Quotes about fairy (345 quotes, page 4)

“Twilight remained, a fairy half-light in which all things looked much more charming than they really were.”

Murray Leinster book The Pirates of Zan

Source: The Pirates of Zan (1959), Chapter 7

Light

“When you were a bird you knew the fairies pretty well, and you remember a good deal about them in your babyhood, which it is a great pity you can't write down, for gradually you forget, and I have heard of children who declared that they had never once seen a fairy. Very likely if they said this in the Kensington Gardens, they were standing looking at a fairy all the time. The reason they were cheated was that she pretended to be something else. This is one of their best tricks.”

J. M. Barrie book The Little White Bird

Source: The Little White Bird (1902), Ch. 16

Children , Bird , Time , Cheating

“Some day you will be old enough to start reading fairy tales again.”

Clive Staples Lewis The Chronicles of Narnia

The Lion, the Witch and the Wardrobe (1950), Dedication: "To Lucy Barfield"
The Chronicles of Narnia (1950–1956)

Reading

“OK, I admit it. I was just a front-man for the real fathers of Linux, the Tooth Fairy and Santa Claus.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Attributed to Torvalds in LinuxWorld interview.
Responding to the Alexis de Tocqueville Institution's claim that Linus Torvalds is not the real father of Linux.
Attributed

“Even an ordinary broken chord is made to disclose rare beauties; we are reminded of the fairies' hazelnuts in which diamonds were concealed but you could break the shell only if your hands were blessed.”

Neville Cardus (1888–1975) English writer

Of Rachmaninoff's playing; Manchester Guardian (1939)

Beauty

“To insist on one's place in the scheme of things and to live up to that place.
To empower others in their reaching for some place in the scheme of things.
To do these things is to make fairy tales come true.”

Robert Fulghum (1937) American writer

Uh-Oh: Some Observations from Both Sides of the Refrigerator Door (2001), p. 43, frameless QOTD 2008·06·04 Sound file

“I shall doubtless outlive some troublesome desires; but I am in no hurry about that; nor, when the time comes, shall I plume myself on the immunity just in the same way, I do not greatly pride myself on having outlived my belief in the fairy tales of Socialism. Old people have faults of their own; they tend to become cowardly, niggardly, and suspicious. Whether from the growth of experience or the decline of animal heat, I see that age leads to these and certain other faults; and it follows, of course, that while in one sense I hope I am journeying towards the truth, in another I am indubitably posting towards these forms and sources of error.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

Crabbed Age and Youth.
Virginibus Puerisque and Other Papers (1881)

People , Truth , Age , Hope

“Things we are accustomed to regard as myth or fairy story are very much present in people’s lives. Nice people behave like wicked stepmothers. Every day.”

Diana Wynne Jones (1934–2011) English children's fantasy writer

'About the Author', The Many Worlds of Diana Wynne Jones http://www.dianawynnejones.co.uk/author/default.aspx (HarperCollins, 2005). Retrieved June 14 2005.

People

“Even the tyrant never rules by force alone; but mostly by fairy tales. And so it is with the modern tyrant, the great employer. The sight of a millionaire is seldom, in the ordinary sense, an enchanting sight: nevertheless, he is in his way an enchanter. As they say in the gushing articles about him in the magazines, he is a fascinating personality. So is a snake. At least he is fascinating to rabbits; and so is the millionaire to the rabbit-witted sort of people that ladies and gentlemen have allowed themselves to become.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Source: Utopia of Usurers (1917), p. 19

People , Way , Sense , Personality

“I am a diehard romantic. My all time favorite romantic movie would be Guru Dutt’s Pyaasa. Waheeda Rehmanji’s role in the movie is something I would love to do in my career. My role in Aashiqui 2 had shades that came close to it. Also, Titanic and The Notebook are on my favourite films list. My idea of romance revolves around everything I’ve grown up watching in our Bollywood movies. Our romances are like fairy tales, something that every romantic freak, especially girls would love to experience.”

Shraddha Kapoor (1987) Indian film actress & Singer

I’m a diehard romantic - Shraddha Kapoor via Filmfare (April 30, 2013) http://www.filmfare.com/interviews/im-a-diehard-romantic-shraddha-kapoor-3014.html

Love , Girl , Idea , Time

“The windy lights of Autumn flare;
I watch the moonlit sails go by;
I marvel how men toil and fare,
The weary business that they play!
Their voyaging is vanity,
And fairy gold is all their gain,
And all the winds of winter cry,
“My Love returns no more again.””

