Quotes about catch
page 8

“I know what I am to him. A butterfly he has always wanted to catch.”

The Collector (1963)
Context: I know what I am to him. A butterfly he has always wanted to catch. I remember (the very first time I met him) G. P. saying that collectors were the worst animals of all. He meant art collectors, of course. I didn’t really understand, I thought he was just trying to shock Caroline — and me. But of course, he is right. They’re anti-life, anti-art, anti-everything.

Bill Bailey photo
Callimachus photo

“Set a thief to catch a thief.”

Callimachus (-310–-240 BC) ancient poet and librarian

Epigram 43; translation by Robert Allason Furness, from Poems of Callimachus (1931), p. 103
Epigrams

Wallace Stevens photo

“The difficultest rigor is forthwith,
On the image of what we see, to catch from that
Irrational moment its unreasoning”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Context: p>The difficultest rigor is forthwith,
On the image of what we see, to catch from that
Irrational moment its unreasoning,
As when the sun comes rising, when the sea
Clears deeply, when the moon hangs on the wall Of heaven-haven. These are not things transformed.
Yet we are shaken by them as if they were.
We reason about them with a later reason.</p

“We're all children. We invent the adult facade and don it and try to keep the buttons and the medals polished. We're all trying to give such a good imitation of being an adult that the real adults in the world won't catch on.”

John D. MacDonald (1916–1986) writer from the United States

Travis McGee series, A Tan and Sandy Silence (1972)
Context: We're all children. We invent the adult facade and don it and try to keep the buttons and the medals polished. We're all trying to give such a good imitation of being an adult that the real adults in the world won't catch on. Each of us takes up the shticks that compose the adult image we seek. I'd gone the route of lazy, ironic bravado, of amiable, unaffiliated insouciance. Tinhorn knights of a stumbling from Rent-A-Steed, maybe with one little area of the heart so pinched, so parched, I never dared let anything really lasting happen to me. Or dared admit the the flaw...
The adult you pretend to be convinces himself that the risk is worth the game, the game worth the risk. Tells himself the choice of life style could get him killed — on the Daytona track, in the bull ring, falling from the raw steel framework forty stories up, catching a rodeo hoof in the side of the head.
Adult pretenses are never a perfect fit for the child underneath, and when there is the presentiment of death, like a hard black light making panther eyes glow in the back of the cave, the cry is, "Mommy, mommy, mommy, it's so dark out there, so dark and so forever."

Nathalia Crane photo

“They lower pails from heaven's walls to catch the milk-maids mirth.”

Nathalia Crane (1913–1998) American writer

"Prescience" <!-- p. 18 -->
The Janitor's Boy And Other Poems (1924)
Context: p>A precious place is Paradise and none may know its worth,
But Eden ever longeth for the knicknacks of the earth.The angels grow quite wistful over worldly things below;
They hear the hurdy-gurdies in the Candle Makers Row.They listen for the laughter from the antics of the earth;
They lower pails from heaven's walls to catch the milk-maids mirth.</p

Roberto Clemente photo

“It make it more easy for me to throw too, after I make catch.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted and paraphrased in "Perfect Record With 'Basket Catch' Says Bob Clemente" http://www.newspapers.com/newspage/41874494/ by John Carroll (UP), in The Connellsville Daily Courier (Tuesday, May 7, 1957), p. 8
Baseball-related, <big><big>1950s</big></big>, <big>1957</big>
Context: "No, I don't learn the basket catch from Mays," Roberto protested in his marked Puerto Rican accent. "It was Luis Olmo and Herman Franks who teach me when I in Dodger chain. That back in 1954 Winter league. Before that, I miss fly ball many time 'cause I try to catch too high. But now no drop one ball since I use basket catch." Clemente said Olmo and Franks instructed him to catch the ball about chest high instead of holding his hands outstretched. Later, he said, It became more natural for him to drop his hands even lower, below his waistline. "It work good for me and I juss keep doing it," he said. "It make it more easy for me to throw too, after I make catch."

Richard Feynman photo

“I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination — stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern — of which I am a part… What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined! Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?”

