Quotes about cue

A collection of quotes on the topic of cue, use, likeness, play.

Quotes about cue

“Etiquette tip: If you're looking for the right time to leave a party, when the host yells, "No one leaves here alive," that's your cue.”

Rick Riordan book The Hammer of Thor

Source: The Hammer of Thor

Time

“My attitude toward punctuation is that it ought to be as conventional as possible. The game of golf would lose a good deal if croquet mallets and billiard cues were allowed on the putting green. You ought to be able to show that you can do it a good deal better than anyone else with the regular tools before you have a license to bring in your own improvements.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (15 May 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Game

“Strictures, reproaches, and intemperate speeches from the Senator of Louisiana are really the wailings of an apostle of despair; he has lost control of himself, he is trying to play billiards with elliptical billiard balls and a spiral cue.”

Huey Long (1893–1935) American politician, Governor of Louisiana, and United States Senator

Henry Fountain Ashurst

Despair

“Okay, now you're starting to scare me," Wes says.
"No, scary is the way people can alter their voices on cue. Like your imitation of that creepy guy who lives at your house."
"You mean my dad?" he laughs.”

Laurie Faria Stolarz (1972) American writer

Source: Deadly Little Lies

People, Way, Guy, Housing

“It is very important in life to know when your cue comes.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

For Men, Life

“Of all the priceless objects left behind, this is what we rescue. These artifacts. Memory cues. Useless souvenirs. Nothing you could auction. The scars left from happiness.”

Chuck Palahniuk book Diary

Source: Diary

Memory, Happiness

“people's emotions are rarely put into words, far more often they are expressed through other cues.
the key to intuiting another's feelings is in the ability to read nonverbal channels, tone of voice, gesture, facial expression and the like”

Daniel Goleman (1946) American psychologist & journalist

Source: Emotional Intelligence: Why It Can Matter More Than IQ

People, Feeling, Reading

“So far, the game has done a really good job of not throwing a lot of jumpscares at me, and that worries me even more. [goes to open door] If you blow your load too quickly with jumpscares—"
[TB opens door. Cue jumpscare. ]
"AHHHHH! Jesus Christ. F**k! I hate you so much right now! God-dammit! Anyway!”

TotalBiscuit (1984–2018) British game commentator

Other videos, An Early Look at Outlast

God, Hate, Game, Christ

“If you want to save yourself the ticket price, go into the kitchen, cue up a male choir singing the music of hell, and get a kid to start banging pots and pans together. Then close your eyes and use your imagination… The movie has been signed by Michael Bay. This is the same man who directed The Rock in 1996. Now he has made Transformers: Revenge of the Fallen. Faust made a better deal.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/transformers-revenge-of-the-fallen-2009 of Transformers: Revenge of the Fallen (23 June 2009) Reviews, One-star reviews

Music, Imagination, Hell, Revenge

“Herc really slipped up. With the monostrous power he had he couldn't mix too well. He was playing little breaks but it would sound so sloppy. I noticed that the mixer he was using was a GLI 3800. It was a very popular mixer at that time. It's a scarcity today but it's still one of the best mixers GLI ever made. At the time he wasn't using no cueing. In other words, the hole was there for a headphone to go in but I remember he never had headphones over his ears. All of a sudden, Herc had headphones but I guess he was so used to dropping the needle down by eyesight and trying to mix it that from the audio part of it he couldn't get into it too well.”

