Quotes about collaboration
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Andrew Sega photo
Kurien Kunnumpuram photo
Aldo Capitini photo
Gloria Estefan photo
Enver Hoxha photo

“The views of Tito and his associates showed from the very beginning that they were far from being “hard-line Marxists”, as the bourgeoisie calls the consistent Marxists, but “reasonable Marxists”, who would collaborate closely with all the old and new bourgeois and reactionary politicians of Yugoslavia.”

Enver Hoxha (1908–1985) the Communist leader of Albania from 1944 until his death in 1985, as the First Secretary of the Party of L…

Writings, Yugoslav "Self-Administration" - Capitalist Theory and Practice

Talal Abu-Ghazaleh photo
Zoey Deutch photo
Alan M. Dershowitz photo
André Maurois photo
Edith Stein photo

“For a wholesome collaboration of the sexes in professional life will be possible only if both achieve a calm and objective awareness of their nature and draw practical conclusions from it.”

Edith Stein (1891–1942) Jewish-German nun, theologian and philosopher

Essays on Woman (1996), The Ethos of Woman's Professions (1930)

Nicolae Ceaușescu photo
Elizabeth Loftus photo
David Morrison photo
Francis Crick photo
Mahendra Chaudhry photo

“The quality of the state of collaboration that exist among organizations that is required to achieve unity of effort by the demands of the environment.”

Paul R. Lawrence (1922–2011) American business theorist

Source: Organization and environment: Managing differentiation and integration, 1967, p. 11

Marcus Orelias photo
Roberto Mangabeira Unger photo
Gerhard Richter photo
Brian Wilson photo
Peter F. Drucker photo
Ingmar Bergman photo
Roberto Mangabeira Unger photo

“The extreme moment of shock in battle presents in heightened and distorted form some of the distinctive characteristics of a whole society involved in war. These characteristics in turn represent a heightening and distortion of many of the traits of a social world cracked open by transformative politics. The threats to survival are immediate and shifting; no mode of association or activity can be held fixed if it stands as an obstacle to success. The existence of stable boundaries between passionate and calculating relationships disappears in the terror of the struggle. All settled ties and preconceptions shake or collapse under the weight of fear, violence, and surprise. What the experience of combat sharply diminishes is the sense of variety in the opportunities of self-expression and attachment, the value given to the bonds of community and to life itself, the chance for reflective withdrawal and for love. In all these ways, it is a deformed expression of the circumstance of society shaken up and restored to indefinition. Yet the features of this circumstance that the battle situation does share often suffice to make the boldest associative experiments seem acceptable in battle even if they depart sharply from the tenor of life in the surrounding society. Vanguardist warfare is the extreme case. It is the response of unprejudiced intelligence and organized collaboration to violence and contingency.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 160

Stephen Crane photo

“Every sin is the result of a collaboration.”

"The Blue Hotel", from The Monster and Other Stories (1898)

Pauline Kael photo
Richard Pipes photo
Howard Zinn photo
Edgar Degas photo

“It is all well and good to copy what one sees, but it is much better to draw only what remains in one's memory. This is a transformation in which imagination and memory collaborate.”

Edgar Degas (1834–1917) French artist

Quote of Degas in 1883, as cited by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 30 note 10
Degas confided this to Pierre-George Jeanniot
1876 - 1895

Gustave Courbet photo

“I turned to Brecht and asked him why, if he felt the way he did about Jerome and the other American Communists, he kept on collaborating with them, particularly in view of their apparent approval or indifference to what was happening in the Soviet Union. […] Brecht shrugged his shoulders and kept on making invidious remarks about the American Communist Party and asserted that only the Soviet Union and its Communist Party mattered. […] But I argued… it was the Kremlin and above all Stalin himself who were responsible for the arrest and imprisonment of the opposition and their dependents. It was at this point that he said in words I have never forgotten, 'As for them, the more innocent they are, the more they deserve to be shot.' I was so taken aback that I thought I had misheard him. 'What are you saying?' I asked. He calmly repeated himself, 'The more innocent they are, the more they deserve to be shot.' […] I was stunned by his words. 'Why? Why?' I exclaimed. All he did was smile at me in a nervous sort of way. I waited, but he said nothing after I repeated my question. I got up, went into the next room, and fetched his hat and coat. When I returned, he was still sitting in his chair, holding a drink in his hand. When he saw me with his hat and coat, he looked surprised. He put his glass down, rose, and with a sickly smile took his hat and coat and left. Neither of us said a word. I never saw him again.”

