Quotes about underground
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GG Allin photo
Zakir Hussain (politician) photo
Fyodor Dostoyevsky photo

“If they drive God from the earth, we shall shelter Him underground.”

Fyodor Dostoyevsky (1821–1881) Russian author

The Brothers Karamazov (1879–1880)

Charles Stross photo

““But then—you’re telling me they brought unrestricted communications with them?” he asked.
“Yup.” Rachel looked up from her console. “We’ve been trying for years to tell your leaders, in the nicest possible way: information wants to be free. But they wouldn’t listen. For forty years we tried. Then along comes the Festival, which treats censorship as a malfunction and routes communications around it. The Festival won’t take no for an answer because it doesn’t have an opinion on anything; it just is.”
“But information isn’t free. It can’t be. I mean, some things — if anyone could read anything they wanted, they might read things that would tend to deprave and corrupt them, wouldn’t they? People might give exactly the same consideration to blasphemous pornography that they pay to the Bible! They could plot against the state, or each other, without the police being able to listen in and stop them!”
Martin sighed. “You’re still hooked on the state thing, aren’t you?” he said. “Can you take it from me, there are other ways of organizing your civilization?”
“Well—” Vassily blinked at him in mild confusion. “Are you telling me you let information circulate freely where you come from?”
“It’s not a matter of permitting it,” Rachel pointed out. “We had to admit that we couldn’t prevent it. Trying to prevent it was worse than the disease itself.”
“But, but lunatics could brew up biological weapons in their kitchens, destroy cities! Anarchists would acquire the power to overthrow the state, and nobody would be able to tell who they were or where they belonged anymore. The most foul nonsense would be spread, and nobody could stop it—” Vassily paused. “You don’t believe me,” he said plaintively.
“Oh, we believe you alright,” Martin said grimly. “It’s just—look, change isn’t always bad. Sometimes freedom of speech provides a release valve for social tensions that would lead to revolution. And at other times, well—what you’re protesting about boils down to a dislike for anything that disturbs the status quo. You see your government as a security blanket, a warm fluffy cover that’ll protect everybody from anything bad all the time. There’s a lot of that kind of thinking in the New Republic; the idea that people who aren’t kept firmly in their place will automatically behave badly. But where I come from, most people have enough common sense to avoid things that’d harm them; and those that don’t, need to be taught. Censorship just drives problems underground.”
“But, terrorists!”
“Yes,” Rachel interrupted, “terrorists. There are always people who think they’re doing the right thing by inflicting misery on their enemies, kid. And you’re perfectly right about brewing up biological weapons and spreading rumors. But—” She shrugged. “We can live with a low background rate of that sort of thing more easily than we can live with total surveillance and total censorship of everyone, all the time.” She looked grim. “If you think a lunatic planting a nuclear weapon in a city is bad, you’ve never seen what happens when a planet pushed the idea of ubiquitous surveillance and censorship to the limit. There are places where—” She shuddered.”

Source: Singularity Sky (2003), Chapter 14, “The Telephone Repairman” (pp. 296-297)

Harriet Tubman photo

“I was the conductor of the Underground Railroad for eight years, and I can say what most conductors can't say — I never ran my train off the track and I never lost a passenger.”

Harriet Tubman (1820–1913) African-American abolitionist and humanitarian

As quoted in Women's Words : The Columbia Book of Quotations by Women (1996) by Mary Biggs, p. 2

“Great art is never extreme. Criticism moves in a false direction, as does art, when it aspires to be a social science... In this world modern artists form a kind of spiritual underground.”

Robert Motherwell (1915–1991) American artist

Motherwell's writing in 1944; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory'
1940s

Mark Rothko photo

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Andrew Sega photo

“Unfortunately, as technology has improved, that which was 'underground' now heads towards obsolescence.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

“As a performer, I’ve always been very inspired by Andy Warhol and the Studio 54 era– the wardrobe, the glamour, the free-spirited underground club world.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne's blog for Bravo http://www.bravotv.com/the-real-housewives-of-beverly-hills/season-7/blogs/erika-girardi/erika-girardi-turning-45-is-a-big (2016)

