Quotes about wall
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Margaret Thatcher photo

“Our friends from Eastern Europe reminded us that no force of arms, no walls, no barbed wire can for ever suppress the longing of the human heart for liberty and independence.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Party Conference (12 October 1990) http://www.margaretthatcher.org/document/108217
Third term as Prime Minister
Context: The toppling of the Berlin Wall. The overthrow of Ceausescu by the people he had so brutally oppressed. The first free elections in Eastern Europe for a generation. The spread of the ideas of market freedom and independence to the very heart of the Soviet Leviathan... Our friends from Eastern Europe reminded us that no force of arms, no walls, no barbed wire can for ever suppress the longing of the human heart for liberty and independence. Their courage found allies. Their victory came about because for forty long, cold years the West stood firm against the military threat from the East. Free enterprise overwhelmed Socialism. This Government stood firm against all those voices raised at home in favour of appeasement. We were criticised for intransigence. Tempted repeatedly with soft options. And reviled for standing firm against Soviet military threats. When will they learn? When will they ever learn?

Jean Chrétien photo

“The art of politics is learning to walk with your back to the wall,”

Jean Chrétien (1934) 20th Prime Minister of Canada

Source: Straight From The Heart (1985), Chapter Five, A Balancing Act, p. 118
Context: The art of politics is learning to walk with your back to the wall, your elbows high, and a smile on your face. It's a survival game played under the glare of lights.

“He was too big to be nailed to the wall
Of a stone chapel, yet still we crammed him
Between the boards of a black book.”

R.S. Thomas (1913–2000) Welsh poet

"A Welsh Testament"
Tares (1961)
Context: Even God had a Welsh name:
He spoke to him in the old language;
He was to have a peculiar care
For the Welsh people. History showed us
He was too big to be nailed to the wall
Of a stone chapel, yet still we crammed him
Between the boards of a black book.

Ernest Flagg photo

“Where civilization is slightly more advanced, low stone walls are built upon which the feet of the rafters rest.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)
Context: One of the most ancient and inexpensive ways of obtaining shelter, was to utilize the space under sloping roof rafters. Indian wigwams have no other kind. Where civilization is slightly more advanced, low stone walls are built upon which the feet of the rafters rest.<!--Ch. III

Angela Merkel photo

“The yearning for freedom cannot be contained by walls for long.”

Angela Merkel (1954) Chancellor of Germany

Remarks by President Obama and Chancellor Merkel in an Exchange of Toasts on June 07, 2011. http://www.newsroomamerica.com/story/137358/remarks_by_president_obama_and_chancellor_merkel_in_an_exchange_of_toasts.html
Context: History has often showed us the strength of the forces that are unleashed by the yearning for freedom. It moved people to overcome their fears and openly confront dictators such as in about 22 years ago. […] The yearning for freedom cannot be contained by walls for long. It was this yearning that brought down the Iron Curtain that divided Germany and Europe, and indeed the world, into two blocs.

Lucretius photo

“And yet it is hard to believe that anything
in nature could stand revealed as solid matter.
The lightning of heaven goes through the walls of houses,
like shouts and speech; iron glows white in fire;
red-hot rocks are shattered by savage steam;
hard gold is softened and melted down by heat;
chilly brass, defeated by heat, turns liquid;
heat seeps through silver, so does piercing cold;
by custom raising the cup, we feel them both
as water is poured in, drop by drop, above.”

Etsi difficiile esse videtur credere quicquam in rebus solido reperiri corpore posse. transit enim fulmen caeli per saepta domorum, clamor ut ad voces; flamen candescit in igni dissiliuntque ferre ferventi saxa vapore. tum labefactatus rigor auri solvitur aestu; tum glacies aeris flamma devicta liquescit; permanat calor argentum penetraleque frigus quando utrumque manu retinentes pocula rite sensimus infuso lympharum rore superne.

Lucretius (-94–-55 BC) Roman poet and philosopher

Book I, lines 487–496 (Frank O. Copley)
De Rerum Natura (On the Nature of Things)

Haruki Murakami photo

“If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg.”

Haruki Murakami (1949) Japanese author, novelist

Jerusalem Prize acceptance speech, (2009)
Context: If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals... We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system.

John F. Kennedy photo

“Freedom has many difficulties and democracy is not perfect, but we have never had to put a wall up to keep our people in, to prevent them from leaving us.”

"Ich bin ein Berliner" Speech, June 26, 1963, https://en.wikipedia.org/wiki/File:Ich_bin_ein_Berliner_Speech_(June_26,_1963)_John_Fitzgerald_Kennedy_trimmed.theora.ogv
Context: Freedom has many difficulties and democracy is not perfect, but we have never had to put a wall up to keep our people in, to prevent them from leaving us. [... ] While the wall is the most obvious and vivid demonstration of the failures of the Communist system, for all the world to see, we take no satisfaction in it, for it is, as your Mayor has said, an offense not only against history but an offense against humanity, separating families, dividing husbands and wives and brothers and sisters, and dividing a people who wish to be joined together.

