Quotes about funeral
page 2

Charles James Napier photo

“Be it so. This burning of widows is your custom; prepare the funeral pile. But my nation has also a custom. When men burn women alive we hang them, and confiscate all their property. My carpenters shall therefore erect gibbets on which to hang all concerned when the widow is consumed. Let us all act according to national customs.”

Charles James Napier (1782–1853) Commander-in-Chief in British India

Napier, William. (1851) History of General Sir Charles Napier's Administration of Scinde, London: Chapman and Hall p. 35 http://books.google.com/books?id=d84BAAAAMAAJ&vq=suttee&dq=History%20of%20the%20Administration%20of%20Scinde&pg=PA35#v=onepage&q&f=false at books.google.com. Retrieved 11 October 2013

Sueton photo

“When [his son] Drusus died Tiberius was not greatly concerned, and went back to his usual business almost as soon as the funeral ended, cutting short the period of official mourning; in fact, when a Trojan delegation arrived with condolences somewhat belatedly, Tiberius grinned, having apparently got over his loss, and replied: "May I condole with you, in return, on the death of your eminent fellow-citizen Hector?"”
Itaque ne mortuo quidem perinde adfectus est, sed tantum non statim a funere ad negotiorum consuetudinem rediit iustitio longiore inhibito. Quin et Iliensium legatis paulo serius consolantibus, quasi obliterata iam doloris memoria, irridens se quoque respondit vicem eorum dolere, quod egregium civem Hectorem amisissent.

Source: The Twelve Caesars, Tiberius, Ch. 52

Alphonse Allais photo

“Funeral March for the Last Rites of a Deaf Man.”

Alphonse Allais (1854–1905) French writer and humourist

Marche Funèbre composée pour les Funérailles d'un grand homme sourd.
A piece consisting of 24 empty bars. See the score in this essay by Larry J Solomon on John Cage http://solomonsmusic.net/4min33se.htm.

Robert Davi photo
William Allingham photo
George Eliot photo

“Perhaps the wind
Wails so in winter for the summers dead,
And all sad sounds are nature's funeral cries
For what has been and is not.”

George Eliot (1819–1880) English novelist, journalist and translator

Book 1
The Spanish Gypsy (1868)

Robert Chambers (publisher, born 1802) photo
Hunter S. Thompson photo
Suzanne Collins photo
Manmohan Acharya photo
Frederick Douglass photo
Arthur Rubinstein photo
James K. Morrow photo
Enoch Powell photo
Calvin Coolidge photo
Theodor Mommsen photo

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Peter Greenaway photo
Mobutu Sésé Seko photo
Tiberius photo
George Ade photo

“She was a soprano of the kind often used for augmenting grief at a funeral.”

George Ade (1866–1944) American writer, newspaper columnist and playwright

Fables

Kunti photo
Russell T. Davies photo

“Gone with the Wind, Four Weddings and a Funeral, Notting Hill, they all should have had the hero cut down by a Dalek, and they would've been vastly improved really.”

Russell T. Davies (1963) Screenwriter, former executive producer of Doctor Who

Doctor Who Confidential Series 4, Episode 12, "Friends and Foe" http://www.bbc.co.uk/doctorwho/s4/confidential/S4_12 (Doctor Who documentary series, 2005)

Letitia Elizabeth Landon photo

“Although I have always loved the noise of laughter, I really can't fear the coming of quiet. As for funerals, I rather like them. Such nice things are always said about the deceased, I feel sad that they had to miss hearing it all by just a few days.”

Bob Monkhouse (1928–2003) English entertainer

Obituary in The Independent http://web.archive.org/web/20100507114758/http://www.independent.co.uk/news/obituaries/bob-monkhouse-549171.html

Toni Morrison photo
Jayapala photo
Vincent Van Gogh photo

“Do you know what I long for sometimes? To make a trip to Brabant. I should love to draw the old churchyard at Nuenen, and the weavers. To make, for instance, during a month, studies of Brabant, and to come back [to The Hague] with a lot of them, for a large drawing of a peasant funeral for instance.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote of letter 295, from The Hague, 1883; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period 2. - Weaver
1880s, 1883

Lewis F. Powell, Jr. photo
Charles Lamb photo

“Any thing awful makes me laugh. I misbehaved once at a funeral.”

