Quotes about collaboration
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Andrew Sega photo
Kurien Kunnumpuram photo
Aldo Capitini photo
Gloria Estefan photo
Enver Hoxha photo

“The views of Tito and his associates showed from the very beginning that they were far from being “hard-line Marxists”, as the bourgeoisie calls the consistent Marxists, but “reasonable Marxists”, who would collaborate closely with all the old and new bourgeois and reactionary politicians of Yugoslavia.”

Enver Hoxha (1908–1985) the Communist leader of Albania from 1944 until his death in 1985, as the First Secretary of the Party of L…

Writings, Yugoslav "Self-Administration" - Capitalist Theory and Practice

Talal Abu-Ghazaleh photo
Zoey Deutch photo
Alan M. Dershowitz photo
André Maurois photo
Edith Stein photo

“For a wholesome collaboration of the sexes in professional life will be possible only if both achieve a calm and objective awareness of their nature and draw practical conclusions from it.”

Edith Stein (1891–1942) Jewish-German nun, theologian and philosopher

Essays on Woman (1996), The Ethos of Woman's Professions (1930)

Nicolae Ceaușescu photo
Elizabeth Loftus photo
David Morrison photo
Francis Crick photo
Mahendra Chaudhry photo

“The quality of the state of collaboration that exist among organizations that is required to achieve unity of effort by the demands of the environment.”

Paul R. Lawrence (1922–2011) American business theorist

Source: Organization and environment: Managing differentiation and integration, 1967, p. 11

Marcus Orelias photo
Roberto Mangabeira Unger photo
Gerhard Richter photo
Brian Wilson photo
Peter F. Drucker photo
Ingmar Bergman photo
Roberto Mangabeira Unger photo

“The extreme moment of shock in battle presents in heightened and distorted form some of the distinctive characteristics of a whole society involved in war. These characteristics in turn represent a heightening and distortion of many of the traits of a social world cracked open by transformative politics. The threats to survival are immediate and shifting; no mode of association or activity can be held fixed if it stands as an obstacle to success. The existence of stable boundaries between passionate and calculating relationships disappears in the terror of the struggle. All settled ties and preconceptions shake or collapse under the weight of fear, violence, and surprise. What the experience of combat sharply diminishes is the sense of variety in the opportunities of self-expression and attachment, the value given to the bonds of community and to life itself, the chance for reflective withdrawal and for love. In all these ways, it is a deformed expression of the circumstance of society shaken up and restored to indefinition. Yet the features of this circumstance that the battle situation does share often suffice to make the boldest associative experiments seem acceptable in battle even if they depart sharply from the tenor of life in the surrounding society. Vanguardist warfare is the extreme case. It is the response of unprejudiced intelligence and organized collaboration to violence and contingency.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 160

Stephen Crane photo

“Every sin is the result of a collaboration.”

"The Blue Hotel", from The Monster and Other Stories (1898)

Pauline Kael photo
Richard Pipes photo
Howard Zinn photo
Edgar Degas photo

“It is all well and good to copy what one sees, but it is much better to draw only what remains in one's memory. This is a transformation in which imagination and memory collaborate.”

Edgar Degas (1834–1917) French artist

Quote of Degas in 1883, as cited by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 30 note 10
Degas confided this to Pierre-George Jeanniot
1876 - 1895

Gustave Courbet photo

“I turned to Brecht and asked him why, if he felt the way he did about Jerome and the other American Communists, he kept on collaborating with them, particularly in view of their apparent approval or indifference to what was happening in the Soviet Union. […] Brecht shrugged his shoulders and kept on making invidious remarks about the American Communist Party and asserted that only the Soviet Union and its Communist Party mattered. […] But I argued… it was the Kremlin and above all Stalin himself who were responsible for the arrest and imprisonment of the opposition and their dependents. It was at this point that he said in words I have never forgotten, 'As for them, the more innocent they are, the more they deserve to be shot.' I was so taken aback that I thought I had misheard him. 'What are you saying?' I asked. He calmly repeated himself, 'The more innocent they are, the more they deserve to be shot.' […] I was stunned by his words. 'Why? Why?' I exclaimed. All he did was smile at me in a nervous sort of way. I waited, but he said nothing after I repeated my question. I got up, went into the next room, and fetched his hat and coat. When I returned, he was still sitting in his chair, holding a drink in his hand. When he saw me with his hat and coat, he looked surprised. He put his glass down, rose, and with a sickly smile took his hat and coat and left. Neither of us said a word. I never saw him again.”

Sidney Hook (1902–1989) American philosopher

Out of Step (1985)

Eric Holder photo
Bassel Khartabil photo

“Aiki lab is a place for sharing, creation, collaboration, research, development, mentoring, and of course, learning.”

Bassel Khartabil (1981–2015) free culture and democracy activist, Syrian political prisoner

Tweet July 14, 2010, 3:59AM https://twitter.com/basselsafadi/status/18511132112 at Twitter.com

El Lissitsky photo
Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Benito Mussolini photo

“I shall defend this pact with all my strength, and if Fascism does not follow me in collaboration with the Socialists, at least no one can force me to follow Fascism.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

As quoted in Italy: A Modern History, Denis Mack Smith, University of Michigan Press (1959) p. 352, Pact of Pacification, 1921
1920s

James Jeans photo
Primo Levi photo
Antonio Negri photo
Joseph Massad photo
Ethan Hawke photo
Piet Mondrian photo

“Though I do, of course agree with the principles you have mentioned, I am returning the paper unsigned, as I do not want to belong to a group. A group of people with one aim is not as yet a single-minded group and as this does not exist, a consistent group remains impossible. And a larger group only makes sense for joint exhibitions and for spreading ideas. I will therefore not participate in the other group either, but I have promised my collaboration in this respect. If you definitely want to form a group, you can always invite myself and others who are proved to be suitable. Only on such a basis I will collaborate with the other group as well.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian, in a letter to Theo van Doesburg, 1930; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 30
Van Doesburg had attempted to form a small union of Parisian painters and sculptors who all subscribed to the principles of abstraction, the group was to be called 'Abstraction-création'. A periodical of this group appeared under the title 'Art Concret'
1930's

Heather Brooke photo