Quotes about music (3427 quotes, page 32)

“I write music to celebrate life. I think most artists do, no matter how they themselves describe it. It's the joy of creating. It's a way of life.”

Chick Corea (1941) American jazz and fusion pianist, keyboardist, and composer

"Answer #3" at his official website. http://www.chickcorea.com/from_chick.html
Context: I believe that any "awareness" of life is "spiritual" since awareness can only be a quality of the spirit not of the material world or of matter and machines. Only a spiritual being has awareness. But if you mean "spiritual" in the sense of a kind of "celebration of Life", then yes, I write music to celebrate life. I think most artists do, no matter how they themselves describe it. It's the joy of creating. It's a way of life.

Life , Way , Thinking , Joy

“I wanted to write joyful music that made other people feel good.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

At the induction ceremony of The Beach Boys into the Rock and Roll Hall of Fame (January 1988)
Context: I wanted to write joyful music that made other people feel good. That’s what I tried to do for the past 27 years.

People , Feeling

“For he who is unmusical is a child in music; he who is without letters is a child in learning; he who is untaught, is a child in life.”

Epictetus (50–138) philosopher from Ancient Greece

Book III, ch. 19. http://books.google.com/books?id=7e0NAAAAYAAJ&q=%22For+he+who+is+unmusical+is+a+child+in+music+he+who+is+without+letters+is+a+child+in+learning+he+who+is+untaught+is+a+child+in+life%22&pg=PA241#v=onepage
Discourses

Life , Learning

“But a musician or someone who's into music is different.”

Katie Melua (1984) British singer-songwriter

Context: I don't think I could see myself with someone who's famous. I don't like the lifestyle and everything it stands for. Too superficial. That attention is too much. For me to go home and be surrounded by that sounds like a fucking nightmare. But a musician or someone who's into music is different.

“A composer's awareness of the plurality of functions of his own tools forms the basis for his responsibility just as, in everyday life, every man's responsibility begins with the recognition of the multiplicity of human races, conditions, needs, and ideals. I would go as far as to say (as my anger comes back) that any attempt to codify musical reality into a kind of imitation grammar (I refer mainly to the efforts associated with the Twelve-Tone System) is a brand of fetishism which shares with Fascism and racism the tendency to reduce live processes to immobile, labeled objects, the tendency to deal with formalities rather than substance.”

Luciano Berio (1925–2003) Italian composer

"The Composer on His Work : Meditation on a Twelve-Tone Horse", in Classic Essays on Twentieth-Century Music : A Continuing Symposium (1996) edited by Richard Kostelanetz and Joseph Darby, , p. 169
Context: A composer's awareness of the plurality of functions of his own tools forms the basis for his responsibility just as, in everyday life, every man's responsibility begins with the recognition of the multiplicity of human races, conditions, needs, and ideals. I would go as far as to say (as my anger comes back) that any attempt to codify musical reality into a kind of imitation grammar (I refer mainly to the efforts associated with the Twelve-Tone System) is a brand of fetishism which shares with Fascism and racism the tendency to reduce live processes to immobile, labeled objects, the tendency to deal with formalities rather than substance. Claude Lévi-Strauss describes (though to illustrate a different point) a captain at sea, his ship reduced to a frail raft without sails, who, by enforcing a meticulous protocol on his crew, is able to distract them from nostalgia for a safe harbor and from the desire for a destination.

Life , Reality , Effort , Anger

“Clearly, the child is learning about space! …how on earth does one learn about time? Can one time fit inside another? Can two of them go side by side? In music, we find out!”

Marvin Minsky (1927–2016) American cognitive scientist

Music, Mind, and Meaning (1981)
Context: Of what use is musical knowledge? Here is one idea. Each child spends endless days in curious ways; we call this play. A child stacks and packs all kinds of blocks and boxes, lines them up, and knocks them down. … Clearly, the child is learning about space!... how on earth does one learn about time? Can one time fit inside another? Can two of them go side by side? In music, we find out!

Learning , Time

“I had to resign myself, many years ago, that I'm not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does.”

David Bowie (1947–2016) British musician, actor, record producer and arranger

Livewire interview (2002)
Context: I had to resign myself, many years ago, that I'm not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does. There, in the chords and melodies, is everything I want to say. The words just jolly it along. It's always been my way of expressing what for me is inexpressible by any other means.
What is very enlightening for me right now is that I sense that I'm arriving at a place of peace with my writing that I've never experienced before. I think I'm going to be writing some of the most worthwhile things that I've ever written in the coming years. I'm very confident and trusting in my abilities right now. But I've got to think of myself as the luckiest guy. Robert Johnson only had one album's worth of work as his legacy. That's all that life allowed him.

Feeling

“There is a good deal more to Pythagorean musical theory than celestial harmony.”

John D. Barrow (1952–2020) British scientist

The Artful Universe (1995)
Context: Ancient belief in a cosmos composed of spheres, producing music as angels guided them through the heavens, was still fluorishing in Elizabethan times.... There is a good deal more to Pythagorean musical theory than celestial harmony. Besides the music of the celestial spheres (musica mundana), two other varieties of music were distinguished: the sound of instruments...(musica instrumentalis), and the continuous unheard music that emanated from the human body (musica humana), which arises from a resonance between the body and the soul.... In the medieval world, the status of music is revealed by its position within the Quadrivium—the fourfold curriculum—alongside arithmetic, geometry, and astronomy. Medieval students... believed all forms of harmony to derive from a common source. Before Boethius' studies in the ninth century, the idea of musical harmony was not considered independently of wider matters of celestial or ethical harmony.<!-- Ch. 5, pp. 201-202

“Soft as church music.”

Dan Patrick (1956) American sportscaster

Catch Phrases

“If one of the two is lacking, no reality happens, no radio music plays, the picture screen remains blank.”

