Quotes about white

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A FINAL THOUGHT BEFORE THE SHOW https://web.archive.org/web/20041103063054/http://www.ejectejecteject.com:80/archives/000111.html (31 October 2004)
2000s

Quote of Vincent van Gogh in his letter to Horace Mann Livens, from Paris, September or October 1886; from letter 569 - vangoghletters online http://vangoghletters.org/vg/letters/let569/letter.html
1880s, 1886

Conclusion of the published script.
The Pillow Book

The Consent of the (Un)governed

Interview by Kate Sullivan for Allure, April 2010

As quoted in National Review (20 March 2000).

If They Come in The Morning (1971)

mentioned 30 May 2018 by Fortune http://fortune.com/2018/05/30/melinda-gates-limited-partner-venture-capital/?utm_source=fortune.com&utm_medium=email&utm_campaign=social-button-sharing then 31 May 2018 by Business Insider http://www.businessinsider.com/melinda-gates-has-sharp-words-for-the-vc-industry-2018-5 and 5 June 2018 by The Federalist http://thefederalist.com/2018/06/05/melinda-gates-bashes-white-guys-says-shell-discriminate/

Source: What Is This Thing Called Science? (Third Edition; 1999), Chapter 7, The limitations of falsificationism, p. 87.

"About Writing for Television", his foreword to a collection of teleplays ("Patterns").
Other

On the arrest of Crow Dog, in [Harring, Sidney L., Crow Dog's Case: A Chapter in the Legal History of Tribal Sovereignty Harring, American Indian Law Review, 1989, 14, 2, 191-240, http://heinonline.org/HOL/P?h=hein.journals/aind14&i=202, 1 March 2018]

A Message from President-Elect Donald J. Trump https://www.youtube.com/watch?v=7xX_KaStFT8 (21 November 2016)
2010s, 2016, November

2010s, Hard Truths: Law Enforcement (2015)

"Reid: America Deserves Accountability for Iraq Contracting Abuses" http://democrats.senate.gov/newsroom/record.cfm?id=263222&, Senate Democratic Caucus website, September 18, 2006 (accessed 2006-09-21)

Of Poland, Red Ribbon on a White Horse, ch. 9 (1950)

How Stupid Is Iowa? (2016)

"Bush's America : Roach Motel" (6 June 2007) http://www.humanevents.com/article.php?id=21029.
2007

Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 39: Statement concerning his painting 'Threading Light'
1950's

The Vow of the Peacock (1835)

La Princesse de Clèves (1678) (Kessinger Publishing, 2004, ISBN 1419178717), p. 89

It seems to revel in making pro-American, security-minded South Koreans look foolish.
2010s, "Heaven is Helping Us": More from the Nationalist Left (August 2018)

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

1960s, The Rising Tide of Racial Consciousnes (1960)

Hasan Nizami, Taj-ul-Maasir,about the conquest of Ajmer by Muhammad Ghauri in 1192: E and D, II, pp.214-15. quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 2

As quoted by The Times. http://time.com/4172603/paul-lepage-chris-christie-maine-2016-election/ (January 8, 2016)

All Things Censored (2001, Seven Stories Press), pp. 55-56

Interview with Clancy Brown http://mediamikes.com/2011/03/interview-with-clancy-brown/ (March 14, 2011)

Speak Now.
Song lyrics, Speak Now (2010)

Lutuli's Acceptance Speech http://www.nobelprize.org/nobel_prizes/peace/laureates/1960/lutuli-acceptance.html of the Nobel Peace Prize (December 10, 1961).
Nobel Prize acceptance speech (1961)

Cynthia Eagle Russett. Sexual Science: The Victorian Construction of Womanhood. Harvard University Press, 2009. Abstract

Interview http://transcripts.cnn.com/TRANSCRIPTS/0009/23/se.02.html with CNN Anchor Kyra Phillips (September 23, 2000)
2000s, 2000