Baba Hari Dass photo

“If the ego is pulled toward the world, it makes a wall. If the same ego is pulled toward God, it makes a ladder”

Baba Hari Dass (1923–2018) master yogi, author, builder, commentator of Indian spiritual tradition

Miscellaneous
Context: Control of the mind can be achieved by understanding yourself, the aim and the energy which is blocking us from progressing. Between God and the Self, the blocking energy is the ego. If the ego is pulled toward the world, it makes a wall. If the same ego is pulled toward God, it makes a ladder.

Vitruvius photo

“As for Mars, when that divinity is enshrined outside the walls, the citizens will never take up arms against each other, and he will defend the city from its enemies and save it from danger in war.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VII, Sec. 1
Context: For the temples, the sites for those of the gods under whose particular protection the state is thought to rest and for Jupiter, Juno, and Minerva, should be on the very highest point commanding a view of the greater part of the city. Mercury should be in the forum, or, like Isis and Serapis, in the emporium; Apollo and Father Bacchus near the theater; Hercules at the circus in communities which have no gymnasia nor amphitheatres; Mars outside the city but at the training ground, and so Venus, but at the harbor. It is moreover shown by the Etruscan diviners in treatises on their science that the fanes of Venus, Vulcan, and Mars should be situated outside the walls, in order that the young men and married women may not become habituated in the city to the temptations incident to the worship of Venus, and that buildings may be free from the terror of fires through the religious rites and sacrifices which call the power of Vulcan beyond the walls. As for Mars, when that divinity is enshrined outside the walls, the citizens will never take up arms against each other, and he will defend the city from its enemies and save it from danger in war.

Nathalia Crane photo

“They lower pails from heaven's walls to catch the milk-maids mirth.”

Nathalia Crane (1913–1998) American writer

"Prescience" <!-- p. 18 -->
The Janitor's Boy And Other Poems (1924)
Context: p>A precious place is Paradise and none may know its worth,
But Eden ever longeth for the knicknacks of the earth.The angels grow quite wistful over worldly things below;
They hear the hurdy-gurdies in the Candle Makers Row.They listen for the laughter from the antics of the earth;
They lower pails from heaven's walls to catch the milk-maids mirth.</p

Helen Thomas photo
Martin Luther King, Jr. photo

“Every word and deed must contribute to an understanding with the enemy and release those vast reservoirs of goodwill which have been blocked by impenetrable walls of hate.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Loving Your Enemies (Christmas 1957)
Context: Third we must not seek to defeat or humiliate the enemy but to win his friendship and understanding. At times we are able to humiliate our worst enemy. Inevitably, his weak moments come and we are able to thrust in his side the spear of defeat. But this we must not do. Every word and deed must contribute to an understanding with the enemy and release those vast reservoirs of goodwill which have been blocked by impenetrable walls of hate.

Ernest Flagg photo

“Low walls are much less expensive to build than high ones”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)
Context: Low walls are much less expensive to build than high ones... it is possible to use forms without the usual waste of lumber... when waste is avoided, forms greatly reduce the cost of stonework... much can be saved in the construction of foundations by methods described...<!-- Introduction

Henry Adams photo

“An economic civilisation troubles itself about the universe much as a hive of honey-bees troubles about the ocean, only as a region to be avoided. The hive of Saint Thomas sheltered God and Man, Mind and Matter, The Universe and the Atom, the One and the Multiple, within the walls of a harmonious home.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)
Context: Saint Thomas is still alive and overshadows as many schools as he ever did; at all events as many as the Church maintains. He has outlived Descartes and Leibnitz and a dozen other schools of philosophy more or less serious in their day. He has mostly outived Hume, Voltaire and the militant sceptics. His method is typical and classic; his sentences, when interpreted by the Church, seem, even to an untrained mind, intelligible and consistent; his Church Intellectual remains practically unchanged, and, like the Cathedral of Beauvais, erect although the storms of six or seven centuries have prostrated, over and over again, every other social or political or juristic shelter. Compared with it, all modern systems are complex and chaotic, crowded with self-contradictions, anomalies, impracticable functions and out-worn inheritances; but beyond all their practical shortcomings is their fragmentary character. An economic civilisation troubles itself about the universe much as a hive of honey-bees troubles about the ocean, only as a region to be avoided. The hive of Saint Thomas sheltered God and Man, Mind and Matter, The Universe and the Atom, the One and the Multiple, within the walls of a harmonious home.