Albert Hofmann (1906–2008) Swiss chemist

Ch. 11 : LSD Experience and Reality http://www.psychedelic-library.org/child11.htm
LSD : My Problem Child (1980)
Context: Of greatest significance to me has been the insight that I attained as a fundamental understanding from all of my LSD experiments: what one commonly takes as "the reality," including the reality of one's own individual person, by no means signifies something fixed, but rather something that is ambiguous — that there is not only one, but that there are many realities, each comprising also a different consciousness of the ego.
One can also arrive at this insight through scientific reflections. The problem of reality is and has been from time immemorial a central concern of philosophy. It is, however, a fundamental distinction, whether one approaches the problem of reality rationally, with the logical methods of philosophy, or if one obtrudes upon this problem emotionally, through an existential experience. The first planned LSD experiment was therefore so deeply moving and alarming, because everyday reality and the ego experiencing it, which I had until then considered to be the only reality, dissolved, and an unfamiliar ego experienced another, unfamiliar reality. The problem concerning the innermost self also appeared, which, itself unmoved, was able to record these external and internal transformations.
Reality is inconceivable without an experiencing subject, without an ego. It is the product of the exterior world, of the sender and of a receiver, an ego in whose deepest self the emanations of the exterior world, registered by the antennae of the sense organs, become conscious. If one of the two is lacking, no reality happens, no radio music plays, the picture screen remains blank.

Reality

“The harmony of music exists equally with the harmony of movement in nature.
Man has not invented the harmony of music. It is one of the underlying principles of life.”

Isadora Duncan (1877–1927) American dancer and choreographer

Source: The Art of the Dance (1928), p. 78.
Context: The harmony of music exists equally with the harmony of movement in nature.
Man has not invented the harmony of music. It is one of the underlying principles of life. Neither could the harmony of movement be invented: it is essential to draw one’s conception of it from Nature herself, and to see the rhythm of human movement from the rhythm of water in motion, from the blowing of the winds on the world, in all the earth’s movements, in the motions of animals, fish, birds, reptiles, and even in primitive man, whose body still moved in harmony with nature….. All the movements of the earth follow the lines of wave motion. Both sound and light travel in waves. The motion of water, winds, trees and plants progresses in waves. The flight of a bird and the movements of all animals follow lines like undulating waves. If then one seeks a point of physical beginning for the movement of the human body, there is a clue in the undulating motion of the wave.

Life , Nature

“The west wind was the music, the motion, the force
To which the swans curveted, a will to change,
A will to make iris frettings on the blank.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Change
Context: Like a page of music, like an upper air,
Like a momentary color, in which swans
Were seraphs, were saints, were changing essences. The west wind was the music, the motion, the force
To which the swans curveted, a will to change,
A will to make iris frettings on the blank.

Change

“Western classical music, to be sure, is not part of traditional Iranian culture, and yes it’s elitist. But the fact that the Tehran symphony Orchestra and the Roudaki Hall have survived the vagaries of these past three decades is yet another evidence that the forces of darkness, the cult of death, martyrdom and superstition has not conquered the spirit of our nation.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

"Peace and Stability in the Middle East and Beyond: A Hostage to Iranian Intransigence and Adventurism." http://www.rezapahlavi.org/details_article.php?article=142&page=4, Oct. 24, 2007.
Speeches, 2007

Death , Past , Parting

“People often complain that music is too ambiguous, that what they should think when they hear it is so unclear, whereas everyone understands words. With me, it is exactly the opposite, and not only with regard to an entire speech but also with individual words. These, too, seem to me so ambiguous, so vague, so easily misunderstood in comparison to genuine music, which fills the soul with a thousand things better than words. The thoughts which are expressed to me by music that I love are not too indefinite to be put into words, but on the contrary, too definite.”

Felix Mendelssohn (1809–1847) German composer, pianist and conductor

Die Leute beklagen sich gewöhnlich, die Musik sei so vieldeutig; es sei so zweifelhaft, was sie sich dabei zu denken hätten, und die Worte verstände doch ein Jeder. Mir geht es aber gerade umgekehrt. Und nicht blos mit ganzen Reden, auch mit einzelnen Worten, auch die scheinen mir so vieldeutig, so unbestimmt, so mißverständlich im Vergleich zu einer rechten Musik, die einem die Seele erfüllt mit tausend besseren Dingen als Worten. Das, was mir eine Musik ausspricht, die ich liebe, sind mir nicht zu unbestimmte Gedanken, um sie in Worte zu fassen, sondern zu bestimmte.
Letter to Marc-André Souchay, October 15, 1842, cited from Briefe aus den Jahren 1830 bis 1847 (Leipzig: Hermann Mendelssohn, 1878) p. 221; translation from Felix Mendelssohn (ed. Gisella Selden-Goth) Letters (New York: Pantheon, 1945) pp. 313-14.

Love , People , Soul , Understanding

“Setting my mind on a musical instrument was like falling in love. All the world seemed bright and changed.”

W. C. Handy (1873–1958) American blues composer and musician

Love , World , Change

“Music is what I breathe, what I love to do. It keeps me alive.”

Miley Cyrus (1992) American actor and singer-songwriter

Love

“I think America concedes that true American music has sprung from the Negro.”

W. C. Handy (1873–1958) American blues composer and musician

Thinking

“I must study politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy, geography, natural history and naval architecture, navigation, commerce and agriculture in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry and porcelain.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

War , Children , History , Mathematics

“If music is the language of the world, then just imagine how beautiful a seven-billion-part harmony would be. ”

Скотт Ричард Хоуинг (1991)

World , Beauty , Imagination , Parting

“My big ears indicated a talent for music. This thrilled me.”

W. C. Handy (1873–1958) American blues composer and musician

“Music was invented to confirm human loneliness.”

Лоренс Джордж Даррелл (1912–1990)

Loneliness

“My motivation is that inner driving force within me to share my music with the world. I want to get my music out there so I can inspire people just as I have been inspired through music. Music makes you feel; whether it’s happy, sad, or a million different emotions which come to mind, music can invoke those feelings. That’s inspiration to me. ”

Мэдисон Роуз

People , World , Sadness , Feeling

“I prefer music that invents a universe. ”

Matthew Bellamy (1978) English singer-songwriter

Universe

“Being an intellectual creates a lot of questions and no answers. You can fill your life up with ideas and still go home lonely. All you really have that really matters are feelings. That's what music is to me.”

Janis Joplin (1943–1970) American singer and songwriter

For women , Life , Feeling , Home

“If Pac-Man had affected us as kids, we'd all be running around in dark rooms, munching pills and listening to repetitive electronic music. ”

Маркус Бригсток (1973)

“Music does bring people together. It allows us to experience the same emotions. People everywhere are the same in heart and spirit. No matter what language we speak, what color we are, the form of our politics or the expression of our love and our faith, music proves we are the same. ”

John Denver (1943–1997) American singer, songwriter, activist, and humanitarian

Love , People , Faith , Color

“People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and say "I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference."”