Grandmaster Flash (1958) musician

Quoted in Rap Attack 2 (1991) by David Toop, p. 62

Time, Parting

“At first, I didn't intend to use the [vocal] piece in the film [Godzilla vs. Mechagodzilla II]. I instead planned to use it only as a timing cue. So, I originally wrote it only with nonsense syllables. Since the piece was going to be sung by children, difficult words would not have been appropriate. Latin also wouldn't have worked. So, I decided to use Ainu. The Ainu live in Hokkaido, close to Adonoa Island.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Children, Time

“That's the magic of this band: shooting from the hip. The lights have to follow our cues, because we're not going to follow their cues. We're not going to stick to a song the way it's supposed to be. Everything is up to us. That's music to me. That's American music. We're an American band.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Dave Matthews, Rolling Stone interview "The Boys of Summer" (June 16, 2005). Eliscu, Jenny (2005). "The Boys of Summer" http://www.rollingstone.com/artists/davematthewsband/articles/story/7371942/the_boys_of_summer Rolling Stone (accessed June 19. 2006)

Music, Way, Light

“In the Sacramento of the 1950s, it was as though White simply hadn't had time enough to figure Brown out. It was a busy white time. Brown was like the skinny or fat kids left over after the team captains chose sides. "You take the rest" — my cue to wander away to the sidelines, to wander away.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Business, Time

““Prosthetic Morality Enforcement. The idea is that by analogy, if a part of your body is deficient or missing, you can use a prosthetic limb or artificial organ. Well, our ability to make moral judgements is hard-wired, but it’s been so far outrun by the demands of complex civilization that it can’t keep up. For example…have you ever wondered why discussions in chat rooms or instant messaging turn nasty so easily? Or wander off topic? It’s because the behavioural cues we use to trigger socially acceptable responses aren’t there in a non-face-to-face environment. If you can’t see the other primate, your ethical reasoning is impaired because you can’t build a complete mental image of them—a cognitive frame. It’s why identity theft and online fraud are such a problem: There’s no inhibition against robbery if the victim is faceless. So we need some kind of prosthetic framework to restore our ability to interact with people on the net as if they’re human beings we’re dealing with in person.”

Charles Stross book Rule 34

Source: Rule 34 (2011), Chapter 26, “Liz: It’s Complicated” (pp. 287-288)

People, Idea, Fraud, Problem

“Sensemaking is about the enlargement of small cues. It is a search for contexts within which small details fit together and make sense. It is people interacting to flesh out hunches. It is a continuous alternation between particulars and explanations with each cycle giving added form and substance to the other.”

Karl E. Weick (1936) Organisational psychologist

Source: 1980s-1990s, Sensemaking in Organizations, 1995, p. 133

People, Search, Sense

“We are in the world and, before we know where we are, we are on one of the paths which we must traverse in our few score years between birth and death. Moreover, each man's path leads up to the theatre on the one side and down from it on the other. The inexorable manager, Fate, requires that each should go through with his comedy or his drama, if he be judged worthy of a leading part, with his scene or his act in another man's piece, if he be fit only to play the walking gentleman, the dumb footman, or the mechanically trained supernumerary who does duty by turns as soldier, sailor, courtier, husbandman, conspirator or red-capped patriot. A few play well, many play badly, all must appear and the majority are feebly applauded and loudly hissed. He counts himself great who is received with such an uproar of clapping and shout of approval as may drown the voice of the discontented; he is called fortunate who, having missed his cue and broken down in his words, makes his exit in the triumphant train of the greater actor upon whom all eyes are turned; he is deemed happy who, having offended no man, is allowed to depart in peace upon his downward road.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

A Cigarette-Maker's Romance (1894)

Death, Fate, World, Peace

“MP3 and peer-to-peer file sharing technology single-handedly disrupted the age-old music business. iTunes and YouTube have displaced record stores and MTV. If we take the cue from Netflix which has successfully produced original content, it will not be long before Apple and Google will sign new artists and rival the record labels.”

Newton Lee American computer scientist

Digital Da Vinci: Computers in Music, 2014

Age, Music, Business

“Other sports can take a cue from cricket too. A generation ago, if anybody had suggested that a player from Ranchi would lead India one day, he would have been laughed at.”

