, or anything, with him Shiva is more pleased than with the man who sees Him only in temples.

Marshall McLuhan photo

“The new electronic interdependence recreates the world in the image of a global village.”

The Gutenberg Galaxy (1962)
Context: The new electronic interdependence recreates the world in the image of a global village. (p. 36)

John D. Barrow photo
Manuel Rivera-Ortiz photo

“I make images of the living for the living. I try to celebrate life.”

Manuel Rivera-Ortiz (1968) American photographer

Biographical profile
Official site
Context: I make images of the living for the living. I try to celebrate life. Iconic photographer Dorothea Lange, once said ‘I too have come to lend my voice to those least able to have a voice of their own.’ I agree.

Terence McKenna photo
John Keats photo
Léon Bloy photo
Iltutmish photo
Abraham Joshua Heschel photo

“To Hosea, marriage is the image of the relationship of God and Israel. ... Idolatry is adultery.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

Volume 1, p. 50
The Prophets (1962)

Robert LeFevre photo
Baruch Spinoza photo
Benjamin Bratt photo
Luis Valdez photo
Alex Grey photo
Helena Roerich photo
Gregory Pardlo photo

“I often start with a question as big and unwieldy as why do we have children – or what are we investing in when we love and raise our children; it’s a process of looking for structures – images or rhetorical figures – that will contain my questions.”

Gregory Pardlo (1968) American writer

On writing poetry in “Gregory Pardlo: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/gregory-pardlo-how-i-write/ in The Writer (2019 Jul 17)

Vimalakirti photo
Maylis de Kerangal photo

“I began to think about its double nature: on the one hand you have an organ in your body and on the other you have a symbol of love. From that time I started to pursue the image of a heart crossing the night from one body to another. It is a simple narrative structure but it’s open to a lot of things. I had the intuition that this book could give form to my intimate experience of death.”

Maylis de Kerangal (1967) French writer

On the heart as the focus for her book Mend the Living in “‘What is a heart? You have an organ in your body and you have a symbol of love’” https://www.theguardian.com/books/2017/apr/28/maylis-de-kerangal-interview-wellcome-prize-writing in The Guardian (2017 Apr 28)

Robert Sheckley photo
Newton Lee photo
Ernest Becker photo
Alessandro Cagliostro photo

“You are right not to meet my glance, my lord, for then I see into your heart too clearly. It is a mirror which retains the image which it has reflected.”

Alessandro Cagliostro (1743–1795) Italian occultist

Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)

Carmen Lomas Garza photo
Richard Dawkins photo
Swami Sivananda photo
Viet Thanh Nguyen photo
Alfred Freddy Krupa photo
Franz Bardon photo
Eric Rücker Eddison photo
Martín Espada photo

“My diction, my choice of words, is as precise as I can make it. The images that I use, the evocation of the senses, again, relies upon a certain exactitude. You can see how what I did with language as a poet would bleed into what I did as a lawyer, vice-versa…”

Martín Espada (1957) Puerto Rican poet

On how his correlates the language of a poet with practicing law in “The Writer’s Block Transcripts: A Q&A with Martin Espada” https://www.sampsoniaway.org/interviews/2015/12/11/the-writers-block-transcripts-a-qa-with-martin-espada/ in Sampsonia Way (2015 Dec 11)

J. Howard Moore photo

“Kinship is universal. The orders, families, species, and races of the animal kingdom are the branches of a gigantic arbour. Every individual is a cell, every species is a tissue, and every order is an organ in the great surging, suffering, palpitating process. Man is simply one portion of the immense enterprise. He is as veritably an animal as the insect that drinks its little fill from his veins, the ox he goads, or the wild-fox that flees before his bellowings. Man is not a god, nor in any imminent danger of becoming one. He is not a celestial star-babe dropped down among mundane matters for a time and endowed with wing possibilities and the anatomy of a deity. He is a mammal of the order of primates, not so lamentable when we think of the hyena and the serpent, but an exceedingly discouraging vertebrate compared with what he ought to be. He has come up from the worm and the quadruped. His relatives dwell on the prairies and in the fields, forests, and waves. He shares the honours and partakes of the infirmities of all his kindred. He walks on his hind-limbs like the ape; he eats herbage and suckles his young like the ox; he slays his fellows and fills himself with their blood like the crocodile and the tiger; he grows old and dies, and turns to banqueting worms, like all that come from the elemental loins. He cannot exceed the winds like the hound, nor dissolve his image in the mid-day blue like the eagle. He has not the courage of the gorilla, the magnificence of the steed, nor the plaintive innocence of the ring-dove. Poor, pitiful, glory-hunting hideful! Born into a universe which he creates when he comes into it, and clinging, like all his kindred, to a clod that knows him not, he drives on in the preposterous storm of the atoms, as helpless to fashion his fate as the sleet that pelts him, and lost absolutely in the somnambulism of his own being.”

