Quotes about clarity
page 2

Louis Bromfield photo
Colin Wilson photo
Camille Paglia photo

“A lack of clarity could put the brakes on any journey to success.”

Source: Life, the Truth, and Being Free (2010), p. 38

John Ruysbroeck photo

“And there you In a new embrace, with a new torrent of eternal love: all the elect, angels and men, from the last to the first are embraced It is a living and fruitful unity, which is the source and the fount of all life All creatures are there without themselves as in their eternal origin, One essence and one life with God These enlightened people are lifted up with free mind above reason…To the summit of their spirit Their naked understanding is penetrated with eternal clarity as the air is penetrated by the light of the sun. The bare elevated will is transformed and penetrated with fathomless love, just as iron is penetrated by the fire [God] gives Himself in the soul’s essence…Where the soul’s powers are unified…And undergo God’s transformation in simplicity. In this place all is full and overflowing, for the spirit feels itself as one truth and one richness. And one unity with God All spirits thus raised up Melt away and are annihilated by reason of enjoyment in God’s essence They fall away from themselves and are lost in a bottomless unknowingWith God they will ebb and flow, and will always be in repose…They are drunk with love and have passed away into God in a dark luminosity must accept that the Persons yield and lose themselves whirling in essential love, that is, in enjoyable unity; nevertheless, they always remain according to their personal properties In the working of the Trinity. You may thus understand that the divine nature is eternally at rest and without mode according to the simplicity of its essence. It is why all that God has chosen and enfolded with eternal personal love, he has possessed essentially, enjoyably in unity, with essential love.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Giorgio de Chirico photo

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475
1920s and later

David Zabriskie photo

“I think a lot of people see food in terms of whether it's going to make them fat or make them skinny. I'm seeing food in terms of how it's going to make me think and will it give me clarity.”

David Zabriskie (1979) road bicycle racer

"Riding the Tour De Vegetable" https://www.wsj.com/articles/SB10001424052702304314404576414124184873028, interview with The Wall Street Journal (29 June 2011).

Pat Condell photo
Russell Simmons photo
James K. Morrow photo
Edsger W. Dijkstra photo
Marie-Louise von Franz photo
Mario Bunge photo
Ossip Zadkine photo
N. Gregory Mankiw photo

“Despite its flaws, Peddling Prosperity has much to recommend it. There is no book written for a lay audience that explains the economics profession with more perception or clarity than this one.”

N. Gregory Mankiw (1958) American economist

N. Gregory Mankiw, Review of Peddling Prosperity: Economic Sense and Nonsense in the Age of Diminished Expectations by Paul Krugman, Journal of Economic Literature (Dec., 1995)
1990s

Piet Mondrian photo

“I believe that in our period it is definitely necessary that, as far as possible, the paint is applied in pure colours, set next to each other in a pointillist or diffuse manner. This is stated strongly, and yet it relates to the idea which is the basis of meaningful expression in form, as I see it. It seems to me that the clarity of ideas should be accompanied by a clarity of technique.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Israel Querido, Summer of 1909; published in the weekly magazine 'De Controleur' 23 Oct, 1909; as cited in English translation, in Two Mondrian sketchbooks 1912 - 1914, ed. Robert P. Welsh & J. M. Joosten, Amsterdam 1969 p. 10
1900's

“My roster of the new literature, in short, would include all the writers who come bearing new information and who present it with vigor, clarity and humanity.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 9, Nonfiction as Literature, p. 61.

José Ortega Y Gasset photo

“A lack of clarity is food for failure.”

Source: Life, the Truth, and Being Free (2010), p. 131

“Lack of clarity is always a sign of dishonesty.”

Celia Green (1935) British philosopher

The Decline and Fall of Science (1976)

Charles Krauthammer photo

“Some geopolitical conflicts are morally complicated. The Israel-Gaza war is not. It possesses a moral clarity not only rare but excruciating. […] For Hamas, the only thing more prized than dead Jews are dead Palestinians.”

Charles Krauthammer (1950–2018) American journalist

Column, January 2, 2009, "Moral clarity in Gaza" http://www.jewishworldreview.com/cols/krauthammer010209.php3 at jewishworldreview.com.
2000s, 2009

Adam Schaff photo
Vytautas Juozapaitis photo
Paul Karl Feyerabend photo

“Clarity is not a characteristic of the human spirit.”