Sidney Hook (1902–1989) American philosopher

Out of Step (1985)

Eric Holder photo
Bassel Khartabil photo

“Aiki lab is a place for sharing, creation, collaboration, research, development, mentoring, and of course, learning.”

Bassel Khartabil (1981–2015) free culture and democracy activist, Syrian political prisoner

Tweet July 14, 2010, 3:59AM https://twitter.com/basselsafadi/status/18511132112 at Twitter.com

El Lissitsky photo
Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Benito Mussolini photo

“I shall defend this pact with all my strength, and if Fascism does not follow me in collaboration with the Socialists, at least no one can force me to follow Fascism.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

As quoted in Italy: A Modern History, Denis Mack Smith, University of Michigan Press (1959) p. 352, Pact of Pacification, 1921
1920s

James Jeans photo
Primo Levi photo
Antonio Negri photo
Joseph Massad photo
Ethan Hawke photo
Piet Mondrian photo

“Though I do, of course agree with the principles you have mentioned, I am returning the paper unsigned, as I do not want to belong to a group. A group of people with one aim is not as yet a single-minded group and as this does not exist, a consistent group remains impossible. And a larger group only makes sense for joint exhibitions and for spreading ideas. I will therefore not participate in the other group either, but I have promised my collaboration in this respect. If you definitely want to form a group, you can always invite myself and others who are proved to be suitable. Only on such a basis I will collaborate with the other group as well.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian, in a letter to Theo van Doesburg, 1930; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 30
Van Doesburg had attempted to form a small union of Parisian painters and sculptors who all subscribed to the principles of abstraction, the group was to be called 'Abstraction-création'. A periodical of this group appeared under the title 'Art Concret'
1930's

Heather Brooke photo
Karl Kraus photo

“I no longer have collaborators. I used to be envious of them. They repel those readers whom I want to lose myself.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

“The Hawthorne researchers became more and more interested in the informal employee groups which tend to form within the formal organisation of the Company, and which are not likely to be represented in the organisation chart. They became interested in the beliefs and creeds which have the effect of making each individual feel an integral part of the group and which make the group appear as a single unit, in the social codes and norms of behaviour by means of which employees automatically work together in a group without any conscious choice as to whether they will or will not co-operate. They studied the important social functions these groups perform for their members, the histories of these informal work groups, how they spontaneously appear, how they tend to perpetuate themselves, multiply, and disappear, how they are in constant jeopardy from technical change, and hence how they tend to resist innovation.
In particular, they became interested in those groups whose norms and codes of behaviour are at variance with the technical and economic objectives of the Company as a whole. They examined the social conditions under which it is more likely for the employee group to separate itself out in opposition to the remainder of the groups which make up the total organisation. In such phenomena they felt that they had at last arrived at the heart of the problem of effective collaboration, and obtained a new enlightenment of the present industrial scene.”

Fritz Roethlisberger (1898–1974) American business theorist

Cited in: Lyndall Fownes Urwick, ‎Edward Franz Leopold Brech (1961), The Making of Scientific Management: The Hawthorne investigations https://archive.org/stream/makingofscientif032926mbp#page/n191/mode/2up. p. 166-167
Management and the worker, 1939

John Bardeen photo
Clive Staples Lewis photo
Elton Mayo photo
Brion Gysin photo

“I view life as a fortuitous collaboration ascribable to the fact that one finds oneself at the right place at the same time.”

Brion Gysin (1916–1986) Canadian artist

Tuning in to the Multimedia Age, p. 9.

Paul Mason (journalist) photo
Elton Mayo photo

“Acting in collaboration with the National Research Council, the Western Electric Company had for three years been engaged upon an attempt to assess the effect of illumination upon the worker and his work.”

