Quotes about compress

A collection of quotes on the topic of compress, likeness, making, most.

Quotes about compress

“The air which is struck with most swiftness by the movable thing is compressed to the greatest degree in itself.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XVII Flight

“And so, supposing that light impinging on a refracting or reflecting ethereal superficies puts it into a vibrating motion, that physical superficies being by the perpetual applause of rays always kept in a vibrating motion, and the ether therein continually expanded and compressed by turns, if a ray of light impinge on it when it is much compressed, I suppose it is then too dense and stiff to let the ray through, and so reflects it; but the rays that impinge on it at other times, when it is either expanded by the interval between two vibrations or not too much compressed and condensed, go through and are refracted.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

"Hypothesis explaining the Properties of Light" (1675)

Light, Time

“He can compress the most words into the smallest ideas of any man I ever met.”

Abraham Lincoln (1809–1865) 16th President of the United States

Attributed in Lincoln the Lawyer (1906) by Frederick Trevor Hill — Hill noted that he could find no record of whom Lincoln was insulting.
Posthumous attributions

Idea

“There's a therapeutic aspect to all making, but the nature of working is to compress, condense, and shape stuff, not to just expunge it. It's not just an exorcism.”

Art Spiegelman (1948) cartoonist from the United States

As quoted in "Art Spiegelman on ‘Breakdowns’ Redux and the Dark Side of Tina Fey" by Rebecca Milzoff in New York magazine (8 October 2008).

Nature

“Sensitivity is the principle of all action. A being, albeit animated, who would feel nothing, would never act, for what would its motive for acting be? God himself is sensitive since he acts. All men are therefore sensitive, and perhaps to the same degree, but not in the same manner. There is a purely passive physical and organic sensitivity which seems to have as its end only the preservation of our bodies and of our species through the direction of pleasure and pain. There is another sensitivity that I call active and moral which is nothing other than the faculty of attaching our affections to beings who are foreign to us. This type, about which study of nerve pairs teaches nothing, seems to offer a fairly clear analogy for souls to the magnetic faculty of bodies. Its strength is in proportion to the relationships we feel between ourselves and other beings, and depending on the nature of these relationships it sometimes acts positively by attraction, sometimes negatively by repulsion, like the poles of a magnet. The positive or attracting action is the simple work of nature, which seeks to extend and reinforce the feeling of our being; the negative or repelling action, which compresses and diminishes the being of another, is a combination produced by reflection. From the former arise all the loving and gentle passions, and from the latter all the hateful and cruel passions.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Second Dialogue; translated by Judith R. Bush, Christopher Kelly, Roger D. Masters
Dialogues: Rousseau Judge of Jean-Jacques (published 1782)

Love, Men, God, Pain

“A musician once said: In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed. It is therefore necessary to present oneself with the greatest humility: white, pure and candid with a mind as if empty, in a spiritual state analogous to that of a communicant approaching the Lord's Table. Obviously it is necessary to have all of one's experience behind one, but to preserve the freshness of one's instincts.”

Henri Matisse (1869–1954) French artist

Un musicien a dit: en art la vérité, le réel commence quand on ne comprend plus rien à ce qu'on fait, à ce q'uon sait, et qu'il reste en vous une énergie d'autant plus forte qu'elle est contrariée, compressée, comprimée. Il faut alors se présenter avec la plus grande humilité, tout-blanc, tout pur, candide, le cerveau semblant-vide, dans un état d'esprit analogue à celui du communiant approchant la Sainte Table. Il faut évidemment avoir tout son acquis derrière soi et avoir su garder la fraîcheur de l'Instinct.
1940s, Jazz (1947)

Truth, Art, Understanding, Reality

“No one looks too closely at a librarian. People are afraid of going blind from the glare of-ssso much compressed wisdom.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

Source: NOS4A2

Wisdom, People

“Was there ever a more horrible blasphemy than the statement that all the knowledge of God is confined to this or that book? How dare men call God infinite, and yet try to compress Him within the covers of a little book!”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Source: Raja-Yoga

Men, God, Books, Knowledge

“This poem has been called obscure. I refuse to believe that it is obscurer than pity, violence, or suffering. But being a poem, not a lifetime, it is more compressed.”