Part 1, section 4.
The Cunning Man (1994)

Hans Arp photo

“It was Sophie [Taeuber] who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

In 'Unsern täglichen Traum', Hans Arp (1914 - 1954); p. 76; as quoted in Arp, ed. Serge Fauchereau, Ediciones Poligrafa, S. A., Barcelona 1988, p. 11
1960s

Dave Eggers photo
Paul Klee photo

“The harbor and city.... were behind us [Klee's first glimpse of Tunis], slightly hidden. First, we passed down a long canal. On shore, very close, our first Arabs. The sun has a dark power. The colorful clarity on shore full of promise. Macke too feels it. We both know that we shall work well here.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; as quoted by June Taboroff, on 'AramcoWorld', May, June 1991 http://archive.aramcoworld.com/issue/199103/travels.in.tunisia.htm
1911 - 1914, Diary-notes from Tunisia' (1914)

Alexandra Kollontai photo
Sam Harris photo

“I'll tell you what harms the vast majority of Muslims that love freedom and hate terror: Muslim theocracy does. Muslim intolerance does. Wahabism does. Salafism does. Islamism does. Jihadism does. Sharia law does. The mere conservatism of traditional Islam does. We're not talking about only jihadists hating homosexuals and thinking they should die, we're talking about conservative Muslims. The percentage of British Muslims polled who said that homosexuality was morally acceptable was zero. Do you realize what it takes to say something so controversial in a poll that not even 1% of those polled would agree with it? There's almost no question that extreme that you will ever see in a poll that gets a zero, but ask British Muslims whether homosexuality is morally acceptable, and that's what you get. And the result is more or less the same in dozens of other countries. It's zero in Cameroon, zero in Ethiopia. 1% in Nigeria, 1% in Tanzania, 1% in Mali, 2% in Kenya, 2% in Chad. 1% in Lebanon, 1% in Egypt, 1% in the Palestinian territories, 1% in Iraq, 2% in Jordan, 2% in Tunisia, 1% in Pakistan. But 10% in Bangladesh. Bangladesh: that bright spot in the Muslim world where they are regularly hunting down and butchering secular writers with machetes. The people who suffer under this belief system are Muslims themselves. The next generation of human beings born into a Muslim community who could otherwise have been liberal, tolerant, well-educated, cosmopolitan productive people are to one or another degree being taught to aspire to live in the Middle Ages, or to ruin this world on route to some fictional paradise after death. That's the thing we have to get our heads around. And yes, some of what I just said applies with varying modifications to other religions and other cults. But there is nothing like Islam at this moment for generating this kind of intolerance and chaos. And if only a right wing demagogue will speak honestly about it, then we will elect right wing demagogues in the West more and more in response to it. And that will be the price of political correctness: that's when this check will finally get cashed. That will be the consequence of this persistent failure we see among liberals to speak and think and act with real moral clarity and courage on this issue. The root of this problem is that liberals consistently fail to defend liberal values as universal human values. Their political correctness, their multiculturalism, their moral relativism has led them to rush to the defense of theocrats and to abandon the victims of theocracy and to vilify anyone who calls out this hypocrisy for what it is as a bigot. And to be clear, and this is what liberals can't seem to get, is that speaking honestly about the ideas that inspire Islamism and jihadism, beliefs about martyrdom, and apostasy and blasphemy and paradise and honour and women, is not an expression of hatred for Muslims. It is in fact the only way to support the embattled people in the Muslim community: The reformers and the liberals and the seculars and the free thinkers and the gays and the Shiia in Sunni-majority context and Sufis and Ahmadiyyas, and as Maajid Nawaz said, the minorities within the minority, who are living under the shadow, and sword rather often, under theocracy. […] If you think that speaking honestly about the need for reform within Islam will alienate your allies in the Muslim community, then you don't know who your allies are.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris, "Waking Up with Sam Harris Podcast #38 — The End of Faith Sessions 2" (15 June 2016) https://www.samharris.org/podcast/item/the-end-of-faith-sessions-2
2010s

Dana Gioia photo
Dennis Kucinich photo
James Branch Cabell photo
George Chapman photo

“Poetry, unlike oratory, should not aim at clarity… but be dense with meaning, 'something to be chewed and digested'…”

George Chapman (1559–1634) English dramatist, poet, and translator

Preface to Ovid's Banquet of Sense (1595)

Gerhard Richter photo
Stefan Szczesny photo
John Ashcroft photo
Paul Kurtz photo
Stefan Szczesny photo
Zbigniew Brzeziński photo
Nassim Nicholas Taleb photo

“Mental clarity is the child of courage, not the other way around.”

