“I chose to rewrite it in poetry because the original Ramayana was in poetry- the fact is, it’s sort of been corrupted into prose. In its original form it was an epic poem rather like the Iliad or works of that sort. Rather than traditional poetry, it was a verse novel, without a traditional structure. What I most wanted to do was to preserve the essential musicality of the lines. Especially as the Ramayana like so many stories, was based on a fundamentally oral tradition.”

— Daljit Nagra

On reworking the Ramayana in “An Interview With Daljit Nagra” https://www.thebubble.org.uk/culture/literature/an-interview-with-daljit-nagra/ in The Bubble (2014 Sept 17)

Adopted from Wikiquote. Last update June 3, 2021. History

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Daljit Nagra7

British poet, teacher and broadcaster 1966

John Hollander (1929–2013) American poet

“Poetry is I say essentially a vocabulary just as prose is essentially not. And what is the vocabulary of which poetry absolutely is. It is a vocabulary based on the noun as prose is essentially and determinately and vigorously not based on the noun. Poetry is concerned with using with abusing, with losing with wanting with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry. So that is poetry really loving the name of anything and that is not prose.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"Poetry and Grammar"
Lectures in America (1935)

“Poetry carries its history within it, and it is oral in its origins, its transmission was oral.”

James Fenton (1949) poet

An Introduction to English Poetry, Viking Penguin, London 2002 ISBN 0141004398

“Like contemporary poetry, philosophy is one of those things, especially at the beginning stages, most people would rather do than study — which is why most of what gets done is so impoverished.”

Samuel R. Delany book The Mad Man

Source: The Mad Man (1994), p. 11

“Music and Poetry have ever been acknowledged Sisters, which walking hand in hand support each other; As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry. Both of them may excel apart, but sure they are most excellent when they are oined, because nothing is then wanting to either of their perfections.”

Henry Purcell

Henry Purcell, ‎Edward Taylor (1843) in "Introduction" to, King Arthur: an opera in 5 acts, written by John Dryden. p. 3; Introduction; Cited in: James Anthony Froude, ‎John Tulloch (1852), Fraser's Magazine, Vol. 45, p. 198

“There's a reason for poetry… Poetry is a very nonlinear use of language, where the meaning is more than just the sum of the parts. And science requires that it be nothing more than the sum of the parts. And just the fact that there's stuff to explain out there that's more than the sum of the parts means that the traditional approach, just characterizing the parts and the relations, is not going to be adequate for capturing the essence of many systems that you would like to be able to do. That's not to say that there isn't a way to do it in a more scientific way than poetry, but I just like the feeling that culturally there's going to be more of something like poetry in the future of science.”

Christopher Langton (1949) American computer scientist

Christopher Langton, as quoted by John Horgan, The End of Science (1996) p. 201.

“Hebrew poetry is,
prose with a sort of heightened consciousness' Ecstasy
affords
the occasion expediency, determines the form”

Marianne Moore (1887–1972) American poet and writer

The Past is the Present
Collected Poems (1951)

“The difference between poetry and prose is not one of surface qualities, or form, or mode of expression, but of essence. The state of mind in which poetry originates must either seek poetic expression or it must not be expressed.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

“I just wanted to say something about (…) my resentment of the identification of this country of Britain with royalty. As if we have nothing else to offer as a culture – the country of my birth. The great contribution, of the English anyway, to the world is literature and language. That language and literature is, in fact, in its tradition quite extensively republican and democratic. I mean our Blake, Milton, our Shelley, many many other great writers, poetry and prose, have been against the idea that Britain is a feudal or monarchic system. One of the great aspects of that tradition is represented by the name Thomas Paine, who is the moral author of your Declaration of Independence. In fact, one of the great accomplishments of the English republican movement, if you like, is the American Declaration of Independence. So it has always struck me as rather bizarre that there is this cult in the United States of English royalism – just the sort of thing I left England to get away from.”

Christopher Hitchens (1949–2011) British American author and journalist

1997-05-09
Christopher Hitchens on Diana, Princess of Wales, the Royal Family, Dodi Fayed & Muslim Law (1997)
C-SPAN
Washington, D.C.
https://www.youtube.com/watch?v=dQK2d1TdTzk
1990s

“The general opinion … is that the humanist tradition is primarily of literary and aesthetical significance rather than of philosophical significance. This view has its origin in statements of Descartes.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 35

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