J. Howard Moore (1862–1916)

"Conclusion", p. 101
The Universal Kinship (1906), The Physical Kinship

J. Howard Moore photo
J. Howard Moore photo
Albert Einstein photo
Chris Hedges photo
Joy Harjo photo
Mahmud of Ghazni photo

“The linga he raised was the stone of Somnath, for soma means the moon and natha means master, so that the whole word means master of the moon. The image was destroyed by the Prince Mahmud, may God be merciful to him!”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

AH 416. He ordered the upper part to be broken and the remainder to be transported to his residence, Ghaznin, with all its coverings and trappings of gold, jewels, and embroidered garments. Part of it has been thrown into the hippodrome of the town, together with the Cakrasvamin, an idol of bronze, that had been brought from Taneshar. Another part of the idol from Somanath lies before the door of the mosque of Ghaznin, on which people rub their feet to clean them from dirt and wet.
E.C. Sachau (tr.), Alberuni's India, New Delhi Reprint, 1983, p. 102-103
Sack of Somnath (1025 CE)

Annie Proulx photo
Annie Proulx photo
Vikram Sarabhai photo
Salman Khan photo
Saddam Hussein photo
Seneca the Younger photo
Annie Besant photo
Heinrich Robert Zimmer photo
Martin Buber photo

“When we desire to lead men to God, we must not simply overthrow their idols. In each of these images we must seek to discover what divine quality he who carved it sought.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian

Source: For The Sake of Heaven (1945), p. 117

Baruch Spinoza photo
Baruch Spinoza photo

“For many years I did not dare look into a Latin author or at anything which evoked an image of Italy. If this happened by chance, I suffered agonies. Herder often used to say mockingly that I had learned all my Latin from Spinoza, for that was the only Latin book he had ever seen me reading. He did not realize how carefully I had to guard myself against the classics, and that it was sheer anxiety which drove me to take refuge in the abstractions of Spinoza.”

Baruch Spinoza (1632–1677) Dutch philosopher

Original in German: Schon einige Jahre her durft' ich keinen lateinischen Autor ansehen, nichts betrachten, was mir ein Bild Italiens erneute. Geschah es zufällig, so erduldete ich die entsetzlichsten Schmerzen. Herder spottete oft über mich, daß ich all mein Latein aus dem Spinoza lerne, denn er hatte bemerkt, daß dies das einzige lateinische Buch war, das ich las; er wußte aber nicht, wie sehr ich mich vor den Alten hüten mußte, wie ich mich in jene abstrusen Allgemeinheiten nur ängstlich flüchtete.
Johann Wolfgang von Goethe, Letters from Italy, 1786–88. Translated from the German by W. H. Auden and Elizabeth Mayer (New York: Penguin Books, 1995)
G - L, Johann Wolfgang von Goethe

Baruch Spinoza photo
Johann Gottlieb Fichte photo
Herbert Read photo

“The revolutionary artist is born into a world of clichés, of stale images and signs which no longer pierce the consciousness to express reality. He therefore invents new symbols, perhaps a whole new symbolic system.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

The Philosophy of Modern Art: Collected Essays (1971).
Other Quotes

Ernst, Baron von Feuchtersleben photo
Smita Nair Jain photo

“Spelling is not an artificial skin of verbal expression, it is a deep structure that is revealed in the spelled image.”

Smita Nair Jain (1969) Indian Author, screenwriter and playback singer

by Smita Nair Jain at The first Global Alumni Leadership Summit organized by the Indian Institute of Management - Bangalore Alumni Association 2015”
Source: Quote by Smita Nair Jain, goodreads, 2018-09-01 https://www.goodreads.com/author/quotes/1918172.Smita_Nair_Jain,

V. P. Singh photo

“He was shy, with a slightly nervous laugh, but to those who knew him he fully justified his public image of honesty, being open to discussion of any aspect of his career and willing to accept criticism.”