"Trashing Populism: Dim-Bulb Academic Vs. Deplorables," https://townhall.com/columnists/ilanamercer/2018/04/13/trashing-populism-dimbulb-academic-vs-deplorables-n2470579 Townhall.com, April 18, 2018
2010s, 2018

Empire: How Britain Made the Modern World (2003)

From the article White on White from Rolling Stone Magazine
On 'gimmicks

Source: A Stranger in Olondria (2013), Chapter 3, “Doorways” (p. 19; the first sentence is echoed on p. 273)

Source: 1950's, In: Reminiscence and Reverie, 1951, pp. 45, 46

As quoted by James Baldwin, “Highroad to Destiny,” a chapter in Martin Luther King, Jr.: A Profile, edited by C. Eric Lincoln, New York, NY, Hill & Wang, 1993, p. 97, (Rev. King speech to a black congregation in St. Louis), reprinted from the February, 1961 issue of Harper’s magazine under the title: “The Dangerous Road Before Martin Luther King.”
1960s

Lena Horne (ca. 1997) in: Susan Ratcliffe (2012) Little Oxford Dictionary of Quotations, p. 208

1880s, The Future of the Colored Race (1886)

2010s, The Future of Stone Mountain (July 2015)

1992
July
Ron Paul Political Report
3
http://www.tnr.com/sites/default/files/PR_July92_p3.pdf, quoted in * 2012-01-03
Andy
Kroll
10 Extreme Claims in Ron Paul's Controversial Newsletters
Mother Jones
0362-8841
http://motherjones.com/politics/2012/01/ron-paul-newsletter-iowa-caucus-republican?page=2
Disputed, Newsletters, Ron Paul Political Report

Death on the Nile (1937)

John M. Coski, The Confederate Battle Flag: America's Most Embattled Emblem https://archive.is/jcaoZ (2006).

"Away When You Were Here", The Sound of the Life of the Mind (2012).
Song lyrics, With Ben Folds Five

Man's Rise to Civilization (1968)

As quoted in "My hols: Bruce Parry" in Times Online UK (16 September 2007) http://travel.timesonline.co.uk/tol/life_and_style/travel/news/article2452420.ece

Source: Cider with Rosie (1959), p. 52.

Curfew must not ring To-night (published 1870).

Rangel (2005) in an interview on New York Public Television (March 28, 2005): On George W. Bush

The Conquest of a Continent (1933)

2000s, 2001, Black Music (June 2001)

Epigraph, Ch. 1 : Mount Shasta; this appears as "To Mount Shasta" in In Classic Shades, and Other Poems (1890), p. 126
Variant: I saw the lightning's gleaming rod
Reach forth and write upon the sky
The awful autograph of God.
This variant was cited as being in The Ship in the Desert in the 10th edition of Familiar Quotations (1919) by John Bartlett, but this appears to be an incorrect citation of a misquotation first found in The Japanese Letters of Lafcadio Hearn (1910), edited by Elizabeth Bislande, p. 161.
Shadows of Shasta (1881)
Context: Where storm-born shadows hide and hunt
I knew thee, in thy glorious youth,
And loved thy vast face, white as truth;
I stood where thunderbolts were wont
To smite thy Titan-fashioned front,
And heard dark mountains rock and roll;
I saw the lightning's gleaming rod
Reach forth and write on heaven's scroll
The awful autograph of God!

The Centaur (1963)
Context: I miss only, and then only a little, in the late afternoon, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible. My father for all his mourning moved in the atmosphere of such laughter. He would have puzzled you. He puzzled me. His upper half was hidden from me, I knew best his legs.

Interview with Selina Scott on West 57th Street (aired 12 December 1987)
Context: I had no ambition when I was a kid other than to play guitar and get in a rock 'n' roll band. I don't really like to be the guy in the white suit at the front. Like in the Beatles, I was the one who kept quiet at the back and let the other egos be at the front.