Audrey Hepburn (1929–1993) British actress

How to be Lovely‎ (2005)

Love , Women , People , Beauty

“Music can change the world because it can change people.”

Боно (Пол Дэвид Хьюсон) (1960)

People , World , Change

“I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.”

Axel Munthe (1857–1949) Swedish physician

Source: supanet.com/find/famous-quotes-by/axel-munthe/a-man-can-stand-a-lot-as-fqb50991/

Food , Heart , Water , Parting

“Without music, life would be a mistake.”

Axel Munthe (1857–1949) Swedish physician

Source: supanet.com/find/famous-quotes-by/axel-munthe/a-man-can-stand-a-lot-as-fqb50991/

Inspirational , Cute , Life

“Music in the soul can be heard by the Universe.”

Ralph Smart

Universe , Soul

“I know a great deal about Indian music and I have tried to understand its intricacies. I am aware how complex ragas are and how specific the rhythm is. I will spend the rest of my life discovering this wonderful India. I’ve become addicted to it.”

Sting (1951) English musician

Quoted from Gewali, Salil (2013). Great Minds on India. New Delhi: Penguin Random House.

Life , Understanding

“In part coming of age listening to Throbbing Gristle, Monte Cazazza and so on... basically industrial music and No Wave defined my tastes. So, I really entered Burroughs via post-punk… and to me his ideas of sound, cut-ups, infrasound, and so on, all informed the mise-en-scène of first wave industrial music. The fact that he really found an audience in post-punk and punk showed some aesthetic lineage. In Against Control – when I look at the records released around Burroughs – I mention the releases by Giorno Poetry Systems, and I think you can really see some shared ideas about the nature of communication amongst the artists there. It’s telling to me that so many of the musicians and bands that are on those records emerged from punk and industrial music.”

Jack Sargeant (writer) (1968) British writer, performer and curator.

Interviewed by Zora Burden https://zoraburden.weebly.com/jack-sargeant.html (2014)

Nature , Communication , Thinking , Age

“I always want to try to understand why things work. I’m not interested in getting a formula without knowing what it means. I always try to dig behind the scenes, so if I have a formula, I understand why it’s there. And understanding is a very difficult notion.People think mathematics begins when you write down a theorem followed by a proof. That’s not the beginning, that’s the end. For me the creative place in mathematics comes before you start to put things down on paper, before you try to write a formula. You picture various things, you turn them over in your mind. You’re trying to create, just as a musician is trying to create music, or a poet. There are no rules laid down. You have to do it your own way. But at the end, just as a composer has to put it down on paper, you have to write things down. But the most important stage is understanding. A proof by itself doesn’t give you understanding. You can have a long proof and no idea at the end of why it works. But to understand why it works, you have to have a kind of gut reaction to the thing. You’ve got to feel it.”

Michael Atiyah (1929–2019) British mathematician

On an article by Quanta magazine(when asked: Is there one big question that has always guided you?) https://www.quantamagazine.org/michael-atiyahs-mathematical-dreams-20160303

Understanding , Thinking , Mathematics , Way

“Seeing a lot of water like that every day is probably an important thing for human beings. For human beings might be a bit of a generalization—but I do know it’s important for one person: me. If I go for a time without seeing water, I feel like something’s slowly draining out of me. It’s probably like the feeling a music lover has when, for whatever reason, he’s separated from music for a long time. The fact that I was raised near the sea might have something to do with it.”

Haruki Murakami book What I Talk About When I Talk About Running

What I Talk about When I Talk about Running (2009)

Time , Personality , Water , Lovers

“My favorite aspect about horror music is you can literally write anything you want. You are limited only by your imagination! In fact, many times the more unique and completely original your music is, the better it works in the game and the more the developer loves it.”

Jason Graves (1973) American composer

Exclusive Interview: Composer Jason Graves Discusses Dead Space, F.E.A.R. 3 and Resistance: Burning Skies http://www.dreadcentral.com/news/33744/exclusive-interview-composer-jason-graves-discusses-dead-space-f-e-a-r-3-and-resistance-burning-skies (May 14, 2012)

Imagination , Time , Game , Love

“I left Souls because of two different tastes in sounds. They liked one kind of music, I liked another. I was into loud, rocking, powerful sounds, and the rest of the members wanted quiet, melodious sounds. You cannot just compromise day after day. We never really had any big arguments, but it occurred to me that it would be better if I just quit and do something different.”

Ayub Bachchu (1962–2018) Musician, singer, songwriter

Bachchu answered the Daily Star, when he was asked why he left Souls (November 9, 2012) https://archive.thedailystar.net/magazine/2012/11/02/cover.htm

Soul

“Every artist who’s really into their work disappears into the creative flow. This is akin to some of the concentration-oriented meditations of the various sacred traditions. Images come in all different ways. You can get visions when you’re tripping on drugs, when you’re dreaming or in a hypnogogic state before dropping off to sleep, while listening to music or even waiting for the subway.”

Alex Grey (1953) American artist

High Times interview (2002)

Sleep , Waiting , Dreams , Way

“I enjoy DJing and watching people having fun, but now, I am throwing my music in the mix, and to watch people enjoy themselves and let go to something you created, is an out of this world feeling.”

Antonio Fresco (1983) American DJ, music producer, and radio personality

Company Rules Interview https://companyrules.home.blog/2019/05/27/welcome-guest-dj-antonio-fresco/ (2019)

Feeling , World , People

“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal cords.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech in New York City (28 August 1952)

Democracy

“I think TV series, games, and general media have changed the way we tell stories. But books will remain. Technology has changed all the others arts: painting, theater, dancing, cinema, music. But literature is an absolutely intimate process between the writer’s voice and the reader’s mind, it is something so natural and strong that the only thing that technology could change is its support, its format, for example, if we read from a book or from an e-reader. But that doesn’t change the heart of literature.”

Samanta Schweblin (1978) Argentine writer

On the staying power of literature in “Samanta Schweblin on Revealing Darkness Through Fiction” https://lithub.com/samanta-schweblin-on-revealing-darkness-through-fiction/ in LitHub (2017 Jan 12)

Painting , Reading , Strong , Game

“Men were the gatekeepers. They ran all the equipment and the labels … I was tired of being the girlfriend of the guy in the band, I was tired of hearing that my musical tastes suck.”

