
Book i. Stanza 5.
The Minstrel; or, The Progress of Genius (1771)
Book i. Stanza 5.
The Minstrel; or, The Progress of Genius (1771)
On 4 March 2018, concerning the Nelson Mandela Bay mayor Athol Trollip, at the launch of the EFF's election registration campaign, Standard Bank arena, Johannesburg. Malema Wants Mayor Trollip Out Because He's White http://www.huffingtonpost.co.za/2018/03/04/malema-wants-mayor-trollip-out-because-hes-white_a_23376838/, Politics, Huffpost (4 March 2018)
Source: Letter (16 May 1860), published in Dearest Child: Letters Between Queen Victoria and the Princess Royal Previously Unpublished edited by Roger Fulfold (1964), p. 254. Also quoted in the article "Queen Victoria's Not So Victorian Writings" http://www.victoriana.com/doors/queenvictoria.htm by Heather Palmer (1997).
Van Gogh, the Man Suicided by Society (1947)
“I'm the guy they used to call "Deep Throat."”
Statement to John D. O'Connor, under a shield of attorney-client privilege revealed in an article for the July 2005 issue http://www.vanityfair.com/commentary/content/articles/050530roco02 of Vanity Fair which was publicly released on May 31, 2005, revealing his identity after more than 30 years of secrecy. It is stated that he made such a statement several times in the course of conversations, and he is also quoted in the title of the piece as having said" "I'm the guy they called 'Deep Throat'."
"The Necessity and Grandeur of the International Ideal" (1935)
“I hate singers, a miserable crew who think that music exists only in their own throats.”
1900s, Love Among the Artists (1900)
“Montaigne,” p. 1
Reperusals and Recollections (1936)
Known as the Sermon of ash-Shiqshiqiyyah (roar of the camel), It is said that when Amir al-mu'minin reached here in his sermon a man of Iraq stood up and handed him over a writing. Amir al-mu'minin began looking at it, when Ibn `Abbas said, "O' Amir al-mu'minin, I wish you resumed your Sermon from where you broke it." Thereupon he replied, "O' Ibn `Abbas it was like the foam of a Camel which gushed out but subsided." Ibn `Abbas says that he never grieved over any utterance as he did over this one because Amir al-mu'minin could not finish it as he wished to.
Nahj al-Balagha
I’m positive of that.
Part One, Two
The Dud Avocado (1958)
Eminent Historians: Their Technology, Their Line, Their Fraud
On Werner Herzog, p. 213
Kinski Uncut : The Autobiography of Klaus Kinski (1996)
No steak (2013); as quoted in A Plea for the Animals by Matthieu Ricard, trans. Sherab Chödzin Kohn (Shambhala Publications, 2016), p. 44 https://books.google.it/books?id=bTLuDAAAQBAJ&pg=PA44.
Part VI
The City of Dreadful Night (1870–74)
Watching a solar eclipse in Wonders of the Solar System, episode 1
"What Has Become"
For Whom The Troubadour Sings (2010)
His Mistake, from Triangles of Life and Other Stories (1913)
"Ice Agents Prefer Deporting Illegals To Changing Their Diapers" http://dailycaller.com/2017/03/02/ice-agents-like-deporting-illegals-better-than-changing-their-diapers/ The Daily Caller, March 3, 2017
2010s, 2017
The Chach Nama, in: Elliot and Dowson, History of India as told by its own Historians, Volume I, p. 172-173. Also partially quoted in B.R. Ambedkar, Pakistan or The Partition of India (1946)
Quotes from The Chach Nama
“108. A Fool’s Tongue is long enough to cut his own Throat.”
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
“We’ve digitized the revelations — does our rehearsed recitation go any deeper than our throats?”
"Why Are The Drums So Silent"
Sunshine, Dust and The Messenger (2002)
Context: We’ve digitized the revelations — does our rehearsed recitation go any deeper than our throats? Our calls to prayer they seem to rise up to the skies, conferences and lectures, seminars for you and I. The words that blow away with the nasheed that make us cry, yet why are the drums so silent?