"The Magic of Science" in Imperial Oil Review (Spring, 1994) http://sites.utoronto.ca/jpolanyi/public_affairs/public_affairs4f.html.
Context: It is not the laws of physics that make science possible but the unprovable proposition that there exists a grand design underlying the physical world. And not just any old "grand design" but one that is accessible to the limited senses and modest reasoning powers of the species to which we belong. Scientists subscribe with such conviction to this article of faith that they are willing to commit a lifetime to the pursuit of scientific discovery. It is hardly surprising that an activity so magical is also undefinable. Science is what scientists do. And what they do is look around themselves for messages written in the sky, the earth, the oceans and all living things – messages that tell of the unity of creation. These messages have been there – unseen, though at times written in letters miles high – since the dawn of history. But we have just passed through an epoch in which, quite suddenly, scientists seem to have learnt speed reading. Discoveries have been coming at an unprecedented pace. In the wake of such a period it is common to consider that we may be approaching the point where all that is readable in nature will have been read. We should be skeptical of such claims. Success in reading some messages brings with it a temporary blindness to others. We forget that between the words written in black in nature's book there are likely to be messages of equal importance written in white. It is a truism that success in science comes to the individuals who ask the right questions.

Trees and Other Poems (1914), Delicatessen
Context: For, once he thrilled with high romance
And tuned to love his eager voice.
Like any cavalier of France
He wooed the maiden of his choice.
And now deep in his weary heart
Are sacred flames that whitely burn.
He has of Heaven's grace a part
Who loves, who is beloved in turn.

Part Troll (2004)

Context: You cannot judge all men by the one standard, any more than you can make shoes for all of them on the same last. No law that ever darkened white paper in the printing can lay down a rule of conduct for all men to follow alike.

The Savage Nation (1995- ), 2016
Context: plays sound clip of Hillary Clinton's coughing fit in Cleveland> Would be nice to have her as president, wouldn't it? Really good. Sad. I mean, it's unbelievable. The woman's falling apart. I mean, you're not gonna laugh at this. She's collapsing on the stage!... Just who we need is this in the White House. After eight years of Obama we need a cripple in the White House. Can you believe this? You know, this shows insanity, by the way. Forget illness. It shows insanity. Keep going, I hope you didn't stop the tape. This went on for four and a half minutes.

1970s, Fear and Loathing: On the Campaign Trail '72 (1973)
Context: We've come to a point where every four years this national fever rises up — this hunger for the Saviour, the White Knight, the Man on Horseback — and whoever wins becomes so immensely powerful, like Nixon is now, that when you vote for President today you're talking about giving a man dictatorial power for four years. I think it might be better to have the President sort of like the King of England — or the Queen — and have the real business of the presidency conducted by... a City Manager-type, a Prime Minister, somebody who's directly answerable to Congress, rather than a person who moves all his friends into the White House and does whatever he wants for four years. The whole framework of the presidency is getting out of hand. It's come to the point where you almost can't run unless you can cause people to salivate and whip each other with big sticks. You almost have to be a rock star to get the kind of fever you need to survive in American politics.

Source: The Master of Go (1951), Ch. 38, p. 164.
Context: That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.

Native Son (1940)

Native Son (1940)

The Humanist interview (2012)
Context: Regarding the idea that the women’s movement is white and middle class — a fair share of the country is white and middle class. And certainly, there are racist white women. Certainly, there are sexist black men. All those things are true. But the other thing that’s never said is that black women are much more likely to support feminist issues than white women. It makes sense because they’re much more likely to be on the paid labor force than white women. And if you’ve experienced discrimination for one reason, you’re probably more likely to recognize it for another reason.

"The Old Man and the White Horse" http://barnabasministry.com/quotes-oldmanwhitehorse.html
In the Eye of the Storm (1991)
Context: Once there was an old man who lived in a tiny village. Although poor, he was envied by all, for he owned a beautiful white horse. Even the king coveted his treasure. A horse like this had never been seen before — such was its splendor, its majesty, its strength.

