Quotes about genius
page 9

Antonin Artaud photo
Thomas Henry Huxley photo
Lucius Shepard photo
William Shenstone photo
Robert A. Heinlein photo
Anthony Trollope photo
Letitia Elizabeth Landon photo
Wilhelm Frick photo

“Hitler was undoubtedly a genius but he lacked self-control. He recognized no limits. Otherwise the thousand-year Reich would have lasted more than twelve years.”

Wilhelm Frick (1877–1946) German Nazi official

To Leon Goldensohn, March 10, 1946, from "The Nuremberg Interviews" - by Leon Goldensohn - History - 2007

Colleen Fitzpatrick photo

“The genius of Jamie is NOT that she wrote the lyrics on her hands, but that she didn't think we'd notice”

Colleen Fitzpatrick (1972) American singer and actress

Discussing Jamie, a contestant on The Wb's Superstar USA
Attributed

Carl von Clausewitz photo
Man Ray photo

“One of the satisfactions of a genius is his will-power and obstinacy.”

Man Ray (1890–1976) American artist and photographer

Letter to his sister (18 May 1941), as quoted in Man Ray : American Artist (1988) by Neil Baldwin

Rollo May photo
Letitia Elizabeth Landon photo
Scott Lynch photo
Frederick Douglass photo

“And here I hold that a liberal and brotherly welcome to all who are likely to come to the United States is the only wise policy which this nation can adopt. It has been thoughtfully observed that every nation, owing to its peculiar character and composition, has a definite mission in the world. What that mission is, and what policy is best adapted to assist in its fulfillment, is the business of its people and its statesmen to know, and knowing, to make a noble use of this knowledge. I need not stop here to name or describe the missions of other or more ancient nationalities. Our seems plain and unmistakable. Our geographical position, our relation to the outside world, our fundamental principles of government, world-embracing in their scope and character, our vast resources, requiring all manner of labor to develop them, and our already existing composite population, all conspire to one grand end, and that is, to make us the perfect national illustration of the unity and dignity of the human family that the world has ever seen. In whatever else other nations may have been great and grand, our greatness and grandeur will be found in the faithful application of the principle of perfect civil equality to the people of all races and of all creeds. We are not only bound to this position by our organic structure and by our revolutionary antecedents, but by the genius of our people. Gathered here from all quarters of the globe, by a common aspiration for national liberty as against caste, divine right govern and privileged classes, it would be unwise to be found fighting against ourselves and among ourselves, it would be unadvised to attempt to set up any one race above another, or one religion above another, or prescribe any on account of race, color or creed.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

William McGonagall photo

“But I may say Dame Fortune has been very kind to me by endowing me with the genius of poetry. I remember how I felt when I received the spirit of poetry. It was in the year of 1877.”

William McGonagall (1825–1902) weaver, actor, poet

"The Autobiography of Sir William Topaz McGonagall", published in the Weekly News
McGonagall's "knighthood" was an honorary one conferred on him by King Theebaw of the Andaman Islands: "Knight of the White Elephant of Burmah".
Other works

Ervin László photo

“Even the brain, that most delicate and complex of all known organs, is not merely a lot of neurons added together. While a genius must have more of the gray matter than a sparrow, the idiot may have just as much as the genius. The difference between them must be explained in terms of how those substances are organized.”

Ervin László (1932) Hungarian musician and philosopher

Source: Introduction to Systems Philosophy (1972), p. 32: Partly cited in: David Rock, Linda J. Page (2009) Coaching with the Brain in Mind: Foundations for Practice.

