Quotes about glee

A collection of quotes on the topic of glee, love, man, way.

Quotes about glee

Rachel Caine photo
Joel Barlow photo

“In every clime, thy visage greets my eyes,
In every tongue thy kindred accents rise;
The thought expanding swells my heart with glee,
It finds a friend, and loves itself in thee.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)
Context: In every clime, thy visage greets my eyes,
In every tongue thy kindred accents rise;
The thought expanding swells my heart with glee,
It finds a friend, and loves itself in thee. Say then, fraternal family divine,
Whom mutual wants and mutual aids combine,
Say from what source the dire delusion rose,
That souls like ours were ever made for foes;
Why earth's maternal bosom, where we tread,
To rear our mansions and receive our bread,
Should blush so often for the face she bore,
So long be drench'd with floods of filial gore;
Why to small realms for ever rest confin'd
Our great affections, meant for all mankind.
Though climes divide us; shall the stream or sea,
That forms a barrier 'twixt my friend and me,
Inspire the wish his peaceful state to mar,
And meet his falchion in the ranks of war? Not seas, nor climes, nor wild ambition's fire
In nations' minds could e'er the wish inspire;
Where equal rights each sober voice should guide,
No blood would stain them, and no war divide.
'Tis dark deception, 'tis the glare of state,
Man sunk in titles, lost in Small and Great;
'Tis Rank, Distinction, all the hell that springs
From those prolific monsters, Courts and Kings.

Robert Browning photo
Lois Lowry photo
Jeremy Corbyn photo
Mr. T photo
Fiona Apple photo

“One man, he disappoint me;
He give me the gouge and he take my glee.
Now every other man I see
Remind me of the one man who disappoint me.”

Fiona Apple (1977) singer-songwriter, musician

Get Him Back
Song lyrics, Extraordinary Machine (2005)

William Wordsworth photo
Susan Sontag photo
Daniel Drezner photo
Clarence Darrow photo

“Life cannot be reconciled with the idea that back of the universe is a Supreme Being, all merciful and kind, and that he takes any account of the human beings and other forms of life that exist upon the earth. Whichever way man may look upon the earth, he is oppressed with the suffering incident to life. It would almost seem as though the earth had been created with malignity and hatred. If we look at what we are pleased to call the lower animals, we behold a universal carnage. We speak of the seemingly peaceful woods, but we need only look beneath the surface to be horrified by the misery of that underworld. Hidden in the grass and watching for its prey is the crawling snake which swiftly darts upon the toad or mouse and gradually swallows it alive; the hapless animal is crushed by the jaws and covered with slime, to be slowly digested in furnishing a meal. The snake knows nothing about sin or pain inflicted upon another; he automatically grabs insects and mice and frogs to preserve his life. The spider carefully weaves his web to catch the unwary fly, winds him into the fatal net until paralyzed and helpless, then drinks his blood and leaves him an empty shell. The hawk swoops down and snatches a chicken and carries it to its nest to feed its young. The wolf pounces on the lamb and tears it to shreds. The cat watches at the hole of the mouse until the mouse cautiously comes out, then with seeming fiendish glee he plays with it until tired of the game, then crushes it to death in his jaws. The beasts of the jungle roam by day and night to find their prey; the lion is endowed with strength of limb and fang to destroy and devour almost any animal that it can surprise or overtake. There is no place in the woods or air or sea where all life is not a carnage of death in terror and agony. Each animal is a hunter, and in turn is hunted, by day and night. No landscape is beautiful or day so balmy but the cry of suffering and sacrifice rends the air. When night settles down over the earth the slaughter is not abated. Some creatures are best at night, and the outcry of the dying and terrified is always on the wind. Almost all animals meet death by violence and through the most agonizing pain. With the whole animal creation there is nothing like a peaceful death. Nowhere in nature is there the slightest evidence of kindness, of consideration, or a feeling for the suffering and the weak, except in the narrow circle of brief family life.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), p. 383

John Keats photo

“So many, and so many, and such glee.”