Anil Kumble (1970) Former Indian cricketer

India became a sporting nation in the last decade: Kumble

Sport

“Boat Trip arrives preceded by publicity saying many homosexuals have been outraged by the film. Now that it's in theaters, everybody else has a chance to join them. Not that the film is outrageous. That would be asking too much. It is dim-witted, unfunny, too shallow to be offensive, and way too conventional to use all of those people standing around in the background wearing leather and chains and waiting hopefully for their cues. This is a movie made for nobody, about nothing.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/boat-trip-2003 of Boat Trip (21 March 2003) Reviews, Half-star reviews

People, Way, Chance, Waiting

“For the first time in history, children are growing up whose earliest sexual imprinting derives not from a living human being, or fantasies of their own; since the 1960s pornographic upsurge, the sexuality of children has begun to be shaped in response to cues that are no longer human. […] Today's children and young men and women have sexual identities that spiral around paper and celluloid phantoms: from Playboy to music videos to the blank female torsos in women’s magazines, features obscured and eyes extinguished, they are being imprinted with a sexuality that is mass-produced, deliberately dehumanizing and inhuman.”

Naomi Wolf book The Beauty Myth

Source: The Beauty Myth (1991), Chapter 5 : 'Sex', p. 162

Women, Men, Children, Music

“A scene that has often come into my mind, both sleeping and waking — I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: “Get off the stage!”, “Let the play go on!”, “You’re interrupting!””

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.
Chronicles of Wasted Time: The Green Stick (1972)

Way, Thinking, Sleep, Waiting

“For a song I was bought
Now I lie when I talk
With a careful eye on the cue card.
Onto a stage I was pushed,
With my sorrow well rehearsed.
So give me all your pity and your money, now (all of it).”

Conor Oberst (1980) American musician

False Advertising
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Money, Lie

“A scratch is nothing but the back-cueing that you hear in your ear before you push it out to the crowd. All you have to know is mathematically how many times to scratch it and when to let it go — when certain things will enhance the record you're listening to. For instance, if you're playing a record with drums--horns would sound nice to enhance it so you get a record with horns and slip it in at certain times.”

Grandmaster Flash (1958) musician

Quoted in Rap Attack 2 (1991) by David Toop, p. 65

Mathematics, Time

“Subjectively the possession of a role factor is felt as a 'mental set' which modifies all ordinary responses. The very same stimulus is perceived in a different way when one is in the role and when one is out of it… Technically, we handle this change of perception the same way in a role as in a mood—both of which can intrude on the ordinary personality — by this special factor, L, which can be called a modulator factor. A modulator factor comes into action only when the usual ordinary 'focal stimulus' comes into the orbit of a set of role cues which we may call the 'ambient' or surrounding stimulus.”

Raymond Cattell (1905–1998) British-American psychologist

Source: The Scientific Analysis of Personality, 1965, p. 160

Way, Mood, Change, Personality

“I have always heard in the music what I am finding out from the books: the man was a tyrant who beat his musicians with insults and temper tantrums. He never smiled when conducting (not even in rehearsals!) never thanked or complimented his men, never made them feel they were valuable partners or had even done a creditable job. He would fail to give them cues, then blame them with curses and insults for needing them! Besides being a compulsive perfectionist, he was childish, petulant, inconsiderate, monomaniacal, and monstrously self-centered. His technique was fear, and I always heard that fear in his music…Reading about him - especially books by people who worked with him - strongly confirmed what I had felt in my bones”

Donald Vroon (1942) American music critic

On the subject of Toscanini - from Vroon's foreword to The mystery of Leopold Stokowski, By William Ander Smith, Fairleigh Dickinson Univ Press, 1990, ISBN 0838633625

Men, People, Books, Fear

“My biggest regret? Not being knighted by the Queen. I should have been a knight, and I would have been knighted, if I hadn't written one horrible horrible Python sketch which I deeply deeply regret — [cue Python sketch: "Upper Class Twit of the Year"]”

John Cleese (1939) actor from England

From PBS series Monty Python's Personal Best: John Cleese's Personal Best (2006), playing role of senile old man.

“When our binoculars are focused on the dad as “deadbeat,” it often even leads us to missing concrete cues a dad gives to show his desire to be involved.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 106.