Joseph Priestley photo
Thomas Gainsborough photo

“We love a genius for what he leaves and mourn him for what he takes away.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in Gainsborough's Letter to Henry Bate, 20th June 1787
1770 - 1788

Auguste Rodin photo
Vladimir Lenin photo

“All the marvels of science and the gains of culture belong to the nation as a whole, and never again will man’s brain and human genius be used for oppression and exploitation.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Third All-Russia Congress Of Soviets Of Workers, Soldiers’ And Peasants : Report On The Activities Of The Council Of People’s Commissars" (January 1918) http://www.marxists.org/archive/lenin/works/1918/jan/10.htm; Collected Works, Vol. 26, p. 453-82.
1910s

Victor Villaseñor photo
Michael Savage photo

“Trains, planes, cars, rockets, telescopes, tires, telephones, radios, television, electricity, atomic energy, computers, and fax machines. All miracles made possible by the minds and spirits of men with names like Ampere, Bell, Caselli, Edison, Ohm, Faraday, Einstein, Cohen, Teller, Shockley, Hertz, Marconi, Morse, Popov, Ford, Volta, Michelin, Dunlop, Watt, Diesel, Galileo, and other "dead white males." … The great majority of advancements past and present have been brought about by the genius and inventiveness of that most "despicable" of colors and genders, the dreaded white male, or, to be exact, by specific, individual white males. This is not to discredit the many contributions coming from nonwhites, but fact is fact. Our most important and consequential inventions have come almost exclusively from white males. … If you eliminate, suppress, or debase the while male, you kill the goose that laid the golden egg. If you ace him out with "affirmative" action, exile him from the family, teach him that he's a blight on mankind, then bon voyage to our society. We will devolve into a Third World cesspool. Where has there ever before in history been a group of human beings who have brought about the likes of the Magna Carta, the U. S. Constitution, and the countless life-saving and life-improving inventions that we now enjoy? … Does this mean we should sit back and let ourselves be governed by someone just because he's a white male? Of course, it doesn't. It means simply that we shouldn't suppress anyone, including white males. Let our God-given gifts run free in a free and just society, free from the oppression and tyranny of social engineers. If anyone has gifts beyond our own—be he a white male or other—be grateful. Maybe we have gifts that in some small way can contribute something of value as well. One way or another, we're all in the same boat. Few of us have truly outstanding gifts. And most of us have to humbly accept that there are others around who are more gifted than we are. In a Democratic society, it's not for Big Brother to decide who shall thrive and who shall struggle in the hive.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Source: The Savage Nation: Saving America from the Liberal Assault on Our Borders, Language and Culture (2003), pp. 136–138; "White Male Inventions" http://www.dadi.org/ms_dwm.htm (December 15, 1999)

Plutarch photo

“As Meander says, "For our mind is God;" and as Heraclitus, "Man's genius is a deity."”

Plutarch (46–127) ancient Greek historian and philosopher

Platonic Questions, i
Bartlett's Familiar Quotations, 10th ed. (1919)

Meat Loaf photo

“You gotta understand that people attach me and Jim Steinman. But you really have to attach Todd Rundgren to that. … you really have to credit Todd Rundgren for the initial mark. Yes, Steinman had things in his head. And, yes, I had some things in my head; I had how “All Revved Up with No Place to Go” should sound in my head. Jim had how “You Took the Words Right Out of My Mouth (Hot Summer Night)” should sound in his head. But pulling things out of your head and accomplishing them, and somebody else trying to accomplish them, is a remarkable feat. … So not taking anything away from Jim, ‘cause Jim is an absolute genius and one of the smartest people that I’ve ever known, and I consider him one of my best friends. But, y’know, sometimes, people just… they pigeonhole things, and they go, “Jim Steinman and Meat Loaf.” And my thing is, no, stop it! Because the Bat Out of Hell records are this: it’s a big wheel, and everybody is a spoke in that wheel… and, at different times as that wheel’s turning, different people have more input than others. It’s, like, as a wheel turns, the bottom spokes take more than the top spokes…but, pretty soon, those are gonna be the bottom spokes, and their import is more. And, so, that’s how that goes with the Bat Out of Hell records… and that’s exactly Bat Out of Hell III.”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

On credit for the Bat out of Hell albums.
A chat with Meat Loaf (2006)

Georges-Louis Leclerc, Comte de Buffon photo

“Genius is nothing else than a great aptitude for patience.”