The God-Seeker (1949), Ch. 41

Address on the Flag of India (22 July 1947), as recorded in the Constituent Assembly Of India Vol. IV http://parliamentofindia.nic.in/ls/debates/vol4p7.htm
Context: The Flag links up the past and the present. It is the legacy bequeathed to us by the architects of our liberty. Those who fought under this Flag are mainly responsible for the arrival of this great day of Independence for India. Pandit Jawaharlal has pointed out to you that it is not a day of joy unmixed with sorrow. The Congress fought for unity and liberty. The unity has been compromised; liberty too. I feel, has been compromised, unless we are able to face the tasks which now confront us with courage, strength and vision. What is essential to-day is to equip ourselves with new strength and with new character if these difficulties are to be overcome and if the country is to achieve the great ideal of unity and liberty which it fought for. Times are hard. Everywhere we are consumed by phantasies. Our minds are haunted by myths. The world is full of misunderstandings, suspicions and distrusts. In these difficult days it depends on us under what banner we fight.
Here we are Putting in the very centre the white, the white of the Sun's rays. The white means the path of light. There is darkness even at noon as some People have urged, but it is necessary for us to dissipate these clouds of darkness and control our conduct-by the ideal light, the light of truth, of transparent simplicity which is illustrated by the colour of white.
We cannot attain purity, we cannot gain our goal of truth, unless we walk in the path of virtue. The Asoka's wheel represents to us the wheel of the Law, the wheel Dharma. Truth can be gained only by the pursuit of the path of Dharma, by the practice of virtue. Truth,—Satya, Dharma —Virtue, these ought to be the controlling principles of all those who work under this Flag. It also tells us that the Dharma is something which is perpetually moving. If this country has suffered in the recent past, it is due to our resistance to change. There are ever so many challenges hurled at us and if we have not got the courage and the strength to move along with the times, we will be left behind. There are ever so many institutions which are worked into our social fabric like caste and untouchability. Unless these things are scrapped we cannot say that we either seek truth or practise virtue. This wheel which is a rotating thing, which is a perpetually revolving thing, indicates to us that there is death in stagnation. There is life in movement. Our Dharma is Sanatana, eternal, not in the sense that it is a fixed deposit but in the sense that it is perpetually changing. Its uninterrupted continuity is its Sanatana character. So even with regard to our social conditions it is essential for us to move forward.
The red, the orange, the Bhagwa colour, represents the spirit of renunciation. All forms of renunciation are to be embodied in Raja Dharma. Philosophers must be kings. Our leaders must be disinterested. They must be dedicated spirits. They must be people who are imbued with the spirit of renunciation which that saffron, colour has transmitted to us from the beginning of our history. That stands for the fact that the World belongs not to the wealthy, not to the prosperous but to the meek and the humble, the dedicated and the detached.
That spirit of detachment that spirit of renunciation is represented by the orange or the saffron colour and Mahatma Gandhi has embodied it for us in his life and the Congress has worked under his guidance and with his message. If we are not imbued with that spirit of renunciation in than difficult days, we will again go under.
The green is there, our relation to the soil, our relation to the plant life here, on which all other life depends. We must build our Paradise, here on this green earth. If we are to succeed in this enterprise, we must be guided by truth (white), practise virtue (wheel), adopt the method of self-control and renunciation (saffron). This flag tells us "Be ever alert, be ever on the move, go forward, work for a free, flexible, compassionate, decent, democratic society in which Christians, Sikhs, Muslims, Hindus, Buddhists will all find a safe shelter." Let us all unite under this banner and rededicate ourselves to the ideas our flag symbolizes.