“Except for Marxian theories, nearly all modern theories of the business cycle have essential elements that trace back to Knut Wicksell's turn-of-the-century writings on interest and prices. Austrians, New Classicists, Monetarists, and even Keynesians can legitimately claim a kinship on this basis. Accordingly, the recognition, that both the Austrians and the New Classicists have a Swedish ancestry does not translate into a meaningful claim that the two schools are essentially similar. To the contrary, identifying their particular relationships to Wicksellian ideas, like comparing the two formally similar business-cycle theories themselves, reveals more differences than similarities. … [T]o establish the essential difference between the Austrians and the New Classicists, it needs to be added that the focus of the Austrian theory is on the actual market process that translates the monetary cause into the real phenomena and hence on the institutional setting in which this process plays itself out.The New Classicists deliberately abstract from institutional considerations and specifically deny, on the basis of empirical evidence, that the interest rate plays a significant role in cyclical fluctuations (Lucas 1981, p. 237 151–1). Thus, Wicksell's Interest and Prices is at best only half relevant to EBCT. … Taking the Wicksellian metaphor as their cue, the New Classicists are led away from the pre-eminent Austrian concern about the actual market process that transforms cause into effect and towards the belief that a full specification of the economy's structure, which is possible only in the context of an artificial economy, can shed light on an effect whose nature is fundamentally independent of the cause.”

Roger Garrison (1944) American economist

Pages 98–99.
"New Classical and Old Austrian Economics", 1991

School, Idea, Business, Nature

“Have you ever seen those globes where you can feel the bumps on them? You can feel the mountains? That is baloney. They have to greatly exaggerate those mountains. If you shrank the Earth down to the size of a cue ball to play pool with, the Earth would be rounder and smoother than the cue ball.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

Feeling, Mountain

“On the cue 'five aunts' I had given at the knees a trifle, for the thought of being confronted with such a solid gaggle of aunts, even if those of another, was an unnerving one. Reminding myself that in this life it is not aunts that matter, but the courage that one brings to them, I pulled myself together.”

P.G. Wodehouse book The Mating Season

The Mating Season (1949)

Life, Courage

“Neural computing is the study of cellular networks that have a natural property for storing experimental knowledge. Such systems bear a resemblance to the brain in the sense that knowledge is acquired through training rather than programming and is retained due to changes in node functions. The knowledge takes the form of stable states or cycles of states in the operation of the et. A central property of such nets is to recall these states or cycles in response to the presentation of cues.”

Igor Aleksander (1937) scientist

Aleksander & Morton (1989) Neural computing architectures: the design of brain-like machines. p.2 as cited in: M.A. Lovell et al. (1997) Developments in petrophysics. p.169

Nature, Knowledge, Sense, Study

“We will likely also find that the nature of the problem to be solved will be a principal determinant of the mix. With our growing understanding of the organization of judgmental and intuitive processes, of the specific knowledge that of the specific knowledge that is required to perform particular judgmental tasks, and of the cues that evoke such knowledge in situations in which it is relevant, we have a powerful new tool for improving expert judgment. We can specify the knowledge and the recognition capabilities that experts in a domain need to acquire, and use these specifications for designing appropriate learning procedures.”

Herbert A. Simon book Administrative Behavior

Source: 1940s-1950s, Administrative Behavior, 1947, p. 137.

Understanding, Nature, Knowledge, Problem

“She is a brittle, relentless manipulator with few stable core values who shuffles through useful personalities like a card shark ("Cue the tears!"). Forget all her little gold crosses: Hillary's real god is political expediency. Do Americans truly want this hard-bitten Machiavellian back in the White House? Day one will just be more of the same.”

Camille Paglia (1947) American writer

On Hillary Rodham Clinton, in "Camille Paglia on Hillary Clinton, Barack Obama, Iran and More" at Salon.com (8 January 2008) http://www.salon.com/opinion/paglia/2008/01/10/hillary/

God, Tear, Housing, Personality

“I do not intend to be one of those who bemoan little results, while resting in the faithfulness of God. My cue is to take hold of the faithfulness of God and USE THE MEANS necessary to secure big results.”