Dylan Thomas (1914–1953) Welsh poet and writer

Suffering

“A house is a compressed territory where our basic needs can be fulfilled close by and safely.”

Yann Martel book Life of Pi

Source: Life of Pi

Housing

“And perhaps in this is the whole difference; perhaps all the wisdom, and all truth, and all sincerity, are just compressed into that inappreciable moment of time in which we step over the threshold of the invisible.”

Joseph Conrad book Heart of Darkness

Source: Heart of Darkness

Wisdom, Truth, Time, Sincerity

“The penis -- if you think about it -- is the most enterprising engineering feat imaginable -- a cantilevered structure, hydraulics, propulsion, pistons, compression, inflation, heat sensitive -- practically every engineering characteristic -- towers, draw-bridges, rocket-ships -- no man-made engineering structure to match it.”

Peter Greenaway (1942) British film director

Philip
8 1/2 Women

Imagination, Thinking, Drawing

“Earthquakes radiate waves with periods of tenths of seconds to several minutes. Rocks behave like elastic solids at these frequencies. Elastic solids allow a variety of wave types and this makes the ground motion after an earthquake or explosion (called an event) quite complex. There are two basic types of elastic wave: one involving compression and rarefaction of the elastic material in the direction of propagation of the wave, and one involving no compression but shear of the elastic material perpendicular to its direction of propagation. These are called P and S waves respectively, for primary and secondary since the P wave travels fastest and arrives first.”

David Gubbins (1947) British university teacher

[Seismology and plate tectonics, Cambridge, UK; New York, Cambridge University Press, 1990, http://books.google.com/books?id=tZRxPzwoChIC&pg=PA4] (pp. 4–5)
Seismology and Plate Tectonics (1990)

Travel

“Creeping with awe to the verge, I peered down into a large rent which had been made from bank to bank of the broad Zambezi, and saw that a stream of a thousand yards broad leaped down a hundred feet [30 m] and then became suddenly compressed into a space of fifteen to twenty yards.”

David Livingstone (1813–1873) Scottish explorer and missionary

Exploring Magnificent Waterfalls http://wol.jw.org/en/wol/d/r1/lp-e/102004126?q=livingstone&p=par

“An equal scattering of the stars may be admitted in certain calculations; but when we examine the milky way, or the closely compressed clusters of stars… this supposed equality of scattering must be given up.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

p, 125
Astronomical Observations relating to the Construction of the Heavens... (1811)

Way, Star

“Had the acute-angled rabble been all, without exception, absolutely destitute of hope and of ambition, they might have found leaders in some of their many seditious outbreaks, so able as to render their superior numbers and strength too much even for the wisdom of the Circles. But a wise ordinance of Nature has decreed that, in proportion as the working-classes increase in intelligence, knowledge, and all virtue, in that same proportion their acute angle (which makes them physically terrible) shall increase also and approximate to the comparatively harmless angle of the Equilateral Triangle. Thus, in the most brutal and formidable of the soldier class — creatures almost on a level with women in their lack of intelligence — it is found that, as they wax in the mental ability necessary to employ their tremendous penetrating power to advantage, so do they wane in the power of penetration itself.

How admirable is this Law of Compensation! And how perfect a proof of the natural fitness and, I may almost say, the divine origin of the aristocratic constitution of the States in Flatland! By a judicious use of this Law of Nature, the Polygons and Circles are almost always able to stifle sedition in its very cradle, taking advantage of the irrepressible and boundless hopefulness of the human mind. Art also comes to the aid of Law and Order. It is generally found possible — by a little artificial compression or expansion on the part of the State physicians — to make some of the more intelligent leaders of a rebellion perfectly Regular, and to admit them at once into the privileged classes; a much larger number, who are still below the standard, allured by the prospect of being ultimately ennobled, are induced to enter the State Hospitals, where they are kept in honourable confinement for life; one or two alone of the more obstinate, foolish, and hopelessly irregular are led to execution.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 3. Concerning the Inhabitants of Flatland