Letter to General Marquis de Lafayette https://archive.org/stream/jstor-2713830/2713830_djvu.txt (25 November 1820), Montpelier
1820s
Context: The subject which ruffles the surface of public affairs most, at present, is furnished by the transmission of the "Territory" of Missouri from a state of nonage to a maturity for self-Government, and for a membership in the Union. Among the questions involved in it, the one most immediately interesting to humanity is the question whether a toleration or prohibition of slavery Westward of the Mississippi would most extend its evils. The human part of the argument against the prohibition turns on the position, that whilst the importation of slaves from abroad is precluded, a diffusion of those in the Country tends at once to meliorate their actual condition, and to facilitate their eventual emancipation. Unfortunately, the subject, which was settled at the last session of Congress by a mutual concession of the parties, is reproduced on the arena by a clause in the Constitution of Missouri, distinguishing between free persons of colour and white persons, and providing that the Legislature of the new State shall exclude from it the former. What will be the issue of the revived discussion is yet to be seen. The ease opens the wider field, as the Constitution and laws of the different States are much at variance in the civic character giving to free persons of colour; those of most of the States, not excepting such as have abolished slavery, imposing various disqualifications, which degrade them from the rank and rights of white persons. All these perplexities develop more and more the dreadful fruitfulness of the original sin of the African trade.

Hearst newspaper column, (28 November 2001).

"Intense Ornate" interview with Amazon.co.uk (1999) http://www.elizabethhand.com/interview99.shtml
Context: So much fantasy relies on the author's having read Fraser's The Golden Bough or Robert Graves' The White Goddess and nothing else. The White Goddess is a crank book, a crank book of genius of course, but all the same... Mind you, I found Waking the Moon cited in an article in a pagan magazine as an authority for the idea that there was a patriarchal brotherhood, the Benandanti, that have been running things since antiquity, with no mention of the fact that it is a novel, and a fantasy at that. People want to believe something, and so they swallow anything.

Letter to F.W Weber (1950); as quoted in Maxfield Parrish by Coy Ludwig (1997)
Context: It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.

As translated in Spanish-American Poetry : A Dual-language Anthology (1996) by Seymour Resnick
Variant translation:
I cultivate a white rose
In July as in January
For the sincere friend
Who gives me his hand frankly. <p> And for the cruel person who tears out
the heart with which I live,
I cultivate neither nettles nor thorns:
I cultivate a white rose.
Simple Verses (1891), I Grow a White Rose

This I Believe (1952)
Context: I believe in —  I am proud to belong to —  the United States. Despite shortcomings, from lynchings to bad faith in high places, our nation has had the most decent and kindly internal practices and foreign policies to be found anywhere in history.
And finally, I believe in my whole race. Yellow, white, black, red, brown — in the honesty, courage, intelligence, durability … and goodness …. of the overwhelming majority of my brothers and sisters everywhere on this planet. I am proud to be a human being. I believe that we have come this far by the skin of our teeth, that we always make it just by the skin of our teeth — but that we will always make it … survive … endure. I believe that this hairless embryo with the aching, oversize brain case and the opposable thumb, this animal barely up from the apes, will endure — will endure longer than his home planet, will spread out to the other planets, to the stars, and beyond, carrying with him his honesty, his insatiable curiosity, his unlimited courage — and his noble essential decency.
This I believe with all my heart.

Man's Rise to Civilization (1968)

Interview by John Veit in High Times, April 1998 http://www.hightimes.com/ht/entertainment/content.php?bid=175&aid=2
Quotes 1990s, 1995-1999
Context: If you look into the history of what is called the CIA, which means the US White House, its secret wars, clandestine warfare, the trail of drug production just follows. It started in France after the Second World War when the United States was essentially trying to reinstitute the traditional social order, to rehabilitate Fascist collaborators, wipe out the Resistance and destroy the unions and so on. The first thing they did was reconstitute the Mafia, as strikebreakers or for other such useful services. And the Mafia doesn't do it for fun, so there was a tradeoff: Essentially, they allowed them to reinstitute the heroin production system, which had been destroyed by the Fascists. The Fascists tended to run a pretty tight ship; they didn't want any competition, so they wiped out the Mafia. But the US reconstituted it, first in southern Italy, and then in southern France with the Corsican Mafia. That's where the famous French Connection comes from. That was the main heroin center for many years. Then US terrorist activities shifted over to Southeast Asia. If you want to carry out terrorist activities, you need local people to do it for you, and you also need secret money to pay for it, clandestine hidden money. Well, if you need to hire thugs and murderers with secret money, there aren't many options. One of them is the drug connection. The so-called Golden Triangle around Burma, Laos and Thailand became a big drug producing area with the help of the United States, as part of the secret wars against those populations.