Bk. IV
Endymion (1818)

Louise Chandler Moulton photo

“I hied me off to Arcady—
The month it was the month of May,
And all along the pleasant way,
The morning birds were mad with glee,
And all the flowers sprang up to see,
As I went on to Arcady.”

Louise Chandler Moulton (1835–1908) American poet, story-writer and critic

The Secret of Arcady. Compare Henry Cuyler Bunner, The Way to Arcady.
Bartlett's Familiar Quotations, 10th ed. (1919)

J.M. Coetzee photo
Paul Laurence Dunbar photo
Ogden Nash photo
Ogden Nash photo

“We love the kindly wind and hail,
The jolly thunderbolt,
We watch in glee the fairy trail
Of ampere, watt, and volt.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), A Watched Example Never Boils

Nasreddin photo
Walter Scott photo
Paul Hamilton Hayne photo
Oliver Goldsmith photo

“Well had the boding tremblers learn'd to trace
The day's disasters in his morning face;
Full well they laugh'd with counterfeited glee
At all his jokes, for many a joke had he;
Full well the busy whisper circling round
Convey'd the dismal tidings when he frown'd.
Yet was he kind, or if severe in aught,
The love he bore to learning was in fault;
The village all declar'd how much he knew,
'T was certain he could write and cipher too.”

Variant: A man severe he was, and stern to view;
I knew him well, and every truant knew:
Well had the boding tremblers learned to trace
The day's disasters in his morning face;
Full well they laughed with counterfeited glee,
At all his jokes, for many a joke had he;
Full well the bust whisper, circling round,
Conveyed the dismal tidings when he frowned;
Yet he was kind; or if severe in aught,
The love he bore to learning was in fault;
The village all declared how much he knew;
'Twas certain he could write, and cipher too.
Source: The Deserted Village (1770), Line 199.

Felicia Hemans photo

“They grew in beauty side by side,
They filled one home with glee:
Their graves are severed far and wide
By mount and stream and sea.”

Felicia Hemans (1793–1835) English poet

The Graves of a Household http://digital.library.upenn.edu/women/hemans/records/graves.html, st. 1.

Thomas Gainsborough photo

“Do you consider, my dear maggotty sir [cosy-name for his friend], what a deal of work history pictures require to what little dirty subjects of coal horses and jackasses and such figures as I fill up with; no, you don't consider anything about that part of the story... But to be serious (as I know you love to be), do you really think that a regular composition in the Landskip [landscape] way should ever be filled with History, or any figures but such as fill a place (I won't say stop a gap) or create a little business for the eye to be drawn from the trees in order to return to them with more glee.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath 23 Aug. 1767; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 379 (Appendix A - Letter I)
1755 - 1769

Alexander Woollcott photo

“The general at the radar screen
Rubbed his hands with glee,
And grinning pressed the button
And started world war three.”

Roger McGough (1937) British writer and poet

"Icarus Allsorts", from The Mersey Sound (1967)

“The Brahmans who were custodians of the idols and idol-houses, and “teachers of the infidels”, also received their share of attention from the soldiers of Allãh. Our citations contain only stray references to the Brahmans because they have been compiled primarily with reference to the destruction of temples. Even so, they provide the broad contours of another chapter in the history of medieval India, a chapter which has yet to be brought out in full. The Brahmans are referred to as magicians by some Islamic invaders and massacred straight away. Elsewhere, the Hindus who are not totally defeated and want to surrender on some terms, are made to sign a treaty saying that the Brahmans will be expelled from the temples. The holy cities of the Hindus were “the nests of the Brahmans” who had to be slaughtered before or after the destruction of temples, so that these places were “cleansed” completely of “kufr” and made fit as “abodes of Islam”. Amîr Khusrû describes with great glee how the heads of Brahmans “danced from their necks and fell to the ground at their feet”, along with those of the other “infidels” whom Malik Kãfûr had slaughtered during the sack of the temples at Chidambaram. Fîrûz Shãh Tughlaq got bags full of cow’s flesh tied round the necks of Brahmans and had them paraded through his army camp at Kangra. Muhmûd Shãh II Bahmanî bestowed on himself the honour of being a ghãzî, simply because he had killed in cold blood the helpless BrãhmaNa priests of the local temple after Hindu warriors had died fighting in defence of the fort at Kondapalli. The present-day progressives, leftists and dalits whose main plank is anti-Brahminism have no reason to feel innovative about their ideology. Anti-Brahminism in India is as old a the advent of Islam. Our present-day Brahmin-baiters are no more than ideological descendants of the Islamic invaders. Hindus will do well to remember Mahatma Gandhi’s deep reflection--“if Brahmanism does not revive, Hinduism must perish.””