Andrew Lang (1844–1912) Scots poet, novelist and literary critic

Ballade of Autumn

Love , Men , Business , Autumn

“Some people I know were telling me of a curious experience which they had recently; they put a collection of old and rejected household articles in their car and drove to a dump to dispose of them. While busy at the dump, they were accosted by a strange figure, a woman of tall and stately presence, wearing a paper crown and carrying a staff in her hand, who strode majestically through the avenues of ashes, tin cans, dishonoured wash-boilers and superannuated bathtubs, attended by a rabble of admiring children. This apparition hailed my friends in a strange, incoherent, but musical language, and her breath was richly perfumed with bay-rum, or it may have been lilac lotion; she was in fact as high as a kite and as mimsy as a borogrove. Having said her say, she strode off in queenly style, and she and her raffish crew were soon lost in the mazes of the dump… My theory is that this was Titania, the fairy queen, fallen upon evil days, but magnificent in ruin; or it may simply have been some rumdumb old bag with a sense of humour. In either case the matter is worth investigating.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

Children , People , Music , Cars

“Statues but known from shapes of the earth,
By being too lovely for mortal birth;
Paintings whose colours of life were caught
From the fairy tints in the rainbow wrought;
Music whose sighs had a spell like those
That float on the sea at the evening’s close
Language so silvery, that every word
Was like the lute’s awakening chord;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Title Poem
The Improvisatrice (1824)

Love , Life , Music , Birth

“You could say it like was like a fairy tale at the time; Andy would be the good fairy, and Jim would play the giant, Brian would be the witch, Paul McCartney would be the frog who turns into a prince, no, it would have to be the other way round.”

Nico (1938–1988) German musician, model and actress, one of Warhol's superstars

Describing her tumultuous experiences of 1967, as quoted in Life and Lies of an Icon (1995) by Richard Witts.
Context: You could say it like was like a fairy tale at the time; Andy would be the good fairy, and Jim would play the giant, Brian would be the witch, Paul McCartney would be the frog who turns into a prince, no, it would have to be the other way round. Well, it didn't seem like a fairy tale at the time. It was a lot of hassle. But I learned a lot of things, and I began to compose my own songs.

Way , Time

“You have been told that God is a loving, gracious, merciful, kind, compassionate, wonderful, and good sky fairy who runs a day care in the sky and has a bucket of suckers for everyone because we're all good people”

Mark Driscoll (1970) American pastor

Jesus Took Our Wrath (Propitiation) http://www.marshillchurch.org/audio/Atonement8_Driscoll_112005_16k.mp3, Sermon preached November 6, 2005 at Mars Hill Church.
Context: You have been told that God is a loving, gracious, merciful, kind, compassionate, wonderful, and good sky fairy who runs a day care in the sky and has a bucket of suckers for everyone because we're all good people. That is a lie... God looks down and says 'I hate you, you are my enemy, and I will crush you,' and we say that is deserved, right and just, and then God says 'Because of Jesus I will love you and forgive you.' This is a miracle.

Love , God , People

“I'd like to be a fairy princess — a little golden doll with gossamer wings, in a voile dress, adorned with bright, shiny things. I see that as something totally pure and beautiful. Everything that's realistic has some sort of ugliness in it. Even a flower is ugly when it wilts, a bird when it seeks its prey, the ocean when it becomes violent.”

Sharon Tate (1943–1969) actress, victim of murder by Charles Manson followers

As quoted in "Who I'd Like To Be In My Next Life"] featuring celebrity responses to that question, Eye magazine Vol. 2 No. 1 (January 1969) - online text and images http://www.badmags.com/bmtate.html
Context: I'd like to be a fairy princess — a little golden doll with gossamer wings, in a voile dress, adorned with bright, shiny things. I see that as something totally pure and beautiful. Everything that's realistic has some sort of ugliness in it. Even a flower is ugly when it wilts, a bird when it seeks its prey, the ocean when it becomes violent. I'm very sensitive to ugly situations. I'm quick to read people, and I pick up if someone's reacting to me as just a sexy blonde. At times like that, I freeze. I can be very alone at a party, on the set, or in general, if I'm not in harmony with things around me.