Life, Wisdom, Women, Law

“We know that he has, more than any other man, the gift of compressing the largest number of words into the smallest amount of thought.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

A jibe directed at Ramsay MacDonald, during a speech in the House of Commons, March 23, 1933 "European Situation" http://hansard.millbanksystems.com/commons/1933/mar/23/european-situation#column_544. This quote is similar to a remark (“He can compress the most words into the smallest ideas of any man I ever met”) made by Abraham Lincoln. [Frederick Trevor Hill credits Lincoln with this remark in Lincoln the Lawyer (1906), adding that ‘History has considerately sheltered the identity of the victim’.] <br class="br">The 1930s

“Much of the magical effect that poetry gives of rendering everything it touches pellucid comes from the necessity of compression that it imposes. The impossibility of pausing in poetry as long as may be needed to make sense clear causes many a set of words actually deficient in linguistic workmanship to pass for an eloquent brevity.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"The Promise of Words" in London Review of Books, Vol. 17, No. 17, p. 23

Sense

“One of the most terrible things about the English education System in Ireland is its ruthlessness…it is cold and mechanical, like the ruthlessness of an immensely powerful engine. A machine vast, complicated… It grinds night and day; it obeys immutable and predetermined laws; it is as devoid of understanding, of sympathy, of imagination, as is any other piece of machinery that performs an appointed task. Into it is fed all raw human material in Ireland; it seizes upon it inexorably and rends and compresses and remoulds…”

Patrick Pearse (1879–1916) Irish revolutionary, shot by the British Army in 1916

The Cause Of Ireland, Liz Curtis, Beyond the Pale Publications, Belfast 1994, pg 190.This quote was taken from the original, in Padraig Pearse’s book The Murder Machine.

Education, Law, Imagination, Understanding

“In the second or so it had taken that bullet to leave its muzzle and penetrate my father's heart, between the pressure of that finger on the trigger and my father's soundless roar, somewhere in that infernal compression of decision, action, and consequence, I was forever altered.”

Antonella Gambotto-Burke book The Pure Weight of the Heart

Source: The Pure Weight of the Heart (1998), P. 25.

Decision, Heart

“Now verse is more valuable than prose … for the simple reasons that its rhythms are faster and more highly organized than are those of prose, and so lend themselves to a greater complexity and compression of relationship, and that the intensity of this convention renders possible a greater intensity of other desirable conventions, such as poetic language and devices of rhetoric.”

Yvor Winters (1900–1968) American poet and literary critic

The Morality of Poetry
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

“The more improbable the message, the less "compressible" it is, and the more bandwidth it requires. This is Shannon's point: the essence is its improbability.”

William Poundstone (1955) American writer

Part One, Entropy, Randomness, Disorder, Uncertainty, p. 57
Fortune's Formula (2005)

“Books! Real books were Joneny’s delight. Heavy, cumbersome, difficult to store, they were the bane of most scholars. Joneny found them entrancing. He didn’t care what was in them. Any book today was so old that each word glittered to him like the facet of a lost gem. The whole conception of a book was so at odds with this compressed, crowded, breakneck era that he was put into ecstasy by the simple heft of the paper. His own collection, some seventy volumes, was considered a pretentious luxury by everyone at the University.”

Samuel R. Delany book The Ballad of Beta-2

The Ballad of Beta-2 (1965)

Books, Universe

“[I] do not like poems that resemble hay compressed into a geometrically perfect cube. I like it when the hay, unkempt, uncombed, with dry berries mixed in it, thrown together gaily and freely, bounces along atop some truck—and more, if there are some lovely and healthy lasses atop the hay—and better yet if the branches catch at the hay, and some of it tumbles to the road.”

Yevgeny Yevtushenko (1932–2017) Russian poet, film director, teacher

New York Times (2 February 1986).

