Quotes about switch
page 2

Viswanathan Anand photo
James Dobson photo
Lloyd deMause photo
Amir Taheri photo
Humphrey Bogart photo

“I should never have switched from Scotch to Martinis.”

Humphrey Bogart (1899–1957) American actor

Alleged last words, but Bacall denies this.
Misattributed
Source: By Myself and Then Some, Lauren Bacall http://books.google.co.id/books?id=OTCPSdKei_oC&pg=PT308&dq=lauren+bacall+scotch+to+martinis&hl=en&sa=X&ei=Sd7QU-kCiJO4BP-CgIAL&redir_esc=y#v=onepage&q=goodbye%20kid&f=false,

Eric R. Kandel photo
John Updike photo
Paul Mason (journalist) photo
Vernon L. Smith photo
Haruki Murakami photo
Tim O'Brien photo
Richard Stallman photo
John Scalzi photo

“Eight-year-olds can switch into acquisition mode pretty quickly.”

Source: Zoe's Tale (2008), Chapter 4 (p. 53)

Howard F. Lyman photo
Kathy Freston photo
Courtney Stodden photo
Jimmy Buffett photo
Hayley Jensen photo
Alan Rusbridger photo

“There are plenty who think that, as our libel laws are cleaned up, smart lawyers are switching horses to privacy.”

Alan Rusbridger (1953) British newspaper editor

Rusbridger (2011), as cited in: John Steel (2013) Journalism and Free Speech. p. 92.
2010s

Van Morrison photo
Derren Brown photo
Larry Wall photo

“switch (ref $@) { OverflowError => warn 'Dam needs to be drained'; DomainError => warn 'King needs to be trained'; NuclearWarError => die; }”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199709302338.QAA17037@wall.org, 1997]
Usenet postings, 1997

Tim Shieff photo
Tony Abbott photo

“Unsurprisingly, the recipients of climate change subsidies and climate change research grants think action is very urgent indeed. As for the general public, of course saving the planet counts – until the bills come in and then the humbug detector is switched on.”

Tony Abbott (1957) Australian politician

Quoted in "'I've learnt to speak my mind': 10 excerpts from Tony Abbott's climate change speech in London'" http://www.smh.com.au/federal-politics/political-news/ive-learnt-to-speak-my-mind-ten-excerpts-from-tony-abbotts-climate-change-speech-in-london-20171009-gyxk92.html, Sydney Morning Herald, October 10, 2017
2017

Stephen King photo

“He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boogie of electricity- Available At Your Nearest Switch plate Or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nerdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too- Shower With A Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who's out there? you howled in the dark when you were all frightened and all alone, and it was his answer that came back: Don't be afraid, it's just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let's go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar cast of the fingernails following asphyxiation- in its final grim struggle to survive the brain takes all oxygen that is left, even that in those living cells under the nails. Hi, folks, my name's Oz the Gweat and Tewwible, but you can call me Oz if you want- hell, we're old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can't stay, got to see a woman about a breech birth, then I've got a little smoke-inhalation job to do in Omaha.”

Pet Sematary (1983)

Douglas Hofstadter photo
David Brin photo

“One great mystery is why sexual reproduction became dominant for higher life-forms. Optimization theory says it should be otherwise.
Take a fish or lizard, ideally suited to her environment, with just the right internal chemistry, agility, camouflage—whatever it takes to be healthy, fecund, and successful in her world. Despite all this, she cannot pass on her perfect characteristics. After sex, her offspring will be jumbles, getting only half of their program from her and half their re-sorted genes somewhere else.
Sex inevitably ruins perfection. Parthenogenesis would seem to work better—at least theoretically. In simple, static environments, well-adapted lizards who produce duplicate daughters are known to have advantages over those using sex.
Yet, few complex animals are known to perform self-cloning. And those species exist in ancient, stable deserts, always in close company with a related sexual species.
Sex has flourished because environments are seldom static. Climate, competition, parasites—all make for shifting conditions. What was ideal in one generation may be fatal the next. With variability, your offspring get a fighting chance. Even in desperate times, one or more of them may have what it takes to meet new challenges and thrive.
Each style has its advantages, then. Cloning offers stability and preservation of excellence. Sex gives adaptability to changing times. In nature it is usually one or the other. Only lowly creatures such as aphids have the option of switching back and forth.”