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Isaac Rosenberg photo
James Joseph Sylvester photo
Richard Francis Burton photo

“So much to learn!
Old Nature's ways
Of glee and gloom with rapt amaze
To study, probe, and paint – brown earth,
Salt sea, blue heavens, their tilth and dearth,
Birds, grasses, trees – the natural things
That throb or grope or poise on wings.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

Richard Eugene Burton, Memorial Day, And Other Poems (1897), 'So Much to Learn', p. 8
Misattributed

William Blake photo
Arthur Hugh Clough photo

“Dance on, dance on, we see, we see
Youth goes, alack, and with it glee,
A boy the old man ne’er can be;
Maternal thirty scarce can find
The sweet sixteen long left behind.”

Arthur Hugh Clough (1819–1861) English poet

Youth and Age http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/poemsproseremains/youthage.html, st. 1.

Robert G. Ingersoll photo
Emily Dickinson photo
R. A. Lafferty photo

“When very young, Hannali would sit on the black ground and chuckle till it was feared he would injure himself. Whatever came over him, prenatal witticism or ancestral joke, he seldom was able to hold his glee.”

R. A. Lafferty (1914–2002) American writer

Okla Hannali (1972)
Context: When very young, Hannali would sit on the black ground and chuckle till it was feared he would injure himself. Whatever came over him, prenatal witticism or ancestral joke, he seldom was able to hold his glee. In all his life he never learned to hold it in.

Joyce Kilmer photo

“An iron hand has stilled the throats
That throbbed with loud and rhythmic glee”

"To a Blackbird and His Mate Who Died in the Spring"
Trees and Other Poems (1914)
Context: An iron hand has stilled the throats
That throbbed with loud and rhythmic glee
And dammed the flood of silver notes
That drenched the world in melody.

Wilfred Owen photo

“For by my glee might many men have laughed,
And of my weeping something has been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

Strange Meeting (1918)
Context: "Strange friend," I said, "Here is no cause to mourn."
"None," said the other, "Save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something has been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress,
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery;
Wisdom was mine, and I had mastery;
To miss the march of this retreating world
Into vain citadels that are not walled.

Roger Ebert photo

“Some of these reviews were written in joyous zeal. Others with glee. Some in sorrow, some in anger, and a precious few with venom, of which I have a closely guarded supply.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Introduction
Your Movie Sucks (2007)
Context: Some of these reviews were written in joyous zeal. Others with glee. Some in sorrow, some in anger, and a precious few with venom, of which I have a closely guarded supply. When I am asked, all too frequently, if I really sit all the way through these movies, my answer is inevitably: Yes, because I want to write the review.
I would guess that I have not mentioned my Pulitzer Prize in a review except once or twice since 1975, but at the moment I read Rob Schneider's extremely unwise open letter to Patrick Goldstein, I knew I was receiving a home-run pitch, right over the plate. Other reviews were written in various spirits, some of them almost benevolently, but of Deuce Bigalow: European Gigolo, all I can say is that it is a movie made to inspire the title of a book like this.

John Kenneth Galbraith photo

“If a man be subject to the authority of another, he can at least ask that it not be an occasion for glee.”

Source: The New Industrial State (1967), Chapter XXV, Section 2, p. 293 (1985)