Liz Phair (1967) American musician

On the catalyst for launching her own music career in “'You could not have given us a bigger middle finger': Liz Phair on how Trump changed her music for ever” https://www.theguardian.com/music/2018/may/03/liz-phair-trump-change-her-music-exile-in-guyville-25-years in The Guardian (2018 May 3)

Guy , Men

“A utopia or heaven on earth is a place where every would-be Mozart has access to a piano and violin before the age of five, where every would-be Beethoven is empowered to compose music in spite of deafness, where every individual can get quality education regardless of their socioeconomic status and place of residence, and where everyone is given good health and freedom to pursue their dreams.”

Newton Lee American computer scientist

The Transhumanism Handbook, 2019

Freedom , Dreams , Health , Age

“Even a large majority of beautiful music, great literature, and wonderful work of arts depicts human suffering, injustice, fears, and unfulfilled desires.”

Newton Lee American computer scientist

The Transhumanism Handbook, 2019

Beauty , Suffering , Art , Literature

“The thing is that there aren’t many stories told that are being shown to everybody from this, so any opportunity that I have to see a project that we could just release that to people that they could see a slice of life that they may not recognize or they may not know. It’s about family, it’s about being good people, it’s about culture, whether it’s music, theater, arts. And the opportunity to show that in a neighborhood and in a culture that I grew up in is very important to me.”

David Zayas (1962) Puerto Rican actor

On his film Shine in “INTERVIEW: David Zayas Talks To Me about ‘SHINE’” https://www.ramascreen.com/interview-david-zayas-talks-to-me-about-shine/ in Rama’s Screen (2018 Oct 1)

Family , People , Art , Life

“Everybody want to know what the kids was listening to, what kind of music they was listening to, or what kind of movies they was watching. Who gives a fuck what they was watching? Whatever happened to CRAZY?”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

Bigger and Blacker (Album Version, 1999)

“There are a few people who only like hip-hop music, and a few who only like theatre music, and the rest of us just like good shit. It doesn’t matter what form it comes in. I think we’re all a lot more eclectic than we give ourselves credit for…”

Lin-Manuel Miranda (1980) American actor and musician

On the combining of musical genres in Hamilton in “Lin-Manuel Miranda on his Broadway smash Hamilton: 'the world freaked out'” https://www.theguardian.com/stage/2016/sep/25/lin-manuel-miranda-broadway-smash-hamilton-hip-hop-musical-school-of-eminem in The Guardian (2016 Sep 25)

Thinking , People

“I am a solo flyer. I go by dramatist or playwright. My brand is original plays that take on aspects of our shared American history that have shaped our culture. I write serious plays, but I use as much humor as possible. I also use a lot of music (original and found), and I’m not afraid to examine my characters’ sexuality…”

Oliver Mayer Mexican American writer

On his writings in “Meet Oliver Mayer” http://voyagela.com/interview/meet-oliver-mayer-playwright-south-los-angelesusc/ in VoyageLA (2019 Jan 8)

History

“It’s what I know best. It’s roots. It’s Dazed And Confused and Friday Night Lights. It’s border life and El Pato and Whataburger and getting drunk in a back of a pickup. It’s dancing every weekend to country music, or Tejano music, or club music. It’s the beach. It’s, for better or worse, home.”

Mando Alvarado actor

On how Texas influences his writings in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

Home , Night , Country , Light

“This evolution toward noise-sound is only possible today. The ear of an eighteenth century man never could have withstood the discordant intensity of some of the chords produced by our orchestras (whose performers are three times as numerous); on the other hand our ears rejoice in it, for they are attuned to modern life, rich in all sorts of noises. But our ears far from being satisfied, keep asking for bigger acoustic sensations. However, musical sound is too restricted in the variety and the quality of its tones. Music marks time in this small circle and vainly tries to create a new variety of tones... We must break at all cost from this restrictive circle of pure sounds and conquer the infinite variety of noise-sounds.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 6

Life , Time

“Another illustration of this spirit of exploitation is furnished by the Muslim insistence upon cow-slaughter and the stoppage of music before mosques. Islamic law does not insist upon the slaughter of the cow for sacrificial purposes and no Musalman, when he goes to Haj, sacrifices the cow in Mecca or Medina. But in India they will not be content with the sacrifice of any other animal. Music may be played before a mosque in all Muslim countries without any objection. Even in Afghanistan, which is not a secularized country, no objection is taken to music before a mosque. But in India the Musalmans must insist upon its stoppage for no other reason except that the Hindus claim a right to it.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Pakistan or The Partition of India (1946)

Animals , Law , Country

“If you can give someone the pleasure of not liking you, maybe that’s as valid as the pleasure of liking you, some people want to assert themselves by showing the things they don’t like. It’s a form of positioning yourself. We all do that. I get it. But I’m more focused on the people who do like what we do, and there’s a few of them. I like hanging out with those people. If you ever liked Coldplay, then we’re going to really deliver on our promise over the next year or so. It’s not guarded music. It’s about very open things and that might not resonate with some people. But I don’t want to obscure our music behind coolness or cynicism just to avoid criticisms. Because for some people it really connects, and I need it, too.”

Chris Martin (1977) musician, co-founder of Coldplay

On interview with Wall Street Journal, 2015. source http://www.wsj.com/amp/articles/coldplay-and-chris-martin-open-up-for-new-album-1447868383

Pleasure , People

“Going through something difficult in your life, music for me is always a friend and something that helps you to figure things out.”

Chris Martin (1977) musician, co-founder of Coldplay

http://www.nme.com/news/music/coldplay-129-1241495 source

Life , Help

“It’s more egalitarian on the Internet, anyone can put anything up. But in terms of the money it takes to allow a band to get good, there’s less of it to invest. Music is split up now into little pockets.”

Chris Martin (1977) musician, co-founder of Coldplay

https://www.spin.com/2011/10/chris-martins-quiet-riot/?amp=1 source

Money

“The bases of music are rhythm and harmony. Rhythm is ordered recurrence in time… As the planets move around the sun, they repeat their orbits periodically; thus there is already a primitive kind of rhythm in their motion. …Harmony …can be considered a special kind of rhythm. …pure musical tones are produced when the vibrations are… periodic or… repeat themselves regularly in time. Two tones harmonize if their intervals of repetition are in rhythm—or, in mathematical language, if their periods are in proportion.”

