Quotes about crumb

A collection of quotes on the topic of crumb, love, table, time.

Quotes about crumb

Marcel Proust photo

“When from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.And once again I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy), immediately the old gray house upon the street, where her room was, rose up like the scenery of a theater.”

Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.<p>Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

Bono photo
Friedrich Nietzsche photo

“Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!”

Mit dem Tode der griechischen Tragödie dagegen entstand eine ungeheure, überall tief empfundene Leere; wie einmal griechische Schiffer zu Zeiten des Tiberius an einem einsamen Eiland den erschütternden Schrei hörten "der grosse Pan ist todt": so klang es jetzt wie ein schmerzlicher Klageton durch die hellenische Welt: "die Tragödie ist todt! Die Poesie selbst ist mit ihr verloren gegangen! Fort, fort mit euch verkümmerten, abgemagerten Epigonen! Fort in den Hades, damit ihr euch dort an den Brosamen der vormaligen Meister einmal satt essen könnt!"
Source: The Birth of Tragedy (1872), p. 54

Isaac Bashevis Singer photo
Richard Bach photo
James Patterson photo
Jodi Picoult photo
Henry Miller photo
Anne Fadiman photo
Emily Dickinson photo
Langston Hughes photo
Alicia Witt photo
Joseph Chamberlain photo

“What is to be the nature of the domestic legislation of the future? (Hear, hear.) I cannot help thinking that it will be more directed to what are called social subjects than has hitherto been the case.—How to promote the greater happiness of the masses of the people (hear, hear), how to increase their enjoyment of life (cheers), that is the problem of the future; and just as there are politicians who would occupy all the world and leave nothing for the ambition of anybody else, so we have their counterpart at home in the men who, having already annexed everything that is worth having, expect everybody else to be content with the crumbs that fall from their table. If you will go back to the origin of things you will find that when our social arrangements first began to shape themselves every man was born into the world with natural rights, with a right to a share in the great inheritance of the community, with a right to a part of the land of his birth. (Cheers.) But all these rights have passed away. The common rights of ownership have disappeared. Some of them have been sold; some of them have been given away by people who had no right to dispose of them; some of them have been lost through apathy and ignorance; some have been stolen by fraud (cheers); and some have been acquired by violence. Private ownership has taken the place of these communal rights, and this system has become so interwoven with our habits and usages, it has been so sanctioned by law and protected by custom, that it might be very difficult and perhaps impossible to reverse it. But then, I ask, what ransom will property pay for the security which it enjoys? What substitute will it find for the natural rights which have ceased to be recognized?”

Joseph Chamberlain (1836–1914) British businessman, politician, and statesman

Speech to the Birmingham Artisans' Association at Birmingham Town Hall (5 January 1885), quoted in ‘Mr. Chamberlain At Birmingham.’, The Times (6 January 1885), p. 7.
1880s

Wilt Chamberlain photo
W. S. Gilbert photo

“Heigh-dy! Heigh-dy!
Misery me, lack-a-day-dee!
He sipped no sup, and he craved no crumb,
As he sighed for the love of a ladye!”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Yeomen of the Guard (1888)

Desmond Tutu photo

“I am not interested in picking up crumbs of compassion thrown from the table of someone who considers himself my master. I want the full menu of rights.”

Desmond Tutu (1931) South African churchman, politician, archbishop, Nobel Prize winner

Today, NBC TV (9 January 1985)

Will Eisner photo
Ernesto Che Guevara photo
Stig Dagerman photo
Adolf Hitler photo
John Cheever photo
Arundhati Roy photo
Dylan Moran photo
Adrienne von Speyr photo
John Ruskin photo

“We have much studied and much perfected, of late, the great civilized invention of the division of labour; only we give it a false name. It is not, truly speaking, the labour that it divided; but the men: — Divided into mere segments of men — broken into small fragments and crumbs of life; so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail. Now it is a good and desirable thing, truly, to make many pins in a day; but if we could only see with what crystal sand their points were polished, — sand of human soul, much to be magnified before it can be discerned for what it is — we should think that there might be some loss in it also. And the great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, — that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages. And all the evil to which that cry is urging our myriads can be met only in one way: not by teaching nor preaching, for to teach them is but to show them their misery, and to preach at them, if we do nothing more than preach, is to mock at it. It can only be met by a right understanding, on the part of all classes, of what kinds of labour are good for men, raising them, and making them happy; by a determined sacrifice of such convenience or beauty, or cheapness as is to be got only by the degradation of the workman; and by equally determined demand for the products and results of healthy and ennobling labour.”

Volume II, chapter VI, section 16.
The Stones of Venice (1853)

Alexander Berkman photo

“"Man's inhumanity to man" is not the last word. The truth lies deeper. It is economic slavery, the savage struggle for a crumb, that has converted mankind into wolves and sheep.”

Prison Memoirs of an Anarchist (1912), Ch. 18: "The Solitary" http://dwardmac.pitzer.edu/anarchist_Archives/bright/berkman/prison/chapter18ii.html

Richard Rodríguez photo

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

Tulsidas photo

“The world knows that to quell the belly-fire, I ate crumbs and morsels given by men of caste, high-caste, low-caste or no cast.”

Tulsidas (1532–1623) Hindu poet-saint

In Kavitavali quoted in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 72

Anne Bradstreet photo

“The principal might yield a greater sum,
Yet handled ill, amounts but to this crumb;”

Anne Bradstreet (1612–1672) Anglo-American poet

To Her Father with Some Verses.

Hermann Hesse photo
Nasreddin photo
Tulsidas photo

“[I] begged for crumbs and morsels door to door…Plodding and dawdling around lanes.”

Tulsidas (1532–1623) Hindu poet-saint

In Kavitavali quoted in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 106

Robert G. Ingersoll photo
Orson Welles photo
Greg Bear photo
Anton Chekhov photo
Vox Day photo

“I am a Christian who wrote a novel in a specific literary tradition. I did not approach the process as a representative of modern evangelical culture, hoping to collect a few crumbs fallen from the medieval feast described in excruciatingly painstaking detail on the secular table, but as one of the legitimate heirs to the literary kingdom who is castigating the usurpers.”

Vox Day (1968) writer, actor, video game designer, blogger, far-right activist

On The ‘Throne Of Bones’: A Q and A With Vox Day http://speculativefaith.lorehaven.com/on-the-throne-of-bones-a-q-and-a-with-vox-day/ (January 18, 2013)

Ernesto Che Guevara photo
Arthur Murphy photo

“Picked up his crumbs.”

Arthur Murphy (1727–1805) Irish writer

The Upholsterer; or, What News? (1757-58), Act i.

Robert Crumb photo