“There are ways in which poetry reaches the people who, for one reason or another, are walled off from it.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 109
Context: There are ways in which poetry reaches the people who, for one reason or another, are walled off from it. Arriving in diluted forms, serving to point up an episode, to give to a climax an intensity that will carry it without adding heaviness, to travel toward the meaning of a work of graphic art, nevertheless poetry does arrive. And in the socially accepted forms, we may see the response and the fear, expressed without reserve, since they are expressed during enjoyment which has all the sanctions of society.
Close to song, poetry reaches us in the music we admit: the radio songs that flood our homes, the juke-boxes, places where we drink and eat, the songs of work for certain occupations, the stage-songs we hear as ticketed audience.

Paul Simon photo

“And the sign said "The words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sound of silence"”

Paul Simon (1941) American musician, songwriter and producer

The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
Context: And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said "The words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sound of silence"

Jiddu Krishnamurti photo

“Thought is matter as much as the floor, the wall, the telephone, are matter. Energy functioning in a pattern becomes matter. That is all life is … Matter and energy are interrelated.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1960s, Freedom From The Known (1969)
Context: Thought is matter as much as the floor, the wall, the telephone, are matter. Energy functioning in a pattern becomes matter. That is all life is … Matter and energy are interrelated. The one cannot exist without the other, and the more harmony there is between the two, the more balance, the more active the brain cells are. Thought has set up this pattern of pleasure, pain, fear, and has been functioning inside it for thousands of years and cannot break the pattern because it has created it.

Charles Lindbergh photo

“How long can men thrive between walls of brick, walking on asphalt pavements, breathing the fumes of coal and of oil, growing, working, dying, with hardly a thought of wind, and sky, and fields of grain, seeing only machine-made beauty, the mineral-like quality of life.”

Charles Lindbergh (1902–1974) American aviator, author, inventor, explorer, and social activist

Aviation, Geography, and Race (1939)
Context: A great industrial nation may conquer the world in the span of a single life, but its Achilles' heel is time. Its children, what of them? The second and third generations, of what numbers and stuff will they be? How long can men thrive between walls of brick, walking on asphalt pavements, breathing the fumes of coal and of oil, growing, working, dying, with hardly a thought of wind, and sky, and fields of grain, seeing only machine-made beauty, the mineral-like quality of life. This is our modern danger — one of the waxen wings of flight. It may cause our civilization to fall unless we act quickly to counteract it, unless we realize that human character is more important than efficiency, that education consists of more than the mere accumulation of knowledge.

Helen Thomas photo

“We've got to break through the wall of secrecy. It's America's fate.”

Helen Thomas (1920–2013) American author and journalist

Phone interview on The Majority Report, 2004-04-02

Alan Watts photo

“It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually—if this is the way things started, if there was a big bang in the beginning— you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as—Mr so-and- so, Ms so-and-so, Mrs so-and-so—I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Nature of Consciousness http://www.erowid.org/culture/characters/watts_alan/watts_alan_article1.shtml; also published as What Is Reality? (1989)

Bono photo

“I want to run,I want to hide,I want to tear down the walls that hold me inside.I want to reach out and touch the plains,Where the streets have no names”

Bono (1960) Irish rock musician, singer of U2

"Where the streets have no name"
Lyrics, The Joshua Tree (1987)
Context: I want to run, I want to hide, I want to tear down the walls that hold me inside. I want to reach out and touch the plains, Where the streets have no names

Farrokh Tamimi photo

“We are two walls”

Farrokh Tamimi (1934–2003) Iranian poet and translator

Poet, The Doors and Walls

Epictetus photo

“Others may fence themselves with walls and houses”

Epictetus (50–138) philosopher from Ancient Greece

Golden Sayings of Epictetus
Context: Others may fence themselves with walls and houses, when they do such deeds as these, and wrap themselves in darkness—aye, they have many a device to hide themselves. Another may shut his door and station one before his chamber to say, if any comes, He has gone forth! he is not at leisure! But the true Cynic will have none of these things; instead of them, he must wrap himself in Modesty: else he will but bring himself to shame, naked and under the open sky. That is his house; that is his door; that is the slave that guards his chamber; that is his darkness! (111).

Vitruvius photo

“In walls of masonry the first question must be with regard to the sand, in order that it may be fit to mix into mortar and have no dirt in it.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV "Sand" Sec. 1
Context: In walls of masonry the first question must be with regard to the sand, in order that it may be fit to mix into mortar and have no dirt in it. The kinds of pitsand are these: black, gray, red, and carbuncular. Of these the best will be found to be that which crackles when rubbed in the hand, while that which has much dirt in it will not be sharp enough. Again: throw some sand upon a white garment and then shake it out; if the garment is not soiled and no dirt adheres to it, the sand is suitable.

William Faulkner photo

“Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.”

William Faulkner (1897–1962) American writer

Paris Review interview (1958)
Context: The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.