Charles Lamb (1775–1834) English essayist

Letter to Southey (August 9, 1815)

Erasmus Darwin photo
Bob Dylan photo

“I might need a good lawyer, could be your funeral, my trial
Well, I cried for you, now it's your turn, you can cry awhile”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Love and Theft (2001), Cry A While

Margaret Atwood photo
Letitia Elizabeth Landon photo
Dana Gioia photo
Rosalind Russell photo

“Success is a public affair. Failure is a private funeral.”

Rosalind Russell (1907–1976) actress from the United States

Halliwell's Who's Who in the Movies (2001 ed): Art. Rosalind Russell p. 383

Jonathan Katz photo

“I hate going to funerals because I'm not a mourning person.”

Jonathan Katz (1946) Comedian, actor

Interview on Late Night with Conan O'Brien
Attributed

John Millington Synge photo
Maximilien Robespierre photo
Nick Cave photo
Dietrich von Choltitz photo

“Oh, Field Marshal, so far it would have been a funeral without military honors, maybe now it can become one with military honors.”

Dietrich von Choltitz (1894–1966) German general

In a conversation with Günther von Kluge, August 1944 (quoted in a book brennt paris? - adolf hitler)

Gaio Valerio Catullo photo

“Wandering through many countries and over many seas I come, my brother, to these sorrowful obsequies, to present you with the last guerdon of death, and speak, though in vain, to your silent ashes, since fortune has taken your own self away from me—alas, my brother, so cruelly torn from me! Yet now meanwhile take these offerings, which by the custom of our fathers have been handed down—a sorrowful tribute—for a funeral sacrifice; take them, wet with many tears of a brother, and for ever, my brother, hail and farewell!”
Multas per gentes et multa per aequora vectus Advenio has miseras, frater, ad inferias, Ut te postremo donarem munere mortis Et mutam nequiquam alloquerer cinerem. Quandoquidem fortuna mihi tete abstulit ipsum, Heu miser indigne frater adempte mihi, Nunc tamen interea haec prisco quae more parentum Tradita sunt tristi munere ad inferias, Accipe fraterno multum manantia fletu, Atque in perpetuum, frater, ave atque vale.

CI, lines 1–10
Sir William Marris's translation:
By many lands and over many a wave
I come, my brother, to your piteous grave,
To bring you the last offering in death
And o'er dumb dust expend an idle breath;
For fate has torn your living self from me,
And snatched you, brother, O, how cruelly!
Yet take these gifts, brought as our fathers bade
For sorrow's tribute to the passing shade;
A brother's tears have wet them o'er and o'er;
And so, my brother, hail, and farewell evermore!
Carmina

Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Daniel Pipes photo
George Galloway photo

“We did not suspend our democracy in our darkest hours why are we suspending it now? the fawning over Thatcher had gone too far. We have had enough of this, It has gone on too long and it has gone too far. This put the tin hat on it the idea that we should suspend a vital part of our democratic process for a party political and private funeral, Mr Churchill didn’t ask for Parliament to be silenced, for confrontations across the House to be forbidden. When our soldiers were being laid waste in the Norway debate, the House of Commons perhaps rose to its finest 20th Century moment. Nobody said: ‘Our armed forces have suffered a disaster, the House of Commons cannot meet, the clash of ideas cannot be heard, we must muffle the drums and silence ourselves The so-called Beast of Bolsover said the argument was about class and that it was "one rule for those at the top and another for those at the bottom. We are here talking about the thing that we sometimes suggest has gone away class, That's what it is, it's about class. It's about the fact that people out there have to live their lives in a different way and there's one rule for those at the top and there's another for those at the bottom. It's never changed, I wish it had, but it hasn't. So when I heard about the chain of events it seemed to grow like topseed - first of all there was going to be some sort of ceremonial funeral, and then the next thing you (Mr Speaker) tell us that the chimes of Big Ben are going to stop and then we hear about the fact that we are going to abandon Prime Minister's question time, I mean, what's it all about? That's why the people out there are angry, a lot of them.”