James O. Fraser (1886–1938) missionary to China, inventor of Tibeto-Burman Nosu alphabet

4 January 1916, Source: Geraldine Taylor. Behind the Ranges: The Life-changing Story of J.O. Fraser. Singapore: OMF International (IHQ) Ltd., 1998, 151.

God, Faith

“It is strange that people should take so much interest at one time in what they so soon forget; — the truth is, they feel no interest in it [news of the day] at any time, but it does for something to talk about. Their ideas are served up to them, like their bill of fare, for the day; and the whole creation, history, war, politics, morals, poetry, metaphysics, is to them like a file of antedated newspapers, of no use, not even for reference, except the one which lies on the table! You cannot take any of these persons at a greater disadvantage than before they are provided with their cue for the day. They ask with a face of dreary vacuity, 'Have you anything new?”

William Hazlitt (1778–1830) English writer

and on receiving an answer in the negative, have nothing further to say. "On Coffee-House Politicians" Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

War, People, Truth, Feeling

“The principle of visibility is violated over and over again in everyday things. In numerous designs crucial parts are carefully hidden away. Handles on cabinets distract from some design aesthetics, and so they are deliberately made invisible or left out. The cracks that signify the existence of a door can also distract from the pure lines of the design, so these significant cues are also minimized or eliminated. The result can be a smooth expanse of gleaming material, with no sign of doors or drawers, let alone of how those doors and drawers might be operated.”

Donald A. Norman book The Design of Everyday Things

Source: The Design of Everyday Things (1988, 2002), Ch. 4, p. 100.

Parting

“The multiple reinforcing cues of a good song”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)
Context: The multiple reinforcing cues of a good song—rhythm, melody, contour—cause music to stick in our heads. That is the reason why many ancient myths, epics, and even the Old Testament were set to music in preparation for being passed down by oral tradition across generations.

“EPCOT will be an experimental prototype community of tomorrow that will take its cue from the new ideas and new technologies that are now emerging from the creative centers of American industry. It will be a community of tomorrow that will never be completed, but will always be introducing and testing and demonstrating new materials and systems.”

Walt Disney (1901–1966) American film producer and businessman

EPCOT promotional film (1966)
Context: EPCOT will be an experimental prototype community of tomorrow that will take its cue from the new ideas and new technologies that are now emerging from the creative centers of American industry. It will be a community of tomorrow that will never be completed, but will always be introducing and testing and demonstrating new materials and systems. And EPCOT will always be a showcase to the world for the ingenuity and imagination of American free enterprise.

Communication, Idea

“Thus, the theists take their cue from manufacture, the pantheists from growth. For one man, the world is like a thought or a grammatical sentence in which a thought is expressed. For such a philosopher, the whole must logically be prior to the parts; for letters would never have been invented without syllables to spell, or syllables without words to utter.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