Vitruvius photo

“The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 17
Context: With the present importance of the city [of Rome] and the unlimited numbers of its population, it is necessary to increase the number of dwelling-places indefinitely. Consequently, as the ground floors could not admit of so great a number living in the city, the nature of the case has made it necessary to find relief by making the buildings high. In these tall piles reared with piers of stone, walls of burnt brick, and partitions of rubble work, and provided with floor after floor, the upper stories can be partitioned off into rooms to very great advantage. The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.

Ivan Illich photo

“Here is the right word. Hospitality was a condition consequent on a good society in politics, politaea, and by now might be the starting point of politaea, of politics. But this is difficult because hospitality requires a threshold over which I can lead you — and TV, internet, newspaper, the idea of communication, abolished the walls and therefore also the friendship, the possibility of leading somebody over the door.”

Ivan Illich (1926–2002) austrian philosopher and theologist

We the People interview (1996)
Context: Here is the right word. Hospitality was a condition consequent on a good society in politics, politaea, and by now might be the starting point of politaea, of politics. But this is difficult because hospitality requires a threshold over which I can lead you — and TV, internet, newspaper, the idea of communication, abolished the walls and therefore also the friendship, the possibility of leading somebody over the door. Hospitality requires a table around which you can sit and if people get tired they can sleep. You have to belong to a subculture to say, we have a few mattresses here. It's still considered highly improper to conceive of this as the ideal moments in a day or a year. Hospitality is deeply threatened by the idea of personality, of scholastic status. I do think that if I had to choose one word to which hope can be tied it is hospitality. A practice of hospitality— recovering threshold, table, patience, listening, and from there generating seedbeds for virtue and friendship on the one hand — on the other hand radiating out for possible community, for rebirth of community.

Richard Wright photo
Aeschylus photo

“The walls of Athens are impregnable,
Their firmest bulwarks her heroic sons.”

Source: The Persians (472 BC), line 349 (tr. Robert Potter)

Karel Čapek photo

“I've tried all isolating materials that might possibly prevent the Absolute from getting out of the cellar: ashes, sand, metal walls, but nothing can stop it.”

The Absolute at Large (1921)
Context: I've tried all isolating materials that might possibly prevent the Absolute from getting out of the cellar: ashes, sand, metal walls, but nothing can stop it. I've even tried lining the cellar walls with the works of Professors Krejci, Spencer, and Haeckle, all the Positivists you can think of; if you can believe it, the Absolute penetrates even things like that.

Wilfred Owen photo

“None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery;
Wisdom was mine, and I had mastery;
To miss the march of this retreating world
Into vain citadels that are not walled.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

Strange Meeting (1918)
Context: "Strange friend," I said, "Here is no cause to mourn."
"None," said the other, "Save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something has been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress,
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery;
Wisdom was mine, and I had mastery;
To miss the march of this retreating world
Into vain citadels that are not walled.

Helen Thomas photo
Vitruvius photo

“Bricks will be most serviceable if made two years before using; for they cannot dry thoroughly in less time. When fresh undried bricks are used in a wall, the stucco covering”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter III, Sec. 2
Context: Bricks will be most serviceable if made two years before using; for they cannot dry thoroughly in less time. When fresh undried bricks are used in a wall, the stucco covering stiffens and hardens into a permanent mass, but the bricks settle and... the motion caused by their shrinking prevents them from adhering to it, and they are separated from their union with it.... at Utica in constructing walls they use brick only if it is dry and made five years previously, and approved as such by the authority of a magistrate.

John Bunyan photo

“I saw… a narrow gap, like a little doorway in the Wall”

Grace Abounding to the Chief of Sinners (1666)
Context: About this time... in a Dream or Vision, presented to me. I saw, as if they were set on The Sunny side of some high Mountain, there refreshing themselves with the pleasant beams of the Sun, while I was shivering and shrinking in the Cold, afflicted with Frost, Snow, and dark Clouds. Methought, also, betwixt me and them, I saw a wall that did compass about this mountain; now, through this wall my soul did greatly desire to pass; concluding, that if I could, I would go even into the very midst of them, and there also comfort myself with the heat of their Sun.... At the last, I saw... a narrow gap, like a little doorway in the Wall, through which I attempted to pass. Now the passage being very strait and narrow... I was well nigh quite beat out, by striving to get in... Then was I exceeding glad, and went and sat down in the midst of them, and so was comforted with the light and heat of their Sun.

Vitruvius photo

“In Sparta, paintings have been taken out of certain walls by cutting through the bricks, then have been placed in wooden frames, and so brought to the Comitium”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 9
Context: In Sparta, paintings have been taken out of certain walls by cutting through the bricks, then have been placed in wooden frames, and so brought to the Comitium to adorn the aedileship of [C. Visellius] Varro and [C. Licinius] Murena.

John Bunyan photo

“Now I saw in my dream, that the highway, up which Christian was to go, was fenced on either side with a wall, and that wall was called salvation.”