Source: 1990s, For Cause and Comrades: Why Men Fought in the Civil War (1997), p. 106
Context: These soldiers were using the word slavery in the same way that Americans in 1776 had used it to describe their subordination to Britain. Unlike many slaveholders in the age of Thomas Jefferson, Confederate soldiers from slaveholding families expressed no feelings of embarrassment or inconsistency in fighting for their own liberty while holding other people in slavery. Indeed, white supremacy and the right of property in slaves were at the core of the ideology for which Confederate soldiers fought.

Native Son (1940)

Speech to the Virginia Convention (1861)
Context: The majority according to the Northern idea, which will then be the all-pervading, all powerful one, have the right to control. It will be in keeping particularly with the principles of the abolitionists that the majority, no matter of what, shall rule. Is it to be supposed that the white race will stand that? It is not a supposable case. Although not half so numerous, we may readily assume that war will break out everywhere like hidden fire from the earth, and it is probable that the white race, being superior in every respect, may push the other back. They will then call upon the authorities at Washington, to aid them in putting down servile insurrection, and they will send a standing army down upon us, and the volunteers and Wide-Awakes will come in thousands, and we will be overpowered and our men will be compelled to wander like vagabonds all over the earth; and as for our women, the horrors of their state we cannot contemplate in imagination. That is the fate which Abolition will bring upon the white race.

First published in the "Movie Answer Man" column (25 July 2004) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040725/ANSWERMAN/407250305
Context: Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.
I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

Lady Clare (1842)

Sixth Lincoln-Douglas debate https://cwcrossroads.wordpress.com/2011/01/18/race-and-slavery-north-and-south-some-logical-fallacies/#comment-47553, (13 October 1860), Quincy, Illinois
1860s
Context: You know that in his Charleston speech, an extract from which he has read, he declared that the negro belongs to an inferior race; is physically inferior to the white man, and should always be kept in an inferior position. I will now read to you what he said at Chicago on that point. In concluding his speech at that place, he remarked, 'My friends, I have detained you about as long as I desire to do, and I have only to say let us discard all this quibbling about this man and the other man-this race and that race, and the other race being inferior, and therefore they must be placed in an inferior position, discarding our standard that we have left us. Let us discard all these things, and unite as one people throughout this land until we shall once more stand up declaring that all men are created equal'. Thus you see, that when addressing the Chicago Abolitionists he declared that all distinctions of race must be discarded and blotted out, because the negro stood on an equal footing with the white man; that if one man said the Declaration of Independence did not mean a negro when it declared all men created equal, that another man would say that it did not mean another man; and hence we ought to discard all difference between the negro race and all other races, and declare them all created equal.

Song lyrics, Hounds of Love (1985), The Ninth Wave
Context: If they find me racing white horses,
They'll not take me for a buoy.
Let me be weak,
Let me sleep
And dream of sheep.

Source: My Turn (1989), Ch. 4 : First Lady, Dragon Lady
Context: I was not the power behind the throne.
Did I ever give Ronnie advice? You bet I did. I’m the one who knows him best, and I was the only person in the White House who had absolutely no agenda of her own — except helping him.
And so I make no apologies for telling him what I thought. Just because you’re married doesn’t mean you have no right to express your opinions. For eight years I was sleeping with the president, and if that doesn’t give you special access, I don’t know what does!
So yes, I gave Ronnie my best advice — whenever he asked for it, and sometimes when he didn’t. But that doesn’t mean he always took it. Ronald Reagan has a mind of his own.

