Quotes about literature
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“Ultimately, literature is nothing but carpentry.”

Gabriel García Márquez (1927–2014) Colombian writer

Source: The Paris Review interview (1981), p. 325

“… Hence, Paul Morand's generalization to the effect that French writers are never younger, never more free from constraint, than when they have passed their sixtieth birthday. By that time they have broken free from the romantic agonies of youth and turned their backs on that pursuit of honors which, in a country where literature plays a social role, absorbs too much of their energies during the years of maturity.”

André Maurois (1885–1967) French writer

The Art of Writing

Youth, Birthday, Time, Country

“We know that there are people for whom the country and a certain rather mediocre dynasty are in effect unimaginable without one another. There is no need to doubt or mock the sincerity of the conviction. However, there is no reason in our history or our literature to endorse or underwrite it either. We possess an alternative tradition which is capable of outlasting this royal house as it has already outlasted others.”

Christopher Hitchens (1949–2011) British American author and journalist

1990s, The Monarchy: A Critique of Britain's Favourite Fetish

People, History, Housing, Sincerity

“[T]he effects of general change [in literature] are most tellingly recorded not in alteration of the best products, but in the transformation of the most ordinary workaday books; for when potboilers adopt the new style, then the revolution is complete.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Good Sports & Bad", p. 335; originally published in The New York Review of Books (1995-03-02)
Triumph and Tragedy in Mudville (2003)

Books, Change

“The social sciences, ultimately, are about patterns, rules, and phenomena available to certain objective forms of explanation; the humanities, especially the study of literature, are about exceptional cases, singular works, and individuals that require subjective understanding.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 23.

Understanding, Study, Science

“A proper school should teach nothing but bookkeeping, agriculture, geometry, dead languages made deader by leaving out all the amusing literature, and the Hebrew Bible as interpreted by men superbly trained to ignore contradictions, men technically called "Fundamentalists."”

Sinclair Lewis book Elmer Gantry

Elmer Gantry (1927)

Men, School, Training, Dead

“The disinterested imaginative core of mythology is what develops into literature, science, philosophy. Religion is applied mythology.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

21.101
"Quotes", Notebooks

Religion, Imagination, Science

“Millions of people in Britain must have been very surprised to hear that the language of Chaucer, of Shakespeare and of Milton must in future be regarded as an undesirable American import from which we have to protect ourselves if we are to build a new Europe. We can agree that the French own the supreme prose literature in Europe. But if we are to prove –– if we have to prove –– our Europeanism by accepting that French is the dominant language in the Community, then my answer is quite clear, and I will say it in French in order to prevent any misunderstanding: Non, merci beaucoup.”

James Callaghan (1912–2005) Prime Minister of the United Kingdom; 1976-1979

Speech at Southampton (25 May 1971)
Shadow Chancellor of the Exchequer

People, Communication, Future

“Sedgwick has managed to convert pedestrian critical skills and little discernible knowledge in history, philosophy, psychology, art or even pre-modern literature into a lucrative academic career.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 222

Art, History, Knowledge

“During the last quarter of a century all the authority associated with the function of spiritual guidance … has seeped down into the lowest publications. … Between a poem by Valéry and an advertisement for a beauty cream promising a rich marriage to anyone who used it there was at no point a breach of continuity. So as a result of literature’s spiritual usurpation a beauty cream advertisement possessed, in the eyes of little village girls, the authority that was formerly attached to the words of priests.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

“Morality and literature,” p. 164
On Science, Necessity, and the Love of God (1968)

Marriage, Beauty, Girl

“Compared with Brancusi, Matisse, Miro, I'm a barbarian. If people would understand the barbaric force of my paintings, instead of always pointing out how well I understand Picasso. I'm a Viking who has read French literature.”

Robert Motherwell (1915–1991) American artist

as cited by Grace Glueck, in 'Robert Motherwell, Master of Abstract, Dies', by Grace Glueck, 'New York Times, 18 July 1991 https://www.nytimes.com/1991/07/18/obituaries/robert-motherwell-master-of-abstract-dies.html Undated

People, Understanding, Reading, Painting

“Literature is analysis after the event.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

Quoted in Children of Albion: Poetry of the Underground in Britain, ed. Michael Horovitz (1969): Afterwords, section 2

“To a large extent, the problems of poets are the problems of painters, and poets must often turn to the literature of painting for a discussion of their own problems.”

Wallace Stevens (1879–1955) American poet

Opus Posthumous (1955), Adagia

Problem, Painting

“I have long known of Mr. Shaw, read his plays and prefaces, and loved him. I admire heroic effort. Accomplishment I love. What I am about to say is no invention, and I am putting it down for whatever it may be worth to the historian of literature and for the student of influences of men on men, and because it is true and must therefore be made known. As a boy, charging pell-mell through literature, reading everything I could lay hands on in the Public Library of Fresno, I found many men to whom I felt deeply grateful — especially Guy de Maupassant, Jack London, and H. L. Mencken — but the first man to whom I felt definitely related was George Bernard Shaw. This is a presumptuous or fatuous thing to mention, perhaps, but even so it must be mentioned.”

William Saroyan (1908–1981) American writer

Hello Out There (1941)

Love, Men, Guy, Boy

“When we seek a textbook case for the proper operation of science, the correction of certain error offers far more promise than the establishment of probable truth. Confirmed hunches, of course, are more upbeat than discredited hypotheses. Since the worst traditions of “popular” writing falsely equate instruction with sweetness and light, our promotional literature abounds with insipid tales in the heroic mode, although tough stories of disappointment and loss give deeper insight into a methodology that the celebrated philosopher Karl Popper once labeled as “conjecture and refutation.””

Stephen Jay Gould (1941–2002) American evolutionary biologist

"An Essay on a Pig Roast", p. 437
Bully for Brontosaurus (1991)

Truth, Disappointment, Error, Light

“There is no other language which provides answers to complex philosophical questions like epics written in Sanskrit. Be it art, literature, science or technology, people are admitting Sanskrit is most useful.”