Part I, Ch. VI : The Cross and the Contrast
The Pilgrim's Progress (1678), Part I
Context: Now I saw in my dream, that the highway, up which Christian was to go, was fenced on either side with a wall, and that wall was called salvation. Up this way, therefore, did burdened Christian run, but not without great difficulty, because of the load on his back. He ran thus till he came at a place somewhat ascending; and upon that place stood a cross, and a little below, in the bottom, a sepulchre. So I saw in my dream, that just as Christian came up with the cross, his burden loosed from off his shoulders, and fell from off his back, and began to tumble, and so continued to do till it came to the mouth of the sepulchre, where it fell in, and I saw it no more.

Roberto Clemente photo

“I hit it good and thought it was going over the wall when it left my bat,”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted and paraphrased in "Clemente Shows He's Bat-Man: Hitting Mets Like Robbin' for Roberto" by Les Biederman, in The Pittsburgh Press (Monday, May 2, 1966), p. 35
Baseball-related, <big><big>1960s</big></big>, <big>1966</big>
Context: "I hit it good and thought it was going over the wall when it left my bat," he observed. Clemente also said this is the fifth time he has hit a ball that was within inches of clearing the fence at the 436-foot sign—two against the Dodgers and two against the Braves.

Marianne Williamson photo

“Give all your gifts away in service to the world. If you want to paint, don’t wait for a grant. Paint a wall in your town that looks drab and uninviting. You never know who’s going to see that wall. Whatever it is you want to do, give it away in service to your community.”

Marianne Williamson (1952) American writer

Source: A Return to Love: Reflections on the Principles of "A Course in Miracles" (1992), Ch. 7 : Work, §9 : Sales to Service
Context: Purity of heart will not make us poor. The exaltation of poverty as a spiritual virtue is of the ego, not the spirit. A person acting from a motivation of contribution and service rises to such a level of moral authority, that worldly success is a natural result.
Give all your gifts away in service to the world. If you want to paint, don’t wait for a grant. Paint a wall in your town that looks drab and uninviting. You never know who’s going to see that wall. Whatever it is you want to do, give it away in service to your community.

Richard Wright photo
Henry Adams photo

“You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)
Context: If you are to get the full enjoyment of Chartres, you must, for the time, believe in Mary as Bernard and Adam did, and feel her presence as the architects did, in every stone they placed, and in every touch they chiseled. You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand. You will see the limit at Beauvais; at Chartres we have not got so far, but even here in places where the Virgin wanted it — as above the high altar — the architect has taken all the light there was to take.

Peter Jennings photo

“You know, I came just as the Cold War was coming to an end. When you think about the events that we've been through, from the fall of the Berlin Wall to, I guess you'd say, 9/11 being the culmination at the end of that — of that scope — what extraordinary changes there have been.”

Peter Jennings (1938–2005) News anchor

Response to question on what it feels like to have been the ABC News Anchorman for 20 years.
Larry King Interview (8 September 2003)
Context: Seems like yesterday; seems like forever—all at the same time. It's sort of, how do you measure it? Do you measure the fact that I'm 20 years older? No. I think I measure it by the events. You know, I came just as the Cold War was coming to an end. When you think about the events that we've been through, from the fall of the Berlin Wall to, I guess you'd say, 9/11 being the culmination at the end of that — of that scope — what extraordinary changes there have been.

Mahatma Gandhi photo

“It is also a warning. It is a warning that, if nobody reads the writing on the wall, man will be reduced to the state of the beast, whom he is shaming by his manners.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

1940s, To Every Briton (1940)
Context: This war has descended upon mankind as a curse and a warning. It is a curse inasmuch as it is brutalizing man on a scale hitherto unknown. All distinctions between combatants and noncombatants have been abolished. No one and nothing is to be spared. Lying has been reduced to an art. Britain was to defend small nationalities. One by one they have vanished, at least for the time being. It is also a warning. It is a warning that, if nobody reads the writing on the wall, man will be reduced to the state of the beast, whom he is shaming by his manners. I read the writing when the hostilities broke out. But I had not the courage to say the word. God has given me the courage to say it before it is too late.

Joel Barlow photo

“Lords of themselves and leaders of mankind. On equal rights their base of empire lies,
On walls of wisdom see the structure rise;
Wide o'er the gazing world it towers sublime,
A modell'd form for each surrounding clime.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)
Context: Lords of themselves and leaders of mankind. On equal rights their base of empire lies,
On walls of wisdom see the structure rise;
Wide o'er the gazing world it towers sublime,
A modell'd form for each surrounding clime.
To useful toils they bend their noblest aim,
Make patriot views and moral views the same,
Renounce the wish of war, bid conquest cease,
Invite all men to happiness and peace,
To faith and justice rear the youthful race,
Till Truth's blest banners, o'er the regions hurl'd,
Shake tyrants from their thrones, and cheer the waking world.