Sri Aurobindo photo

“I find it difficult to take these psycho-analysts at all seriously when they try to scrutinise spiritual experience by the flicker of their torch-lights,'yet perhaps one ought to, for half-knowledge is a powerful thing and can be a great obstacle to the coming in front of the true Truth. This new psychology looks to me very much like children learning some summary and not very adequate alphabet, exulting in putting their a-b-c-d of the subconscient and the mysterious underground super-ego together and imagining that their first book of obscure beginnings (c-a-t cat, t-r-e-e tree) is the very heart of the real knowledge. They look from down up and explain the higher lights by the lower obscurities; but the foundation of these things is above and not below, upari budhna esam [Rig-Veda, 1.24.7]. The superconscient, not the subconscient, is the true foundation of things. The significance of the lotus is not to be found by analysing the secrets of the mud from which it grows here; its secret is to be found in the heavenly archetype of the lotus that blooms for ever in the Light above. The self-chosen field of these psychologists is besides poor, dark and limited; you must know the whole before you can know the part and the highest before you can truly understand the lowest. That is the promise of the greater psychology awaiting its hour before which these poor gropings will disappear and come to nothing…. Wanton waste, careless spoiling of physical things in an incredibly short time, loose disorder, misuse of service and materials due either to vital grasping or to tamasic inertia are baneful to prosperity and tend to drive away or discourage the Wealth-Power. These things have long been rampant in the society and, if that continues, an increase in our means might well mean a proportionate increase in the wastage and disorder and neutralise the material advantage. This must be remedied if there is to be any sound progress…. Asceticism for its own sake is not the ideal of this yoga, but self-control in the vital and right order in the material are a very important part of it… and even an ascetic discipline is better for our purpose than a loose absence of true control. Mastery of the material does not mean having plenty and profusely throwing it out or spoiling it as fast as it comes or faster. Mastery implies in it the right and careful utilisation of things and also a self-control in their use…. There is a consciousness in [things], a life which is not the life and consciousness of man and animal which we know, but still secret and real. That is why we must have a respect for physical things and use them rightly, not misuse and waste, ill-treat or handle with a careless roughness. This feeling of all being consciousness or alive comes when our own physical consciousness'and not the mind only'awakes out of its obscurity and becomes aware of the One in all things, the Divine everywhere.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth

Stevie Nicks photo

“That’s the words: "So I’m back to the velvet underground"—which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff—”back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

(on the inspiration for "Gypsy") Leah Greenblatt, "Stevie Nicks On Her Favorite Songs: A Music Mix Exclusive", http://music-mix.ew.com/2009/03/31/stevie-nicks-in/ Entertainment Weekly, 31 March 2009

Susan Faludi photo
Christopher Gérard photo
E. B. White photo

“The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.”

E. B. White (1899–1985) American writer

"Here Is New York," Holiday (1948); reprinted in Here is New York (1949)
Context: The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.
All dwellers in cities must dwell with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer who might loose the lightning, New York must hold a steady, irresistible charm.

“The things that built the tunnel could not have been human. She had no right to expect men here. She was a little stunned by finding open sky so far underground, though she was intelligent enough to realize that however she had come, she was not underground now.”

C. L. Moore (1911–1987) American author

Black God's Kiss (1934)
Context: She half expected, despite her brave words, to come out upon the storied and familiar red-hot pave of hell, and this pleasant, starlit land surprised her and made her wary. The things that built the tunnel could not have been human. She had no right to expect men here. She was a little stunned by finding open sky so far underground, though she was intelligent enough to realize that however she had come, she was not underground now.

John D. Barrow photo

“People like Leary have done the best they can to chart it sort of underground, but the government and the powers do not want this world charted, because it threatens established powers. It always has.”

Ken Kesey (1935–2001) novelist

As quoted in "Comes Spake the Cuckoo" the Far Gone interview (13 September 1992) http://www.intrepidtrips.com/kesey/fahey.html by Todd Brendan Fahey http://www.fargonebooks.com/bio.html
Context: Leary can get a part of my mind that's kind of rusted shut grinding again, just by being around him and talking, 'cause that's where he works. He knows that area of the mind and the brain, and he knows the difference between the two areas. He's a real master at getting your old wheel squeaking again. … When we first broke into that forbidden box in the other dimension, we knew that we had discovered something as surprising and powerful as the New World when Columbus came stumbling onto it. It is still largely unexplored and uncharted. People like Leary have done the best they can to chart it sort of underground, but the government and the powers do not want this world charted, because it threatens established powers. It always has.

Norman Mailer photo

“Americans have been leading a double life, and our history has moved on two rivers, one visible, the other underground;”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)
Context: Americans have been leading a double life, and our history has moved on two rivers, one visible, the other underground; there has been the history of politics which is concrete, factual, practical and unbelievably dull if not for the consequences of the actions of some of these men; and there is a subterranean river of untapped, ferocious, lonely and romantic desires, that concentration of ecstasy and violence which is the dream life of the nation.

R. A. Lafferty photo

“Do you not know that the underground lands are shared by many worlds?”