Beauty , Flowers , Bird , Princess

“The imagined beings have their insides on the outside; they are visible souls. And Man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Source: Tolkien's The Lord of the Rings, p. 89
Context: But why,' (some ask), 'why, if you have a serious comment to make on the real life of men, must you do it by talking about a phantasmagoric never-never land of your own?' Because, I take it, one of the main things the author wants to say is that the real life of men is of that mythical and heroic quality. One can see the principle at work in his characterization. Much that in a realistic work would be done by 'character delineation' is here done simply by making the character an elf, a dwarf, or a hobbit. The imagined beings have their insides on the outside; they are visible souls. And Man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?

Soul , Imagination , Universe

“If I had influence with the good fairy who is supposed to preside over the christening of all children I should ask that her gift to each child in the world be a sense of wonder so indestructible that it would last throughout life, as an unfailing antidote against the boredom and disenchantments of later years, the sterile preoccupation with things that are artificial, the alienation from the sources of our strength.”

Rachel Carson (1907–1964) American marine biologist and conservationist

The Sense of Wonder (1965)
Context: A child's world is fresh and new and beautiful, full of wonder and excitement. It is our misfortune that for most of us that clear-eyed vision, that true instinct for what is beautiful and awe-inspiring, is dimmed and even lost before we reach adulthood. If I had influence with the good fairy who is supposed to preside over the christening of all children I should ask that her gift to each child in the world be a sense of wonder so indestructible that it would last throughout life, as an unfailing antidote against the boredom and disenchantments of later years, the sterile preoccupation with things that are artificial, the alienation from the sources of our strength.

Life , Children , World , Sense

“Not believe in Santa Claus! You might as well not believe in fairies!”

Francis Pharcellus Church Yes, Virginia, there is a Santa Claus

Yes, Virginia, there is a Santa Claus (1897)
Context: Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that's no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.
You may tear apart the baby's rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah,, in all this world there is nothing else real and abiding.
No Santa Claus! Thank, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.

“When a person has inwardly struggled with his anima or with her animus for a sufficiently long time and has reached the point where he or she is no longer identified with it in an unconscious fashion, the unconscious once again takes on a new symbolic form in relating with the ego. It then appears in the form of the psychic core, that is, the Self. In the dreams of a woman, the Self, when it personifies itself, manifests as a superior female figure, for example, as a priestess, a sorceress, an earth mother, or a nature or love goddess. In the dreams of a man, it takes the form of some-one who confers initiations (an Indian guru), a wise old man, a nature spirit, a hero, and so forth. An Austrian fairy tale recounts the following:
A king posts a soldier to keep watch on the coffin of a cursed black princess who has been bewitched. It is known that every night she comes to life and tears the guard to pieces. In despair, not wanting to die, the soldier runs away into the forest. There he meets an "old zither player who was, however, the Lord God himself," and this old musician advises him how to hide in different places in the church and what to do so that the black princess cannot find him. With the help of this miraculous old man, the soldier succeeds in evading the princess's attack and in this way is able to redeem her. He marries her and becomes the king.
The old zither player who is really God himself, expressed in psychological language, is a symbol of the Self. He helps the soldier, that is, the ego, to overcome the destructive anima figure and even to redeem it. In a woman, as we have said, the Self takes on a feminine form.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Self, p. 324 - 325

Love , Life , God , Dreams

“Often the only way to look clearly at this extraordinary universe is through fantasy, fairy tale, myth.”

Madeleine L'Engle (1918–2007) American writer

Acceptance Speech for the Margaret Edwards Award (1998)
Context: Wrinkle, when it was finally published in 1962, after two years of rejections, broke several current taboos. The protagonist was female, and one of the unwritten rules of science fiction was that the protagonist should be male. I'm a female. Why would I give all the best ideas to a male?
Another assumption was that science and fantasy don't mix. Why not? We live in a fantastic universe, and subatomic particles and quantum mechanics are even more fantastic than the macrocosm. Often the only way to look clearly at this extraordinary universe is through fantasy, fairy tale, myth. During the fifties Erich Fromm published a book called The Forgotten Language, in which he said that the only universal language which breaks across barriers of race, culture, time, is the language of fairy tale, fantasy, myth, parable, and that is why the same stories have been around in one form or another for hundreds of years.
Someone said, "It's all been done before."
Yes, I agreed, but we all have to say it in our own voice.