Love, Perfection

“The cosmic calendar compresses the local history of the universe into a single year. If the universe began on January 1st it was not until May that the Milky Way formed. Other planetary systems may have appeared in June, July and August, but our Sun and Earth not until mid-September. Life arose soon after.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

56 min 20 sec
Cosmos: A Personal Voyage (1990 Update), The Shores of the Cosmic Ocean [Episode 1]

Life, Way, History, Universe

“After having thus successively taken each member of the community in its powerful grasp and fashioned him at will, the government then extends its arm over the whole community. It covers the surface of society with a network of small, complicated rules, minute and uniform, through which the most original minds and the most energetic characters cannot penetrate, to rise above the crowd. The will of man is not shattered, but softened, bent, and guided; men are seldom forced by it to act, but they are constantly restrained from acting. Such a power does not destroy, but it prevents existence: it does not tyrannize, but it compresses, enervates, extinguishes, and stupefies a people, till each nation is reduced to nothing better than a flock of timid and industrious animals, of which the government is the shepherd.”

Alexis De Tocqueville book Democracy in America

Book Four, Chapter VI.
Democracy in America, Volume II (1840), Book Four

Men, People, Communication, Fashion

“If dust tries to get together, as it increases in density it increases the temperature, which increases the movement, and it drives it back away - it's called Boyle's Gas Laws. You cannot compress dust into solid matter without creating a real serious physical science problem of overcoming the gas laws. The pressure increases, the temperature increases, which drives them out again - it's not going to happen.”

Kent Hovind (1953) American young Earth creationist

Star Formation and Boyle's Gas Laws https://www.youtube.com/watch?v=OTzoLHdNhP8, at 1 minute 27 seconds, Youtube (February 17, 2010)

Law, Problem, Science

“Greene takes it for granted, and here the great majority of physicists agree with him, that the division of physics into separate theories for large and small objects is unacceptable. … Greene believes that there is an urgent need to find a theory of quantum gravity that applies to large and small objects alike. … As a conservative, I do not agree that a division of physics into separate theories for large and small is unacceptable. … The essence of any theory of quantum gravity is that there exists a particle called the graviton … I looked at various possible ways of detecting gravitons and did not find a single one that worked. Because of the extreme weakness of the gravitational interaction, any putative detector of gravitons has to be extremely massive. If the detector has normal density, most of it is too far from the source of gravitons to be effective, and if it is compressed to a high density around the source it collapses into a black hole. There seems to be a conspiracy of nature to prevent the detector from working.”

Freeman Dyson (1923) theoretical physicist and mathematician

The Scientist As Rebel (2006)

Way, Nature

“I’m very skeptical in approaching Bach as a clean slate. To understand Bach, one has to be at home in the whole literature of art and interpretation; one must have great experience in performing the complete literature, from Bach until the early avantgarde. I’m absolutely convinced that only by this deep knowledge one can feel the all-embracing range of effects that are compressed in Bach and his music - and how later generations have been inspired. Only by this experience you can give the Bach interpretation a new balance and tension. In the case of the Goldberg Variations we are confronted with these all-emotional effects, and I’m also skeptical whether this all-embracing range can be touched by much too young players, on harpsichord as well as on piano. Knowing the true worth of this condensed and nearly welded-in polyphonic structure and singular musical architecture, one ultimately knows that it is impossible to play with the variations, meaning to change voices, or make doublings. Then the music itself would be robbed of its true worth and sense, which can only be revealed by bringing out the embedded simplicity, which however is transformed to an electrified, heated atmosphere. One has to respect the internal strength.”

Burkard Schliessmann classical pianist

Talkings on Bach

Art, Music, Feeling, Home

“…we easily fall into the habit of accepting compressed statements which save us from the trouble of thinking. Thus arises what I shall call ‘Potted Thinking’.”

Susan Stebbing (1885–1943) British philosopher

As quoted in Thinking to Some Purpose (1939), p. 63

Thinking

“What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer.”