Source: The Bed of Procrustes: Philosophical and Practical Aphorisms (2010), p. 57

James K. Morrow photo
George Steiner photo
Natália Correia photo

“A dark and troubled abstention:
Put a flower for me in the most secret garden
In a horizon of grace and clarity
Which was untouchable and next.A static promise in the light of the moon
Of the density which was corporal in me.
It is not the fault, it is the memory
Of the first morning of the sin
Without Eve and Adam.Only the proven fruit
And the rolled serpent
In my loneliness.”

Natália Correia (1923–1993) Portuguese writer

Uma obscura e inquieta castidade:
pôs uma flor para mim no jardim mais secreto
num horizonte de graça e claridade
intangível e perto.<p>Promessa estática no luar
da densidade em mim corpórea.
não é a culpa, é a memoria
da primeira manhã do pecado
sem Eva e sem Adão.<p>Só o fruto provado
e a serpente enroscada
na minha solidão.
Obscura Castidade (Dark Abstention).

Gertrude Stein photo
Bernard Le Bovier de Fontenelle photo
John Ralston Saul photo
Antonin Scalia photo

“Abusive' (or 'hostile,' which in this context I take to mean the same thing) does not seem to me a very clear standard - and I do not think clarity is at all increased by adding the adverb objectively or by appealing to a reasonable person's notion of what the vague word means.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Harris v. Forklift Systems, Inc., 510 U.S. 17 http://straylight.law.cornell.edu/supct/html/92-1168.ZC.html (1993) (concurring).
1990s

Ernest Flagg photo
John R. Bolton photo

“It's a lack of clarity that creates chaos and frustration. Those emotions are poison to any living goal.”

Source: Life, the Truth, and Being Free (2010), p. 101

Paul Klee photo
Thomas Szasz photo
Beyoncé photo
Kurt von Hammerstein-Equord photo
Eric S. Raymond photo
Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Adi Da Samraj photo
André Maurois photo
Natan Sharansky photo
John Galsworthy photo
Fernando J. Corbató photo
John Desmond Bernal photo

“One of the questions on which clarity of thinking is now most necessary is that of the relation between the methods of science and of Marxist philosophy. Although much has already been written on the subject, yet there is still an enormous amount of confusion and contradictory statement.”

John Desmond Bernal (1901–1971) British scientist

J.D. Bernal (1937) "Dialectical Materialism and Modern Science" in: Science and Society, Volume II, No. 1, Winter 1937; Online ( here http://www.marxists.org/archive/bernal/works/1930s/dsams.htm) on Marxists Internet Archive (2002).

“If we were in the habit of reading poets their obscurity would not matter; and, once we are out of the habit, their clarity does not help.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Obscurity of the Poet”, p. 4
Poetry and the Age (1953)

Roy A. Childs, Jr. photo
Colin Wilson photo
C. Wright Mills photo
Theo van Doesburg photo

“Gradually we began [ De Stijl-artists in The Netherlands, 1918] to present a closed front. By working there had been created not only a clarity in the collective consciousness of our group, but we had gained a certainty, which made it possible for us to define our collective attitude towards life and to perpetrate it according to the requirements of the period... As the world war [ World War I ] was coming to an end, we all came to feel the need of securing an interest in our efforts beyond the narrow boundaries of Holland.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in Neue Schweizer Rundschau, 1929, p. 172 (Van Doesburg); as quoted in De Stijl 1917-1931 - The Dutch Contribution to Modern Art http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01_0003.php, J.M. Meulenhoff, Amsterdam, 1956, p. 17
Van Doesburg is looking back on the starting years of De Stijl-movement
1926 – 1931

John Updike photo

“Her sentences march under a harsh sun that bleaches color from them but bestows a peculiar, invigorating, Pascalian clarity.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

John Updike, reviewing The Only Problem in New Yorker, July 23, 1984.

Arthur C. Clarke photo
Donald J. Trump photo
Mitt Romney photo