Richard Feynman (1918–1988) American theoretical physicist

volume I; lecture 3, "The Relation of Physics to Other Sciences"; section 3-4, "Astronomy"; p. 3-6
The Feynman Lectures on Physics (1964)
Context: Poets say science takes away from the beauty of the stars — mere globs of gas atoms. Nothing is "mere". I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination — stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern — of which I am a part... What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined! Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

Starhawk photo

“We are all longing to go home to some place we have never been — a place half-remembered and half-envisioned we can only catch glimpses of from time to time.”

Starhawk (1951) American author, activist and Neopagan

Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 6 : Building Community : Processes for Groups, p. 92
Context: We are all longing to go home to some place we have never been — a place half-remembered and half-envisioned we can only catch glimpses of from time to time. Community. Somewhere, there are people to whom we can speak with passion without having the words catch in our throats. Somewhere a circle of hands will open to receive us, eyes will light up as we enter, voices will celebrate with us whenever we come into our own power. Community means strength that joins our strength to do the work that needs to be done. Arms to hold us when we falter. A circle of healing. A circle of friends. Someplace where we can be free.

Ellen G. White photo

“Their interest was aroused by figures drawn from the surroundings of their daily life. None who listened to the Saviour could feel that they were neglected or forgotten. The humblest, the most sinful, heard in His teaching a voice that spoke to them in sympathy and tenderness.
And He had another reason for teaching in parables. Among the multitudes that gathered about Him, there were priests and rabbis, scribes and elders, Herodians and rulers, world-loving, bigoted, ambitious men, who desired above all things to find some accusation against Him. Their spies followed His steps day after day, to catch from His lips something that would cause His condemnation, and forever silence the One who seemed to draw the world after Him. The Saviour understood the character of these men, and He presented truth in such a way that they could find nothing by which to bring His case before the Sanhedrim. In parables He rebuked the hypocrisy and wicked works of those who occupied high positions, and in figurative language clothed truth of so cutting a character that had it been spoken in direct denunciation, they would not have listened to His words, and would speedily have put an end to His ministry.”

Source: Christ's Object Lessons (1900), Ch. 1, p. 22
Context: Christ had truths to present which the people were unprepared to accept or even to understand. For this reason also He taught them in parables. By connecting His teaching with the scenes of life, experience, or nature, He secured their attention and impressed their hearts. Afterward, as they looked upon the objects that illustrated His lessons, they recalled the words of the divine Teacher. To minds that were open to the Holy Spirit, the significance of the Saviour's teaching unfolded more and more. Mysteries grew clear, and that which had been hard to grasp became evident.
Jesus sought an avenue to every heart. By using a variety of illustrations, He not only presented truth in its different phases, but appealed to the different hearers. Their interest was aroused by figures drawn from the surroundings of their daily life. None who listened to the Saviour could feel that they were neglected or forgotten. The humblest, the most sinful, heard in His teaching a voice that spoke to them in sympathy and tenderness.
And He had another reason for teaching in parables. Among the multitudes that gathered about Him, there were priests and rabbis, scribes and elders, Herodians and rulers, world-loving, bigoted, ambitious men, who desired above all things to find some accusation against Him. Their spies followed His steps day after day, to catch from His lips something that would cause His condemnation, and forever silence the One who seemed to draw the world after Him. The Saviour understood the character of these men, and He presented truth in such a way that they could find nothing by which to bring His case before the Sanhedrim. In parables He rebuked the hypocrisy and wicked works of those who occupied high positions, and in figurative language clothed truth of so cutting a character that had it been spoken in direct denunciation, they would not have listened to His words, and would speedily have put an end to His ministry. But while He evaded the spies, He made truth so clear that error was manifested, and the honest in heart were profited by His lessons.

“The "Theatre of the Absurd" has become a catch-phrase, much used and much abused.”