Georges-Louis Leclerc, Comte de Buffon (1707–1788) French natural historian

La génie n'est utre chose qu'une grande aptitude à la patience.
Narrated by Herault de Séchelles ( La visite à Buffon, ou Voyage à Montbard http://www.atramenta.net/lire/voyage-a-montbard/3508, 1790), when speaking of a talk with Buffon in 1785. (Not in Buffon's works.) Reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Robert N. Proctor photo
Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Henri-Frédéric Amiel photo

“Doing easily what others find difficult is talent; doing what is impossible for talent is genius.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

Bartlett's Familiar Quotations, 10th ed. (1919), Journal

Ray Comfort photo

“It doesn't take a rocket scientist to look at this amazing creation and see the genius of the Creator. A child can know that. Your stumbling block isn't intellectual as you maintain… it's moral.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

Stanley Baldwin photo
Andrea Dworkin photo

“The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable.”

Andrea Dworkin (1946–2005) Feminist writer

Our Blood 1976 as quoted in The Suffering Will Not Be Televised: African American Women and Sentimental by Rebecca Wanzo

Uri Avnery photo
Horace Walpole photo

“He was my counsel in affairs, was my oracle in taste, the standard to whom I submitted my trifles, and the genius that presided over poor Strawberry.”

Horace Walpole (1717–1797) English art historian, man of letters, antiquarian and Whig politician

On the death of his friend John Chute (1776)
As quoted in The National Trust Magazine, Spring 2011, p. 09

Camille Paglia photo
Thomas Gainsborough photo
Thomas Chatterton photo

“He was an instance that a complete genius and a complete rogue can be formed before a man is of age.”

Thomas Chatterton (1752–1770) English poet, forger

Horace Walpole, letter to William Mason dated July 24, 1778; published in Horace Walpole (ed. William Hadley) Selected Letters (London: Everyman's Library, 1963) p. 191.
Criticism

Thomas Little Heath photo

“If one would understand the Greek genius fully, it would be a good plan to begin with their geometry.”

Thomas Little Heath (1861–1940) British civil servant and academic

Preface p. vi
A History of Greek Mathematics (1921) Vol. 1. From Thales to Euclid

George Gilfillan photo
Henry James photo
Martin Luther King, Jr. photo

“Through our scientific genius we made of the world a neighborhood, but we failed through moral commitment to make of it a brotherhood, and so we’ve ended up with guided missiles and misguided men. And the great challenge is to move out of the mountain of practical materialism and move on to another and higher mountain which recognizes somehow that we must live by and toward the basic ends of life. We must move on to that mountain which says in substance,”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Keep Moving From This Mountain (1965)
Context: We have allowed our civilization to outrun our culture; we have allowed our technology to outdistance our theology and for this reason we find ourselves caught up with many problems. Through our scientific genius we made of the world a neighborhood, but we failed through moral commitment to make of it a brotherhood, and so we’ve ended up with guided missiles and misguided men. And the great challenge is to move out of the mountain of practical materialism and move on to another and higher mountain which recognizes somehow that we must live by and toward the basic ends of life. We must move on to that mountain which says in substance, "What doth it profit a man to gain the whole world of means — airplanes, televisions, electric lights — and lose the end: the soul?"

Hans von Bülow photo

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

Letitia Elizabeth Landon photo

“I didn’t choose painting … It chose me. I didn’t have any talent. I just had genius.”

Grace Hartigan (1922–2008) American artist

As quoted in "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008) http://www.nytimes.com/2008/11/18/arts/design/18hartigan.html?_r=2

Gerard Bilders photo

“For me Ruisdael is the true man of poetry, the real poet. There is a world of sad, serious and beautiful thoughts in his paintings. They possess a soul and a voice that sounds deep, sad and dignified. They tell melancholic stories, speak of gloomy things and are witnesses of a sad spirit. I see him wander, turned in on himself, his heart opened to the beauties of nature, in accordance with his mood, on the banks of that dark gray stream that rustles and splashes along the reeds. And those skies!... In the skies one is completely free, untied, all of himself.... what a genius he is! He is my ideal and almost something perfect. When it storms and rains, and heavy, black clouds fly back and forth, the trees whiz and now and then a strange light breaks through the air, and falls down here and there on the landscape, and there is a heavy voice, a grand mood in nature; that is what he paints; that is what he [Ruysdael] is imaging.”