Rajnath Singh (1951) Indian politician

On Sanskrit, as quoted in " Sanskrit Most Useful for Science, Technology, Says Union Home Minister Rajnath Singh https://www.reddit.com/r/india/comments/3i2qoh/sanskrit_most_useful_for_science_technology_says/?ref=search_posts", NDTV (23 August 2015)

People, Art, Question, Science

“Behind the big names of twentieth-century literature there stands a shadow cabinet of writers waiting to take over once the Wind of Change has blown. My own vote goes to Hugh Kingsmill as leader of this opposition.”

Hugh Kingsmill (1889–1949) British writer and journalist

Michael Holroyd, in The Best of Hugh Kingsmill (1973) p. 7.
Criticism

Change, Waiting

“Facts are not science — as the dictionary is not literature.”

Martin H. Fischer (1879–1962) American university teacher (1879-1962)

Fischerisms (1944)

Science

“All this sitting about in cafés to calm down
Simply wears me out. And their idea of literature!
The idiotic cut of the stanzas; the novels, full up, gross.

I have lived it, and I know too much.
My café nerves are breaking me
With black, exhausting information.”

Rosemary Tonks (1928–2014) British poet

The Sofas, Fogs and Cinemas

Idea

“Life without literature is a life reduced to penury. It expands you in every way. It illuminates what you’re doing. It shows you possibilities you haven’t thought of. It enables you to live the lives of other people than yourself. It broadens you, it makes you more human. It makes life enjoyable.”

M. H. Abrams (1912–2015) American literary theorist

The New York Times dialogue with S. Greenblatt (2012)

Life, People, Way

“Women began their inner emancipation by their access to literature, by access to the world through books; an access they could not have socially or politically, or of course economically, in the world at large.”

George Steiner (1929–2020) American writer

Do Books Matter? (ed. Brian Baumfield), ISBN 0705700143, p. 19
Do Books Matter?

Women, Books, World

“It is part of the task of linguistics to describe texts, and all texts, including those prose or verse, which fall within any definition of literature and are accessible to analysis by the existing methods of linguistics.”

Michael Halliday (1925–2018) Australian linguist

Source: 1950s–1960s, The Linguistic Sciences and Language Teaching, 1964, p. 1.

Parting

“However, such myths developed earlier in the Byzantine periphery. In the heart of the Empire, it was really only in its final phase from 1261, under the Palaeologan emperors, after the chastening experience of the Sack of Constantinople by the Latins in 1204, and the subsequent period of ‘penance’ in the Nicene Empire, that we can begin to speak of a definite Greek ethnic component fuelled by strong anti-Latin sentiment, alongside the Universal Church and its mission to outsiders (see Raynes and Moss 1969: 33—6). In fact, a strong Greek ethnic sentiment had developed already at Nicaca. In John Armstrong’s words: At Nicaea after the Crusader conquest of Constantinople, the literati demanded that the emperor in-exile entitle himself king of the Hellenes”. Two centuries later the last emperor was mourned as Constantine the Hellene (Armstrong 1981: 179). For Armstrong, this was partly the result of a long-term homogenizing socialization process required for a powerful, integrated, and hierarchical central bureaucracy. But it was also due to Greek adherence to classical learning and literature, and to Byzantine unwillingness to accept the parity of Latin as a language of empire”

Anthony D. Smith (1939–2016) British academic

Armstrong 1982.: 178—8 I, 116—17
Chosen Peoples (2003)

Strong, Learning, Universe, Heart

“By Sanskrit is meant the learned language of India - the language of its cultured inhabitants, the language of its religion, its literature and science - not by any means a dead language, but one still spoken and written by educated men by all parts of the country, from Kashmir to Cape Comorin, from Bombay to Calcutta and Madras.”

Monier Monier-Williams (1819–1899) Linguist and dictionary compiler

Sir Monier Monier-Williams in: Sanskrit-English dictionary https://books.google.co.in/books?id=j2j7AgAAQBAJ&pg=PR20, Рипол Рипол Классик, p. 20.

Men, Education, Religion, Learning

“I was an English major. I studied a lot of English literature, so got interested in the literary magazine and was a contributing editor. That's the closest I got to journalism then, but I always hankered to get into news.”

Larry LeSueur (1909–2003) American journalist

Study

“American literature offers scarcely one working model for high education. The student must go back, beyond Jean Jacques, to Benjamin Franklin, to find a model even of self-teaching. Except in the abandoned sphere of the dead languages, no one has discussed what part of education has, in his personal experience, turned out to be useful, and what not. This volume attempts to discuss it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Education, Parting, Personality, Dead

“The most important document at Ugarit for both Biblical and Homeric studies is the Epic of Kret. It anticipates the Helen-of-Troy motif in the Iliad and Genesis, thus bridging the gap between the two literatures.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

Study

“Anwar Sheikh, for example, was a typical Muslim in 1947. He even killed three (Sikh) Hindus in the back-streets of Lahore during the post-partition riots and felt proud of performing a jihadic act. But once he saw through Muhammad, his creed, his book and his god (Allah), Sheikh not only discarded Islam with contempt but is now a committed scholar producing powerful literature and defiantly fighting the Islamic thought-police.”

Anwar Shaikh (1928–2006) British Pakistani writer

Abhas Chatterjee, in (1997). Time for stock taking, whither Sangh Parivar? Edited by Goel, S. R.
About

God, Books, Fight

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Love, Life, Death, Pleasure

“I wrote it [Maurice] neither for my friends or the public—but because it was weighing on me; and my previous training made me write it as literature, though for a long time I meant to show it no one at all. […] I am much dependant on criticism and now, backed by you and some others, do feel that I have created something absolutely new, even to the Greeks. Whitman nearly anticipated me but he didn't really know what he was after, or only half knew—shirked, even to himself, the statement.”