Martin Esslin (1918–2002) Playwright, theatre critic, scholar

Introduction to Absurd Drama (1965) http://www.samuel-beckett.net/AbsurdEsslin.html
Context: The "Theatre of the Absurd" has become a catch-phrase, much used and much abused. What does it stand for? And how can such a label be justified? Perhaps it will be best to attempt to answer the second question first. There is no organised movement, no school of artists, who claim the label for themselves. A good many playwrights who have been classed under this label, when asked if they belong to the Theatre of the Absurd, will indigniantly reply that they belong to no such movement — and quite rightly so. For each of the playwrights concerned seeks to express no more and no less his own personal vision of the world.
Yet critical concepts of this kind are useful when new modes of expression, new conventions of art arise.

Bill Bailey photo

“Even if you’re not particularly religious, then you have to admit that religion surrounds us even in the most mundane aspects of our lives. I was trying to rent a car, and the bloke said to me: "You’re not covered for acts of God."
I said: "What do you mean by that?", he said: [waving arms] "Woooooh!"
I said, "Can you be a bit more specific?", and he went, [vaguely gesticulating] "Eh… ooooh… uh?"
I said, "I’m intrigued because you said 'acts of God', and not gods, or spirits, or jinn, or nymphs, but 'God', a capital God, a monotheistic religion, maybe a Judeo-Christian religion, which would imply a belief system, which would perhaps lead to free-will and determinism, so logically anything that man does directly or indirectly is in fact an act of God, so I’m not covered for anything!"
He said, "I’ll get the manager."
Then I said, "What do you mean by an act of God? What do you mean by that?"
He said, "I dunno, a plague of locusts or something."
"'A plague of locusts'? They swarm round the vehicle, rip the wing mirrors off, and I’m liable for a fifty pound excess?”
And he said, "No, like, rain or something."
I said, "Yeah, but how much rain? It’s drizzling a bit now, is that an act of God? At what point does the rain reach a certain level beyond which it takes on the more apocalyptic mantle of the water-based punishment of the Lord!?"
And he said, [despairing] "I just work Saturdays."
I said "You can’t answer me, can you? Your policy is riddled with theological inconsistency. You disgust me. You twist and turn. You remind me of the Siberian hunting spider, which adopts a highly-convincing limp in three of its eight legs in order to attract its main prey, the so-called Samaritan squirrel, which takes pity on the spider, and then the spider jumps on it and injects the paralysing venom, and the squirrel remains bafflingly philosophical about the whole thing. Not to be confused with the Ukrainian hunting spider, which actually has got a limp and is, as such, completely harmless, and a little bit bitter about the whole thing: [imitating spider] 'Siberian spider have good leg, have nice day, can catch fly, can make web, can catch fly for family, I can do nothing, my leg, it drags behind! It drags! [audience laughs] And you laugh! You make fun! Oh, ha, big joke! I am failure! I am freak! [singing] But in my dreams I can fly, I'm the greatest spider in town. But I wake and it's cold, and I feel so old, and my legs are dragging me down.'"
And then the manager came out, and he said: “Stop all that spider singing."”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Pointed to a sign on the wall: a spider with a line through it. "Oh, fair enough."
He said "I can offer you an upgrade, fifty quid, and we can include in it policies set in place by the Marquis de Laplace, the French scientist who declared that all things in the universe are predetermined, so you would be covered even if time-travel was invented during the period of rental.”
I said, "Nah, probably leave it."
Part Troll (2004)

Kate Bush photo

“I was born in a cloud…
Now I am falling.
I want you to catch me.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, 50 Words for Snow (2011)
Context: I was born in a cloud…
Now I am falling.
I want you to catch me.
Look up and you'll see me.
You know you can hear me.
The world is so loud. Keep falling. I'll find you.

Joe Buck photo

“Oh, that's a catch!”