Caspar David Friedrich (1774–1840) Swedish painter

cited by Timothy Mitchell, (September 1984), in 'Caspar David Friedrich's Der Watzmann: German Romantic Landscape Painting and Historical Geology', 'The Art Bulletin', 66 (3), p. 452–464, doi:10.2307/3050447, JSTOR 3050447
undated

Nature

“The theory of waves has been much simplified, and somewhat extended, and their motions have been illustrated by experiments… A similar method of reasoning has been applied to the circulation of the blood, to the propagation of sound, either in fluids or in solids, and to the vibrations of musical chords; the general principle of a velocity, corresponding to half the height of a certain modulus, being shown to be applicable to all these cases: and a connexion has been established between the sound to be obtained from a given solid, and its strength in resisting a flexure of any kind; or, in the case of ice and water, between the sound in a solid and the compressibility in a fluid state. The doctrine of sound and of sounding bodies in general has also received some new illustrations, and the theory of music and of musical intervals has been particularly discussed.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Music, Water

“The compression of the modern picture, its variety, its breaking up of forms... It is certain that the evolution of the means of locomotion and their speed have a great deal to do with the new way of seeing. Many superficial people raise the cry 'anarchy' in front of these pictures because they cannot follow the whole evolution of contemporary life that painting records.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 12
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Life, People, Way, Painting

“Stone can effectively resist compression but is relatively weak in tension. Because of its mass and weight it may be used advantageously in structural types that can be made stable by the proper weight (dead load, gravity) and are but slightly exposed to lateral forces.”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Dead

“The new "ambiguity" means, in a way adjudged favorable to literary, poetic, intellectually and psychologically well-devised and praiseworthily executed linguistic performance, uncertainty of meaning, or difficulty for the interpreter in identifying just what the meaning in question is: it means the old meanings of ambiguity with a difference. It means uncertainty of meaning (of a word or combination of words) purposefully incorporated in a literary composition for the attainment of the utmost possible variety of meaning-play compressible within the verbal limits of the composition.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"On Ambiguity" in Rational Meaning and Supplementary Essays (Charlottesville: University of Virginia Press, 1997).

Way, Question

“Professors everywhere deplored examinations as an archaic technique, a fossil that recalled little red schoolhouses and memorizing the capitals of all the states. Regular progress and daily diligence mattered more, they felt, not an hour spent compressing months of learning onto a few sheets of paper. Far better to stress homework, classroom participation and the professor’s judgment. Regrettably, the large size of classes, and the requirements of society itself for pseudo-objective standards kept the exam structure firmly in place.”

Gregory Benford Artifact

Part 4, Chapter 1 (pp. 155-156)
Artifact (1985)

Learning

“There was a time, and not so long ago, when one could score a success also here with a bit of irony, which compensated for all other deficiencies and helped one get through the world rather respectably, gave one the appearance of being cultured, of having a perspective on life, an understanding of the world, and to the initiated marked one as a member of an extensive intellectual freemasonry. Occasionally we still meet a representative of that vanished age who has preserved that subtle, sententious, equivocally divulging smile, that air of an intellectual courtier with which he has made his fortune in his youth and upon which he had built his whole future in the hope that he had overcome the world. Ah, but it was an illusion! His watchful eye looks in vain for a kindred soul, and if his days of glory were not still a fresh memory for a few, his facial expression would be a riddle to the contemporary age, in which he lives as a stranger and foreigner. Our age demands more; it demands, if not lofty pathos then at least loud pathos, if not speculation then at least conclusions, if not truth then at least persuasion, if not integrity then at least protestations of integrity, if not feeling then at least verbosity of feelings. Therefore it also coins a totally different kind of privileged faces. It will not allow the mouth to be defiantly compressed or the upper lip to quiver mischievously; it demands that the mouth be open, for how, indeed, could one imagine a true and genuine patriot who is not delivering speeches; how could one visualize a profound thinker’s dogmatic face without a mouth able to swallow the whole world; how could one picture a virtuoso on the cornucopia of the living world without a gaping mouth? It does not permit one to stand still and to concentrate; to walk slowly is already suspicious; and how could one even put up with anything like that in the stirring period in which we live, in this momentous age, which all agree is pregnant with the extraordinary? It hates isolation; indeed, how could it tolerate a person’s having the daft idea of going through life alone-this age that hand in hand and arm in arm (just like itinerant journeymen and soldiers) lives for the idea of community.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, On the Concept of Irony with Continual Reference to Socrates (1841), p. 246-247

Life, Hate, Truth, Youth

“They say it only takes an instant to have a dream; a dream can be compressed into hardtack.”

