Quotes about finisher
page 5

Yoweri Museveni photo

“If General Omar el Bashir's government gives me permission to pursue Kony beyond the red line, it will only take me 30 minutes to finish him and his fighters.”

Yoweri Museveni (1944) President of Uganda

As quoted in "Uganda's 19-year-old rebellion nears end: military" https://web.archive.org/web/20150923022403/http://en.people.cn/200509/09/eng20050909_207440.html (23 September 2005), People's Daily, China: People's Daily Online
2000s

Harry Chapin photo
Jackie Speier photo
Fred Astaire photo
Ben Gibbard photo
Bram van Velde photo

“The greatest moment is when you realize that the painting you've just finished is nothing. When you manage to detach yourself from it.”

Bram van Velde (1895–1981) Dutch painter

1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Phillip Guston photo

“It is over! The USA have made it, in a Hollywood-style finish!”

Ian Darke (1950) British association football and boxing commentator

United States v. Algeria http://www.listenonrepeat.com/watch/?v=DALDkkXodRU (23 June 2010).
2010s, 2010, 2010 FIFA World Cup

Haruki Murakami photo
Herbert Read photo

“The poem, even when it has some predetermined pattern, must be wrought to some effect or finish that justifies the exclamation: This is a poem!”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

What is a Poem - Endword - Selected Poems (1926)

“Each painting has its own way of evolving. One may start with a few color areas on the canvas; another with a myriad of lines, another with a profusion of colors... Once I sense the suggestion I begin to paint intuitively. The suggestion then becomes a phantom that must be caught and made real. As I work, or when the painting is finished, the subject reveals itself.”

William Baziotes (1912–1963) American painter

I Cannot Evolve Any Concrete Theory, William Baziotes, in Possibilities, Vol. I, no. 1, New York, winter 1947-48, p. 2
William Baziotes is referring in this quote to Surrealist automatism originally a surrealist art concept
1940s

Mark Satin photo

“I turn out the kitchen light and sit down at the kitchen table, my head buried in my arms. I try to tell myself that I feel sick from having had to write all those lies on my application. I'd commit suicide if I really saw myself as Keith's "assistant"! But I know that isn't the half of it…. If I do "choose to finish my B. A." I'll end up like Keith. But if I don't "choose" school I'll end up in Canada! And if I don't "choose" either – wouldn't I end up in Vietnam?”

Mark Satin (1946) American political theorist, author, and newsletter publisher

Pages 196–97. Fall of 1966. Satin has dropped out of SUNY and is sitting in his girlfriend's apartment in Manhattan. The application is for Canadian immigrant status. Keith, a supportive college professor, is seen by Satin as a plastic sellout.
Confessions of a Young Exile (1976)

John Constable photo
Calvin Coolidge photo
Ben Hecht photo
Tim Powers photo

“Let us quickly be finished with the business of dying, to save the trouble of making dinner.”

Source: Declare (2001), Chapter 12 (p. 345)

Czeslaw Milosz photo

“What is this enigmatic impulse that does not allow one to settle down in the achieved, the finished? I think it is a quest for reality.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

Nobel lecture (8 December 1980)

Joseph Heller photo
William Paley photo
André Maurois photo

“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul. Upon crossing the shadow line, it is more the desire to act than the power to do so that is lost. Is it possible, after fifty years of experiences and disappointments, to retain the ardent curiosity of youth, the desire to know and understand, the power to love wholeheartedly, the certainty that beauty, intelligence, and kindness unite naturally, and to preserve faith in the efficacy of reason? Beyond the shadow line lies the realm of even, tempered light where the eyes, not being dazzled any more by the blinding sun of desire, can see things and people as they are. How is it possible to believe in the moral perfection of pretty women if you have loved one of them? How is it possible to believe in progress when you have discovered throughout a long and difficult life that no violent change can triumph over human nature and that it is only the most ancient customs and ceremonies that can provide people with the flimsy shelter of civilization? "What's the use?" says the old man to himself. This is perhaps the most dangerous phrase he can utter, for after having said: "What's the use of struggling?" he will say one day: "What's the use of going out?" then: "What's the use of leaving my room?" then: "What's the use of leaving my bed?" and at last comes "What's the use of living?"”

André Maurois (1885–1967) French writer

which opens the portals of death.
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Claude Elwood Shannon photo

“A few first rate research papers are preferable to a large number that are poorly conceived or half-finished. The latter are no credit to their writers and a waste of time to their readers.”

Claude Elwood Shannon (1916–2001) American mathematician and information theorist

IRE Transactions on Information Theory (1956), volume 2, issue 1, page 3. * The Bandwagon
Shannon
Claude E.
2
1
1956
March
10.1109/TIT.1956.1056774.