Introduction to Chapter 8 (pp. 123-124)
Glory Season (1993)

Doris Lessing photo

“What they [critics of Lessing's switch to science fiction] didn't realize was that in science fiction is some of the best social fiction of our time.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

Boston Book Review interview by Harvey Blume http://www.dorislessing.org/boston.html (February 1998)

Elton John photo
David Irving photo
Jim Butcher photo
Iain Banks photo
Jeff VanderMeer photo
Tzachi Hanegbi photo
Cory Doctorow photo
Amir Taheri photo

“Those who urge an alliance with Assad cite the example of Joseph Stalin, the Soviet despot who became an ally of Western democracies against Nazi Germany. I never liked historical comparisons and like this one even less. To start with, the Western democracies did not choose Stalin as an ally; he was thrusted upon them by the turn of events. When the Second World War started Stalin was an ally of Hitler thanks to the Molotov-Ribbentrop Pact. The Soviet Union actively participated in the opening phase of the war by invading Poland from the east as the Germans came in from the West. Before that, Stalin had rendered Hitler a big service by eliminating thousands of Polish army officers in The Katyn massacre. Between September 1939 and June 1941, when Hitler invaded the Soviet Union, Stalin was an objective ally of Hitler. Stalin switched sides when he had no choice if he wanted to save his skin. The situation in Syria today is different. There is no alliance of democracies which, thanks to Obama’s enigmatic behavior, lack any strategy in the Middle East. Unlike Stalin, Assad has not switched sides if only because there is no side to switch to. Assad regards ISIS as a tactical ally against other armed opposition groups. This is why Russia is now focusing its air strikes against non-ISIS armed groups opposed to Assad. More importantly, Assad has none of the things that Stalin had to offer the Allies. To start with Stalin could offer the vast expanse of territory controlled by the Soviet Union and capable of swallowing countless German divisions without belching. Field Marshal von Paulus’ one-million man invasion force was but a drop in the ocean of the Soviet landmass. In contrast, Assad has no territorial depth to offer. According to the Iranian General Hossein Hamadani, who was killed in Aleppo, Assad is in nominal control of around 20 percent of the country. Stalin also had an endless supply of cannon fodder, able to ship in millions from the depths of the Urals, Central Asia and Siberia. In contrast, Assad has publicly declared he is running out of soldiers, relying on Hezbollah cannon fodder sent to him by Tehran. If Assad has managed to hang on to part of Syria, it is partly because he has an air force while his opponents do not. But even that advantage has been subject to the law of diminishing returns. Four years of bombing defenseless villages and towns has not changed the balance of power in Assad’s favor. This may be why his Russian backers decided to come and do the bombing themselves. Before, the planes were Russian, the pilots Syrian. Now both planes and pilots are Russian, underlining Assad’s increasing irrelevance. Stalin’s other card, which Assad lacks, consisted of the USSR’s immense natural resources, especially the Azerbaijan oilfields which made sure the Soviet tanks could continue to roll without running out of petrol. Assad in contrast has lost control of Syria’s oilfields and is forced to buy supplies from ISIS or smugglers operating from Turkey. There are other differences between Stalin then and Assad now. Adulated as “the Father of the Nation” Stalin had the last word on all issues. Assad is not in that position. In fact, again according to the late Hamadani in his last interview published by Iranian media, what is left of the Syrian Ba’athist regime is run by a star chamber of shadowy characters who regard Assad as nothing but a figurehead.”

Amir Taheri (1942) Iranian journalist

Opinion: No, Bashar Al-Assad is no Joseph Stalin http://english.aawsat.com/2015/10/article55345413/opinion-no-bashar-al-assad-is-no-joseph-stalin, Ashraq Al-Awsat (16 Oct, 2015).

Sania Mirza photo
Arthur Symons photo

“Criticism is properly the rod of divination: a hazel switch for the discovery of buried treasure, not a birch twig for the castigation of offenders.”

Arthur Symons (1865–1945) British poet

An Introduction to the Study of Browning, preface (1906).

Irvine Welsh photo
Steve Sailer photo

“As the empirical case for mass immigration has become less plausible, its advocates have increasingly switched to emphasizing their moral superiority: they don`t look out for the general welfare of their fellow citizens, so that makes them better than their fellow citizens.”

Steve Sailer (1958) American journalist and movie critic

Byron Roth`s The Perils Of Diversity: Apologies To The Grandchildren http://www.vdare.com/articles/byron-roths-the-perils-of-diversity-apologies-to-the-grandchildren, VDARE, February 13, 2011

Klaus Kinski photo
Joyce Carol Oates photo

“The switch from 'steam engines' to 'heat engines' signals the transition from engineering practice to theoretical science.”

Hans Christian von Baeyer (1938) American physicist

Source: Information, The New Language of Science (2003), Chapter 18, Information is Physical, The cost of forgetting, p. 154

Elvis Costello photo

“When the media attention switches away from this story onto the next thing that happens in the world, the circumstances will still be there.”

Elvis Costello (1954) English singer-songwriter

On the Hurricane Katrina devastation in New Orleans, as quoted in "New Orleans Musicians Hold Benefit in NYC" (21 September 2005) http://music.msn.com/music/article.aspx?news=202276

Tony Abbott photo

“What the housewives of Australia need to understand as they do the ironing is that if they get it done commercially it’s going to go up in price and their own power bills when they switch the iron on are going to go up.”