John F. Kennedy photo

“You live in a defended island of freedom, but your life is part of the main. So let me ask you as I close, to lift your eyes beyond the dangers of today, to the hopes of tomorrow, beyond the freedom merely of this city of Berlin, or your country of Germany, to the advance of freedom everywhere, beyond the wall to the day of peace with justice, beyond yourselves and ourselves to all mankind.”

1963, Ich bin ein Berliner
Context: What is true of this city is true of Germany — real, lasting peace in Europe can never be assured as long as one German out of four is denied the elementary right of free men, and that is to make a free choice. In 18 years of peace and good faith, this generation of Germans has earned the right to be free, including the right to unite their families and their nation in lasting peace, with good will to all people. You live in a defended island of freedom, but your life is part of the main. So let me ask you as I close, to lift your eyes beyond the dangers of today, to the hopes of tomorrow, beyond the freedom merely of this city of Berlin, or your country of Germany, to the advance of freedom everywhere, beyond the wall to the day of peace with justice, beyond yourselves and ourselves to all mankind.

Clifford D. Simak photo

“What your friend told you of his seeing of the time wall is true, Henry said in Boone's mind. I know he saw it, although imperfectly.”

Highway of Eternity (1986)
Context: What your friend told you of his seeing of the time wall is true, Henry said in Boone's mind. I know he saw it, although imperfectly. Your friend is most unusual. So far as I know, no other human actually can see it; although there are ways of detecting time. I tried to show him a sniffler. There are a number of snifflers, trying to sniff out the bubble. They know there's something strange, but don't know what it is.

Octavio Paz photo

“No use going out or staying at home. No use erecting walls against the impalpable.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

The Clerk's Vision (1949)
Context: No use going out or staying at home. No use erecting walls against the impalpable. A mouth will extinguish all the fires, a doubt will root up all the decisions. It will be everywhere without being anywhere. It will blur all the. mirrors. Penetrating walls and convictions, vestments and well-tempered souls, it will install itself in the marrow of everyone. Whistling between body and body, crouching between soul and soul. And all the wounds will open because, with expert and delicate, although somewhat cold, hands, it will irritate sores and pimples, will burst pustules and swellings and dig into the old, badly healed wounds. Oh fountain of blood, forever inexhaustible! Life will be a knife, a gray and agile and cutting and exact and arbitrary blade that falls and slashes and divides. To crack, to claw, to quarter, the verbs that move with giant steps against us!
It is not the sword that shines in the confusion of what will be. It is not the saber, but fear and the whip. I speak of what is already among us. Everywhere there are trembling and whispers, insinuations and murmurs. Everywhere the light wind blows, the breeze that provokes the immense Whiplash each time it unwinds in the air. Already many carry the purple insignia in their flesh. The light wind rises from the meadows of the past, and hurries closer to our time.

Chris Hedges photo

“The ASI Report had a feature not amenable to criticism. It was that they (the excavators) have discovered many walls and floors and some pillar bases beneath the Babri mosque, and all these constitute evidence.”

Suraj Bhan (archaeologist) (1931–2010) Indian archaeologist

Justice Sudhir Aggarwal’s verdict, Para 3719
Quotes from the Judgment from Honorable Justice Agarwal, 2010

Tavleen Singh photo
Iltutmish photo
John Henry Poynting photo

“The stone walls were incised with those inevitable, mysterious symbols which have become nothing more than queer designs now, though a million years ago they bore deep significance.”

C. L. Moore (1911–1987) American author

The Cold Gray God (1935), p. 235
Short fiction, Northwest of Earth (1954)

Lucy Parsons photo
Juan Felipe Herrera photo

“Poetry, with the breath of the poet, the heart of her life, joined by millions, pushes forth with the creative forces bestowed upon us. A wall is a plaything before the positive. It will take time. Change comes — rumbling with letters and caesuras, chants, odd-angled rhymes and earthy people power.”

Juan Felipe Herrera (1948) American writer

On the U.S.-Mexican border wall issue in “Poetry is Built for Compassion: An Interview with Juan Felipe Herrera” https://thi.ucsc.edu/poetry-built-compassion-interview-juan-felipe-herrera/ (Humanities Institute, UC Santa Cruz; 2019 Feb 27)

Frank Chin photo
Harry Hay photo
Robert Sheckley photo
Newton Lee photo
Vinayak Damodar Savarkar photo
Vinayak Damodar Savarkar photo

“Hindutva was a political argument made in a poetic register. It was an argument with and against an unnamed Gandhi at an opportune moment when he seemed finished with politics. Hindutva was also a political cry from behind prison walls, reminding the larger world outside that even if Gandhi was no longer on the political scene, Savarkar was back. He was still a leader, a politician capable of pulling together a nationalist community. But unlike Gandhi, he was offering a sense of Hindu-ness that could be the basis for a more genuine and, in the end, more effective nationalism than that of the Mahatma. The startling change for its time was Savarkar’s assertion that it was not religion that made Hindus Hindu. If Gandhi had officiated at the marriage of religion and politics, and Khilafat leaders were using the symbols of religion to forge a community, Savarkar argued that name and place were what bound the Hindu community, not religion . . . The fundamental (negative) contribution of Hindutva was to install a new term for nationalist discourse, one that was both modern and secular, if open to a secular understanding of religious identity. In place of religion qua religion, he secularized a plethora of Hindu religious leaders. In so doing, he did not create a sterilely secular nationalism. He did quite the opposite. He enchanted a secular nationalism by placing a mythic community into a magical land .”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