Joe Buck (1969) American sportscaster

His reaction after seeing a replay of New England Patriots WR Julian Edelman's miracle catch in the 4th quarter with three Atlanta Falcons' defenders around him after the throw was originally tipped and bounced off of a defender's leg in the 4th quarter of Super Bowl LI.
2010s

Herman Melville photo

“In me divine magnanimities are spontaneous and instantaneous — catch them while you can.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Letter to Nathaniel Hawthorne (July 1851); published in Memories of Hawthorne (1897) by Rose Hawthorne Lathrop, p. 157
Context: In me divine magnanimities are spontaneous and instantaneous — catch them while you can. The world goes round, and the other side comes up. So now I can't write what I felt. But I felt pantheistic then—your heart beat in my ribs and mine in yours, and both in God's. A sense of unspeakable security is in me this moment, on account of your having understood the book. I have written a wicked book, and feel spotless as the lamb. Ineffable socialities are in me. I would sit down and dine with you and all the Gods in old Rome's Pantheon. It is a strange feeling — no hopelessness is in it, no despair. Content — that is it; and irresponsibility; but without licentious inclination. I speak now of my profoundest sense of being, not of an incidental feeling.

Mark W. Clark photo

“During the class sessions I witnessed I deliberately strolled behind the instructor, looking at the students. I thought certainly some of the Korean students would break their concentration on the instructor and sneak a glance at me. I didn't catch a one. I made it a practice to make this test often during visits to ROK training schools. Never once did I catch an eye looking my way. I have never in my life been so impressed with the intensity of military students.”

Mark W. Clark (1896–1984) American general

Source: From the Danube to the Yalu (1954), p. 175
Context: After I went to the Far East I witnessed this same concentration time after time in the schools the Koreans established for their officers and noncoms. The students would squat on their haunches for hours listening to an instructor explain something like the care and use of a light machine gun. They would focus their eyes on the instructor almost without blinking. Never once did a single student that I saw let his gaze wander. I even tested them. They knew who I was, and in addition the short-statured Oriental has a compulsion to look at a tall man. During the class sessions I witnessed I deliberately strolled behind the instructor, looking at the students. I thought certainly some of the Korean students would break their concentration on the instructor and sneak a glance at me. I didn't catch a one. I made it a practice to make this test often during visits to ROK training schools. Never once did I catch an eye looking my way. I have never in my life been so impressed with the intensity of military students.

“I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!"”

Roger Zelazny (1937–1995) American speculative fiction writer

and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have".
Phlogiston interview (1995)

Roberto Clemente photo

“No, I don't learn the basket catch from Mays”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted and paraphrased in "Perfect Record With 'Basket Catch' Says Bob Clemente" http://www.newspapers.com/newspage/41874494/ by John Carroll (UP), in The Connellsville Daily Courier (Tuesday, May 7, 1957), p. 8
Baseball-related, <big><big>1950s</big></big>, <big>1957</big>
Context: "No, I don't learn the basket catch from Mays," Roberto protested in his marked Puerto Rican accent. "It was Luis Olmo and Herman Franks who teach me when I in Dodger chain. That back in 1954 Winter league. Before that, I miss fly ball many time 'cause I try to catch too high. But now no drop one ball since I use basket catch." Clemente said Olmo and Franks instructed him to catch the ball about chest high instead of holding his hands outstretched. Later, he said, It became more natural for him to drop his hands even lower, below his waistline. "It work good for me and I juss keep doing it," he said. "It make it more easy for me to throw too, after I make catch."

Russ Feingold photo

“Of course, there is no doubt that if we lived in a police state, it would be easier to catch terrorists.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

On concerns over the passage of the Patriot Act on October 25, 2001, in
2001
Context: Of course, there is no doubt that if we lived in a police state, it would be easier to catch terrorists. If we lived in a country that allowed the police to search your home at any time for any reason; if we lived in a country that allowed the government to open your mail, eavesdrop on your phone conversations, or intercept your email communications; if we lived in a country that allowed the government to hold people in jail indefinitely based on what they write or think, or based on mere suspicion that they are up to no good, then the government would no doubt discover and arrest more terrorists. But that probably would not be a country in which we would want to live. And that would not be a country for which we could, in good conscience, ask our young people to fight and die. In short, that would not be America.

Willie Mays photo

“I'm just a ballplayer, not a sports writer. I don't compare 'em; I just catch 'em.”

Willie Mays (1931) Baseball player

Context: Mays said he thought maybe the Skinner catch was a bit better than yesterday's, as well as a catch he made on a ball hit this season by Gus Bell of the Cincinnati Reds. "But I don't want to compare 'em," said Willie. "I'm just a ballplayer, not a sports writer. I don't compare 'em; I just catch 'em."