1850s, The Present Aspect of the Slavery Question (1859)
Context: This negative doctrine of Mr. Douglas that there are no rights anterior to governments is the end of free society. If the majority of a political community have a right to establish slavery if they think it for their interest, they have the same right to declare who shall be enslaved. The doctrine simply substitutes the despotic, irresponsible tyranny of many for that of one. If the majority shall choose that the interest of the State requires the slaughter of all infants born lame, of all persons more than seventy years of age, they have the right to slaughter them, according to what is called the Democratic doctrine. Do you think this a ludicrous and extreme case? But if the majority have a right to deprive a man of his liberty at their pleasure, they have an equal right to take his life. For life is no more a natural right than liberty. The individual citizen, according to Mr. Douglas, is not secure in his person, in his property, in his family, for a single moment from the whim or the passion or the deliberate will of the majority, if expressed as law. Might is not right. I have the power to hold a child by the throat until he turns purple and dies. But I have not the right to do it. A State or a Territory has the power to steal a man's liberty or labor, and to hold him and his children's children forever in slavery. It has the power to do this to any man of any color, of any age, of any country, who is not strong enough to protect himself. But it has no more right to do it to an African than to an American or an Irishman, no more right to do it to the most ignorant and forsaken foreigner than to the prosperous and honored citizen of its own country. We are going to do what Patrick Henry did in Virginia, what James Otis and Samuel Adams did in Massachusetts, what the Sons of Liberty did in New York, ninety years ago. We are going to agitate, agitate, agitate. You say you want to rest. Very well, so do we — and don't blame us if you stuff your pillow with thorns. You say you are tired of the eternal Negro. Very well, stop trying to turn a man into a thing because he happens to be black, and you'll stop our mouths at the same time. But while you keep at your work, be perfectly sure that we shall keep at ours. If you are up at five o'clock, we shall be up at four. We shall agitate, agitate, agitate, until the Supreme Court, obeying the popular will, proclaims that all men have original equal rights which government did not give and cannot justly take away.
“An iron hand has stilled the throats
That throbbed with loud and rhythmic glee”
"To a Blackbird and His Mate Who Died in the Spring"
Trees and Other Poems (1914)
Context: An iron hand has stilled the throats
That throbbed with loud and rhythmic glee
And dammed the flood of silver notes
That drenched the world in melody.
House of Incest (1936)
Context: The morning I got up to begin this book I coughed. Something was coming out of my throat: it was strangling me. I broke the thread which held it and yanked it out. I went back to bed and said: I have just spat out my heart.
"Zion's Vital Signs" in The Atlantic (November 2001) http://www.theatlantic.com/past/docs/issues/2001/11/o_rourke.htm
"Love the Wild Swan" (1935)
Context: I hate my verses, every line, every word.
Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.
Oh cracked and twilight mirrors ever to catch
One color, one glinting flash, of the splendor of things.
Source: Lord of the Flies (1954), Ch. 8: Gift for the Darkness
Context: He paused and stood up, looking at the shadows under the trees. His voice was lower when he spoke again.
"But we'll leave part of the kill for …"
He knelt down again and was busy with his knife. The boys crowded round him. He spoke over his shoulder to Roger.
"Sharpen a stick at both ends."
Presently he stood up, holding the dripping sow's head in his hands.
"Where's that stick?"
"Here."
"Ram one end in the earth. Oh — it's rock. Jam it in that crack. There."
Jack held the head and jammed the soft throat down on the pointed end of the stick which pierced through into the mouth. He stood back and the head hung there, a little blood dribbling down the stick."
Instinctively the boys drew back too; and the forest was very still. They listened, and the loudest noise was the buzzing of the flies over the spilled guts."
Source: Lord of the Flies (1954), Ch. 4: Painted Faces and Long Hair
Context: The chant was audible but at that distance still wordless. Behind Jack walked the twins, carrying a great stake on their shoulders. The gutted carcass of a pig swung from the stake, swinging heavily as the twins toiled over the uneven ground. The pig's head hung down with gaping neck and seemed to search for something on the ground. At last the words of the chant floated up to them, across the bowl of blackened wood and ashes.
"Kill the pig! Cut her throat! Spill the blood!"
Yet as the words became audible, the procession reached the steepest part of the mountain, and in a minute or two the chant had died away.