Way , Universe

“Philosophy may not neglect the multifariousness of the world — the fairies dance, and Christ is nailed to the cross.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Pt. V, ch. 1, sec. 1.
1920s, Process and Reality: An Essay in Cosmology (1929)
Context: There is a greatness in the lives of those who build up religious systems, a greatness in action, in idea and in self-subordination, embodied in instance after instance through centuries of growth. There is a greatness in the rebels who destroy such systems: they are the Titans who storm heaven, armed with passionate sincerity. It may be that the revolt is the mere assertion by youth of its right to its proper brilliance, to that final good of immediate joy. Philosophy may not neglect the multifariousness of the world — the fairies dance, and Christ is nailed to the cross.

World , Christ , Dance

“Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey”

G. K. Chesterton book Tremendous Trifles

Tremendous Trifles (1909), XVII: "The Red Angel"
Paraphrased Variant: Fairy tales are more than true — not because they tell us dragons exist, but because they tell us dragons can be beaten.
The earliest known attribution of this was an epigraph in Coraline (2004) by Neil Gaiman; when questioned on this at his official Tumblr account http://neil-gaiman.tumblr.com/post/42909304300/my-moms-a-librarian-and-planning-to-put-literary, Gaiman admitted to misquoting Chesterton: "It’s my fault. When I started writing Coraline, I wrote my version of the quote in Tremendous Trifles, meaning to go back later and find the actual quote, as I didn’t own the book, and this was before the Internet. And then ten years went by before I finished the book, and in the meantime I had completely forgotten that the Chesterton quote was mine and not his.
I’m perfectly happy for anyone to attribute it to either of us. The sentiment is his, the phrasing is mine.
Paraphrased variant: Fairytales don’t tell children that dragons exist. Children already know that dragons exist. Fairytales tell children that dragons can be killed.
Appeared in Criminal Minds 2007 episode Seven Seconds ( IMDB quote entry http://www.imdb.com/title/tt1103432/quotes?item=qt1184717)
Context: Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.

Idea

“I am often asked why I nearly always select old material, fairy tales and legends for my stage works. I do not look upon them as old, but rather as valid material. The time element disappears, and only the spiritual power remains. My entire interest is in the expression of spiritual realities. I write for the theater in order to convey a spiritual attitude.”

Carl Orff (1895–1982) German composer

As quoted in "Carl Orff" by Everett Helm in The Musical Quarterly Vol. 41, No. 3 (July 1955)

Reality , Time

“The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.”

Joseph Campbell book The Hero with a Thousand Faces

Campbell follows with a quote from Ovid's Metamorposes, "All things are changing; nothing dies..."
Chapter 2
The Hero with a Thousand Faces (1949)
Context: The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.... Tragedy is the shattering of the forms and of our attachment to the forms... the two are the terms of a single mythological theme... the down-going and the up-coming (kathados and anodos), which together constitute the totality of the revelation that is life, and which the individual must know and love if he is to be purged (katharsis=purgatorio) of the contagion of sin (disobedience to the divine will) and death (identification with the mortal form).

Soul , Universe , Reading , Happiness

“The Thousand and One Nights, with its magnificent apparatus of genii and afrits, is the greatest work of fantasy that has ever been evolved by tradition, and given literary form. But it, alas, is not English, and has no English equivalent. The Western world does not seem to have conceived the necessity of fairy-tales for grown-ups — though it has been suggested that the modern detective story is an equivalent — and that is perhaps why it condemns them to a life of unremitted toil.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

English Prose Style (1928)
Literary Quotes

World , Life , Night

“My main concern was to write a novel that uses all of this stuff that is accessible, to write a novel that deals with white racism and Chinese American history and the real Chinese fairy tales and the heroic tradition, and to demonstrate that a Chinese American could do all of this without sending whites up the wall or alienating anybody…”

Frank Chin (1940) American writer

On his novel Donald Duk (as quoted in ““FRANK CHIN: HIS OWN VOICE” https://resisters.com/by-frank-abe/frank-chin-his-own-voice/ in the Bloombury Review; September 1991)

History

“Frances and Sebastian accept each other right from the get go, and the world the characters live in is one that is willing to change. I think you buy it because it’s wrapped in this fairy tale theme and playing off these Disney Princess movie tropes. It would be a lot harder if I went for a strict historical theme.”