George Galloway (1954) British politician, broadcaster, and writer

The Mirror http://www.mirror.co.uk/news/uk-news/margaret-thatcher-fawning-gone-far-1836314 George Galloway blasts cancellation of PMQs for Margret Thatchers funeral 16 April, 2013

Leonard Cohen photo
Sara Teasdale photo
Comte de Lautréamont photo

“I hail you, old ocean! Old ocean, you are the symbol of identity: always equal unto yourself. In essence, you never change, and if somewhere your waves are enraged, farther off in some other zone they are in the most complete calm. You are not like man — who stops in the street to see two bulldogs seize each other by the scruff of the neck, but does not stop when a funeral passes. Man who in the morning is affable and in the evening ill-humoured. Who laughs today and weeps tomorrow. I hail you, old ocean!”

Vieil océan, tu es le symbole de l'identité: toujours égal à toi-même. Tu ne varies pas d'une manière essentielle, et, si tes vagues sont quelque part en furie, plus loin, dans quelque autre zone, elles sont dans le calme le plus complet. Tu n'es pas comme l'homme, qui s'arrête dans la rue, pour voir deux boule-dogues s'empoigner au cou, mais, qui ne s'arrête pas, quand un enterrement passe; qui est ce matin accessible et ce soir de mauvaise humeur; qui rit aujourd'hui et pleure demain. Je te salue, vieil océan!
Les Chants de Maldoror (1972 ed.), p. 13.

James K. Morrow photo

“Father says don’t kill your principles just because the government is paying for the funeral.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Wine of Violence (1981), Chapter 22 (pp. 257-258)

Kate Bush photo
Henry Ward Beecher photo
Enoch Powell photo
Thomas Hardy photo
Letitia Elizabeth Landon photo
Bernice King photo

“When I saw the funeral scene, I just broke down. I ran out of the cabin into the woods, and for nearly 2-1/2 hours, I just cried: "Why, God, did You take him?"”

Bernice King (1963) American minister, daughter of Martin Luther King, Jr.

Reflection on experience at age sixteen in "Faces of Faith: A Connection Magazine Anthology" (2006), p. 82.

“Realizing that life is precious the natural tendency is to trample on it, like laughing at a funeral.”

Lester Bangs (1948–1982) American music critic and journalist

"Peter Laughner" (September/October 1977), p. 222
Psychotic Reactions and Carburetor Dung (1988)

David Woodard photo
Ashleigh Brilliant photo

“There's much to be said for immortality – for example, the saving on funeral expenses. And no more nonsense about "legacies," and about how anything you've accomplished will "live on after you."”

Ashleigh Brilliant (1933) American author and cartoonist

From his weekly column for the Montecito Journal: MJ#37, an attachment to his "Brilliant friends" email messages, 1 April 2018

Emma Lazarus photo

“The funeral and the marriage, now, alas!
We know not which is sadder to recall.”

Emma Lazarus (1849–1887) American poet

In the Jewish Synagogue at Newport

Pat Conroy photo

“The children of fighter pilots tell different stories than other kids do. None of our fathers can write a will or sell a life insurance policy or fill out a prescription or administer a flu shot or explain what a poet meant. We tell of fathers who land on aircraft carriers at pitch-black night with the wind howling out of the China Sea. Our fathers wiped out aircraft batteries in the Philippines and set Japanese soldiers on fire when they made the mistake of trying to overwhelm our troops on the ground. Your Dads ran the barber shops and worked at the post office and delivered the packages on time and sold the cars, while our Dads were blowing up fuel depots near Seoul, were providing extraordinarily courageous close air support to the beleaguered Marines at the Chosin Reservoir, and who once turned the Naktong River red with blood of a retreating North Korean battalion. We tell of men who made widows of the wives of our nations' enemies and who made orphans out of all their children. You don't like war or violence? Or napalm? Or rockets? Or cannons or death rained down from the sky? Then let's talk about your fathers, not ours. When we talk about the aviators who raised us and the Marines who loved us, we can look you in the eye and say "you would not like to have been American's enemies when our fathers passed overhead". We were raised by the men who made the United States of America the safest country on earth in the bloodiest century in all recorded history. Our fathers made sacred those strange, singing names of battlefields across the Pacific: Guadalcanal, Iwo Jima, Okinawa, the Chosin Reservoir, Khe Sanh and a thousand more. We grew up attending the funerals of Marines slain in these battles. Your fathers made communities like Beaufort decent and prosperous and functional; our fathers made the world safe for democracy.”