Janaki Bakhle quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

Ernest Becker photo

“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Vivek Agnihotri photo
Daniel Abraham photo
Coraline Ada Ehmke photo
Bhimrao Ramji Ambedkar photo

“There can thus be no manner of doubt that the Muslim Society in India is afflicted by the same social evils as afflict the Hindu Society. Indeed, the Muslims have all the social evils of the Hindus and something more. That something more is the compulsory system of purdah for Muslim women. As a consequence of the purdah system, a segregation of the Muslim women is brought about. The ladies are not expected to visit the outer rooms, verandahs, or gardens; their quarters are in the back-yard. All of them, young and old, are confined in the same room. …She cannot go even to the mosque to pray, and must wear burka (veil) whenever she has to go out. These burka women walking in the streets is one of the most hideous sights one can witness in India. Such seclusion cannot but have its deteriorating effects upon the physical constitution of Muslim women. They are usually victims to anaemia, tuberculosis, and pyorrhoea. Their bodies are deformed, with their backs bent, bones protruded, hands and feet crooked. Ribs, joints and nearly all their bones ache. Heart palpitation is very often present in them. The result of this pelvic deformity is untimely death at the time of delivery. Purdah deprives Muslim women of mental and moral nourishment. Being deprived of healthy social life, the process of moral degeneration must and does set in. Being completely secluded from the outer world, they engage their minds in petty family quarrels, with the result that they become narrow and restricted in their outlook. They lag behind their sisters from other communities, cannot take part in any outdoor activity and are weighed down by a slavish mentality and an inferiority complex. They have no desire for knowledge, because they are taught not to be interested in anything outside the four walls of the house. Purdah women in particular become helpless, timid, and unfit for any fight in life. … Not that purdah and the evils consequent thereon are not to be found among certain sections of the Hindus in certain parts of the country. But the point of distinction is that among the Muslims, purdah has a religious sanctity which it has not with the Hindus. Purdah has deeper roots among the Muslims than it has among the Hindus, and can only be removed by facing the inevitable conflict between religious injunctions and social needs. The problem of purdah is a real problem with the Muslims—apart from its origin—which it is not with the Hindus. Of any attempt by the Muslims to do away with it, there is no evidence.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Pakistan or The Partition of India (1946)

Wendy Doniger photo

“My mother had rubbings from the temple at Angkor Watt on the walls-that was the first thing that interested me. But it really began when I was in my teens, when my mother gave me a copy of A Passage to India.”

Wendy Doniger (1940) American Indologist

I really came into it from literature-only later did I turn to religious literature. I read Rumer Godden's Mooltiki, and other stories and poems of India(1957) and I read Kipling's Jungle Books. Then I read the Upanishads, and it was just so fascinating to me. I was raised by atheist and communist parents, so we had no religion whatsoever.
About her first introduction to India.
Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus

Donald J. Trump photo

“I will build a great, great wall on our southern border, and I will have Mexico pay for that wall. Mark my words.”

Donald J. Trump (1946) 45th President of the United States of America

Campaign launch rally, 15/6/15
2010s, 2015

Toni Morrison photo
Vladimir Lenin photo

“The wall is rotten. One good shove and it will collapse.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

As quoted by Tariq Ali in The Dilemmas of Lenin, in response to a officer asking "Why are you causing trouble, young man? You're breaking your head against a wall."
Attributions

Bernie Sanders photo
Bernie Sanders photo
Jair Bolsonaro photo

“We do agree with President Trump’s decision or proposal on the wall. The vast majority of potential immigrants do not have good intentions. They do not intend to do the best or do good to the US people. I would very much like the US to uphold the current immigration policy, because to a large extent we owe our democracy in the southern hemisphere to the United States.”

Jair Bolsonaro (1955) Brazilian president elect

In a Fox News interview on 18 March 2019. Bolsonaro backs Trump's border wall ahead of White House meeting https://www.theguardian.com/world/2019/mar/19/jair-bolsonaro-donald-trump-wall-immigration. The Guardian (19 March 2019).

John Conyers photo
Alexandria Ocasio-Cortez photo

“It is actually not about a wall, it is not about the border, and it is certainly not about the well-being of everyday Americans… The truth is, this shutdown is about the erosion of American democracy and the subversion of our most basic governmental norms.”