Reluctantly comparing his famous catch in Game 1 of the 1954 World Series to a pair of catches made during that season on May 26 https://news.google.com/newspapers?id=0akpAAAAIBAJ&sjid=Gk4EAAAAIBAJ&pg=1599%2C3418911&dq=willie-mays-made-star-tling-catch-bob-skinner and June 6 http://www.mediafire.com/view/m5bmpfxdu5ciu3m/%20.png, respectively (the latter "circus catch" made not against Bell, as per Mays' recollection, but rather Chuck Harmon, who directly preceded Bell in the lineup that day); as paraphrased and quoted in "Willie Modestly Scoffs at Raves Over Big Catch" by UPI, in Newsday (September 30, 1954), p. 95

Preity Zinta photo
Arthur Stanley Eddington photo

“He arrives at two generalisations: No sea-creature is less than two inches long. (2) All sea-creatures have gills. These are both true of his catch, and he assumes tentatively that they will remain true however often he repeats it.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

The Philosophy of Physical Science (1938)
Context: Let us suppose that an ichthyologist is exploring the life of the ocean. He casts a net into the water and brings up a fishy assortment. Surveying his catch, he proceeds in the usual manner of a scientist to systematise what it reveals. He arrives at two generalisations: No sea-creature is less than two inches long. (2) All sea-creatures have gills. These are both true of his catch, and he assumes tentatively that they will remain true however often he repeats it.
In applying this analogy, the catch stands for the body of knowledge which constitutes physical science, and the net for the sensory and intellectual equipment which we use in obtaining it. The casting of the net corresponds to observation; for knowledge which has not been or could not be obtained by observation is not admitted into physical science.
An onlooker may object that the first generalisation is wrong. "There are plenty of sea-creatures under two inches long, only your net is not adapted to catch them." The icthyologist dismisses this objection contemptuously. "Anything uncatchable by my net is ipso facto outside the scope of icthyological knowledge. In short, what my net can't catch isn't fish." Or — to translate the analogy — "If you are not simply guessing, you are claiming a knowledge of the physical universe discovered in some other way than by the methods of physical science, and admittedly unverifiable by such methods. You are a metaphysician. Bah!"

Allen Ginsberg photo
Benjamin Franklin photo

“A cat in gloves catches no mice. ”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …
Vince Lombardi photo
Jordan Peterson photo

“When the aristocracy catches a cold, as it is said, the working class dies of pneumonia.”

12 Rules for Life: An Antidote to Chaos, Rule 1: Stand up straight with your shoulders back

William Kingdon Clifford photo

“I specially wish you not to go away with the idea that the exercise of scientific thought is properly confined... When the Roman jurists applied their experience of Roman citizens to dealings between citizens and aliens, showing by the difference of their actions that they regarded the circumstances as essentially different, they laid the foundations of that great structure which has guided the social progress of Europe. That procedure was an instance of strictly scientific thought. When a poet finds that he has to move a strange new world which his predecessors have not moved; when, nevertheless, he catches fire from their flashes, arms from their armoury, sustentation from their foot-prints, the procedure by which he applies old experience to new circumstances is nothing greater or less than scientific thought. When the moralist studying the conditions of society and the ideas of right and wrong which have come down to us from a time when war was the normal condition of man and success in war the only chance of survival, evolves from them the conditions and ideas which must accompany a time of peace, when the comradeship of equals is the condition of national success; the process by which he does this is scientific thought and nothing else.”

William Kingdon Clifford (1845–1879) English mathematician and philosopher

Source: "On the Aims and Instruments of Scientific Thought" (Aug 19, 1872), pp. 156-157.