E.M. Forster (1879–1970) English novelist

Letter 144, to Edward Joseph Dent, 6 March 1915
Selected Letters (1983-1985)

Feeling, Time, Dependency, Training

“Pride in one’s work carries with it a determination to accept the demands imposed by that work: in the case of philosophy to follow the argument where it leads, in the case of history to discover what actually happened, in the case of literature to explore to its depths a particular theme. In consequence, this sort of pride demands freedom: it has to be laid low in any authoritarian State. The historian, in such a system, has to conform to official interpretations of the past, the philosopher to dogmas, the writer to stereotypes of human action, the craftsman to “production-schedules.” More subtly, attempts are made to lay pride low in a consumer’s society: the film-director, the novelist, the craftsman are called upon to produce “what will sell” at whatever cost to their pride in workmanship.”

John Passmore (1914–2004) Australian philosopher

Source: The Perfectibility of Man (1971), p. 290.

History, Freedom, Past

“Instead of copying Nature, we [ Cubists ] create a 'milieu', of our own, wherein our sentiment can work itself out through a juxtaposition of colors. It is hard to explain it, but it may perhaps be illustrated by analogy of literature and music. Your [ Gelett Burgess is American] Edgar Poe did not attempt to reproduce Nature realistically. Some phase of life suggested an emotion, as that of horror in 'The Fall of the House of Ushur.”

Jean Metzinger (1883–1956) French painter

That subjective idea he translated into art. He made a composition of it. Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 413

Life, Art, Music, Color

“Jerome never liked me -- preferred my sister who was a little fool excited by modern literature -- all swear-words and scatology -- before it became fashionable.”

Peter Greenaway (1942) British film director

Jerome's mother
The Pillow Book

Fools, Fashion, Sister

“James Joyce is a cul-de-sac. [Ulysses is] … an example how literature branched out and went into, lost itself in nowhere, no man's land.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Conversation with Paul Holdengräber, in “Was the 20th Century a Mistake?”, The Richard B. Saloman Distinguished Lectures & LIVE from the NYPL, Celeste Bartos Forum, New York (2007) http://www.nypl.org/events/program/2009/05/20/werner-herzog-conversation-paul-holdengräber-was-20th-century-mistake

“Interview, Mark Thwaite, 12th August 2005. 'Ready Steady Book for literature”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Other Quotes

Books

“Judge and prosecutor had hammered it home that Lady Chatterly was an immoral woman, that she had had sexual relations before marriage, that she had committed adultery under her husband's roof; as if these charges somehow disqualified her from participation in serious literature. Indeed, there were long periods of the trial during which an outsider might well have assumed that a divorce case was being heard.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"Lady Chatterly's Trial (The Old Bailey, 20 October - 2 November 1960)", p. 409
Tynan Right and Left (1967)

Marriage, Home

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Pleasure, Hope, Art, Music

“I don't really like to work with literary allusions very much. I never want to be in a position where I'm saying, "You've got to read a lot of other stuff" or "You've got to have had a good education in literature to fully appreciate what I'm doing."… I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.”

Kazuo Ishiguro (1954) Japanese-born British author

Rukeyser, Rebecca. " Kazuo Ishiguro: Mythic Retreat https://www.guernicamag.com/mythic-retreat/" guernicamag.com interview. 1 May 2015. Interviews

People, World, Education, Way

“I read world literature and I read French romances in the originals. I had quite a profound knowledge - no, that sounds conceited, but I did have a profound interest in everything spiritual.”

Baldur von Schirach (1907–1974) German Nazi leader convicted of crimes against humanity in the Nuremberg trial

To Leon Goldensohn, March 10, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

World, Knowledge, Reading

“He was an admirer of the bullfight, and had once drawn my attention to the fact that only cricket and bullfighting had inspired any appreciable literature.”

Dal Stivens (1911–1997) Australian writer

The Demon Bowler (1979)

“The fact that human evolution has been recent, copious and regional is not widely recognized, even though it has now been reported by many articles in the literature of genetics. The reason is in part that the knowledge is so new and in part because it raises awkward challenges to deeply held conventional wisdom.”

Nicholas Wade (1942) British writer

A Troublesome Inheritance: Genes, Race and Human History (2014)

Wisdom, Knowledge, Parting

“Many fields use patterns in various ways: In music and literature, a pattern is the coherent structure or design of a song or book. In art, a pattern is the composition or plan of a work of graphic or plastic art. In architecture, a pattern is an architectural design or style. In psychology, a pattern is a thinking mechanism that is basic to the brain's operation, helping one to perceive things quickly. In archeology, a pattern is a group of phases having several distinguishing and fundamental features in common. In linguistics, a pattern is the manner in which smaller units of language are grouped into larger units…”

Peter Coad (1953) American software entrepreneur

Source: Object-oriented patterns. (1992), p. 152

Books, Art, Music, Way

“Panini was a Sanskrit grammarian who gave a comprehensive and scientific theory of phonetics, phonology, and morphology. Sanskrit was the classical literary language of the Indian Hindus and Panini is considered the founder of the language and literature. It is interesting to note that the word "Sanskrit" means "complete" or "perfect" and it was thought of as the divine language, or language of the gods.”

Pāṇini ancient Sanskrit grammarian

An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World

God, Perfection

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Oswald Spengler book The Decline of the West

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation The Decline of the West (1918, 1923)

Life, Marriage, Children, World

“Every human society possesses a mythology which is inherited, transmitted and diversified by literature.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Words with Power : Being a Second Study of The Bible and Literature (1990), Introduction, p. xiii http://books.google.com/books?id=ZnSJb6PPnBoC&pg=PP81&lpg=PP81&dq=%22which+is+inherited,+transmitted+and+diversified+by+literature%22&source=bl&ots=xJ1cLDaUCI&sig=m6agYWMBlW0qfDYMA7aX9aNM8IE&hl=en&sa=X&ei=PaCqUsiEM-issQT_4oGAAg&ved=0CDYQ6AEwAg#v=onepage&q=%22which%20is%20inherited%2C%20transmitted%20and%20diversified%20by%20literature%22&f=false "Quotes"