But these are the qualities of women! And we know that a Circle is a higher Being than a Straight Line, in so far as knowledge and wisdom are more to be esteemed than mere affection.</p><p>SPHERE. It is not for me to classify human faculties according to merit. Yet many of the best and wisest in Spaceland think more of the affections than of the understanding, more of your despised Straight Lines than of your belauded Circles. But enough of this. Look yonder...</p>
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
"Roman Polanski: An Exclusive Interview" by Taylor Montague
Context: You know, whenever you do something new and original, people run to see it because it's different. Then, if it happens to be successful, the studios rush to imitate it. It becomes commonplace right away. But it's been like that before, I think. Now, the stakes are so gigantic that they cut each other's throats. So if most of the films are failures, then those that succeed so spectacularly, so commercially, become the norm. It's like a roulette for the studios. The problem with it is that it becomes more and more of a committee. Before, you dealt with the studio. It had one or two persons and now you have masses of executives who have to justify their existence and write so-called "creative notes" and have creative meetings. They obsess about the word creative probably because they aren't.
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: Once more I felt myself rising through space. It was even as the Sphere had said. The further we receded from the object we beheld, the larger became the field of vision. My native city, with the interior of every house and every creature therein, lay open to my view in miniature. We mounted higher, and lo, the secrets of the earth, the depths of mines and inmost caverns of the hills, were bared before me.Awestruck at the sight of the mysteries of the earth, thus unveiled before my unworthy eye, I said to my Companion, "Behold, I am become as a God. For the wise men in our country say that to see all things, or as they express it, OMNIVIDENCE, is the attribute of God alone." There was something of scorn in the voice of my Teacher as he made answer: "Is it so indeed? Then the very pick-pockets and cut-throats of my country are to be worshiped by your wise men as being Gods: for there is not one of them that does not see as much as you see now. But trust me, your wise men are wrong."
As quoted by Nadezhda Popova, Reza Pahalavi, Son Of The Last Shah Of Iran: “No War Is Needed – We Will Topple This Regime Ourselves” http://www.rezapahlavi.org/details_article.php?article=22&page=6, Izvetsiya, May 29, 2006.
Interviews, 2006
Booksqawk Interview https://www.guynsmith.com/2014/10/booksqawk-interview/ (October 31, 2014)
Letter to William Windham (30 December 1794), quoted in R. B. McDowell (ed.), The Correspondence of Edmund Burke, Volume VIII: September 1794–April 1796 (Cambridge University Press, 1969), p. 104
1790s
Source: Non-fiction, Created equal: Why gay rights matter to America (1994), p.129-130
By Raychand Boral in "Begum Akhtar the Undisputed Malika of Ghazals".
In a Graham Greene review of the novel Company K for the newspaper The Spectator.
Remarks of Illinois State Sen. Barack Obama Against Going to War with Iraq (2 October 2002); referencing the positions of former Pentagon policy adviser Richard Perle, Deputy Defense Secretary Paul Wolfowitz, and chief Bush political adviser Karl Rove.
John Cale about Reed's death http://www.rollingstone.com/music/news/john-cale-mourns-lou-reed-20131028
We are the cavalry. We're here. Put away the pills. We'll get you through this bloody night. Next time, it'll be your turn to help us.
"Eidolons" (1988)
Masterpieces of Patriotic Urdu Poetry, p. 101
Poetry, custodians of civilization
Quotes 1990s, 1995–1999, Sovereignty and World Order, 1999
Original: (de) Den Ich-zerfall, den süßen, tiefersehnten,
Den gibst Du mir: schon ist die Kehle rauh,
Schon ist der fremde Klang an unerwähnten
Gebilden meines Ichs am Unterbau.
"Cocaine" (1917)
I think that sounds really un-American in his criticism of business. I've heard nothing from BP about not paying for the spill. And I think it's part of this sort of blame-game society in the sense that it's always got to be someone's fault instead of the fact that sometimes accidents happen. I mean, we had a mining accident that was very tragic and I've met a lot of these miners and their families. They're very brave people to do a dangerous job. But then we come in and it's always someone's fault. Maybe sometimes accidents happen.
Good Morning America
ABC
2010-05-21
Why Libertarianism Doesn’t Work, Part N+1
Paul Krugman
2010-05-21
New York Times
http://krugman.blogs.nytimes.com/2010/05/21/why-libertarianism-doesnt-work-part-n1/
on the Deepwater Horizon oil spill and 2010-05-05 explosion at Massey's Upper Big Branch mine
reference to Interior Secretary Ken Salazar telling CNN on 2010-05-02, "Our job basically is to keep the boot on the neck of British Petroleum."
“It wouldn’t be the first time his sharp tongue had cut his own throat.”
Source: The Way of Shadows (2008), Chapter 9 (p. 64)
“But metaphor, however poetic, never slaked a dry throat.”
Source: The Land That Time Forgot (1918), Chapter 4