Kakuzo Okakura photo
Radosveta Vassileva photo
Franz Bardon photo
Edmonia Lewis photo
Peter Kropotkin photo
Richard Adams photo
Annie Dillard photo
Edmund Burke photo
Heinrich Himmler photo
Bill Nye photo

“If you could invent a better battery, one that can store more energy using less exotic metal, one that could handle the heat without loss of performance or just plain catching on fire, we could store energy from the wind and the Sun and have it available whenever we need it. You would change the world all right. You might also get rich – crazy rich!”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, Bill Nye challenges grads to 'change the world', The Eagle Tribune, Lawrence, Massachusetts, May 18, 2014]

Paul Scholes photo

“I’m star-struck when I see Paul Scholes because you never see him. On the pitch you can’t catch him. Off the pitch he disappears.”

Paul Scholes (1974) English footballer

http://redflagflyinghigh.com/2011/05/blogs/scholes-tribute-the-worlds-top-players-on-the-ginger-prince
Luis Figo

Lou Reed photo
Robert Greene photo
Dr. Seuss photo

“So...
Catch!”

calls the Once-ler.
He lets something fall.
"It's a Truffula Seed.
It's the last one of all!
You're in charge of the last of the Truffula Seeds.
And Truffula Trees are what everyone needs.
Plant a new Truffula. Treat it with care.
Give it clean water. And feed it fresh air.
Grow a forest. Protect it from axes that hack.
Then the Lorax
and all of his friends
may come back."
The Lorax (1971)

James Thurber photo
William Wordsworth photo
Willie Mays photo

“Any time I'm not playing, I watch the game at home on television. That way I can relax and if I decide to make a catch off my playroom wall, nobody is the wiser.”

Willie Mays (1931) Baseball player

Regarding his decision not to attend Game 1 of the 1960 World Series, despite having been in Pittsburgh the previous day for a TV appearance; as quoted in "Change of Pace" by Bill Nunn, Jr., in The Pittsburgh Courier (October 15, 1960), p. 25

Tom Frieden photo

“This is the front line against terrible organisms. Like terrorism, you can’t fight it just within our borders. You’ve got to fight epidemic diseases where they emerge. [...] Either we help or hope we get lucky it isn’t an epidemic that travelers will catch or spread to our country.”

Tom Frieden (1960) American physician, President and Chief Executive Officer at Resolve to Save Lives

About the CDC downsizing its epidemic prevention. Quoted in CDC to cut by 80 percent efforts to prevent global disease outbreak https://www.washingtonpost.com/news/to-your-health/wp/2018/02/01/cdc-to-cut-by-80-percent-efforts-to-prevent-global-disease-outbreak/ (February 1, 2018) by Lena H. Sun, The Washington Post

Eric Hoffer photo
Ralph Waldo Emerson photo

“Every time I hear the word culture I release the safety catch on my 9mm.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Banging Your Head Against a Brick Wall (2001)

Dick Stuart photo

“I thought I could catch him. I demand a rematch.”

Dick Stuart (1932–2002) American baseball player

Speaking on September 15, 1960, regarding a play that occurred the previous day: specifically, his failure to throw the ball to second base following Vernon Law's successful pickoff of Maury Wills; as quoted in "Alston Rates Wills with Robinson" http://www.mediafire.com/view/l45legblbwjhk2u by Frank Finch, in Los Angeles Times (September 16, 1960), p. 76

Mark Manson photo
Warren Farrell photo

“In The Deadliest Catch, the death the men face is the source of entertainment, but not of concern.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: The Boy Crisis (2018), pp. 67

Jonathan M. Shiff photo
Richard Feynman photo

“What do we mean by “understanding” something? We can imagine that this complicated array of moving things which constitutes “the world” is something like a great chess game being played by the gods, and we are observers of the game. We do not know what the rules of the game are; all we are allowed to do is to watch the playing. Of course, if we watch long enough, we may eventually catch on to a few of the rules. The rules of the game are what we mean by fundamental physics.”

Richard Feynman (1918–1988) American theoretical physicist

Even if we knew every rule, however, we might not be able to understand why a particular move is made in the game, merely because it is too complicated and our minds are limited. If you play chess you must know that it is easy to learn all the rules, and yet it is often very hard to select the best move or to understand why a player moves as he does. So it is in nature, only much more so.
volume I; lecture 2, "Basic Physics"; section 2-1, "Introduction"; p. 2-1
The Feynman Lectures on Physics (1964)

George Floyd photo

“I'm all about the dollar. You catch me”

George Floyd (1973–2020) African American man who was a victim of police violence in the United States, killed by Derek Chauvin

Fourteen minutes https://www.youtube.com/watch?v=Jv-ZcmWiyXo&|t=14m9s into the 24-minute freestyle version of "Tired of Ballin"
Ballin In Da Mall (1998)

Prevale photo

“The person who constantly catches your attention dominates: instinct, heart, mood and reason.”