“The story of English literature, viewed aesthetically, is one thing; the story of English writers is quite another. The price of contributing to the greatest literature the world has ever seen is often struggle and penury: art is still too often its own reward. It is salutary sometimes to think of the early deaths of Keats, Shelley, Byron, Chatterton, Dylan Thomas, of the Grub Street struggles of Dr. Johnson, the despair of Gissing and Francis Thompson. That so many writers have been prepared to accept a kind of martyrdom is the best tribute that flesh can pay to the living spirit of man as expressed in his literature. One cannot doubt that the martyrdom will continue to be gladly embraced. To some of us, the wresting of beauty out of language is the only thing in the world that matters.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Death, World, Beauty, Art

“The Gospel of Efficiency. Every era, as Carl Becker has reminded us in his Heavenly City of the Eighteenth Century Philosophers, has a few words that epitomize its world-view and that are fixed points by which all else can be measured. In the Middle Ages they were such words as faith, grace, and God; in the eighteenth century they were such words as reason, nature, and rights; during the past fifty years in America they have been such words as cause, reaction, scientific, expert, progress and efficient. Efficiency is a natural ideal for a relatively immature and extrovert culture, but presumably its high development and wide acceptance are due to the fact that ours has been, par excellence, a machine civilization. At any event, efficiency grew to be a national catchword in the Progressive era as mechanization became the rule in American life, and it frequently appears in the literature of the period entangled in mechanical metaphor.”

Dwight Waldo (1913–2000) American political scientist

Source: The Administrative State, 1948, p. 19

Life, God, Age, World

“If literature (realistic) did really resemble life, it would be interminable, dreary, commonplace eating and dressing, buttoning, with here and there a patch of vividness. Life is composed of exquisite moments and the rest is shadows of them.”

T. E. Hulme (1883–1917) English Imagist poet and critic

Notes on Language and Style (1929)

Life

“The failing of contemporary criticism is double: Hand in hand with the suppression of aesthetic autonomy, one finds also a growing reluctance to recognize the complex and dynamic temporality of literature. By dynamic temporality I mean that immanent sense of time within the literary work, its ability to reach backward, as part of a tradition, and forward, as a vehicle of innovation and anticipation. This sort of temporality is quite different from a single-minded and frequently reductionist focus on historical context.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 5.

Sense, Time, Parting

“Aldrich, Thomas. "The Unguarded Gates." Literature for Composition. Ed. Sylvan Barnet, William Burto, William E. Cain. Boston: Perdue, 2014. 1113. Print.”

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

“You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

quoted in "A Talk With Doris Lessing; Lessing Author's Query" (30 March 1980), Minda Bikman, New York Times Book Review

Women, Men, Way

“Just as we suffer from excess in all things, so we suffer from excess in literature; thus we learn our lessons, not for life, but for the lecture room.”
Quemadmodum omnium rerum, sic litterarum quoque intemperantia laboramus: non vitae sed scholae discimus.

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Alternate translation: Not for life, but for school do we learn. (translator unknown)
Alternate translation: We are taught for the schoolroom, not for life. (translator unknown).
Source: Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter CVI: On the corporeality of virtue, Line 12

Life, Suffering, Learning

“.. and wanting to force nature to say things, making trees twist and rocks frown, as Gustave Doré does, or even painting it like Leornardo da Vinci, that's literature too. There's logic of colour, damn it all! The painter owes allegiance to that alone. Never to the logic of the brain; if he abandons himself to that logic, he's lost... Painting is first and foremost an optical affair. The stuff of our art is there, in what our eyes are thinking... If you respect nature, it will always unravel its meaning for you.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 161, in: 'What he told me – I. The motif'

Art, Nature, Thinking, Tree

“India represents the new world in a unique sense. Traditionally democracies were trying to bring equality to all walks of life, today there is a change. Democracy wants to enable every country to have the equal right to be different; it's a collection of differences, not an attempt to force or impose equality on every country. I think India is the greatest show of how so many differences in language, in sects can coexist facing great suffering and keeping full freedom… Many of the countries in the Middle East should learn from you how to escape poverty. You didn't escape poverty by getting American dollars or Russian Roubles but by introducing your own internal reforms and by understanding that the new call of modernity is science. In between the spiritual wealth of Gandhi and the earthly wisdom of Nehru, you combined a great performance of spirit and practice to escape poverty…I know you still have a long way to go but you do it without compromising freedom. The temptation when you're such a large country to introduce discipline and imposition is great but you tried to do it, to make progress not with force and discipline but in an open way. Many of us were educated on the literature of India when we fell in love we read Rabindranath Tagore and when we matured we tried to understand Gandhi.”

Shimon Peres (1923–2016) Israeli politician, 8th prime minister and 9th president of Israel

Israeli President Shimon Peres praises India as greatest 'show of co-existence' http://articles.economictimes.indiatimes.com/2012-12-04/news/35594466_1_greatest-show-mahatma-gandhi-democracies (4 December 2012)

Love, Life, Wisdom, World

“Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.”

Rita Mae Brown (1944) Novelist, poet, screenwriter, activist

Starting from Scratch (1989)

Communication, Reality, Rage

“The struggle for existence in a universe we did not choose, and the burden of being a member of the only race which values objective, verifiable truth as an end in itself, makes us sometimes long for escape from reality -- in some cases through a literature of the fantastic, of marvelous dream worlds, of free-ranging fantasy. But we must not confuse that necessary escape with what is real. Permit me to suggest to the reader that it is a waste of his time and energy to play with fantasies that lack the literary and aesthetic charm of poetry and imaginative prose fiction.”

Revilo P. Oliver (1908–1994) American philologist

"Orage and New Age Consciousness", private letter, February 1977, published on National Vanguard http://www.nationalvanguard.org/story.php?id=6657 (October 25, 2005) 1970s

Truth, World, Dreams, Imagination

“I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are. There was no such conception of justice until after 1830. There was no such thing as a policeman or a detective in the world before 1830, because the modern conception of the policeman and detective, namely, a man whose only function is to find out who did it and then get the evidence that will punish him, did not exist. … In Paris before the year 1800 — read the Dumas stories — there were gangs of people whose business was to go out and punish wrongdoers. But why? Because they had hurt De Marillac or Richelieu or the Duke or some Huguenot noble, not just because they had harmed society. It is only the modern policeman that is out to protect society.”