Gao Xingjian (1940) Chinese novelist and playwright

Source: Buying a Fishing Rod for My Grandfather (2005), p. 110, from "buying a fishing rod for my grandfather"

Dreams

“A resuscitated orthodoxy, so pervasive as to be nearly invisible, rules the land. Like any religion worth its salt, it shapes our world in its image, demonizing if necessary, absorbing when possible. Thus has the great sovereign territory of what Nabokov called “unreal estate,” the continent of invisible possessions from time to talent to contentment, been either infantilized, rendered unclean, or translated into the grammar of dollars and cents. Thus has the great wilderness of the inner life been compressed into a median strip by the demands of the “real world,” which of course is anything but.”

Mark Slouka (1958) author

Quitting the paint factory: On the virtues of idleness

Life, World, Religion, Time

“If you use conventional data compression on the [human brain's] genome, you get about 23 million bytes (a small fraction of the size of Microsoft Word), which is a level of complexity we can handle.”

Ray Kurzweil (1948) Author, scientist, inventor, and futurist

"The Singularity," The New Humanists: Science at the Edge (2003)

“Now, what about this negro equality of which we hear so much, in and out of Congress? It is claimed by the Democrats of today, that Jefferson has uttered an untruth in the declaration of principles which underlie our government. I still abide by the democracy of Jefferson, and avow my belief that all men are created equal. Equal how? Not in physical strength, not in symmetry of form and proportion, not in graceful of motion, or loveliness of feature, not in mental endowment, moral susceptibility, and emotional power. Not socially equal, not of necessity politically equal. Not this, but every human being equally entitled to his life, his liberty, and the fruit of his toil. The Democratic Party deny this fundamental doctrine of our government, and say that there is a certain class of human beings which have no rights. If you maliciously kill them, it is no murder. If you take away their liberty, it is no crime. If you deprive them of their earnings, it is no theft. No rights which another is bound to regard. Was there ever so much diabolism compressed into one sentence? Why do |the Democrats come to us with their complaints about the negroes? I for one feel no responsibility in the matter. I did not create them; was not consulted.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838&ndash;64 https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA177 (2004), edited by William Frederick Moore and Jane Ann Moore, p. 177 <br class="br">1850s, The Fanaticism of the Democratic Party (February 1859)

Life, Men, Feeling, Democracy

“On the artist, Charley Patton, who changed him: What happened was I was going out on a Saturday night, so I went into my mam’s bedroom, she’s got a double mirror, really kitsch 50s. So I’m in there, doing that, and she’s got an old alarm clock where the radio comes on, but she never learned how to do it properly. And it came on. […] I remember it was ten past three in the afternoon and it was winter, it was getting dark, and it was when the BBC had just started doing Telstar live things from America. It was some station in Memphis - one of those classic names, ‘RK 51’ or whatever. […] On it came and there’s this record. The satellite thing was a bit cloudy and it was a 78 record and there was compression on the radio, so it was this strange kind of musical blur with this voice coming through: Charley Patton. […] On that night I told the bass player of one of the local bands that I’d heard this record and it sounded weird, it sounded like a violin. He said, ‘No, it’s not a violin, it’s a slide guitar.’ I thought, ‘What’s one of them?”

Chris Rea (1951) English singer-songwriter

2017

Music, Learning, Winter, Change

“l don't know what Nordic art is worth in other people's minds.... but in today's cosmopolitan art world it doesn't figure at all... Nordic art is dangerous. It compresses all its power inside ourselves. It is not a hedonistic or sensuous art. It neither claims to be objectively intelligible, nor does it deal in clear and conscious symbols. The Danish author Jakob Knudsen hit on something important when he said that Nordic art has mood and works on the mood more than on the senses or the understanding..”