V. P. Singh (1931–2008) Indian politician

VP Singh: Former prime minister of India who tried to improve the lot of his country's lower castes

Jayachamarajendra Wadiyar photo
Amitabh Bachchan photo

“There was a feeling of rebellion in the society and the star with a biggest rebel in celluloid screen Amitabh Bachhan became the icon. His angry young man image caught the attention of all the sections of society. The frustrated youth in his angry young man image saw a window of opportunity to rise against all odds.”

Amitabh Bachchan (1942) Indian actor

Review by Abhishek Dubey in [Dubey, Abhishek, Dressing Room, http://books.google.com/books?id=qRvJ2wdReV0C&pg=PA128, 2006, Diamond Pocket Books (P) Ltd., 978-81-8419-191-2, 128–]
About Amitabh Bachhan

Rekha photo
Sarojini Naidu photo

“Sarojini Naidu writes instant poetry where images and metaphors come rolling ready on the hot plates of imagination. Her poetry is intensely emotionally, at times passionate to the point of eroticism and always has a spring.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

View by H.R. Prasad quoted in [Critical Response To Indian Poetry In English, http://books.google.com/books?id=4NcHdrqUJpYC&pg=PA11, 1 January 2008, Sarup & Sons, 978-81-7625-825-8, 11–]

Ernesto Grassi photo

“According to the traditional interpretation Plato’s attitude against rhetoric is a rejection of the doxa, or opinion, and of the impact of images, upon which the art of rhetoric relies; at the same time his attitude is considered as a defense of the theoretical, rational speech, that is, of episteme.”

Ernesto Grassi (1902–1991) Italian philosopher

The fundamental argument of Plato’s critique of rhetoric usually is exemplified by the thesis, maintained, among other things, in the Gorgias, that only he who "knows" [epistatai] can speak correctly; for what would be the use of the "beautiful," of the rhetorical speech, if it merely sprang from opinions [doxa], hence from not knowing? … Plato’s … rejection of rhetoric, when understood in this manner, assumes that Plato rejects every emotive element in the realm of knowledge. But in several of his dialogues Plato connects the philosophical process, for example, with eros, which would lead to the conclusion that he attributes a decisive role to the emotive, seen even in philosophy as the absolute science.
Source: Rhetoric as Philosophy (1980), p. 28

Kamal Haasan photo

“I have not seen an actor who would play the most ludicrous roles without bothering about his star image.”

Kamal Haasan (1954) Indian actor

Pratap Pothen, in “Comeback king (31May 1989)”

Ronald Firbank photo
Al-Biruni photo

“The linga he raised was the stone of Somnath, for soma means the moon and natha means master, so that the whole word means master of the moon. The image was destroyed by the Prince Mahmud, may God be merciful to him!”

AH 416. He ordered the upper part to be broken and the remainder to be transported to his residence, Ghaznin, with all its coverings and trappings of gold, jewels, and embroidered garments. Part of it has been thrown into the hippodrome of the town, together with the Cakrasvamin, an idol of bronze, that had been brought from Taneshar. Another part of the idol from Somanath lies before the door of the mosque of Ghaznin, on which people rub their feet to clean them from dirt and wet.
Source: E.C. Sachau (tr.), Alberuni's India, New Delhi Reprint, 1983

Gottfried Helnwein photo
Kancha Ilaiah photo
Heath Ledger photo

“Please respect our need to grieve privately. My heart is broken. I am the mother of the most tender-hearted, high-spirited, beautiful little girl who is the spitting image of her father. All that I can cling to is his presence inside her that reveals itself every day. His family and I watch Matilda as she whispers to trees, hugs animals, and takes steps two at a time, and we know that he is with us still. She will be brought up with the best memories of him.”

Heath Ledger (1979–2008) Australian actor

[Michelle Williams: Heath Ledger Has Broken My Heart, http://www.news.com.au/dailytelegraph/story/0,22049,23147754-5001021,00.html, The Daily Telegraph, Web, news.com.au, February 1, 2008, 2008-02-01, http://web.archive.org/web/20080206234312/http://www.news.com.au/dailytelegraph/story/0,22049,23147754-5001021,00.html, 2008-02-06]</ref>
[Michelle Williams Breaks Silence on Heath's Death, http://www.people.com/people/article/0,,20175486,00.html, People, Web, people.com (Time Inc.), February 1, 2008, 2008-02-02]