1880s, Reminiscences (1881)
Context: In several respects, I consider my father as one of the most interesting men I have known. He was a man of perhaps the very largest natural endowment of any it has been my lot to converse with. None of us will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was) with, all manner of potent words which he appropriated and applied with a surprising accuracy you often would not guess whence; brief, energetic, and which I should say conveyed the most perfect picture — definite, clear, not in ambitious colors, but in full white sunliglit — of all the dialects I have ever listened to. Nothing did I ever hear him undertake to render visible which, did not become almost ocularly so. Never shall we again hear such speech as that was. The whole district knew of it and laughed joyfully over it, not knowing how other-wise to express the feeling it gave them; emphatic I have heard him beyond all men. In anger he had no need of oaths, his words were like sharp arrows that smote into the very heart. The fault was that he exaggerated (which tendency I also inherit), yet only in description and for the sake chiefly of humorous effect.

Lincoln Hall Speech (1879)
Context: Whenever the white man treats the Indian as they treat each other then we shall have no more wars. We shall be all alike — brothers of one father and mother, with one sky above us and one country around us and one government for all. Then the Great Spirit Chief who rules above will smile upon this land and send rain to wash out the bloody spots made by brothers' hands upon the face of the earth. For this time the Indian race is waiting and praying. I hope no more groans of wounded men and women will ever go to the ear of the Great Spirit Chief above, and that all people may be one people.

Phone interview on The Majority Report, 2004-04-02

A statement regarding the Emmett Till murder.
Paris Review interview (1958)
Context: If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green. Maybe the purpose of this sorry and tragic error committed in my native Mississippi by two white adults on an afflicted Negro child is to prove to us whether or not we deserve to survive. Because if we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we don’t deserve to survive, and probably won’t.

Source: The Bell Jar (1963), Ch. 7
Context: Instead of the world being divided up into Catholics and Protestants or Republicans and Democrats or white men and black men or even men and women, I saw the world divided into people who had slept with somebody and people who hadn't, and this seemed the only really significant difference between one person and another. I thought a spectacular change would come over me the day I crossed the boundary line.

"The Sadistic Muse" - an interview with Laura Miller at salon.com (10 February 1998) http://web.archive.org/web/20000110052318/http://www.salon.com/books/int/1998/02/cov_si_10int.html
Context: It's been said that happiness writes white. It doesn't show up on the page. When you're on holiday and writing a letter home to a friend, no one wants a letter that says the food is good and the weather is charming and the accommodations comfortable. You want to hear about lost passports and rat-filled shacks.

Review of Andrew Jackson: An Epic in Homespun by Gerald W. Johnson http://www.unz.org/Pub/AmMercury-1928mar-00382, The American Mercury, March 1928, pp. 382-383 (March 1928)
1920s

1960s, How Long, Not Long (1965)
Context: Our whole campaign in Alabama has been centered around the right to vote. In focusing the attention of the nation and the world today on the flagrant denial of the right to vote, we are exposing the very origin, the root cause, of racial segregation in the Southland. Racial segregation as a way of life did not come about as a natural result of hatred between the races immediately after the Civil War. There were no laws segregating the races then. And as the noted historian, C. Vann Woodward, in his book, The Strange Career of Jim Crow, clearly points out, the segregation of the races was really a political stratagem employed by the emerging Bourbon interests in the South to keep the southern masses divided and southern labor the cheapest in the land. You see, it was a simple thing to keep the poor white masses working for near-starvation wages in the years that followed the Civil War. Why, if the poor white plantation or mill worker became dissatisfied with his low wages, the plantation or mill owner would merely threaten to fire him and hire former Negro slaves and pay him even less. Thus, the southern wage level was kept almost unbearably low. Toward the end of the Reconstruction era, something very significant happened. That is what was known as the Populist Movement. The leaders of this movement began awakening the poor white masses and the former Negro slaves to the fact that they were being fleeced by the emerging Bourbon interests. Not only that, but they began uniting the Negro and white masses into a voting bloc that threatened to drive the Bourbon interests from the command posts of political power in the South. To meet this threat, the southern aristocracy began immediately to engineer this development of a segregated society. I want you to follow me through here because this is very important to see the roots of racism and the denial of the right to vote. Through their control of mass media, they revised the doctrine of white supremacy. They saturated the thinking of the poor white masses with it, thus clouding their minds to the real issue involved in the Populist Movement. They then directed the placement on the books of the South of laws that made it a crime for Negroes and whites to come together as equals at any level. And that did it. That crippled and eventually destroyed the Populist Movement of the nineteenth century.