Pat Conroy (1945–2016) American novelist

Eulogy for a Fighter Pilot (1998)

Andrew Marvell photo
Mark Ames photo
Menno Simons photo
Tao Yuanming photo
Carlo Carrà photo

“I was walking along the Boulevard des Italiens [in February 1912, during a group exhibition of Futurist painters in Paris] when, as I passed in front of a newspaper stand, I had the pleasant surprise of seeing on the front page of the Journal the reproduction of my picture 'The Funeral of the Anarchist Galli.”

Carlo Carrà (1881–1966) Italian painter

Source: 1940's, La mia Vita (1945), Carlo Carrà; as quoted in Futurism, ed. Didier Ottinger (2008), p. 29 - In his quote Carrà is refering to his painting 'The Funeral of the Anarchist Galli', he painted ca 1910/11

Alan Watts photo
Eliezer Yudkowsky photo

“The human brain cannot release enough neurotransmitters to feel emotion a thousand times as strong as the grief of one funeral.”

Eliezer Yudkowsky (1979) American blogger, writer, and artificial intelligence researcher

Cognitive Biases Potentially Affecting Judgment of Global Risks http://singularity.org/files/CognitiveBiases.pdf, a chapter of Global Catastrophic Risks, edited by Nick Bostrom and Milan M. Cirkovic (2008)
Context: The human brain cannot release enough neurotransmitters to feel emotion a thousand times as strong as the grief of one funeral. A prospective risk going from 10,000,000 deaths to 100,000,000 deaths does not multiply by ten the strength of our determination to stop it. It adds one more zero on paper for our eyes to glaze over.

Yevgeniy Chazov photo

“The bell of Hiroshima rings in our hearts not as a funeral knell, but as an alarm bell calling out to actions to protect life on our planet.
We were among the first to demolish the nuclear illusions that existed and to unveil the true face of nuclear weapons — the weapons of genocide.”

Yevgeniy Chazov (1929) Russian physician

Nobel Peace prize acceptance speech (1985)
Context: I am convinced that today is a great and exciting day not only for the members of our international movement but also for all physicians on our planet, irrespective of their political and religious beliefs. For the first time in history, their selfless service for the cause of maintaining life on Earth is marked by the high Nobel Prize. True to the Hippocratic Oath, we cannot keep silent knowing what final epidemic-nuclear war — can bring to humankind. The bell of Hiroshima rings in our hearts not as a funeral knell, but as an alarm bell calling out to actions to protect life on our planet.
We were among the first to demolish the nuclear illusions that existed and to unveil the true face of nuclear weapons — the weapons of genocide. We warned the peoples and governments that medicine would be helpless to offer even minimal relief to the hundreds of millions of victims of nuclear war.
However, our contacts with patients inspire our faith in the human reason. Peoples are heedful of the voice of physicians who warn them of the danger and recommend the means of prevention.

Lewis Mumford photo

“Instead of clinging to the sardonic funeral towers of metropolitan finance, ours to march out to newly plowed fields, to create fresh patterns of political action, to alter for human purposes the perverse mechanisms or our economic regime, to conceive and to germinate fresh forms of human culture.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

Introduction
The Culture of Cities (1938)
Context: Today our world faces a crisis: a crisis which, if its consequences are as grave as now seems, may not fully be resolved for another century. If the destructive forces in civilization gain ascendancy, our new urban culture will be stricken in every part. Our cities, blasted and deserted, will be cemeteries for the dead: cold lairs given over to less destructive beasts than man. But we may avert that fate: perhaps only in facing such a desperate challenge can the necessary creative forces be effectually welded together. Instead of clinging to the sardonic funeral towers of metropolitan finance, ours to march out to newly plowed fields, to create fresh patterns of political action, to alter for human purposes the perverse mechanisms or our economic regime, to conceive and to germinate fresh forms of human culture.
Instead of accepting the stale cult of death that the Fascists have erected, as the proper crown for the servility and brutality that are the pillars of their states, we must erect a cult of life: life in action, as the farmer or mechanic knows it: life in expression, as the artist knows it: life as the lover feels it and the parent practices it: life as it is known to men of good will who meditate in the cloister, experiment in the laboratory, or plan intelligently in the factory or the government office.