“James March, a Stanford-based social scientist… is much more a gurus’ guru than a guru to the general public. He finished second on the gurus’ gurus list and 48th on the original list.”

Thomas H. Davenport (1954) American academic

Laurence Prusak, Thomas H. Davenport, "Who Are the Gurus' Gurus," Harvard Business Review Survey, December 2003, p.14–16

Titian photo

“Most serene and Powerful King [Ferdinand], most Clement Lord,... The portraits of the serene daughters of your Majesty will be done in two days, and I shall take them to Venice, whence – having finished them with all diligence – I shall send them quickly to your Majesty. As soon as your Majesty has seen them, I am convinced I shall receive much greater favours than those which have been previously done me, and so I recommend myself humbly to your Majesty.”

Titian (1488–1576) Italian painter

Your Majesty's faithful servant, Titiano.
In a letter to King Ferdinand, from Innsbruck, 20th Oct 1548; original in the 'Appendix' in Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 189
The king's daughters were nine and five years old, and a young baby in long clothes; the preparatory work of the paintings was probably done by Cesare Vecelli. Titian's share in these portraits was very slight; he added only a very little to the heads
1541-1576

Akira Ifukube photo

“There are two types of composers. Like Stravinsky, some always are aware of the instrument that will be playing a given melody. However, other composers do work out the orchestration only after they have finished composing. I'm like Stravinsky. I always write music with specific instruments in mind.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Giorgio de Chirico photo

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475
1920s and later

“I am complete but I'm not finished.”

Source: Life, the Truth, and Being Free (2010), p. 155

Martin Rushent photo
Konrad Lorenz photo
Alexander Maclaren photo
Filippo Tommaso Marinetti photo
Robert M. Sapolsky photo
Richard Brautigan photo

“A friend came over to the house
a few days ago and read one of my poems.
He came back today and asked to read the
same poem over again. After he finished
reading it, he said, "It makes me want to write poetry."”

Richard Brautigan (1935–1984) American novelist, poet, and short story writer

"Hey! This Is What It's All About"
The Pill Versus the Springhill Mining Disaster

Lois McMaster Bujold photo

“A book is never finished; it's abandoned.”

Gene Fowler (1890–1960) American journalist

Quoted in H. Allen Smith's The Life and Legend of Gene Fowler (1977); as cited by Paul Dickson (1990), The New Official Rules, p. 74

Hermann Rauschning photo
H. D. Deve Gowda photo
Khushwant Singh photo
Théodore Rousseau photo

“Do not be anxious about [an ordered painting] 'La Ferme' my dear Mr. Hartmann, I am anxious to establish in this picture such a decision deformed, that it may exist, independently of the caprices of the light, and of the influence of the hours of the day. I am regulating it, absolutely as a watchmaker regulates a watch after he has finished it.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

In a letter to Mr. Hartmann, c. 1865; as quoted in The Painters of Barbizon I – Millet, Rousseau and Diaz, by John W. Mollett, B.A.; publ. Sampton Low, Marston, Searle & Rivington, Limited, London, 1890, p. 81
Mr. Hartmann, who had bought this and two other pictures had waited for them fifteen years, at last became impatient, and wrote Rousseau: 'I shall only enjoy my pictures in my extreme old age, when I shall have become too blind to see them'. his biographer/friend Alfred Sensier wrote: this seemed to Mr. Hartmann 'as the reasoning of a troubled mind.' https://archive.org/details/souvenirssurthr00sensgoog?q=Theodore+Rousseau
1851 - 1867

Miguel de Unamuno photo
K. R. Narayanan photo
Jean Froissart photo

“So that battle was fought as you have heard, in the fields of Maupertuis, six miles from the city of Poitiers, on the nineteenth day of September, 1356. It began in the early morning and was finished by mid-afternoon, although many of the English did not return from the pursuit until late evening…There died that day, it was said, the finest flower of French chivalry, whereby the realm of France was sorely weakened and fell into great misery and affliction, as you will hear later.”

Jean Froissart (1337–1405) French writer

Ensi fu ceste bataille desconfite que vous avés oy, qui fu ès camps de Maupetruis à deux liewes de le cité de Poitiers, le vingt unième jour dou mois de septembre, l'an de grasce Nostre Signeur mil trois cens cinquante six. Si commença environ heure de prime, et fu toute passée à none; mès encores n'estoient point tout li Englès qui caciet avoient, retourné de leur cace et remis ensamble…Et fu là morte, si com on recordoit adonc pour le temps, toute li fleur de la chevalerie de France: de quoi li nobles royaumes fu durement afoiblis, et en grant misère et tribulation eschei, ensi que vous orés recorder chi après.
Book 1, pp. 142-3.
Chroniques (1369–1400)

Roberto Clemente photo
Phil Brown (footballer) photo

“They will carry us over the finishing line every so often, and we’ll carry them over the line other times. It’s a mutual respect at the moment.”