Asger Jorn (1914–1973) Danish artist

as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255, <br class="br">1959 - 1973, Alpha and Omega', (1963–64)

People, World, Art, Intelligence

“We frequently fall into error and folly, Dr. Johnson tells us, “not because the true principles of action are not known, but because, for a time, they are not remembered.” To compress, therefore, the great and obvious rules of life into brief sentences which are not easily forgotten is, as he said, to confer a real benefit upon us.”

Logan Pearsall Smith (1865–1946) British American-born writer

“English Aphorists,” p. 108
Reperusals and Recollections (1936)

Life, Error, Time

“[Elizabeth Moon's] antagonists are always evil moustache-twirlers. She could write a book about a golf open and the main rival to the hero would turn out to have clubs made from compressed kittens.”

James Nicoll (1961) Canadian fiction reviewer

[efprv2$bpa$1@reader1.panix.com, 2006]
2000s

Books, Evil

“Instead of inquiring after the nature of the cause of the condensation of nebulous matter, it would indeed be sufficient for the present purpose to call it merely a condensing principle; but since we are already acquainted with the centripetal force of attraction which gives a globular figure to planets, keeps them from flying out of their orbits in tangents, and makes one star revolve around another, why should we not look up to the universal gravitation of matter as the cause of every condensation, accumulation, compression, and concentration of the nebulous matter?”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

p, 125
Astronomical Observations relating to the Construction of the Heavens... (1811)

Star, Nature, Universe, Flying

“[Perspectiva communis was written to] compress into concise summaries the teachings of perspective, which [in existing treatises] are presented with great obscurity.”

John Peckham (1227–1292) Archbishop of Canterbury

as quoted by John Freely, Before Gaileo: The Birth of Modern Science in Medieval Europe (2012)

“… The fame of Gibbon is highest among writers; those especially who have studied for years particular periods included in his theme (and how many those are; for in the East and West he has set his mark on all that is great for ten centuries!) acutely feel and admiringly observe how difficult it would be to say so much, and leave so little untouched; to compress so many telling points; to present in so few words so apt and embracing a narrative of the whole.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

[ART. I—Edward Gibbon, National Review, 2, January 1856, 1–42, https://babel.hathitrust.org/cgi/pt?id=nyp.33433081643169;view=1up;seq=43] (quote p. 31)
Edward Gibbon (1856)

Feeling, Study

“My notes always grow longer if I shorten them. I mean the process of compression makes them more pregnant and they breed new notes.”

Samuel Butler (1835–1902) novelist

Making Notes
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books

“As a magician works with the unique compressibility of doves, finding some, losing others in the same silk foulard, so the rebels fold scratchy, relaxed meanings into their smallest actions.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Crisis”.
Great Days (1979)

“Adobe (sun-dried clay bricks) is a material usable in regions where sandy clays suitable for fabrication are found. Adobe masonry, is, however, useful only for walls and structural elements subjected to lower values of tension and compression, and is, therefore, of little interest as a structural material.”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Sun

“It ['The Great Masturbator', 1929] represented a large head, yellow like wax, with very red cheeks, long eyelashes and an imposing nose compressed against the ground. This face had no mouth, and in place of the mouth an enormous lobster was hooked. The lobster's belly was decomposing and full of ants. Some of these ants were scurrying through the space that would have been occupied by the non-existent mouth of the great anguished face, whose head ended in 1900-style architecture and ornamentation. The title of the painting was The Great Masturbator.”

Salvador Dalí (1904–1989) Spanish artist

Quote from La vida secreta de Salvador Dalí. In: Complete Works, Autobiographical Articles 1. Ediciones Destino / Gala-Salvador Dalí Foundation, Barcelona / Figueres, 2003, p. 648
Quotes of Salvador Dali, 1941 - 1950

Painting

“It’s all right for the middle classes, the MSPs; it’s great for them to have cheap nannies and gardeners and cleaners. But it’s not very lovely for the ordinary working class man trying to get on in the world who finds his job has gone and his wage being compressed because so many people are coming in. That’s why you’ll find most Ukip support comes from working class and lower middle class people – not that we believe in class in Ukip. Those people are feeling the pressure and have been let down by the traditional parties”