Gerard Bilders (1838–1865) painter from the Netherlands

(version in original Dutch / citaat van Bilders' brief, in het Nederlands:) Ruisdael is voor mij de ware man der poezië, de echte dichter. Daar is een wereld van droevige, ernstige schone gedachten in zijn schilderijen. Ze hebben een ziel en een stem, die diep, treurig, deftig klinkt. Zij doen weemoedige verhalen, spreken van sombere dingen, getuigen van een treurige geest. Ik zie hem dwalen, in zichzelf gekeerd, het hart geopend voor de schoonheden der natuur, in overeenstemming met zijn gemoed, aan de oevers van die donkere grauwe stroom die ritselt en plast langs het riet. En die luchten!.. .In de luchten is men geheel vrij, ongebonden, geheel zichzelf.. ..welke een genie is hij [Ruisdael]! Hij is mijn ideaal en bijna iets volmaakts.Als het stormt en regent, en zware, zwarte wolken heen en weer vliegen, de bomen suizen en nu en dan een wonderlijk licht door de lucht breekt en hier en daar op het landschap neervalt, en er een zware stem, een grootse stemming in de natuur is, dat schildert hij, dat geeft hij weer.
Source: 1860's, Vrolijk Versterven' (from Bilders' diary & letters), pp. 51+52, - quote from Bilders' diary, 24 March 1860, written in Amsterdam

Benjamín Netanyahu photo

“Israel has extended its hand in peace from the moment it was established… In Israel our hope for peace never wanes. Our scientists, doctors, and innovators apply their genius to improve the world of tomorrow. Our artists, our writers, enrich the heritage of humanity. Now, I know that this is not exactly the image of Israel that is often portrayed…”

Benjamín Netanyahu (1949) Israeli prime minister

2010s, 2011
Source: Address to the U.N. General Assembly https://web.archive.org/web/20130615172321/http://www.mfa.gov.il/mfa/pressroom/2011/pages/remarks_pm_netanyahu_un_general%20_assembly_23-sep-2011.aspx (23 September 2011).

Mani Madhava Chakyar photo
Charles Fort photo
Letitia Elizabeth Landon photo
Thomas Henry Huxley photo
William Winwood Reade photo
Salvador Dalí photo
Robert Harris photo
Boris Sidis photo

“The man of genius whether as artist or thinker requires a mass of accidental variations to select from and a rigidly selective process of attention.”

Boris Sidis (1867–1923) American psychiatrist

Source: The Foundations of Normal and Abnormal Psychology (1914), p. 98

Lafcadio Hearn photo
Anne Louise Germaine de Staël photo

“A great composition to me is.. an incarnation of a genius, of all that was ever in him of the slightest consequence.”

Neville Cardus (1888–1975) English writer

Preface to Ten Composers, August 1944.

Richard Rodríguez photo
John Lancaster Spalding photo
Salvador Dalí photo
Robert Olmstead photo
Björk photo

“I was talking to a friend about it recently and I told him that the thing about making that film that upset me most was how cruel Lars is to the woman he is working with. Not that I can't take it, because I'm pretty tough and completely capable of defending myself, but because my ideals of the ultimate creator were shattered. And my friend said "What did you expect? All major directors are "sexist", a maker is not necessarily an expert in human rights or female/male equality!
My answer was that you can take quite sexist film directors like Woody Allen or Stanley Kubrick and still they are the one that provide the soul to their movies. In Lars von Trier's case it is not so and he knows it. He needs a female to provide his work soul. And he envies them and hates them for it. So he has to destroy them during the filming. And hide the evidence. What saves him as an artist, though, is that he is so painfully honest that even though he will manage to cover up his crime in the "real" world (he is a genius to set things up that everybody thinks it is just his female-actress-at-the-moment imagination, that she is just hysterical or pre-menstrual), his films become a documentation of this "soul-robbery.”