Jen Wang (1984) American comics artist

On how gender identity and other themes are addressed in The Prince and the Dressmaker in “INTERVIEW WITH JEN WANG, AUTHOR AND ARTIST OF THE PRINCE AND THE DRESSMAKER” https://bookriot.com/2018/02/06/prince-and-the-dressmaker/ in BookRiot (2018 Feb 6)

World , Change , Thinking , Princess

“Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance.... The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Alchemy in the Theatre (1994).

Time

“Simple old-fashioned death, the kind that predated the singularity, used to be the inevitable halting state for all life-forms. Fairy tales about afterlives notwithstanding.”

Charles Stross book Accelerando

A dry chuckle: “I used to try to believe a different one before breakfast every day, you know, just in case Pascal’s wager was right—exploring the phase-space of all possible resurrections, you know? But I think at this point we can agree that Dawkins was right. Human consciousness is vulnerable to certain types of transmissible memetic virus, and religions that promise life beyond death are a particularly pernicious example because they exploit our natural aversion to halting states.”
Source: Accelerando (2005), Chapter 9 (“Survivor”), pp. 396-397

Fashion , Life , Death

“Whereas some ascetics and Brahmins remain addicted to attending such shows as dancing, singing, music, displays, recitations, hand-music, cymbals and drums, fairy-shows, acrobatic and conjuring tricks, combats of elephants, buffaloes, bulls, goats, rams, cocks and quail, fighting with staves, boxing, wrestling, sham-fights, parades, manoeuvres and military reviews, the ascetic Gotama refrains from attending such displays.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

M. Walshe, trans. (1987), Sutta 1, verse 1.13
Pali Canon, Sutta Pitaka, Digha Nikaya (Long Discourses)

Singing , Box , Music , Dance

“I think I’ve gone through quite an ordinary series of steps in life. I began as most children began, with God and Santa Claus and the tooth fairy and the Easter Bunny all being about the same thing. Then I went through the things that I think sensitive people go through, wrestling with the thoughts of Jesus—did he shit? Did he screw? I began to dare to believe that God wasn’t some white beard. I began to look upon the miseries of the human race and to think God was not as simple as my mother said. As nearly as I can concentrate on the question today, I believe I am God; certainly you are, I think we intelligent beings on this planet are all a piece of God, are becoming God. In some sort of cyclical non-time thing we have to become God, so that we can end up creating ourselves, so that we can be in the first place. … My own feeling is that relation to God as a person is a petty, superstitious approach to the All, the infinite.”

Gene Roddenberry (1921–1991) American television screenwriter and producer

As quoted in God & (1975) by Terrance A. Sweeney

God , Time , Question , Personality

“(...) comes under the influence of old French Fairies who accuse him of constipation of the brain & diarrhea of the mouth”

Jack Kerouac book Scattered Poems

Scattered Poems (1971)

“It [an owl] is like coming from a fairy-tale, something royal fragile, something that you would never want to touch, Yes to me it has become fully absolute because of that silver breast.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Het [de uil] is net een verschijning uit een sprookje, iets koninklijk teers, iets waar je nooit aan zou willen raken, ja hij is voor mij door die zilveren borst totaal volmaakt geworden.

Quote of Jan Mankes, c. 1911 in a letter to his maceneas A.A.M. Pauwels in The Hague; as cited on the website of museum more in Gorssel https://www.museummore.nl/nu-te-zien/jan-mankes/

The owl was a present of his maceneas Pauwels who sent it to him and lived in his home. Mankes painted it in a. o. his 'Selfportrait with Owl', 1911 https://upload.wikimedia.org/wikipedia/commons/0/01/Self_portrait_with_owl%2C_by_Jan_Mankes.jpg
1909 - 1914

“The pretty game of calling on the children of the audience of "Peter Pan" to declare their faith in fairies seemed to me disastrous—a game of men and women at the expense of children, a cumbersome frolic at best and an artificial, a tyrannous use of the adult sense of sentimental humour against the helpless. I could with better conscience use my superior physical strength upon them than exploit them for love of my own condescension. (And yet Sir J. Barrie has written the most adorable "pretending" story ever written about a child.)No, children love a fairy story not because they think it true, but because they think it untrue, and because it makes no fraudulent appeal to their excellent good sense. That sense they are delighted to put aside while they "pretend." That is their own word.[…] "Let's pretend," not "Let's believe."”