David Coburn (politician) (1959) British politician

In with the Out crowd: on the streets with Ukip's David Coburn http://www.heraldscotland.com/politics/14565432.In_with_the_Out_crowd__on_the_streets_with_Ukip__39_s_David_Coburn/ (June 17, 2016)

Love, People, World, Feeling

“Let us explain again by examples. In painting a person on a balcony, seen from inside the room do not limit the scene to what the square of the window renders visible; we try to render the sum total of visual sensations which the person on the balcony has experienced; the sun-baked throng in the street, the double row of houses which stretch to right and left, the beflowered balconies etc. This implies the simultaneity of the ambient, and, therefore, the dislocation and the dislocation and dismemberment of objects, the scattering and fusion of details, freed from accepted logic and independent from one another. In order to make the spectator live in the center of the picture, as we express it in our manifesto the picture must be the synthesis of what one remembers and what one sees. You must render the invisible which stirs lives beyond intervening obstacles, what we have on the right, or the left, or behind us, and not merely the small square of life artificially compressed, as it were, by the wings of a stage set. We have declared in our manifesto that what must be rendered is the dynamic sensation, that is to say, the particular rhythm of each object, its inclination, its movement, or more exactly, its interior force.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912

Life, Sun, Painting, Housing

“In general, the shorter the possible representation… the less random… On this view we recognize science to be the search for algorithmic compressions.”

John D. Barrow (1952–2020) British scientist

New Theories of Everything (2007)
Context: We say that the string is 'random' if there is no other representation of the string which is shorter than itself. But we will say that it is 'non-random' if there does exist such an abbreviated representation.... In general, the shorter the possible representation... the less random... On this view we recognize science to be the search for algorithmic compressions.<!--Ch. 1, p. 11

Search, Science

“It is simplest to think of mathematics as the catalogue of all possible patterns. …When viewed in this way, it is inevitable that the world is described by mathematics. …In many ways the search for a Theory of Everything is a manifestation of a faith that this compression goes all the way down to the bedrock of reality…”

John D. Barrow (1952–2020) British scientist

New Theories of Everything (2007)

World, Faith, Way, Search

“I do not believe it is man's destiny to compress this once boundless earth into a small neighborhood, the better to destroy it.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech in Springfield Illinois (24 October 1952)
Context: I do not believe it is man's destiny to compress this once boundless earth into a small neighborhood, the better to destroy it. Nor do I believe it is in the nature of man to strike eternally at the image of himself, and therefore of God. I profoundly believe that there is on this horizon, as yet only dimly perceived, a new dawn of conscience. In that purer light, people will come to see themselves in each other, which is to say they will make themselves known to one another by their similarities rather than by their differences. Man's knowledge of things will begin to be matched by man's knowledge of self. The significance of a smaller world will be measured not in terms of military advantage, but in terms of advantage for the human community. It will be the triumph of the heartbeat over the drumbeat.
These are my beliefs and I hold them deeply, but they would be without any inner meaning for me unless I felt that they were also the deep beliefs of human beings everywhere. And the proof of this, to my mind, is the very existence of the United Nations.

“The Encyclopoedia Britannica could be reduced to the volume of a matchbox. A library of a million volumes could be compressed into one end of a desk.”

Vannevar Bush book As We May Think

As We May Think (1945)
Context: The Encyclopoedia Britannica could be reduced to the volume of a matchbox. A library of a million volumes could be compressed into one end of a desk. If the human race has produced since the invention of movable type a total record, in the form of magazines, newspapers, books, tracts, advertising blurbs, correspondence, having a volume corresponding to a billion books, the whole affair, assembled and compressed, could be lugged off in a moving van. Mere compression, of course, is not enough; one needs not only to make and store a record but also to be able to consult it, and this aspect of the matter comes later. Even the modern great library is not generally consulted; it is nibbled by a few.

“We may conceive that, perhaps in progress of time these nebulæ which are already in such a state of compression, may be still farther condensed so as actually to become stars.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Astronomical Observations relating to the Construction of the Heavens... (1811), p. 318

Star, Time