R. A. Lafferty (1914–2002) American writer

Aeaea, Ch. 6
Space Chantey (1968)
Context: Do you not know that the underground lands are shared by many worlds? It is all one underground, a vast place, and it is but a trick on which globe one will surface on coming out. This is the reason that the inside of every world is so much vaster than the outside. You are fooled by the shape of these little balls on which things live and crawl; you see the universe inside out; you see the orbs as containing and not contained. I will teach you to see it right if you please me.

Wallace Stevens photo

“Do not speak to us of the greatness of poetry,
Of the torches wisping in the underground,
Of the structure of vaults upon a point of light.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)
Context: Do not speak to us of the greatness of poetry,
Of the torches wisping in the underground,
Of the structure of vaults upon a point of light.
There are no shadows in our sun,
Day is desire and night is sleep.
There are no shadows anywhere.
The earth, for us, is flat and bare.
There are no shadows.

Ruhollah Khomeini photo
Ernest King photo

“The defensive organization of Iwo Jima was the most complete and effective yet encountered. The beaches were flanked by high terrain favorable to the defenders. Artillery, mortars, and rocket launchers were well concealed, yet could register on both beaches- in fact, on any point on the island. Observation was possible, both from Mount Suribachi at the south end and from a number of commanding hills and steep defiles sloping to the sea from all sides of the central Motoyama tableland afforded excellent natural cover and concealment, and lent themselves readily to the construction of subterranean positions to which the Japanese are addicted. Knowing the superiority of the firepower which would be brought against them by air, sea, and land, they had gone underground most effectively, while remaining ready to man their positions with mortars, machine guns, and other portable weapons the instant our troops started to attack. The defenders were dedicated to expending themselves- but expending themselves skillfully and protractedly in order to exact the uttermost toll from the attackers. Small wonder then that every step had to be won slowly by men inching forward with hand weapons, and at heavy costs. There was no other way of doing it. The skill and gallantry of our Marines in this exceptionally difficult enterprise was worthy of their best traditions and deserving of the highest commendation. This was equally true of the naval units acting in their support, especially those engaged at the hazardous beaches. American history offers no finer example of courage, ardor and efficiency.”

Ernest King (1878–1956) United States Navy admiral, Chief of Naval Operations

Third Report, p. 174-175
U.S. Navy at War, 1941-1945: Official Reports to the Secretary of the Navy (1946)

Helena Roerich photo
John Cale photo

“John Cale is fantastic, and he made the sound of the Velvet Underground.”

John Cale (1942) Welsh composer, singer-songwriter and record producer

Jayne County, attributed without citation at About Cale, xs4all.nl, 16 November 2012 http://werksman.home.xs4all.nl/cale/quotes/quote_others.html,

Colin Wilson photo

“Now he saw the problem with great clarity. If he lived here, life would be pleasant and safe. But it would also be predictable. A child could be born here, grow up here, die here, without ever experiencing the excitement of discovery. Why did Dona question him endlessly about his life in the burrow and his journey to the country of the ants? Because for her, it represented a world that was dangerous and full of fascinating possibilities. For the children of this underground city, life was a matter of repetition, of habit.”

Colin Wilson (1931–2013) author

And this, he suddenly realized, was the heart of the problem. Habit. Habit was a stifling, warm blanket that threatened you with suffocation and lulled the mind into a state of perpetual nagging dissatisfaction. Habit meant the inability to escape from yourself, to change and develop . . .

pp. 132-133
Spider World: The Desert (1987)

Ken Livingstone photo
Julio Cortázar photo

“The Corporation is going to spend a fortune on putting people safely underground, but no money could be found to give them proper housing overground.”

Timothy Quill (1901–1960) Early Dáil member, cooperative organiser, agriculturalist

'When Cork City had 100 Air Raid Shelters... And Just One of Them Is Still Left Standing', Pat Poland, The Holly Bough (2020)
Attributed to Quill, 2020s

Leo Tolstoy photo
Volodymyr Viytyshyn photo

“One of the missions of the underground priests was to encourage these people and to tell them that yes, we're suffering, but we're doing this for Christ. That's why the Church survived; people were humans, in all the best sense of the word.”

Volodymyr Viytyshyn (1959) Polish archbishop

Source: In becoming a priest, you were agreeing to be a martyr https://osvnews.com/2018/08/15/underground-period-marks-ukrainian-church/ (15 August 2018)

Ben Aaronovitch photo
Sergei Korolev photo

“Why congratulate me? We are miners, no one knows our names, we work underground.”

Sergei Korolev (1906–1966) Soviet rocket engineer and spacecraft designer

Response when congratulated with the fifth anniversary of Yuri Gagarin's flight
"The Soviet space engineer, Sergey Korolev, who inspires Elon Musk" in ABC News https://abcnews.go.com/International/soviet-space-engineer-sergey-korolev-inspires-elon-musk/story?id=80602926 (17 October 2021)