Alexandria Ocasio-Cortez (1989) American politician

Quoted in Alexandria Ocasio-Cortez's First House Speech Broke a C-SPAN Record. Here's What She Said, Time magazine http://time.com/5506749/alexandria-ocasio-cortezs-house-speech-cspan-record/ (17 January 2018)
Quotes (2019)

Lyndon B. Johnson photo
Smedley D. Butler photo
Seneca the Younger photo

“But no wall can be erected against Fortune which she cannot take by storm; let us strengthen our inner defences. If the inner part be safe, man can be attacked, but never captured.”

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter LXXIV: On Virtue as a Refuge From Worldly Distractions

Rocco Siffredi photo
Henry Campbell-Bannerman photo
C. L. R. James photo
Mark Kirk photo

“I have spent my life building bridges and tearing down barriers — not building walls. That’s why I find Donald Trump’s belief that an American-born judge of Mexican descent is incapable of fairly presiding over his case is not only dead wrong, it is un-American. As the Presidential campaign progressed, I was hoping the rhetoric would tone down and reflect a campaign that was inclusive, thoughtful and principled. While I oppose the Democratic nominee, Donald Trump’s latest statements, in context with past attacks on Hispanics, women and the disabled like me, make it certain that I cannot and will not support my party’s nominee for President regardless of the political impact on my candidacy or the Republican Party. It is absolutely essential that we are guided by a commander-in-chief with a responsible and proper temperament, discretion and judgment. Our President must be fit to command the most powerful military the world has ever seen, including an arsenal of thousands of nuclear weapons. After much consideration, I have concluded that Donald Trump has not demonstrated the temperament necessary to assume the greatest office in the world.”

Mark Kirk (1959) former U.S. junior senator from Illinois

As quoted in Sen. Mark Kirk withdraws support for Trump https://web.archive.org/web/20160608015204/http://chicago.suntimes.com/news/sen-mark-kirk-withdraws-support-for-trump/ by Lynn Sweet, 7 June 2016, Chicago Sun-Times.

Baruch Spinoza photo
Elizabeth Warren photo

“Better be careful, Jason warned himself. Why should I be careful? A nagging thought just below the surface of his mind gave him an uneasy feeling again, the feeling that something was wrong, that things were not what they seemed. Was that his imagination or just being in this small office, no air-conditioning, not even an electric fan? For some reason, the blank walls bothered him. No pictures. And no windows. I want to get out of here.”

He realized that he could get out of there. He could simply get up and leave. He didn't have to even speak to anybody. Hadn't they said this was voluntary? He was a volunteer. Well, he didn't feel like being a volunteer anymore. He wanted to go home.
Source: The Rag and Bone Shop (2000), p. 99-100

Virat Kohli photo

“Virat Kohli is becoming like a wall in the Indian team.”

Virat Kohli (1988) Indian cricket player

Earlier, it used to be Sachin Tendulkar who won matches for India and now it is Kohli who is playing that role.
Pakistan captain Shahid Afridi on Friday compared batting maestro Virat Kohli with the legendary Sachin Tendulkar, saying he has now become the wall of the Indian cricket team, winning match after match with his bat, quoted on ibnlive, "Virat Kohli becoming 'a wall' just like Sachin Tendulkar, says Afridi" http://www.ibnlive.com/cricketnext/news/virat-kohli-becoming-a-wall-just-like-sachin-tendulkar-says-afridi-1221140.html, March 25, 2016.
About him

Camille Pissarro photo

“I have just concluded my series of paintings, I look at them constantly. I who made them often find them horrible. I understand them only at rare moments, when I have forgotten all about them, on days when I feel kindly disposed and indulgent to their poor maker. Sometimes I am horribly afraid to turn round canvases which I have piled against the wall; I am constantly afraid of finding monsters where I believed there were precious gems!... Thus it does not astonish me that the critics in London relegate me to the lowest rank. Alas! I fear that they are only too justified!”

Camille Pissarro (1830–1903) French painter

However, at times I come across works of mine which are soundly done and really in my style, and at such moments I find great solace. But no more of that. Painting, art in general, enchants me. It is my life. What else matters?
Quote in a letter, 20 Nov. 1883; as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, ed. David W. Galenson, Harvard University Press, 30 Jun 2009, p. 84
1880's

Michael Grimm photo

“Everybody get up against the fucking wall. The FBI is in control. All the white people get out of here.”

Michael Grimm (1970) American politician

In New York City, New York (July 1999). As quoted in "Congressman Grimm and the Nightclub" http://www.newyorker.com/online/blogs/newsdesk/2011/04/congressman-michael-grimm-at-the-caribbean-tropics.html (29 April 2011), The New Yorker, by Evan Ratliff.
1990s

Anil Kumble photo
Jerome K. Jerome photo

“But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.”

Idle Thoughts of an Idle Fellow (1886)

Emily Brontë photo
Ted Cruz photo