Octavio Paz photo
Camille Paglia photo
Greta Garbo photo
George MacDonald photo
Martin Luther King, Jr. photo

“It seems to be a fact of life that human beings cannot continue to do wrong without eventually reaching out for some thin rationalization to clothe the obvious wrong in the beautiful garments of righteousness. The philosopher-psychologist William James used to talk a great deal about the stream of consciousness. He says that the very interesting and unique thing about human nature is that man had the capacity temporarily to block the stream of consciousness and place anything in it that he wants to, and so we often end up justifying the rightness of the wrong. This is exactly what happened during the days of slavery. Even the Bible and religion were misused to crystallize the patterns of the status quo. And so it was argued from pulpits across the nation that the Negro was inferior by nature, because of Noah’s curse upon the children of Ham. The apostle Paul’s dictum became a watchword: Servants, be obedient to your master. And then one brother had probably studied the logic of the great philosopher Aristotle. You know Aristotle did a great deal to bring into being what we know as formal logic, and he talked about the syllogism, which had a major premise and a minor premise and a conclusion. And so this brother could put his argument in the framework of an Aristotelian syllogism. He could say, All men are made in the image of God. This was the major premise; then came the minor premise: God, as everybody knows, is not a Negro. Therefore, the Negro is not a man. This was the type of reasoning that prevailed.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Address to Cornell College (1962)

Jan Assmann photo
Robert Greene photo
Baruch Spinoza photo

“...I hold up before myself the images of Dante and Spinoza, who were better at accepting the lot of solitude. Of course, their way of thinking, compared to mine, was one which made solitude bearable...”

Baruch Spinoza (1632–1677) Dutch philosopher

Friedrich Nietzsche, in his letter to Franz Overbeck, 2 July 1885 [original in German]
M - R, Friedrich Nietzsche

Marilyn Ferguson photo
Emmanuel Levinas photo
T.S. Eliot photo
Dana Arnold photo
Marilyn Ferguson photo
Marilyn Ferguson photo
Marilyn Ferguson photo
Bill Withers photo
Marilyn Ferguson photo
Malcolm Muggeridge photo

“We all of us try to make God in our image. It is one of the worst of our temptations.”

Elizabeth Goudge (1900–1984) English fiction writer

The Bird in the Tree (1940), Chapter 6.3

Gottfried Benn photo

“The I-breakdown, sweet, deep craved
You give it to me: already my throat is raw,
Already I hear the alien sound
Rebuilding unspoken images of my I.”

Gottfried Benn (1886–1956) German novelist, poet

Original: (de) Den Ich-zerfall, den süßen, tiefersehnten,
Den gibst Du mir: schon ist die Kehle rauh,
Schon ist der fremde Klang an unerwähnten
Gebilden meines Ichs am Unterbau.

"Cocaine" (1917)

“…I engage with poetry musically. I think I hear the music of the poem before I put words to it. The poem comes to me as it were a song more than a string of words or images. If I can’t transport that musical quality to the poem, then the poem doesn’t exist for me…”

Lucha Corpi (1945)

On how she favors a musical quality to her poetry in the book Truthtellers of the Times: Interviews with Contemporary Women Poets https://books.google.com/books?id=LkVO9mmfwZYC&pg=PA23&lpg=PA23&dq

David Henry Hwang photo

“In 1980, Chinese-Americans were certainly considered perpetual foreigners to America, even more so than today. In addition, Asians, in general, were regarded as poor, uneducated, and manual laborers—cooks, waiters, laundrymen—an image which has turned 180 degrees in my lifetime.”

David Henry Hwang (1957) Playwright

On how Chinese-Americans were viewed when Hwang’s debuted in the theater world in “DAVID HENRY HWANG ON THEATRE, TRUMP, AND ASIAN-AMERICAN IDENTITY” https://thetheatretimes.com/david-henry-hwang-on-theatre-trump-and-asian-american-identity/ in Theatre World (2019 Mar 15)

Alex Grey photo
Rawi Hage photo

“…When I recall the war, I recall it in images, not verbally or by text. That’s what really comes to me: fragmented images, much like photographs…”

Rawi Hage (1964) Canadian writer

On how memory plays into his works in “‘What I Fear Most is Homogeneity’: An Interview with Rawi Hage” https://hazlitt.net/feature/what-i-fear-most-homogeneity-interview-rawi-hage in Hazlitt (2018 Sep 12)