1960s, How Long, Not Long (1965)
Context: If it may be said of the slavery era that the white man took the world and gave the Negro Jesus, then it may be said of the Reconstruction era that the southern aristocracy took the world and gave the poor white man Jim Crow. He gave him Jim Crow. And when his wrinkled stomach cried out for the food that his empty pockets could not provide, he ate Jim Crow, a psychological bird that told him that no matter how bad off he was, at least he was a white man, better than the black man. And he ate Jim Crow. And when his undernourished children cried out for the necessities that his low wages could not provide, he showed them the Jim Crow signs on the buses and in the stores, on the streets and in the public buildings. And his children, too, learned to feed upon Jim Crow, their last outpost of psychological oblivion. Thus, the threat of the free exercise of the ballot by the Negro and the white masses alike resulted in the establishment of a segregated society. They segregated southern money from the poor whites; they segregated southern mores from the rich whites; they segregated southern churches from Christianity; they segregated southern minds from honest thinking; and they segregated the Negro from everything. That’s what happened when the Negro and white masses of the South threatened to unite and build a great society: a society of justice where none would pray upon the weakness of others; a society of plenty where greed and poverty would be done away; a society of brotherhood where every man would respect the dignity and worth of human personality.

The Nature of Consciousness http://deoxy.org/w_nature.htm; also published as What Is Reality? (1989)
Context: If you awaken from this illusion, and you understand that black implies white, self implies other, life implies death — or shall I say, death implies life — you can conceive yourself. Not conceive, but feel yourself, not as a stranger in the world, not as someone here on sufferance, on probation, not as something that has arrived here by fluke, but you can begin to feel your own existence as absolutely fundamental. What you are basically, deep, deep down, far, far in, is simply the fabric and structure of existence itself. So, say in Hindu mythology, they say that the world is the drama of God. God is not something in Hindu mythology with a white beard that sits on a throne, that has royal perogatives. God in Indian mythology is the self, Satcitananda. Which means sat, that which is, chit, that which is consciousness; that which is ananda is bliss. In other words, what exists, reality itself is gorgeous, it is the fullness of total joy.

Black Boy (1945)

Living Faith (2001), p. 222
Post-Presidency
Context: Except during my childhood, when I was probably influenced by Michelangelo's Sistine Chapel depiction of God with a flowing white beard, I have never tried to project the Creator in any kind of human likeness. The vociferous debates about whether God is male or female seem ridiculous to me. I think of God as an omnipotent and omniscient presence, a spirit that permeates the universe, the essence of truth, nature, being, and life. To me, these are profound and indescribable concepts that seem to be trivialized when expressed in words.

"Love the Wild Swan" (1935)
Context: I hate my verses, every line, every word.
Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.
Oh cracked and twilight mirrors ever to catch
One color, one glinting flash, of the splendor of things.

"Shady, shady the wood in front of the Hall"
Translated by Arthur Waley
Context: My little children are playing at my side,
Learning to talk, they babble unformed sounds.
These things have made me happy again
And I forget my lost cap of office.
Distant, distant I gaze at the white clouds:
With a deep yearning I think of the Sages of Antiquity.

Flight, pp. 148
Native Son (1940)

"On Angels"
Context: All was taken away from you: white dresses,
wings, even existence.
Yet I believe you,
messengers. There, where the world is turned inside out,
a heavy fabric embroidered with stars and beasts,
you stroll, inspecting the trustworthy seams.