Alice Meynell (1847–1922) English publisher, editor, writer, poet, activist

Their mother does not put "Let's pretend" into the child's mouth; she finds it there. Without it there is no play. But the pretending is always drama and never deception or self-deception.</p>
"V. Fairies", pp. 32–33
Childhood (1913)

Faith , Game , Children , Thinking

“The moral ideal would embrace the whole of life. In its sight nothing is petty or indifferent. It touches the veriest trifles and turns them into shining gold. We are royal by virtue of it, and like the kings in the fairy tale, we may never lay aside our crowns.
The moral order never is, but is ever becoming. It grows with our growth.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 4 : Moral Ideals
Life and Destiny (1913)

Indifference , Life

“Fairy tales and more fairy tales.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

in response to a mother who wanted her son to become a scientist and asked Einstein what reading material to give him
Found in Montana Libraries: Volumes 8-14 (1954), p. cxxx http://books.google.com/books?id=PpwaAAAAMAAJ&q=%22more+fairy+tales%22#search_anchor. The story is given as follows: "In the current New Mexico Library Bulletin, Elizabeth Margulis tells a story of a woman who was a personal friend of the late dean of scientists, Dr. Albert Einstein. Motivated partly by her admiration for him, she held hopes that her son might become a scientist. One day she asked Dr. Einstein's advice about the kind of reading that would best prepare the child for this career. To her surprise, the scientist recommended 'Fairy tales and more fairy tales.' The mother protested that she was really serious about this and she wanted a serious answer; but Dr. Einstein persisted, adding that creative imagination is the essential element in the intellectual equipment of the true scientist, and that fairy tales are the childhood stimulus to this quality." However, it is unclear from this description whether Margulis heard this story personally from the woman who had supposedly had this discussion with Einstein, and the relevant issue of the New Mexico Library Bulletin does not appear to be online.
Disputed
Variant: "First, give him fairy tales; second, give him fairy tales, and third, give him fairy tales!" Found in The Wilson Library Bulletin, Vol. 37 from 1962, which says on p. 678 http://books.google.com/books?id=KfQOAQAAMAAJ&q=einstein#search_anchor that this quote was reported by "Doris Gates, writer and children's librarian".
Variant: "Fairy tales ... More fairy tales ... Even more fairy tales". Found in Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales by Jack Zipes (1979), p. 1 http://books.google.com/books?id=MxZFuahqzsMC&lpg=PP1&pg=PA1#v=onepage&q&f=false.
Variant: "If you want your children to be brilliant, tell them fairy tales. If you want them to be very brilliant, tell them even more fairy tales." Found in Chocolate for a Woman's Heart & Soul by Kay Allenbaugh (1998), p. 57 http://books.google.com/books?id=grrpJh7-CfcC&q=brilliant#search_anchor. This version can be found in Usenet posts from before 1998, like this one from 1995 http://groups.google.com/group/rec.music.beatles/msg/cec9a9fdf803b72b?hl=en.
Variant: "If you want your children to be intelligent, read them fairy tales. If you want them to be very intelligent, read them more fairy tales." Found in Mad, Bad and Dangerous?: The Scientist and the Cinema by Christopher Frayling (2005), p. 6 http://books.google.com/books?id=HjRYA3ELdG0C&lpg=PA6&dq=einstein%20%22want%20your%20children%20to%20be%20intelligent%22&pg=PA6#v=onepage&q=einstein%20%22want%20your%20children%20to%20be%20intelligent%22&f=false.
Variant: "If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales." Found in Super joy English, Volume 8 by 佳音事業機構 (2006), p. 87 http://books.google.com/books?id=-HUBKzP8zsUC&lpg=PP1&pg=PA87#v=onepage&q&f=false

“When I was a child, I used to think that rabbits were gnomes, and that if I held my breath and stayed quite still, I should see the fairy queen.”

P.G. Wodehouse (1881–1975) English author

Indicating with a reserved gesture that this was just the sort of loony thing I should have expected her to think as a child, I returned to the point.
Right Ho, Jeeves (1934)

Thinking