Paul Bourget photo

“I had to take the necessary steps to prevent this alleged suicide from getting known, to see the commissary of police and the "doctor of the dead." I had to preside at the funeral ceremonies, to receive the guests and act as chief mourner. And always, always, he was present to me, with the dagger in his breast, writing the lines that had saved me, and looking at me, while his lips moved.”

Paul Bourget (1852–1935) French writer

Source: Andre Cornelis (1886), Ch. 14
Context: I had to take the necessary steps to prevent this alleged suicide from getting known, to see the commissary of police and the "doctor of the dead." I had to preside at the funeral ceremonies, to receive the guests and act as chief mourner. And always, always, he was present to me, with the dagger in his breast, writing the lines that had saved me, and looking at me, while his lips moved.
Ah, begone, begone, abhorred phantom! Yes! I have done it; yes! I have killed you; yes! it was just. You know well that it was just. Why are you still here now? Ah! I will live; I will forget. If I could only cease to think of you for one day, only one day, just to breathe, and walk, and see the sky, without your image returning to haunt my poor head which is racked by this hallucination, and troubled? My God! have pity on me. I did not ask for this dreadful fate; it is Thou that hast sent it to me. Why dost Thou punish me? Oh, my God, have pity on me!

Fred Phelps photo

“George Carlin is in hell. Deal with it. You will soon join him there. America is doomed. We will picket George Carlin's funeral..Amen!”

Fred Phelps (1929–2014) American pastor and activist

2000s, George Carlin In Hell (2008)
Context: George Carlin is now in hell, and it is not relevant that George Carlin boasted that he does not believe in hell when he lived on Earth. Be assured, Carlin believes in hell now... George Carlin, the filthy blasphemer, the obscene potty-mouth skeptic, agnostic and profane atheist, who had nothing but disdain for the God and the Bible all the days of his tragic life, is now at this minute and forever writhing and screaming in exquisite pain, pleading for mercy from that God he flipped off while performing for HBO lucre... When Carlin died, June 22nd, he split hell wide open... Hell from below was moved beneath thee at thy coming, it stirreth up the dead for thee. Are thou as weak as we George Carlin?! The worm is spread under thee and the worm covers thee. George Carlin is in hell. Deal with it. You will soon join him there. America is doomed. We will picket George Carlin's funeral.. Amen!

John Wayne Gacy photo

“All the police are going to get me for is running a funeral parlor without a license.”

John Wayne Gacy (1942–1994) American serial killer and torturer

Quoted in Wolcott, Martin Gilman The Evil 100 https://books.google.com/books?id=AqAtjVMGnLIC&pg=PA150&lpg=PA150&dq=john+gacy+funeral+parlor+license&source=bl&ots=koZRMY2U1t&sig=ACfU3U0Xvi5XTOq4hbVXOKgS5ZCkpW977A&hl=en&ppis=_e&sa=X&ved=2ahUKEwiHzZC_ntfmAhWGKs0KHbNBCQAQ6AEwDXoECAoQAQ#v=onepage&q=john%20gacy%20funeral%20parlor%20license&f=false Citadel Press 2004 p. 150.

Charles Stross photo
J. Howard Moore photo
William Logan (author) photo
Gopal Krishna Gokhale photo

“This diamond of India, this jewel of Maharashtra, this prince of workers is taking eternal rest on funeral ground. Look at him and try to emulate him.”

Gopal Krishna Gokhale (1866–1915) social and political leader during the Indian Independence Movement

B.G.Tilak in "Guru and Chela".

Simon Munnery photo

“I went to a funeral the other day. Caught the wreath.”

Simon Munnery (1967) British comedian

Attention Scum! (2001), The Wreath (2018)

Rodrigo Duterte photo

“If I become president, I advise you people to put up several funeral parlor businesses because I am against illegal drugs... I might kill someone because of it.”

Rodrigo Duterte (1945) Filipino politician and the 16th President of the Philippines

Duterte: If I win, better put up more funeral parlors https://www.philstar.com/headlines/2015/11/26/1526317/duterte-if-i-win-better-put-more-funeral-parlors(November 26, 2015)

John Cooper Clarke photo
John Cooper Clarke photo
Lois McMaster Bujold photo