Frank Wilczek (1951) physicist

Kepler... in the third book of Harmonice mundi... attempted to make other... related, connections between musical harmony and mathematical proportion.
Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Sun , Time , Mathematics

“Plays are events in time and space. Plays are music. Word music. Visual music. I’ve always thought of plays as a form of composition—of text and the architecture of the experience of the full-length evening…”

Caridad Svich (1963) American writer

On how she describes plays in “Making Invisible Stories Seen, Heard and Felt Interview with Caridad Svich” http://www.critical-stages.org/3/making-invisible-stories-seen-heard-and-felt-interview-with-caridad-svich/ in The IATC webjournal/Revue web de l'AICT – Autumn 2010: Issue No 3

Time

“Every play is rhythmic control. If you want an audience to go on a journey, it’s rhythmic control. You’re crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you’re instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do…”

George C. Wolfe (1954) American playwright

On a dramatic work having its own energy in “GEORGE C. WOLFE” https://www.interviewmagazine.com/culture/george-c-wolfe in Interview Magazine (2016 May 9)

“Jazz in itself is not struggling…That is, the music itself is not struggling. It and the baseball history you talk about are two anchors of the African American cultural community. It’s the attitude that’s in trouble. My plays insist that we should not forget or toss away our history.”

August Wilson (1945–2005) American playwright

On not tossing certain facets of African American culture as relics in “AN INTERVIEW WITH AMERICAN PLAYWRIGHT AUGUST WILSON” https://kuscholarworks.ku.edu/bitstream/handle/1808/25048/Tibbetts_AugustWIlson_2002.pdf?sequence=4&isAllowed=y (John C. Tibbetts, 2002)

Forgetting , History , Communication

“The poor Negro always remembered himself as an ex-slave and used this as the basis of any dealings with the mainstream of American society. The middle class black man bases his whole existence on the hopeless hypothesis that no one is supposed to remember that for almost three hundred years there was slavery in America, that the white man was a master, the black man a slave. This knowledge, however, is at the root of the legitimate black culture of this country. It is this knowledge, with its attendant muses of self-division, self-hatred, stoicism, and finally quixotic optimism, that informs the most meaningful of Afro-American music.”

Amiri Baraka book Blues People

Blues People: Negro Music in White America (1963), p. 136

Optimism , Country , Self-confidence , Knowledge

“I chose to rewrite it in poetry because the original Ramayana was in poetry- the fact is, it’s sort of been corrupted into prose. In its original form it was an epic poem rather like the Iliad or works of that sort. Rather than traditional poetry, it was a verse novel, without a traditional structure. What I most wanted to do was to preserve the essential musicality of the lines. Especially as the Ramayana like so many stories, was based on a fundamentally oral tradition.”

Daljit Nagra (1966) British poet, teacher and broadcaster

On reworking the Ramayana in “An Interview With Daljit Nagra” https://www.thebubble.org.uk/culture/literature/an-interview-with-daljit-nagra/ in The Bubble (2014 Sept 17)

“Burkard Schliessmann is a fiercely intellectual pianist. He’s intellectual in two senses. First, he approaches this music with a tremendous store of background knowledge - knowledge about the composers and their works, about their early receptions, about their critical writings, about their literary inspirations, and about the cultural milieu in which they found themselves. Second, he performs the music with a rigorous sense of the ways its details contribute to its form, both in terms of its overall architecture and in terms of its vertical structure.”

Burkard Schliessmann classical pianist

Peter J. Rabinowitz in Fanfare - The Magazin for Serious Record Collectors, USA, January/February 2011, Chopin-Schumann Anniversary Edition 2010 in the interpretation of Burkard Schliessmann, Volume 34, Number 3, p. 255

Way , Sense , Knowledge

“Schliessmann arrives at his own unique interpretations, with reverence for the past (Cortot, Michelangeli, Rubinstein, and Horszowski especially). While each phrase is impeccably shaped, there is an overall thrust to each work that holds everything together. He uses rubato sparingly, and while he embraces the virtuosity in the music, it never overrides other musical content. After a half century of listening to a number of these works, I must say that Schliessmann shed new light on most of them.”

Burkard Schliessmann classical pianist

James Harrington in American Record Guide ARG, USA, issue November/December 2010, Volume 73, Number 6, p. 107

Light , Past

“Her forte was not necessarily the audibility of her music, for she had a defective area where her voice cracked at a high-pitch, with a limited one-octave range, but she turned it into her virtue for she knew how to mould her voice.”

Begum Akhtar (1914–1974) Indian musician

What a life

“We live in an age where people are constantly trying to find remedies for pain, instead of learning how to sublimate it into divine music, the way Begum Akhtar did. For, the mercurial diva from Lucknow sang the poetry of Ghalib and many others in a manner that would make even pain seem desirable.”

Begum Akhtar (1914–1974) Indian musician

By Namita Devidayal in Pain gave the singer her song, 10 October 2009, 2 January 2014, Times of India http://articles.timesofindia.indiatimes.com/2009-10-10/mumbai/28060204_1_begum-akhtar-music-lovers-divine-music,

Pain , People , Learning , Age

“As a tawaif, she was trained to charm the system and subvert narrow patriarchal practices by means of highly sophisticated seduction. At another level, she was a hapless victim, constantly tormented by the twists and turns of her own destiny. She braved on regardless, driven by a deep inner quest to pursue love in its purest form, as an end in itself; be it in music or in life.”

Begum Akhtar (1914–1974) Indian musician

In "New Release: Begum Akhtar: Love’s Own Voice".

Training , Love , Life , Making love

“Music is the passion for sharing something untold.”

Jakub Tencl (1978) Czech clinical hypnotherapist and writer

Source: The mystery of life : you are the light, and that's indestructible truth, Tencl, Jakub,, 9781512399882, [United Kingdom? https://www.worldcat.org/oclc/914353319,, 914353319]

Passion

“It’s about learning to listen, much like in music. You can train your ears to history. You can train your ears to the earth. You can train your ears to the wind. It’s important to listen and then to study the world, like astronomy or geology or the names of birds. A lot of poets can be semihistorians. Poetry is very mathematical. There’s a lot in the theoretical parts that is similar. Quantum physicists remind me of mystics. They are aware of what happens in timelessness, though they speak of it through theories and equations.”