Björk (1965) Icelandic singer-songwriter

Breaking the Waves is the clearest example of that.
bjork."
From the www.bjork.com http://www.bjork.com 4um, posted by Björk in response to a question about her conflict with director Lars von Trier during the production of Dancer in the Dark.
Other quotes

Sri Aurobindo photo
The Mother photo
John Buchan photo
Donald J. Trump photo

“Actually, throughout my life, my two greatest assets have been mental stability and being, like, really smart… I went from VERY successful businessman, to top T. V. Star to President of the United States (on my first try). I think that would qualify as not smart, but genius…. and a very stable genius at that!”

Donald J. Trump (1946) 45th President of the United States of America

Tweets published https://twitter.com/realDonaldTrump/status/949618475877765120 by @realDonaldTrump https://twitter.com/realDonaldTrump/status/949619270631256064 (6 January 2018)
2010s, 2018, January

Richard Burton photo
Thomas Chatterton photo
Luigi Russolo photo
Thomas Carlyle photo
E. Lee Spence photo

“Genius is the ability to look at things simply.”

E. Lee Spence (1947) German anthropologist, photographer, archaeologist, historian, photojournalist and academic

Full quote: Because of all of the shipwrecks I have discovered, people have called me a genius, but the truth is, finding wrecks isn't all that complicated. Get rid of your perceived notions, narrow everything down to the basic facts, and then just follow basic logic. Don't over complicate matters as, genius is the ability to look at things simply. Remember that and you will find the shipwrecks and their treasure.
from interview of Dr. E. Lee Spence by R. Lunsford, published in Shipwrecks magazine, Volume 1, Issue #4, December, 1989, p. 94

George William Curtis photo
Brian K. Vaughan photo

“I, for example, am a pompous asshole, but my comics are genius!”

Brian K. Vaughan (1976) American screenwriter, comic book creator

BKV on War of the Worlds http://www.bkv.tv/phpBB2/viewtopic.php?t=3002

John Quincy Adams photo

“In the seventh century of the Christian era, a wandering Arab of the lineage of Hagar, the Egyptian, combining the powers of transcendent genius, with the preternatural energy of a fanatic, and the fraudulent spirit of an impostor, proclaimed himself as a messenger from Heaven, and spread desolation and delusion over an extensive portion of the earth. Adopting from the sublime conception of the Mosaic law, the doctrine of one omnipotent God; he connected indissolubly with it, the audacious falsehood, that he was himself his prophet and apostle. Adopting from the new Revelation of Jesus, the faith and hope of immortal life, and of future retribution, he humbled it to the dust by adapting all the rewards and sanctions of his religion to the gratification of the sexual passion. He poisoned the sources of human felicity at the fountain, by degrading the condition of the female sex, and the allowance of polygamy; and he declared undistinguishing and exterminating war, as a part of his religion, against all the rest of mankind. THE ESSENCE OF HIS DOCTRINE WAS VIOLENCE AND LUST : TO EXALT THE BRUTAL OVER THE SPIRITUAL PART OF HUMAN NATURE.
Between these two religions, thus contrasted in their characters, a war of twelve hundred years has already raged. That war is yet flagrant; nor can it cease but by the extinction of that imposture, which has been permitted by Providence to prolong the degeneracy of man. While the merciless and dissolute dogmas of the false prophet shall furnish motives to human action, there can never be peace upon earth, and good will towards men. The hand of Ishmael will be against every man, and every man's hand against him.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Passage on Muhammad by an anonymous author in The American Annual Register for the Years 1827-8-9 (1830), edited by Joseph Blunt, Ch. X, p. 269. Robert Spencerattributed the authorship to Adams in The Politically Incorrect Guide to Islam (and the Crusades) (2005), p. 83, but provided no clear documentation as to why this attribution was made.
Disputed

Oliver Wendell Holmes photo

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Taylor Caldwell photo
Lyndon B. Johnson photo