Phil Brown (footballer) (1959) English association football player and manager

Oct-2011, Lancashire Evening Post
That nearly makes sense.

Danny Tidwell photo

“I don’t even know if I’ll ever feel what I did when he finished dancing his solo on Wednesday night’s [2007-08-15] show. When he left the ballet world, he was losing his love of dance, and to me, watching that solo, he came full circle. He came back.”

Danny Tidwell (1984) American dancer

Denise Wall, Tidwell's mother, the morning before the final results show. In her mind "he had already won" regardless of the outcome
Rutherford, Laine M. (August 17, 2007). "Beach's Tidwell is voted America's second-favorite dancer" http://content.hamptonroads.com/story.cfm?story=130465&ran=89902 HamptonRoads.com. Retrieved August 17, 2007.
About

Thomas Carlyle photo
Russell Brand photo
Orson Welles photo

“Since taking this job things have happened. I've been spending my free time studying the Word. Each night the Lord seemed to get hold of me a little more. Night before last I was reading in Nehemiah. I finished the book, and read it through again. Here was a man who left everything as far as position was concerned to go do a job nobody else could handle. And because he went the whole remnant back in Jerusalem got right with the Lord. Obstacles and hindrances fell away and a great work was done. Jim, I couldn't get away from it. The Lord was dealing with me. On the way home yesterday morning I took a long walk and came to a decision which I know is of the Lord. In all honesty before the Lord I say that no one or nothing beyond Himself and the Word has any bearing upon what I've decided to do. I have one desire now - to live a life of reckless abandon for the Lord, putting all my energy into it. Maybe He'll send me someplace where the name of Jesus Christ is unknown. Jim, I'm taking the Lord at His word, and I'm trusting Him to prove His Word. It's kind of like putting all your eggs in one basket, but we've already put our trust in Him for salvation, so why not do it as far as our life is concerned? If there's nothing to this business of eternal life we might as well lose everything in one crack and throw our present life away with out life hereafter. But if there is something to it, then everything else the Lord says must hold true likewise. Pray for me, Jim.”

Ed McCully (1927–1956) American Christian missionary
Edgar Rice Burroughs photo

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

Annette Kellerman photo

“The men, who started from different points along the coast, wore no clothes, but I was compelled to put on a bathing suit. Small as it was, it chafed me. When I finished, my flesh under the arms was raw and hurt fearfully.”

Annette Kellerman (1886–1975) Australian swimmer, vaudeville star, film actress and writer

"Into Fame and Fortune", in The American Magazine, Vol. 83 (1917), p. 34

Leo Tolstoy photo

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Joseph Beuys photo
Alphonse de Lamartine photo
Charles Darwin photo
William A. Dembski photo
Frederick Winslow Taylor photo
Petula Clark photo
Catherine Samba-Panza photo
Osama bin Laden photo
Peter F. Drucker photo

“The moment people talk of "implementing" instead of "doing," and of "finalizing" instead of "finishing," the organization is already running a fever.”

Peter F. Drucker (1909–2005) American business consultant

Source: 1930s- 1950s, Landmarks of Tomorrow: A Report on the New 'Post-Modern' World (1959), p. 94

Linn Boyd photo

“GENTLEMEN OF THE HOUSE OF REPRESENTATIVES: I may be allowed this occasion to say that, in undertaking to discharge the duties of the Chair, I relied for success rather upon your forbearance and kindly aid than upon any poor abilities of my own. That reliance, I am happy to say, has not failed me. On the contrary, the untiring efforts I feel I have made to perform the task in a becoming manner, have been met and sustained with a degree of liberality seldom equaled in any deliberative body. A striking illustration of this is seen in the fact, that notwithstanding the multiplied questions of parliamentary law and usage which have arisen, and in despite of errors into which I may have fallen, each and all the decisions of the Chair, with a single exception, (and that upon a question of minor importance,) have been generously sustained by this body. And as a further mark of respect and kindness, you have been pleased to adopt a resolution approving of my general conduct as the Presiding Officer of this body. In all this, I feel that I have been peculiarly fortunate; and for it all I beg you will accept my most sincere thanks.Allow me to congratulate you, gentlemen, upon the harmony and personal kindness which have so generally prevailed throughout this Hall. It must remain a source of unmixed pleasure to us all, that our conflicts of opinion here, however fierce they may occasionally have been, were not allowed materially to disturb our social relations; and that now, having finished our work, we part in peace. This House stands adjourned sine die.”