Rex Stout (1886–1975) American writer

Rex Stout, pp. 248–249
Invitation to Learning

People, World, Justice, Democracy

“My teacher, Ales Adamovich, whose name I mention today with gratitude, felt that writing prose about the nightmares of the 20th century was sacrilege. Nothing may be invented. You must give the truth as it is. A "super-literature" is required. The witness must speak. Nietzsche's words come to mind – no artist can live up to reality. He can't lift it. It always troubled me that the truth doesn't fit into one heart, into one mind, that truth is somehow splintered. There's a lot of it, it is varied, and it is strewn about the world.”

Svetlana Alexievich (1948) Belarusian investigative journalist and non-fiction prose writer

Quotes from Nobel Lecture

Truth, World, Reality, Teachers

“"Muhammad of Arabia ascended the highest Heaven and returned. I swear by God that if I had reached that point, I should never have returned." These are the words of a great Muslim saint, 'AbdulQuddës of Gangoh. In the whole range of Sufi literature it will be probably difficult to find words which, in a single sentence, disclose such an acute perception of the psychological difference between the prophetic and the mystic types of consciousness. The mystic does not wish to return from the repose of "unitary experience"; and even when he does return, as he must, his return does not mean much for mankind at large.”

Muhammad Iqbál (1877–1938) Urdu poet and leader of the Pakistan Movement

The Reconstruction of Religious Thought in Islam http://www.allamaiqbal.com/works/prose/english/reconstruction/index.htm

God

“Some students of philosophy have unreasonably high expectations of the subject. They expect it to provide them with a complete and detailed picture of the human predicament. They think that philosophy will reveal to them the meaning of life, and explain to them every facet of our complex existences. Now, although studying philosophy can illuminate fundamental questions about our lives, it does not provide anything like a complete picture, if indeed there could be such a thing. Studying philosophy isn’t an alternative to studying art, literature, history, psychology, anthropology, sociology, politics, and science.”

Nigel Warburton (1962) British author and lecturer

Philosophy : the basics (Fifth Edition, 2013), Introduction

Life, Art, History, Question

“I mean, the official definition of Surrealism is to make a work automatically without a priori aesthetic or moral conditions, which is exactly what we do [artist in New York School / Abstract Expressionism]. At the same time Surrealism was an assault, - with a few exceptions: Giacometti, Arp and Miro - on the 'purity' of painting. I mean mean, on making painting - means themselves speak, without reliance on literature; and that second insistence of Surrealism, Americans really rejected. So that historically.... Abstract Expressionism is in part, I think, a fusion of certain Surrealist means, above all plastic 'automatism' with the Cubist's insistence that the picture speaks as a picture in strictly pictorial language.”

Robert Motherwell (1915–1991) American artist

first published in 'Metro', 1962; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 82
1960s, Interview with David Sylvester', (1960)

School, Thinking, Time, Parting

“[Vickery in his handbook of procedures for making faceted classifications, writes that organizing a field into facets] can be achieved only by a detailed examination of the literature of the field”

Brian Campbell Vickery (1918–2009) British information theorist

Brian Campbell Vickery (1970) Faceted Classification: A Guide to Construction and Use of Special Schemes. p. 20 as cited in: Claire Beghtol (1986) " Semantic Validity: Concepts of Warrant in Bibliographic Classification Systems http://downloads.alcts.ala.org/lrts/lrtsv30no2.pdf" Library Resources & Technical Services. Vol 30. p. 113.

“The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skits, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.”

Salman Rushdie (1947) British Indian novelist and essayist

Step Across This Line: Collected Nonfiction 1992–2002

Love, Life, Women, War

“I wish to guard the Principle of Vision from certain misconceptions which might arise on a simple statement of it. The principle insists on the artist assuring himself that he distinctly sees what he attempts to represent. What he sees, and how he represents it, depend on other principles. To make even this principle of Vision thoroughly intelligible in its application to all forms of Literature and Art, it must be considered in connection with the two other principles — Sincerity and Beauty, which are involved in all successful works.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Beauty, Art, Intelligence, Success

“Literature, like memory, selects only the vivid patches.”

T. E. Hulme (1883–1917) English Imagist poet and critic

As quoted in Notes of T E Hulme, Imagism & Imagists (1931) by Glenn Hughes

Memory

“[Neoinstitutional Economics…] theory has made an indispensable contribution in recent times to advances of understanding in this area. But it seems to me that in the economics of institutions theory is now outstripping empirical research to an excessive extent. No doubt the same could be said of other fields in economics, but there is a particular point about this one. Theoretical modelling may or may not be more difficult in this field than in others, but empirical work is confronted by a special difficulty. Because economic institutions are complex, they do not lend themselves easily to quantitative measurement. Even in the respects in which they do, the data very often are not routinely collected by national statistical offices. As a result, the statistical approach which has become the bread and butter of applied economics is not straightforwardly applicable. Examples of it do exist, the literature on the economics of slavery being perhaps the most fully developed - not surprisingly because slavery is an institution that is sharply defined. But to a large extent the empirical literature has consisted of case-studies which are interesting but not necessarily representative, together with a certain amount on legal court cases, which are almost certainly not representative. Is this the best we can do? There is a challenge here on the empirical side to economists to see what is the best way forward.”

R. C. O. Matthews (1927–2010) British economist

Way, Understanding, Study, Time

“Mr. Sandburg possesses a powerful imagination, which plays over and about his realistic themes and constantly ennobles them. …strikes, and factories, and slaughter-houses, and railroad trains, all take on a lyric quality under his touch. …When Carl Sandburg left college, he was no longer an unskilled labourer, working with his hands. He was a thinking man, with a brain charged with ideas and emotions, determined to do his part in bringing about the millennium. For Carl Sandburg… is a revolutionary; he must push the world to where he is convinced it ought to be. …again and again, he deserts the seer's mountain peak for the demagogue's soap-box. …Mr. Sandburg is like a man striving to batter down a jail with balls of brightly coloured glass. …Whether constant preoccupation with disease is a healthy form of literature, whether it acts as a curative, is open to question. But we can surely say that to be curative the disease must be treated unsentimentally and truly. Mr. Sandburg has aimed at doing this, has striven hard to do it. For this, one honours him above his fellows. For this, and the spirit of beauty which pervades his work.”