Joy Harjo (1951) American writer

On her advice to poets in “The First Native American U.S. Poet Laureate on How Poetry Can Counter Hate” https://time.com/5658443/joy-harjo-poet-interview/ in Time Magazine (2019 Aug 22)

Study , History , Learning , Bird

“Poetry is the art that is closest to music, standing between music and narrative orality (which can be speechmaking, sermon or theater). Poetry is the voice of what can’t be spoken, the mode of truth-telling when meaning needs to rise above or skim below everyday language in shapes not discernible by the ordinary mind. It trumps the rhetoric of politicians. Poetry is prophetic by nature and not bound by time. Because of these qualities poetry carries grief, heartache, ecstasy, celebration, despair, or searing truth more directly than any other literary art form. It is ceremonial in nature. Poetry is a tool for disruption and creation and is necessary for generations of humans to know who they are and who they are becoming in the wave map of history. Without poetry, we lose our way.”

Joy Harjo (1951) American writer

On the art of poetry in “An Interview with Joy Harjo, U.S. Poet Laureate” https://poets.org/text/interview-joy-harjo-us-poet-laureate?gclid=EAIaIQobChMIiJP5naHW5QIV0Rx9Ch0tGgkkEAAYASAAEgIJD_D_BwE in Poets.org (2019 Mar 31)

Despair , Time , History , Nature

“For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings, and attempt to write them down, but we lose ever and anon a word, or a verse, and substitute something of our own, and thus miswrite the poem. The men of more delicate ear write down these cadences more faithfully, and these transcripts, though imperfect, become the songs of the nations. For nature is as truly beautiful as it is good, or as it is reasonable, and must as much appear, as it must be done, or be known. Words and deeds are quite indifferent modes of the divine energy. Words are also actions, and actions are a kind of words.”

Ralph Waldo Emerson Music

1840s, Essays: Second Series (1844), The Poet

Time , Indifference , Beauty , Nature

“Let us be on the side of those who want people to be free to live their own lives, to make their own mistakes, and to decide, in an adult way and provided they do not infringe the rights of others, the code by which they wish to live; and on the side of experiment and brightness, of better buildings and better food, of better music (jazz as well as Bach) and better books, of fuller lives and greater freedom. In the long run these things will be more important than the most perfect of economic policies.”

Roy Jenkins (1920–2003) British politician, historian and writer

The Labour Case (Penguin, 1959), p. 146
1950s

Freedom , Food , People , Perfection

“I am black: I am the incarnation of a complete fusion with the world, an intuitive understanding of the earth, an abandonment of my ego in the heart of the cosmos, and no white man, no matter how intelligent he may be, can ever understand Louis Armstrong and the music of the Congo. If I am black, it is not the result of a curse, but it is because, having offered my skin, I have been anle to absorb all the cosmic efflucia.”

Frantz Fanon book Black Skin, White Masks

I am truly a ray of sunlight under the earth...
Source: Black Skin, White Masks (1952), Ch. 2

Understanding , Intelligence , Heart , World

“Here’s my attitude, and I’m sort of sorry to say this sometimes – but there are people who try and elevate film music - of all kinds – to being the great twentieth century classical music, and my opinion is it just isn’t. It’s very straightforward, major/minor or modal writing. The only time you get any kind of originality is usually in the timbres and the sounds and the mixture of elements. But to get through a scene it’s either happy, or sad – and it’s either going forward in action or it’s not – and it can be ironic, which means you’ve got to switch from major to minor frequently. But it’s not rocket science. It’s a lot of skills – a lot of political skills, frankly. It’s being in a room and playing off fifty opinions from studios, producers, directors, sometimes actors – and coming out the end with something that vaguely represents music. And frequently it doesn’t. The minute you try to get original or break the box – unless you’ve got either a very experimental or powerful director, it’s probably not going to happen.”

Graeme Revell (1955) New Zealand musician

Time , Box , People , Science

“He’s one of the greatest artists and songwriters of all time, not only in my small town, but worldwide, and that always made me really proud. He set an example of how to do shit and set an example of what not to do, and I respected that, too. Chris had a part in steering a direction there; you don’t need this shit, you don’t need miscellaneous bullshit – you need the music. He was a very deep and emotional writer, and I feel like I have an affinity with writers like Chris. He didn’t pull any fucking punches at all and that’s never been my style, either.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Jerry Cantrell quoted in ** Interview with Metal Hammer, July 19, 2018 https://www.pressreader.com/uk/metal-hammer-uk/20180719/283978948146853,

Time , Feeling , Parting

“Chris was my friend and he was at the very heart of the Seattle music scene and beyond. I miss him, but I realized that he went as far as he could in this world with his soul. He couldn’t go any farther.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Ann Wilson talking about Chris Cornell at the press room of the Rock and Hall of Fame Induction Ceremony, on April 14, 2018. ** Ann Wilson of Heart speaks backstage at Rock Hall induction, YouTube, April 14, 2018 https://www.youtube.com/watch?v=HjKO41QmGX8,

World , Soul , Heart

“Hip-hop kind of absorbed rock, in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn’t their parents’. I think hip-hop became the musical style that embraces that mentality.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell Flashback Q&A: 'We Have to Be Aware That Life Is So Short', Yahoo!, May 19, 2017 https://www.yahoo.com/entertainment/chris-cornell-flashback-qa-aware-life-short-023857577.html,
Solo career Era

Thinking , People , Parent

“The historical records of every nation are full of the doings of men of genius in all the different departments of human activity, men who in their special lines of work and ability have stood far above the rest— indeed, so far that at times (and probably more often than we know) their ideals were utterly beyond the comprehension of the people, so that not only the work that they may have done has been lost to mankind, but their very names even have not been preserved. It has been said that the history of every nation could be written in the biography of a few individuals, and that it is always the few, towering above the rest, who initiate the great forward steps in art, music, literature, science, philosophy, philanthropy, statecraft, and religion. They stand high sometimes in love of God and their fellow-men, as great saints and philanthropists; sometimes in understanding of man and Nature, as great philosophers, sages and scientists; sometimes in work for humanity, as great liberators and reformers.”

Charles Webster Leadbeater (1854–1934) English theosophist

Source: The Masters and the Path (1925), Ch. 1

Science , God , Religion , Time

“I was always into different kinds of music but just by default, I was singing and playing acoustic guitar; I didn’t know how to dance or anything. So it would take some time, over a year, for me to kind of progress into the stuff that I ended up doing later, the more Southern soul, country-rock, whatever-you-want-to-call-it kind of thing.”