Prevale (1983) Italian DJ and producer

Original: La persona che cattura costantemente la tua attenzione domina: istinto, cuore, umore e ragione.
Source: prevale.net

Donald J. Trump photo

“I’m OK with masks. I tell people, wear a mask. But just the other day they came out with a statement that 85% of the people that wear masks catch it.”

Donald J. Trump (1946) 45th President of the United States of America

Claimed about the coronavirus, as quoted by * 2020-10-16
FactChecking Trump’s Town Hall
Brooks Jackson, Lori Robertson, Robert Farley, Angelo Fichera, Jessica McDonald, Rem Rieder, Katie Busch, Eugene Kiely
FactCheck.org
https://www.factcheck.org/2020/10/factchecking-trumps-town-hall/
2020, October 2020

Leopold II of Belgium photo

“Whoever has a cold is stupid, because he just had to avoid catching a cold.”

Leopold II of Belgium (1835–1909) King of the Belgians

Source: Did you know: Leopold II was a hypochondriac. https://www.rtbf.be/culture/article/detail_le-saviez-vous-leopold-ii-etait-hypocondriaque?id=10710184

“It's a bad day when the biggest thing you catch is a seagull.”

Bernard MacLaverty (1942) Irish writer

Source: Novels, Lamb (1980), Ch.10 - p.89

Peng Shuai photo

“From the beginning year I was doing lot of fitness and also, like, I keep practice, try to improve my game. Maybe this time I find a way or I catch, like, right time.”

Peng Shuai (1986) Chinese female tennis player (1986-)

Source: "Playing All the Angles, Peng Shuai Keeps Her US Open Dream Alive" in ESPN https://www.espn.com/espnw/news-commentary/story/_/id/11454748/playing-all-angles-peng-shuai-keeps-us-open-dream-alive (2 September 2014)

Kate Bush photo

“I was born in a cloud...
Now I am falling.
I want you to catch me.
Look up and you'll see me.
You know you can hear me.
The world is so loud. Keep falling. I'll find you.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, 50 Words for Snow (2011)

Margaret Cho photo

“You will never make love, laugh, fight, eat, go to the movies, kiss, smile, dance, sing, run, skate, play the piano, buy candy for, argue jokingly, tell stories, look longingly at, jump on the bed with, pet the dogs with your faces, sing along with the song in the car and get the words wrong, share a secret, gossip, cop a feel, go hear a band that you both love, share a really good meal, carpool with people you don't like and make fun of them secretly later, cry, comfort, scratch backs, insist on pizza, catch them staring at you, put your arms around them, stay up too late, lean against warm bodies, feel safe with their feet sliding next to yours in bed, raise your children, go to boring dinner parties and get too drunk to drive home so you sleep in the car, spend alternate holidays with each others families, have uncontrollable lust with, followed by mind blowing fuck sessions lasting for hours and hours at a time, take a bath so hot one of you has to get out, all naked and wet and red and dizzy but not embarrassed because this is who you love and rarely are you shy with them, watch a TV show you both hate because the remote control is broken--merely happily, and maybe sometimes unhappily, share your life, and be with them, but you can't, because they're dead. Suddenly, unjustly, untimely, irretrievably--unconscionably dead.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, DEATH

Prevale photo

“The beauty of a woman will catch the eye, a deep and lasting connection will be born from her mind, but it will always be her imperfections that make her unique, authentic and interesting.”

Prevale (1983) Italian DJ and producer

Original: La bellezza di una donna catturerà lo sguardo, una connessione profonda e duratura nascerà dalla sua mente, ma saranno sempre le sue imperfezioni a renderla unica, autentica e interessante.
Source: prevale.net