Amy Lowell (1874–1925) US writer

"Edgar Lee Masters and Carl Sandburg," Tendencies in Modern American Poetry http://books.google.com/books?id=UgZaAAAAMAAJ (1917).

World, Disease, Beauty, Imagination

“I was in my forties and teaching magazine writing for the Journalism Department at the University of New Mexico. I was hired on a fluke. The professor who was scheduled to teach the course became ill, so the chair of the department, my personal friend Tony Hillerman, asked me to fill in for a semester. Tony knew I’d never been to college and didn’t care; he just knew I’d written successfully for magazines for years. The original professor never returned, and someone else replaced Tony as Chair and automatically kept me on. I discovered I loved teaching writing and started to get worried that my deep dark secret, (no college!) might be discovered, so I began taking courses under my married name, Lois Arquette, hoping I could get a degree before someone “outed” me. In the course of that endeavor, I took a juvenile literature class where they were studying “Lois Duncan books.””

Lois Duncan (1934–2016) American young-adult and children's writer

My fellow students were excitedly writing A-plus papers about how many of my books were based on Greek myths. I had never even read those myths! On teaching and attending college, interview https://web-beta.archive.org/web/20111119202009/https://abbottgran.wordpress.com/2011/04/17/the-deep-bottom-drawer-an-interview-with-lois-duncan/ with Megan Abbott (2011) 2003–2016

Love, Secret, Books, Hope

“For four or five centuries, Islam was the most brilliant civilization in the Old World. (…) At its higher level the golden age of Muslim civilization was both an immense scientific success and a exceptional revival of ancient philosophy. These was not its only triumphs; literature was another: but they eclipse the rest. First, science: it was there that the Saracens (…) made the most original contributions. These, in brief, were nothing less than trigonometry and algebra (with its significantly Arab name). (…) Equally distinguished were Islam's mathematical geographers, its astronomical observatories and instruments (…). The Muslims also deserve high marks for optics, for chemistry (…) and for pharmacy. More than half the remedies and healing aids used by the West came from Islam (…). Muslim medical skill was incontestable. (…) In the field of philosophy, what took place was rediscovery - a return, essentially of the peripatetic philosophy. The scope of this rediscovery, however, was not limited to copying and handling on, valuable as that undoubtely was. It also involved continuing, elucidating and creating.”

Fernand Braudel (1902–1985) French historian and a leader of the Annales School

A History of Civilizations , Penguin, 1995, p. 73-81

Age, World, Mathematics, Science

“I am certain that there are two things in life which are dependable -- the delights of the flesh and the delights of literature. I have had the good fortune to bring them together and enjoy them together in full quantity.”

Peter Greenaway (1942) British film director

, quoted in Peter Greenaway's The
The Pillow Book

Life, Dependency

“The Muslim religion is so unreformed since it was created that nowhere in the Muslim world has there been any real advance in science, or art or literature, or technology in the last 500 years…we've leapt ahead in all material terms, but the Muslim world would say we have fallen down in all spiritual and moral terms. We have to accept our share of the blame and they have to accept theirs.”

Norman Tebbit (1931) English politician

http://www.epolitix.com/EN/Interviews/200508/88b20915-9848-4644-8f17-97ca62e4e341.htm

World, Religion, Art, Science

“Now, I always think that one of the most curious contradictions about the English stock is this: that while the criticism that is often made of us is not without an element of truth, and that is that as a nation we are less open to the intellectual sense than the Latin races, yet through that may be a fact, there is no nation on earth that has had the same knack of producing geniuses. It is almost a characteristic of the English race; there is hardly any line in which the nation has not produced geniuses, and in a nation which may people might think restrained, unable to express itself, in this same nation you have a literature second to none that has ever existed in the world, and certainly in poetry supreme.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech at the annual dinner of The Royal Society of St. George (6 May 1924), quoted in On England, and Other Addresses (1926), pp. 2-3.
1924

People, Truth, World, Thinking

“I have said that mathematics is the oldest of the sciences; a glance at its more recent history will show that it has the energy of perpetual youth. The output of contributions to the advance of the science during the last century and more has been so enormous that it is difficult to say whether pride in the greatness of achievement in this subject, or despair at his inability to cope with the multiplicity of its detailed developments, should be the dominant feeling of the mathematician. Few people outside of the small circle of mathematical specialists have any idea of the vast growth of mathematical literature. The Royal Society Catalogue contains a list of nearly thirty-nine thousand papers on subjects of Pure Mathematics alone, which have appeared in seven hundred serials during the nineteenth century. This represents only a portion of the total output, the very large number of treatises, dissertations, and monographs published during the century being omitted.”

E. W. Hobson (1856–1933) British mathematician

Source: Presidential Address British Association for the Advancement of Science, Section A (1910), p. 283; Cited in: Moritz (1914, 108-9): Modern mathematics.