A Pluralistic Universe (1909) http://www.gutenberg.org/files/11984/11984-8.txt, Lecture I 1900s Context: Reduced to their most pregnant difference, empiricism means the habit of explaining wholes by parts, and rationalism means the habit of explaining parts by wholes. Rationalism thus preserves affinities with monism, since wholeness goes with union, while empiricism inclines to pluralistic views. No philosophy can ever be anything but a summary sketch, a picture of the world in abridgment, a foreshortened bird's-eye view of the perspective of events. And the first thing to notice is this, that the only material we have at our disposal for making a picture of the whole world is supplied by the various portions of that world of which we have already had experience. We can invent no new forms of conception, applicable to the whole exclusively, and not suggested originally by the parts. All philosophers, accordingly, have conceived of the whole world after the analogy of some particular feature of it which has particularly captivated their attention. Thus, the theists take their cue from manufacture, the pantheists from growth. For one man, the world is like a thought or a grammatical sentence in which a thought is expressed. For such a philosopher, the whole must logically be prior to the parts; for letters would never have been invented without syllables to spell, or syllables without words to utter. Another man, struck by the disconnectedness and mutual accidentality of so many of the world's details, takes the universe as a whole to have been such a disconnectedness originally, and supposes order to have been superinduced upon it in the second instance, possibly by attrition and the gradual wearing away by internal friction of portions that originally interfered. Another will conceive the order as only a statistical appearance, and the universe will be for him like a vast grab-bag with black and white balls in it, of which we guess the quantities only probably, by the frequency with which we experience their egress. For another, again, there is no really inherent order, but it is we who project order into the world by selecting objects and tracing relations so as to gratify our intellectual interests. We carve out order by leaving the disorderly parts out; and the world is conceived thus after the analogy of a forest or a block of marble from which parks or statues may be produced by eliminating irrelevant trees or chips of stone. Some thinkers follow suggestions from human life, and treat the universe as if it were essentially a place in which ideals are realized. Others are more struck by its lower features, and for them, brute necessities express its character better. All follow one analogy or another; and all the analogies are with some one or other of the universe's subdivisions. Every one is nevertheless prone to claim that his conclusions are the only logical ones, that they are necessities of universal reason, they being all the while, at bottom, accidents more or less of personal vision which had far better be avowed as such; for one man's vision may be much more valuable than another's, and our visions are usually not only our most interesting but our most respectable contributions to the world in which we play our part. What was reason given to men for, said some eighteenth century writer, except to enable them to find reasons for what they want to think and do?—and I think the history of philosophy largely bears him out, "The aim of knowledge," says Hegel, "is to divest the objective world of its strangeness, and to make us more at home in it." Different men find their minds more at home in very different fragments of the world.

World, Parting

“I’m not a poet, but I do like heightened language that can exist in the theatre. Many plays are sounding more naturalistic these days, more like TV. I still take my cues from Shakespeare. I would rather have the story exist more in the audience’s heads than on a screen.”

Octavio Solis (1958)

On avoiding the label of magical realism in “Octavio Solis’s Journey to ‘Mother Road’” https://www.americantheatre.org/2019/09/09/octavio-soliss-journey-to-mother-road/ (American Theatre; Sept 2019)

“People tend to wear the mask that shows them off in the best possible light—humble, confident, diligent. They say the right things, smile, and seem interested in our ideas. They learn to conceal their insecurities and envy. If we take this appearance for reality, we never really know their true feelings, and on occasion we are blindsided by their sudden resistance, hostility, and manipulative actions. Fortunately, the mask has cracks in it. People continually leak out their true feelings and unconscious desires in the nonverbal cues they cannot completely control—facial expressions, vocal inflections, tension in the body, and nervous gestures. You must master this language by transforming yourself into a superior reader of men and women. Armed with this knowledge, you can take the proper defensive measures. On the other hand, since appearances are what people judge you by, you must learn how to present the best front and play your role to maximum effect.”

Robert Greene (1959) American author

Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)

Confidence, Hostility, Light, Smile

“Spontaneous rallies were used as a pretext for provoking civil unrest. Religious radicals, criminals, outright thugs, looters and petty hooligans filled the streets as if on cue. Socio-economic and socio-political demands were put on the back burner, they were forgotten. Next followed the hot phase, and armed fighters, who were biding their time, took over. The main goal of these events became clear – to undermine the constitutional system, destroy governance institutions and seize power. It is obvious now that these armed activities were coordinated from a single centre, and the carefully planned operation entered its decisive phase.”

Kassym-Jomart Tokayev (1953) Kazakh politician

Source: Kassym-Jomart Tokayev (2022) cited in: " Don’t Ignore All Sides of Russian Messaging https://www.thecipherbrief.com/column_article/dont-ignore-all-sides-of-russian-messaging" in The Cipher Brief, 18 January 2022.

Decision, Time