Elton Mayo (1880–1949) Australian academic

Source: The Human Problems of an Industrial Civilisation, (1933), p. 55, chapter 3: The Hawthorne experiment Western Electric Company

Gustav Stresemann photo

“In the West our hand of peace has reached out into empty air. The responsibility there falls on our enemies. If we have to continue the struggle, then the hearts of the people will be where the flags of the country are flying, and we hope and pray for a German victory that will bring us the peace that has been denied to us…We thank Secretary of State von Kuehlmann and his collaborators for the tenacity and diplomatic skill with which they represented our German interests at the negotiations in Brest…I now come to the question of the strategic demarcation of frontiers, the possible allocation of Polish territories to Germany and Prussia. My political friends are of the opinion that in the question of the strategic safeguarding of frontiers decisive importance should be attached to the voice of the Supreme Command. From our own national point of view we are not at all interested in having Polish territory added to Germany in any way…It will be a matter for our military leaders to examine the question to what extent strategic security of our frontiers is a vital necessity to Germany. If so, we shall accept it because there is a national need for it.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Speech in the Reichstag (19 February 1918), quoted in W. M. Knight-Patterson, Germany. From Defeat to Conquest 1913-1933 (London: George Allen and Unwin, 1945), pp. 149-150.
1910s

Venkatraman Ramakrishnan photo
Iwane Matsui photo
Ward Cunningham photo
Leszek Kolakowski photo
Yves Klein photo

“Violence, contrary to popular belief, is not part of the anarchist philosophy. It has repeatedly been pointed out by anarchist thinkers that the revolution can neither be won, nor the anarchist society established and maintained, by armed violence. Recourse to violence then is an indication of weakness, not of strength, and the revolution with the greatest possibilities of a successful outcome will undoubtedly be the one in which there is no violence, or in which violence is reduced to a minimum, for such a revolution would indicate the near unanimity of the population in the objectives of the revolution. … Violence as a means breeds violence; the cult of personalities as a means breeds dictators--big and small--and servile masses; government--even with the collaboration of socialists and anarchists--breeds more government. Surely then, freedom as a means breeds more freedom, possibly even the Free Society! To Those who say this condemns one to political sterility and the Ivory Tower our reply is that 'realism' and their 'circumstantialism' invariably lead to disaster. We believe there is something more real, more positive and more revolutionary to resisting war than in participation in it; that it is more civilised and more revolutionary to defend the right of a fascist to live than to support the Tribunals which have the legal power to shoot him; that it is more realistic to talk to the people from the gutter than from government benches; that in the long run it is more rewarding to influence minds by discussion than to mould them by coercion.”

Vernon Richards (1915–2001) British activist

"Anarchism and violence" in What Is Anarchism?: An Introduction by Donald Rooum, ed. (London: Freedom Press, 1992, 1995) pp. 50-51.

“A conceptual level view of an object design describes the key abstractions. While someone might think of key abstractions as being nothing more or nothing less than high-level descriptions of "candidate classes", I prefer to consider a conceptual design from a slightly different angle--I'm thinking about design at a slightly different level.
An object-oriented application is a set of interacting objects. Each object is an implementation of one or more roles. A role supports a set of related (cohesive) responsibilities. A responsibility is an obligation to perform a task or know certain information. And objects don't work in isolation, they collaborate with others in a community to perform the overall responsibilities of the application. So a conceptual view, at least to start, is a distillation of the key object roles and their responsibilities (stated at a fairly high level). More than likely (unless you form classification hierarchies and use inheritance and composition techniques) many candidates you initially model will map directly to a single class in some inheritance hierarchy. But I like to open up possibilities by think first of roles and responsibilities, and then as a second step towards a specification-level view, mapping these candidates to classes and interfaces.”

Rebecca Wirfs-Brock (1953) American software engineer

Rebecca Wirfs-Brock (2003) in " An Interview with Rebecca Wirfs-Brock Author of Object Design http://www.objectsbydesign.com/books/RebeccaWirfs-Brock.html" 2003-2005 Objects by Design, Inc: Answer to the question Can you clarify what you consider to be the essential elements of a "conceptual view".

Michael Bloomberg photo

“Working collectively and collaboratively is the difference between mediocrity by yourself…or success as a team. You have to share the pain… and the responsibility… and if you do then you will also share in the rewards.”