People, Youth, Feeling, History

“Smoking stupefies a man, and makes him incapable of thinking or writing. It is only fit for idlers, people who are always bored, who sleep for a third of their lifetime, fritter away another third in eating, drinking, and other necessary or unnecessary affairs, and don’t know—though they are always complaining that life is so short—what to do with the rest of their time. Such lazy Turks find mental solace in handling a pipe and gazing at the clouds of smoke that they puff into the air; it helps them to kill time. Smoking induces drinking beer, for hot mouths need to be cooled down. Beer thickens the blood, and adds to the intoxication produced by the narcotic smoke. The nerves are dulled and the blood clotted. If they go on as they seem to be doing now, in two or three generations we shall see what these beer-swillers and smoke-puffers have made of Germany. You will notice the effect on our literature—mindless, formless, and hopeless; and those very people will wonder how it has come about. And think of the cost of it all! Fully 25,000,000 thalers a year end in smoke all over Germany, and the sum may rise to forty, fifty, or sixty millions. The hungry are still unfed, and the naked unclad. What can become of all the money? Smoking, too, is gross rudeness and unsociability. Smokers poison the air far and wide and choke every decent man, unless he takes to smoking in self-defence. Who can enter a smoker’s room without feeling ill? Who can stay there without perishing?”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Heinrich Luden, Rueckblicke in mein Leben, Jena 1847
Attributed

Life, Money, People, Feeling

“Science is like literature, a continuing dialog among diverse and conflicting voices, no one ever wholly right or wholly wrong, but a steady conversation forever provisional and personal and living.”

Gregory Benford book Timescape

Afterword (p. 498)
Timescape (1980)

Science, Personality

“The more snuff Frederick took, the more memoirs he wrote. He loved literature, but not enough to let it alone and stop trying to improve it.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part IV: A Few Greats, Frederick the Great

Love

“Universities are an example of organizations dominated wholly by intellectuals; yet, outside pure science, they have not been an optimal milieu for the unfolding of creative talents. In neither art, music, literature, technology and social theory, nor planning have the Universities figured as originators or as seedbeds of new talents and energies.”

Eric Hoffer (1898–1983) American philosopher

Entry (1956)
Eric Hoffer and the Art of the Notebook (2005)

Art, Music, Optimism, Universe

“I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society.”

Mike Tyson (1966) American boxer

http://www.telegraph.co.uk/sport/othersports/boxing/3026999/Boxing-Tysons-complicated-world.html
On literature

People, Alcohol, Books, Guy

“[…] Perhaps the easiest way to convince yourself is by scanning the literature of soft psychology over the last 30 years and noticing what happens to theories. Most of them suffer the fate that General MacArthur ascribed to old generals—They never die, they just slowly fade away. In the developed sciences, theories tend either to become widely accepted and built into the larger edifice of well-tested human knowledge or else they suffer destruction in the face of recalcitrant facts and are abandoned, perhaps regretfully as a “nice try.” But in fields like personology and social psychology, this seems not to happen. There is a period of enthusiasm about a new theory, a period of attempted application to several fact domains, a period of disillusionment as the negative data come in, a growing bafflement about inconsistent and unreplicable empirical results, multiple resort to ad hoc excuses, and then finally people just sort of lose interest in the thing and pursue other endeavors.”

Paul E. Meehl (1920–2003) American psychologist

Theoretical Risks and Tabular Asterisks: Sir Karl, Sir Ronald, and the Slow Progress of Soft Psychology (1978)

Fate, People, Way, Knowledge

“The thing that teases the mind over and over for years, and at last gets itself put down rightly on paper — whether little or great, it belongs to Literature.”

Sarah Orne Jewett (1849–1909) American novelist, short story writer and poet

Letter to Willa Cather, quoted in the preface to The Country of the Pointed Firs and Other Stories (1925)

“In our day the conventional element in literature is elaborately disguised by a law of copyright pretending that every work of art is an invention distinctive enough to be patented.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Mythical Phase: Symbol as Archetype

Law, Art

“I grew up to be indifferent to the distinction between literature and science, which in my teens were simply two languages for experience that I learned together.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

As quoted in World Authors 1950–1970 (1975) by J. Wakeman, pp. 221–223

Learning, Science, Indifference

“Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion.”

Stephanie Zacharek (1963) American film critic

Review http://dir.salon.com/story/ent/movies/review/2005/03/25/oldboy/index.html of Oldboy (2003)

Way, Feeling, Strong, Parting

“The technical literature on structural engineering abounds with theoretical works of a mathematical nature, but few publications are concerned with the various kinds of structures or the fundamental reasons for their existence.”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Mathematics, Nature

“In his Experiment in Autobiography (1934), H. G. Wells pointed out that ever since the beginning of life, most creatures have been 'up against it'. Their lives are a drama of struggle against the forces of nature. Yet nowadays you can say to a man: Yes, you earn a living, you support a family, you love and hate, but -- what do you do? His real interest may be in something else -- art, science, literature, philosophy. The bird is a creature of the air, the fish is a creature of the water, and man is a creature of the mind.”

Colin Wilson book From Atlantis to the Sphinx

Source: From Atlantis to the Sphinx (1996), p. 346-347

Love, Life, Hate, Family

“The copious literature on the work of artist Robert Smithson has made very little of the many parallels between the inventor of earthworks and the nineteenthcentury author of pataphysics, despite the established fact that the artist read and made notes from Alfred Jarry’s Dr. Faustroll (1898) while working on the Spiral Jetty in 1970, which undoubtedly influenced the subsequent Broken Circle &/ Spiral Hill (1971, Emmen). Given the insightful literature reassessing Jarry’s influence on twentieth-century artists including Marcel Duchamp, John Cage and Rodney Graham, a consideration of Smithson’s spiral earthworks in connection with Jarry is long overdue. In contrast to prevailing art research practices today, Smithson’s work is much more aligned with the pataphysical pursuit of ‘imaginary solutions’ that examine ‘the laws governing exceptions’ and describe ‘a universe which can be – and perhaps should be – envisaged in place of the traditional one’.”

Edward A. Shanken (1964) American art historian

Edward A. Shanken (2013). " Broken Circle &/ Spiral Hill: Smithson’s Spirals, Pataphysics, Syzygy, and Survival http://artexetra.files.wordpress.com/2009/02/shanken-smithson-2013.pdf."