Lucinda Williams (1953) American rock, folk, blues, and country music singer, songwriter and musician

On her 1980 album Happy Woman Blues in “Lucinda Williams Looks Back on Every Album She’s Ever Made” https://www.spin.com/2016/02/lucinda-williams-ghosts-of-highway-20-car-wheels-on-a-gravel-road-interview/ in Spin (2016 Feb 25)

Singing , Soul , Time , Country

“I can see the evidence of that when I listen to music or hear young artists talk and they’re not shy at all about telling me thank you for the things I’ve contributed to them.”

Erykah Badu (1971) American neo-soul singer

On her influence on younger artists in “'I'm not sorry I said it': Erykah Badu on music, motherhood and wildly unpopular opinions” https://www.theguardian.com/music/2018/may/24/erykah-badu-interview in The Guardian (2018 May 24)

“Most intelligent people of the eighties had developed a type of radio deafness which enabled them not to hear a human voice coming from a loud-speaker, although they could hear and enjoy the then infrequent intervals of music between announcements. In an age when advertising competition was so keen that there was scarcely a bare wall or an unbillboarded lot within miles of a population center, discriminating people could retain normal outlooks on life only by carefully cultivated partial blindness and partial deafness which enabled them to ignore the bulk of that concerted assault upon their senses.”

Fredric Brown (1906–1972) American novelist, short story author

Pi in the Sky (p. 242)
Short fiction, From These Ashes (2000)

Intelligence , People , Age , Sense

“Maybe baseball has to accept that it is now more like classical music than popular music, with football and basketball — and soccer?”

Jay Nordlinger (1963) American journalist

being the Justin Biebers and Lady Gagas of sports. Baseball need not hang its head in shame. A lot of things that are good and worthy are not popular. And baseball is plenty popular, for heaven's sake.
2010s, Baseball and Its Worriers (2018)

Football

“I meet amateur composers all the time who have music flooding through their heads, apparently, but they have no technical ability at all. They don’t actually have the faintest idea how to put it down on the page. These days you can actually get away with that, because you sort of mess around and track it, and all those things. But to my mind, that balance between the excitement of what is called inspiration or just simply a good idea, and the technical routine that goes into writing music down at all, is what makes a composer. You can’t have one without the other and be a complete composer. I can’t imagine how you could.”

Richard Rodney Bennett (1936–2012) English composer and pianist

Time , Imagination , Idea , Making love

“My piano has not yet arrived. How did you send it? By Marseilles or by Perpignan? I dream music but I cannot make any because here there are not any pianos... in this respect this is a savage country.”

Frédéric Chopin (1810–1849) Polish composer

Letter to Camille Pleyel.
Source: (21 November 1838); published in Fryderyk Chopin, Korespondencja Fryderyka Chopina (1955), edited by Bronisław Edward Sydow, (2 vols.), Vol. 1, p. 443

Making love , Dreams , Country

“Go out into the field and bring in the rest of the workers, that they may be fully equipped for their great mission. We will wrest what we can, step by step, from the capitalists, but with out eye fixed upon the goal; we will press forward, keeping step together with the inspiring music of the new emancipation; and when we have enough of this kind of organization, as Brother DeLeon said so happily the other day, when we are lined up in battle array and the capitalists try to lock us out, we will turn the tables on the gentlemen and lock them out. We can run the mills without them but they cannot run them without us.”

Eugene V. Debs (1855–1926) American labor and political leader

"Industrial Unionism" (1905), Eugene Debs Speaks

“Even more! He had a unique talent for languages and did not have to learn any. He never did any courses! When he came back from France, he spoke French. He would quickly learn the language of any country he came to – Polish, Spanish, German, Russian… This came very easily to him. He never spent as much time to learn a language as, for example, I did. I envied my brother in this case. Moreover, he not only spoke nut also wrote. The French praised his French very much. His ear for music must have helped him. Besides, he had a good natural memory. Hence were his broad communication and a career growth.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

2017
Orest Slipak, the brother of singer. Brother about brother. The Day. Кyiv.ua. - 2017. - 27 April. https://day.kyiv.ua/en/article/topic-day/brother-about-brother

Time , Country , Help , Learning

“You know, in his last six months Vasyl had changed a lot. Many tried to talk him out of going to the war, but he was adamant. All his money and all his energy he gave to the cause of the new Ukraine. It was his motivation in life. What a shame that a sharpshooter’s bullet took the life of terrific vocalist and patriot. Our duty is to remember Vasyl Slipak. I want to join my Ukrainian colleagues to discuss some future art projects. We already had a meeting with Volodymyr Syvokhip, director of the Lviv Philharmonic Society, and we plan to hold a Vasyl Slipak Open International Memorial Music Marathon in Lviv from June 29 till July 1.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

2017
Nicolas Krauze, conductor, the Orchestre de Chambre Nouvelle Europe (France). “He loved Ukraine above all”. The Day. Кyiv.ua. - 2017. - 7 March. https://day.kyiv.ua/en/article/culture/he-loved-ukraine-above-all

Money , War , Future , Art

“He was really successful, he had very many concerts in Paris. In music circles everyone knew him. I believe that in about five years he would have become a hugely famous singer, because he was getting more and more invitations as an artist. I never saw him in a bad mood, he radiated positive emotions even if things were not going best. Meanwhile, it was not always easy for him, there were various situations concerning his career or money. When we were working on concert programs, he acted very professionally. We had a great relationship as colleagues. We knew and sensed each other well. Also, sometimes we had very personal conversations.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

2017
Nicolas Krauze, conductor, the Orchestre de Chambre Nouvelle Europe (France). “He loved Ukraine above all”. The Day. Кyiv.ua. - 2017. - 7 March. https://day.kyiv.ua/en/article/culture/he-loved-ukraine-above-all

Money , Success , Personality , Bad luck

“I told about Vasyl to French composer Pierre Thilloy, my good acquaintance, and offered him to write a small piece. He creates music which is easy to listen to, and he agreed immediately and said he would like to visit the premiere.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

2017
Nicolas Krauze, conductor, the Orchestre de Chambre Nouvelle Europe (France). “He loved Ukraine above all”. The Day. Кyiv.ua. - 2017. - 7 March. https://day.kyiv.ua/en/article/culture/he-loved-ukraine-above-all

“If you think dope is for kicks and for thrills, you’re out of your mind. There are more kicks the fuck to be had in a good case of paralytic polio or by living in an iron lung. If you think you need stuff to play music or sing, you’re crazy. It can fix you so you can’t play nothing or sing nothing.”