Michael Bloomberg (1942) American businessman and politician, former mayor of New York City

Speech at Tufts University http://www.tufts.edu/home/feature/?p=commencement2007&p4=4
2007

Lech Kaczyński photo
Jeremy Rifkin photo
John Nash photo

“Any desired transferability can be put into the game itself instead of assuming it possible in the extra-game collaboration.”

John Nash (1928–2015) American mathematician and Nobel Prize laureate

"Non-cooperative Games" in Annals of Mathematics, Vol. 54, No. 2 (September 1951); as cited in Can and should the Nash program be looked at as a part of mechanism theory? (2003) by Walter Trockel
1950s
Context: A less obvious type of application (of non-cooperative games) is to the study of. By a cooperative game we mean a situation involving a set of players, pure strategies, and payoffs as usual; but with the assumption that the players can and will collaborate as they do in the von Neumann and Morgenstern theory. This means the players may communicate and form coalitions which will be enforced by an umpire. It is unnecessarily restrictive, however, to assume any transferability or even comparability of the pay-offs [which should be in utility units] to different players. Any desired transferability can be put into the game itself instead of assuming it possible in the extra-game collaboration.

Andrei Sakharov photo

“The strategy of peaceful coexistence and collaboration must be deepened in every way.”

Andrei Sakharov (1921–1989) Soviet nuclear physicist and human rights activist

Progress, Coexistence and Intellectual Freedom (1968), The Basis for Hope, A Summary of Proposals
Context: The strategy of peaceful coexistence and collaboration must be deepened in every way. Scientific methods and principles of international policy will have to be worked out, based on scientific prediction of the immediate and more distant consequences.
The initiative must be seized in working out a broad program of struggle against hunger.
A law on press and information must be drafted, widely discussed, and adopted, with the aim not only of ending irresponsible and irrational censorship, but also of encouraging self-study in our society, fearless discussion, and the search for truth. The law must provide for the material resources of freedom of thought.
All anti-constitutional laws and decrees violating human rights must be abrogated.

Rod McKuen photo

“As friends and as musical collaborators we had traveled, toured and written — together and apart — the events of our lives as if they were songs, and I guess they were. When news of Jacques’ death came I stayed locked in my bedroom and drank for a week.”

Rod McKuen (1933–2015) American poet, songwriter, composer, and singer

On Jacques Brel, in liner notes for Greatest Hits - Without a Worry in the World (August 1992)
Context: As friends and as musical collaborators we had traveled, toured and written — together and apart — the events of our lives as if they were songs, and I guess they were. When news of Jacques’ death came I stayed locked in my bedroom and drank for a week. That kind of self pity was something he wouldn’t have approved of, but all I could do was replay our songs (our children) and ruminate over our unfinished life together.

“I've always seen the formulation of public policy — and solutions to social problems — as a collaborative effort. I've always felt that my part of the job was to analyze and criticize in the hope that other people might use my work to forge solutions.”

Wendy Kaminer (1949) American lawyer

"6/24/95 Wendy Kaminer on Crime" (24 June 1995)
Context: I'm better at criticism than social engineering, so I always have a hard time answering good practical questions like "what can the average person do?" Of course, there are obvious answers, like the average person can get involved in local politics, the average person can get involved in violence prevention programs in his or her own neighborhood, the average person can engage with local radio and TV talk shows on crime. I'm afraid, though, that's not a very good answer. I'm best at knowing what I can do personally, which is write and think about issues like these, point out problems, and hope that people like you can do a better job than I can of figuring out where to go next. I've always seen the formulation of public policy — and solutions to social problems — as a collaborative effort. I've always felt that my part of the job was to analyze and criticize in the hope that other people might use my work to forge solutions.

“When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women, for the moral tarring and feathering they give indigenous women who have had the bad luck to live in what they make their humping ground.”

Julie Burchill (1959) British writer

"Born Again Cows", Damaged Gods https://www.fantasticfiction.com/b/julie-burchill/damaged-gods.htm (1986, , p. 743.
Context: Prostitution is the supreme triumph of capitalism.... Worst of all, prostitution reinforces all the old dumb clichés about women's sexuality; that they are not built to enjoy sex and are little more than walking masturbation aids, things to be DONE TO, things so sensually null and void that they have to be paid to indulge in fornication, that women can be had, bought, as often as not sold from one man to another. When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women, for the moral tarring and feathering they give indigenous women who have had the bad luck to live in what they make their humping ground.