Law, Art, Universe, Reading

“He produced a work of art which by its deep appreciation of natural beauty and the melancholy tenderness of its treatment of the ancient legend did more than any single work to bring about the romantic movement in European, and especially in German, literature.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

The Encyclopædia Britannica, 11th edn. (Cambridge: Cambridge University Press, 1910-11) vol. 17, p. 268.
Criticism

Beauty, Art, Nature

“It is futile to speak of liberty as long as economic slavery exists.
"Speak not of liberty — poverty is slavery!" is not a vain formula; it has penetrated into the ideas of the great working-class masses; it filters through all the present literature; it even carries those along who live on the poverty of others, and takes from them the arrogance with which they formerly asserted their rights to exploitation.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchism: Its Philosophy and Ideal (1896)

Idea

“Since my mother is the type that's called schizophrenogenic in the literature—she's the one who makes crazy people, crazy children—I was awfully curious to find out why I didn't go insane.”

Abraham Maslow (1908–1970) American psychologist

As quoted in Colin Wilson New Pathways in Psychology: Maslow and the Post-Freudian Revolution (1972, 2001), 155-56.
Quotes attributed to Abraham Maslow

Children, People

“This story of loss and regaining of identity is, I think, the framework of all literature.(pg.18)”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 2: The Singing School

Thinking, Loss

“In some respects the use of sexual obsessions as a subject for literature resembles the use of a literary subject whose validity for fewer people would contest: religious obsessions. So compared, the familiar fact of pornography’s definite, aggressive impact upon its readers looks somewhat different. Its celebrated intention of sexually stimulating readers is really a species of proselytizing. Pornography that is serious literature aims to “excite” in the same way that books which render an extreme form of religious experience aim to “convert.””

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” pp. 47-48
Styles of Radical Will (1966)

People, Books, Way

“Imprecision is tolerable and verisimilar in literature, because we always tend towards it in life.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"The Postulation of Reality" ["La postulación de la realidad"] (1931)
Discussion (1932)

Life

“The author [Goya] is convinced that it is as proper for painting to criticize human error and vice as for poetry and prose to do so, although criticism is usually taken to be exclusively the business of literature.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

1790s, Goya's announcement about 'Los Caprichos', 6 Febr. 1799

Error, Business, Painting

“I declare, on my soul and conscience, that the attainment of power, or of a great name in literature, seemed to me an easier victory than a success with some young, witty, and gracious lady of high degree.”

Honoré de Balzac (1799–1850) French writer

Je te le déclare, en mon âme et conscience, la conquête du pouvoir ou d'une grande renommée littéraire me paraissait un triomphe moins difficile à obtenir qu'un succès auprès d'une femme de haut rang, jeune, spirituelle et gracieuse.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart

Soul, Success, Victory

“Gautier says, “Baudelaire abhorred philanthropy, progressivists, utilitarians, humanitarians and utopianists.” In other words, Baudelaire condemned Rousseausism in all its forms. Today, Rousseausism has so triumphed that the arts and the avant-garde are synonymous with liberalism, an error enforced by literature teachers, with their humanist bias. I follow the Decadents in trying to drive Rousseauist benevolence out of the discourse in art and literature. The Decadents satirized the liberal faith in progress with sizzling prophecies of catastrophe and cultural collapse.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 429

Faith, Art, Error, Teachers

“The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

Truth of Intercourse.
Virginibus Puerisque and Other Papers (1881)

“I've always been surprised at the degree of success of The Mirror and the Lamp and the range and duration of esteem for it. … I had no reason to expect in 1953 that it would appeal to more than a specialized group interested in literary criticism. I think one of the reasons why it's been of interest to a broad spectrum of readers is because one of its emphases was on the role of metaphors in steering human thinking. It was a very early book to insist on the role of metaphors in cognition, as well as in imaginative literature — to claim that key metaphors help determine what and how we perceive and how we think about our perceptions. … Natural Supernaturalism is quite well known and even used as a textbook, but it never seems to have attracted the acclaim of its predecessor.”

M. H. Abrams (1912–2015) American literary theorist

Cornell Chronicle interview (1999)

Books, Imagination, Nature, Thinking

“Earlier Versions. Luther was not the first, but by far the greatest translator of the German Bible, and is as inseparably connected with it as Jerome is with the Latin Vulgate. He threw the older translation into the shade and out of use, and has not been surpassed or even equaled by a successor. There are more accurate versions for scholars (as those of De Wette and Weizsäcker), but none that can rival Luther's for popular authority and use.
The civilization of the barbarians in the dark ages began with the introduction of Christianity, and the translation of such portions of the Scriptures as were needed in public worship.
The Gothic Bishop Wulfila or Wölflein (i. e., Little Wolf) in the fourth century translated nearly the whole Bible from the Greek into the Gothic dialect. It is the earliest monument of Teutonic literature, and the basis of comparative Teutonic philology.”

Philip Schaff (1819–1893) American Calvinist theologian

Ulfilas's Gothic translation

Age, Wolf

“Prayer helped me with the loss of my wife to cancer and with a child who had fallen on tough times. Now prayer helps me to be a father, to be an actor and to be a man, it always helps to have a bit of prayer in your back pocket. At the end of the day, you have to have something and for me that is God, Jesus, my Catholic upbringing, my faith. In a way (my life) all leads back to a little boy in Navan, my home town on the banks of the Boyne. Sometimes, it has been painted in melodramatic tones but it was a fantastic way to be brought up. The Catholicism and the Christian brothers, those are deep-rooted images and the foundation for a person of some acting skill, God has been good to me. My faith has been good to me in the moments of deepest suffering, doubt and fear. It is a constant, the language of prayer… I might not have got my sums right from the Christian Brothers or might not have got the greatest learning of literature from them but I certainly got a strapping amount of faith. But there is one thing that the people of Ireland know how to do and that is to survive. You have to keep your faith and stay optimistic.”

Pierce Brosnan (1953) Irish-American actor, film producer, and environmentalist

Pierce Brosnan talks about his deep Catholic faith http://www.irishcentral.com/culture/entertainment/pierce-brosnan-talks-about-his-deep-catholic-faith-118983269-237736371 (March 31, 2011)

Life, God, People, Fear

“I am the enfant terrible of literature and science.”

Samuel Butler (1835–1902) novelist

Myself
The Note-Books of Samuel Butler (1912), Part XII - The Enfant Terrible of Literature

Science

Quotes about literature page 6

Quotes about literature
page 6