“The fifth and most important principle of our foreign policy is support of national independence—the right of each people to govern themselves—and to shape their own institutions. For a peaceful world order will be possible only when each country walks the way that it has chosen to walk for itself. We follow this principle by encouraging the end of colonial rule. We follow this principle, abroad as well as at home, by continued hostility to the rule of the many by the few—or the oppression of one race by another. We follow this principle by building bridges to Eastern Europe. And I will ask the Congress for authority to remove the special tariff restrictions which are a barrier to increasing trade between the East and the West. The insistent urge toward national independence is the strongest force of today's world in which we live. In Africa and Asia and Latin America it is shattering the designs of those who would subdue others to their ideas or their will. It is eroding the unity of what was once a Stalinist empire. In recent months a number of nations have east out those who would subject them to the ambitions of mainland China. History is on the side of freedom and is on the side of societies shaped from the genius of each people. History does not favor a single system or belief—unless force is used to make it so. That is why it has been necessary for us to defend this basic principle of our policy, to defend it in Berlin, in Korea, in Cuba—and tonight in Vietnam.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Max Born photo
Arshile Gorky photo
Eugène Delacroix photo
Karen Armstrong photo
Pat Cadigan photo

“Fez gave her a squeeze. “You’re a genius, Sam-I-Am.”
She squirmed away from him uncomfortably. “It just makes sense, is all.””

“Sometimes that’s all it takes to be a genius.”
Source: Synners (1991), Chapter 32 (p. 387)

“Hitler explained quietly that he wanted these things done. It is of interest that no one objected or talked back. It was law and it was genius speaking.”

Rudolf Mildner (1902) Chief of the Gestapo at Katowice

To Leon Goldensohn (12 February 1946). Quoted in "The Nuremberg Interviews" - by Leon Goldensohn, Robert Gellately - History - 2004

Robert G. Ingersoll photo
James Clapper photo

“The Founding Fathers, in their genius, created three co-equal branches of government, and a built-in system of checks and balances, and I feel as though that is under assault, and is eroding.”

James Clapper (1941) US government official

Quoted in [Bevan, Tom, James Clapper's Assault on Democracy, https://www.realclearpolitics.com/articles/2017/05/16/james_clappers_assault_on_democracy_133897.html, 27 July 2018, Real Clear Politics, May 16, 2017]

Hugh Trenchard, 1st Viscount Trenchard photo
Tom McCarthy (writer) photo
Tom Robbins photo
Francis Galton photo
Eugene V. Debs photo
Fred Astaire photo

“He is terribly rare. He is like Bach, who in his time had a great concentration of ability, essence, knowledge, a spread of music. Astaire has that same concentration of genius; there is so much of the dance in him that it has been distilled.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

George Balanchine in Nabokov, Ivan and Carmichael, Elizabeth. "Balanchine, An Interview". Horizon, January 1961, pp. 44-56. (M).

Otto Weininger photo
Margaret Fuller photo

“It is not because the touch of genius has roused genius to production, but because the admiration of genius has made talent ambitious, that the harvest is still so abundant.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

"The Modern Drama" in Art, Literature and the Drama (1858).

Margaret Fuller photo

“Genius will live and thrive without training, but it does not the less reward the watering-pot and pruning-knife.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

"Life of Sir James Mackintosh" in Papers on Literature and Art (1846), p. 50.

F. Scott Fitzgerald photo

“It takes a genius to whine appealingly.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Letter to Maxwell Perkins, Villa Marie à Valescure, Saint-Raphaël, France, c. 10 October 1924, as quoted in A Life in Letters https://books.google.com/books?id=3DGy0rdeLrsC&pg=PA82&dq=%22It+takes+a+genius+to+whine+appealingly.%22&hl=en&sa=X&ved=0ahUKEwiC3b6sqp3TAhUm0oMKHXUBAXUQ6AEIRDAG#v=onepage&q=%22It%20takes%20a%20genius%20to%20whine%20appealingly.%22&f=false (1963), edited by Matthew J. Bruccoli and Judith S. Baughman
Quoted, Letters

Paul Morphy photo

“Genius is a starry word; but if there ever was a chess player to whom that attribute applied, it was Paul Morphy.”

Paul Morphy (1837–1884) American chess player

Andrew Soltis (in Golombek's Encyclopedia of Chess, New York, 1977)
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William Hazlitt photo

“If we wish to know the force of human genius, we should read Shakespeare. If we wish to see the insignificance of human learning, we may study his commentators.”

William Hazlitt (1778–1830) English writer

"On the Ignorance of the Learned"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)