Billie Holiday book Lady Sings the Blues

Source: Lady Sings the Blues (1956), Ch. 23.

Singing , Thinking

“Art has a breadth which encompasses all the forms of creativeness, in drama, poetry, dance, fine arts, music, and literature. Art is not the picture you see before you. Pictures are the products of art.”

Harvey Dwight Dash (1924–2002) American art educator

[Pictures Called Products Of Art., The Record, https://commons.wikimedia.org/wiki/File:Harvey_Dwight_Dash_(1924-2002)_in_The_Record_of_Hackensack,_New_Jersey_on_5_November_1959.png, November 5, 1959, Harvey Dwight Dash]
Quote

Dance , Literature , Art

“We leave the question whether a man shall be a brain or hand worker entirely to him to settle. At the end of the term of three years as a common laborer, which every man must serve, it is for him to choose, in accordance to his natural tastes, whether he will fit himself for an art or profession, or be a farmer or mechanic. If he feels that he can do better work with his brains than his muscles, he finds every facility provided for testing the reality of his supposed bent, of cultivating it, and if fit of pursuing it as his avocation. The schools of technology, of medicine, of art, of music, of histrionics, and of higher liberal learning are always open to aspirants without condition.”

Edward Bellamy (1850–1898) American author and socialist

Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 7.

School , Question , Learning , Nature

“The modern world has largely forgotten, and our educational systems ignore, the primary importance, in the evolution of man, of various types of symbolic communication—the communication embodied in gesture, ritual, dance, music myth, and poetic metaphor. All these modes of expression constitute a language of feeling, a non-discursive form of thought, absolutely essential to our individual development and to the unity of social life.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Selected Writings—Poetry and Criticism. (1964).
Other Quotes

Communication , Dance , World , Education

“Whereas some ascetics and Brahmins remain addicted to attending such shows as dancing, singing, music, displays, recitations, hand-music, cymbals and drums, fairy-shows, acrobatic and conjuring tricks, combats of elephants, buffaloes, bulls, goats, rams, cocks and quail, fighting with staves, boxing, wrestling, sham-fights, parades, manoeuvres and military reviews, the ascetic Gotama refrains from attending such displays.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

M. Walshe, trans. (1987), Sutta 1, verse 1.13
Pali Canon, Sutta Pitaka, Digha Nikaya (Long Discourses)

Singing , Box , Dance , Fight

“A thought struck me: if my new album sounds this good on a walkman, what would Roxy Music sound like? A mere two years later I bought one and found out. However, on a train, a few years later still, I had negative synaesthesia eating a bacon sandwich and listening to a solo Ferry album, which turned me vegetarian.”

Robyn Hitchcock (1953) English singer-songwriter and guitarist

I Wanna Go Backwards CD booklet (Chapel Hill, NC: Yep Roc Records, 2007) p. 4.

Training

“I was totally star-struck as a youngster and incredibly shy, but I loved the theatre – especially pantomimes. After a failed audition for RADA, I worked as a trainee fashion buyer at Harrods, where they had an entertainments society and I performed in several of its productions. I took singing lessons and my teacher encouraged me to read The Stage, where I saw that chorus singers were needed for the musical The Belle Of New York.”

Valerie Leon (1943) English actress

I got the job – much to my parents’ horror, who wanted me to keep my respectable job, but I was determined to become an actress.
Whatever happened to Bond Girl Valerie Leon? http://www.express.co.uk/life-style/life/614933/Bond-Girl-Valerie-Leon-career-life (November 2, 2015)

Singing , Reading , Star , Teachers

“There is… no definitive interpretation for him but the search for repose, for a place where music, far from any pretension, vibrates naturally, where it can breathe more than show off.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Eric Taver in: About Yehudi Menuhin http://www.pbs.org/wnet/americanmasters/episodes/yehudi-menuhin/about-yehudi-menuhin/661/, Public Broadcasting Service Organization, 28 October 2006

Nature , Search

“He gave no sign of any great desire to persevere with music or painting, despite his obvious eye for the latter. The idea of creativity obsessed but not to the point of renouncing his spectator status.”

Christian Dior (1905–1957) French fashion designer

In p. 70
Christian Dior: The Man who Made the World Look New

Idea , Painting , Perseverance

“With all awards and accolades at the international level and his outstanding contribution to classical music, his appeal was not restricted to purists or the elite connoisseur. He endeared himself to the public at large by his tasteful rendering of light music and film songs.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Jayalalithaa in: Balamuralikrishna deserves Bharat Ratna: Jayalalithaa http://www.hindu.com/2005/07/26/stories/2005072617030500.htm, Thee Hindu, 26 Jul y 2005.

Light

“The real issue underlying these controversies appears to have been a challenge to his philosophy of music; nay, that of the Trinity. Balamuralikrishna has long held that Carnatic music today is an entity outside the strictly religious domain. He remarked once that those who believed that concert singing denigrated the essence of Carnatic music should confine their singing to puja rooms.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Garimella Subramaniam in: "A musical colossus".

Singing , Appearance

“An enduring legacy of Balamuralikrishna is the wider accessibility of classical kirtanas to the public. Many of his contemporaries tend to treat classical and popular music as watertight compartments.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Garimella Subramaniam in: A musical colossus http://hindu.com/2004/07/06/stories/2004070603272000.htm, The Hindu, 6 July 2004.

“He was one of the earliest South Indian Classical w:MusiciansMusicians to perform abroad. He has acted in films, sung for films and even scored the music for films. Apart from his own compositions numbering more than two hundred, he has breathed life into compositions of other composers whose original tunes were lost in the sands of time like w:Narayana TeerthaNarayana Theertha, Annammaachaarya, Purandara Daasa, Kaiwara Amara Nareyana, Kaiwara Amara Nareyana, Sadasiva Brahmendra, Bhadraachala Raamadaas and Maharajah Sri Swathi Thirunal.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Prince Rama Varma in: "Murali And Me: A tribute by Prince Rama Varma".

Life , Time

Quotes about music page 32

Quotes about music
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