Antonie Pannekoek photo
Antonie Pannekoek photo
Antonie Pannekoek photo

“Patience and perseverance are key. Cultivate a spirit of generosity. Find your tribe of collaborators and keep working with them. Trust your gut. Stay true to your vision. Seek mentorship…”

On her advice for Latina playwrights in “Anne García-Romero” https://50playwrights.org/2016/05/06/anne-garcia-romero/ in 50 Playwrights Project (2016 May 6)

Helena Roerich photo
Koenraad Elst photo
Jeff Buckley photo

“It was the kind of collaboration I dream about actually. His voice sounded, you know, like an angel. Like a gift from God.”

Jeff Buckley (1966–1997) American singer, guitarist and songwriter

Gary Lucas – Guitarist from NBC Edgewise Tribute on MSNBC from 1997.

Chris Evans (actor) photo
Jacinda Ardern photo

“One scientific discovery is a gift from the accumulated work of hundreds of researchers. Collaboration is crucial because viruses are smarter than researchers.”

Michael Lai (1942) Taiwanese virologist (born 1942)

Michael Lai (2017) cited in " Persistence pays for Taiwan virologist who helped stop SARS https://asia.nikkei.com/Economy/Persistence-pays-for-Taiwan-virologist-who-helped-stop-SARS2" on Nikkei Asian Review, 1 May 2017.

Waleed Al-Husseini photo
Maurice Barrès photo

“The reader collaborates with the author in every book, or The reader is co-author in every book.”

Maurice Barrès (1862–1923) French novelist

Tout livre a pour collaborateur son lecteur

Source: Biographical notice http://www.evene.fr/celebre/biographie/maurice-barres-499.php on Evene

Álvaro Corrada del Río photo
Kelly Marie Tran photo

“You get the initial script, and then things sort of change here and there, but the whole thing is this sort of mushy collaboration, which I love.”

Kelly Marie Tran (1989) American actress

As quoted in "Q&A: 'The Last Jedi' breakout Kelly Marie Tran on her whirlwind 'Star Wars' journey and Rose's future" in Baltimore Sun (20 December 2017) https://www.baltimoresun.com/la-et-mn-star-wars-the-last-jedi-rose-kelly-marie-tran-20171220-htmlstory.html

“Right now, I'm just really interested in finding fruitful collaborations.
To me, it’s the collaborative effort between creative minds that elevates each other’s work.”

Halyna Hutchins (1979–2021) Ukrainian-American cinematographer and investigative journalist

Source: Rising Stars of Cinematography (2019)

Boris Johnson photo

“There's a terrible kind of collaboration as it were, going on between people who think they can block Brexit in Parliament and our European friends.”

Boris Johnson (1964) British politician, historian and journalist

Source: Boris Johnson: Brexit opponents 'collaborating' with EU https://www.bbc.co.uk/news/uk-politics-49348072 BBC News (14 August 2019)

Fridolin Ambongo Besungu photo

“It has always been important for the Capuchins to encourage lay people to take an active part in the Church and in effect we have many local lay Catholics in the Franciscan Tertiary Order. This is very encouraging for us because the collaboration of well-prepared lay people is necessary for the apostolate.”

Fridolin Ambongo Besungu (1960) Congolese theologian and catholic cardinal

Source: AFRICA/DEMOCRATIC CONGO - “I am grateful to the Pope for this act of confidence in me” the newly appointed Bishop of Bokungu-Ikela in Congo told Fides http://www.fides.org/en/news/3549-AFRICA_DEMOCRATIC_CONGO_I_am_grateful_to_the_Pope_for_this_act_of_confidence_in_me_the_newly_appointed_Bishop_of_Bokungu_Ikela_in_Congo_told_Fides (6 April 2020)

Larry Niven photo
Choekyi Gyaltsen photo

“It becomes increasingly clear that […] the Christian's watchword can no longer be "escape" but "collaboration." He must co-operate with God and men in God's work in the world and among humanity.”

Henri de Lubac (1896–1991) Jesuit theologian and cardinal

Source: Catholicism (1938), Ch. VII. "Salvation through the Church", p. 122