Linn Boyd (1800–1859) American politician

Journal Of the House of Representatives the United States: Second Session of the Thirty-Second Congress (1853-03-03)

Donald J. Trump photo

“Hillary Clinton and her campaign of 2008 started the birther controversy. I finished it. I finished it. You know what I mean. President Barack Obama was born in the United States, period. Now we all want to get back to making America strong and great again.”

Donald J. Trump (1946) 45th President of the United States of America

[Trump finally says Obama born in U.S., blames Clinton for controversy, USA Today, 16 September 2016, http://www.usatoday.com/story/news/politics/elections/2016/2016/09/16/donald-trump-barack-obama-hillary-clinton-presidential-campaign-birtherism/90471868/]
Conspiracy theories about Barack Obama's citizenship were not started by Hillary Clinton's 2008 campaign according to PolitiFact.com http://www.politifact.com/truth-o-meter/statements/2016/sep/16/donald-trump/fact-checking-donald-trumps-claim-hillary-clinton-/, and Trump continued to question Obama's citizenship for years after he released his long-form birth certificate in 2011 http://www.politifact.com/truth-o-meter/statements/2016/sep/16/donald-trump/donald-trumps-pants-fire-claim-he-finished-obama-b/.
2010s, 2016, September

Andrea Pirlo photo
Phillip Guston photo
George S. Patton photo

“I finished the Koran – a good book and interesting.”

George S. Patton (1885–1945) United States Army general

Diary, October 30, 1942, published in The Patton Papers 1940-1945 https://books.google.com/books?id=zaRKDgAAQBAJ&pg=PT79 (1996), p. 79.

Roberto Clemente photo

“It was a much bigger thrill to play on a winning team in 1960 than for me to win the batting title in 1961 when we finished sixth. When you’re with a bad team, you don’t have the incentive to keep going. Winning is such fun.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in “Clouter Clemente: Popular Buc; Rifle-Armed Flyhawk Aims At Second Bat Crown"
Baseball-related, <big><big>1960s</big></big>, <big>1964</big>

Jonathan Edwards photo
Karl Marlantes photo
Philippe Starck photo
Auguste Rodin photo
Friedensreich Hundertwasser photo
George Curzon, 1st Marquess Curzon of Kedleston photo
Lois McMaster Bujold photo
Dan Balz photo
Stephen Leacock photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Henry Adams photo
Anastacia photo
Ramsay MacDonald photo
Phillip Guston photo
Giorgio Vasari photo
Fred Astaire photo

“Oh, there's no such thing as my favorite performance. I can't sit here today and look back, and say, Top Hat was better than Easter Parade or any of the others. I just don't look back, period. When I finish with a project, I say 'all right, that's that. What's next?”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Fred Astaire, interviewed by Dan Navarro for American Classic Screen Magazine, September/October 1978.

Jonah Goldberg photo

“I suppose in John Kerry's world good diplomacy lets the boys in the bar finish raping the girl for fear of causing a fuss. Okay, that was unfair.”

Jonah Goldberg (1969) American political writer and pundit

October 8, 2004 http://web.archive.org/web/20001011/www.nationalreview.com/goldberg/goldberg200410080941.asp)
2000s, 2004

Jonathan Pearce photo
Glen Cook photo
Paul Cézanne photo

“If I dared, I should say that your [ Camille Pissarro ] letter is imprinted with sadness. The picture business isn't going well; I fear that your morale may be colored a little grey, but I'm sure that it's only a passing phase… I imagine that you would be delighted with the country where I am now…. in ', who had talked to me about it. It's like a playing card. Red roofs against the blue sea. If the weather turns favorable perhaps I'll be able to finish them off.”

Paul Cézanne (1839–1906) French painter

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
Quotes of Paul Cezanne, 1860s - 1870s

Oliver Cromwell photo
Edgar Guest photo
Neil Gaiman photo
Yogi Berra photo
Gioachino Rossini photo

“Dear God, here it is finished, this poor little Mass. Is this sacred music which I have written or music of the devil? I was born for opera buffa, as you well know. A little science, a little heart, that's all. Be blessed, then, and admit me to Paradise.”

Gioachino Rossini (1792–1868) Italian composer

Bon Dieu; la voilà terminée, cette pauvre petite messe. Est-ce bien de la musique sacrée que je viens de faire, ou bien de la sacré musique ? J'étais né pour l'opera buffa, tu le sais bien! Peu de science, un peu de coeur, tout est là. Sois donc béni et accorde-moi le Paradis.
Epigraph to his Petite Messe Solennelle (1863). Translation from Emanuele Senici (ed.) The Cambridge Companion to Rossini (2004) p. 23.