Tony Abbott (1957) Australian politician

Quoted in the Sydney Morning Herald, "Abbott accused of being 'incredibly old-fashioned' as he lets off steam" http://www.smh.com.au/national/abbott-accused-of-being-incredibly-oldfashioned-as-he-lets-off-steam-20100209-nnqr.html, February 9, 2010.
2010

Warren Zevon photo

“You know I hate it when you put your hand inside my head
And switch all my priorities around.
Why don't you go pick on someone your own size instead?”

Warren Zevon (1947–2003) American singer-songwriter

"I'll Slow You Down"
Life'll Kill Ya (2000)

Charles Stross photo
Kazimir Malevich photo

“The world as a sense, independent of the image, of the idea - this is the essence of the content of art. [My] square is not an image, just as a switch or socket are not the current.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Malevich
Quote of Malevich, in his letter to Konstantin Rozhdestvenskii, 21 April, 1927, private archive, Moscow (transl. Todd Bludeau); as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 27
1921 - 1930

W. H. Auden photo
Robert A. Heinlein photo
Alexander Ovechkin photo

“He's one of the worst practice players I've played with. He rests and when the game comes, he flips the switch on. He plays a dominant physical style, so I think he just relaxes in practice and as a veteran player, I admire that.”

Alexander Ovechkin (1985) Russian ice hockey player

Jeff Friesen, interview in Canadian Press (November 1, 2006) "The great debate rages on - Ovechkin vs. Phaneuf: Which one has greater impact for their team?", The Record (Kitchner, Ontario, Canada), p. E1.
About

James Burke (science historian) photo

“Small wonder that centuries afterwards the Greeks and Romans came here and gawked like peasants at a civilisation that made their efforts look like well-dressed mud huts. It still has that effect today. You come here from the great modern cities, full of the immense power of modern technology at your finger tips, press a button, turn a switch. And this place… stops you dead.”

James Burke (science historian) (1936) British broadcaster, science historian, author, and television producer

Connections (1979), 1 - The Trigger Effect
Context: These are the great ancient temples of Karnak, on the edge of the Nile about 450 miles south of Cairo. They were the center of Egyptian religion, built in the imperial city of Thebes, when the Egyptian empire was at its height, the greatest power in the world. This was the New York of its time. The temples were built over a period of 2,000 years, each pharaoh adding his bit, leaving his name in stone, to last forever. Inside the temple domain, there were 65 towns, 433 gardens & orchards, 400,000 animals, and it took 80,000 people just to run the place. Small wonder that centuries afterwards the Greeks and Romans came here and gawked like peasants at a civilisation that made their efforts look like well-dressed mud huts. It still has that effect today. You come here from the great modern cities, full of the immense power of modern technology at your finger tips, press a button, turn a switch. And this place... stops you dead.

Russell Brand photo

“The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.”

Revolution (2014)
Context: Who does a baby think he is before he can recognize his face in a mirror, before he’s taught his name, before he’s drummed into stagnant separation, cordoned off from the infinite oneness? Love is innate. We must be taught to hate, and now we must unlearn it, as the Buddhists say; let it burn, that which needs to burn, let it burn. The class system isn’t fair on them either, poor little sods—packed off to school, weaned on privatized maternity shopped in from a northern spinster. Trying to find love in the tangle of dismantled family. No one can be happy imbibing a poisoned brew. It’s poisonous for us all. They’ll gratefully sigh when we unlock them from their opulent penitentiaries, they’ll be grateful when their fallow lords and empty chambers feed the hungry and house the poor. They know contentment cannot be enjoyed when stolen. They need the Revolution as much as we do. The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.

“People are locking their doors and switching off their nervous systems.”

"Bobby Crawford"
Cocaine Nights (1996)
Context: Town-scapes are changing. The open-plan city belongs in the past — no more ramblas, no more pedestrian precincts, no more left banks and Latin quarters. We're moving into the age of security grilles and defensible space. As for living, our surveillance cameras can do that for us. People are locking their doors and switching off their nervous systems.

Joe Barton photo

“Wouldn't it be ironic if in the interest of global warming we mandated massive switches to energy, which is a finite resource, which slows the winds down, which causes the temperature to go up?”

Joe Barton (1949) United States congressional representative from Texas

House of Representative Subcommittee on Energy and Environment Hearing on " Renewable Energy: Complementary Policies for Climate Legislation https://web.archive.org/web/20090325151942/http://energycommerce.house.gov/Press_111/20090226/transcript_20090226_ee.pdf", , quoted in
Context: Wind is God's way of balancing heat. Wind is the way you shift heat from areas where it's hotter to areas where it's cooler. That's what wind is. Wouldn't it be ironic if in the interest of global warming we mandated massive switches to energy, which is a finite resource, which slows the winds down, which causes the temperature to go up? Now, I'm not saying that's going to happen, Mr. Chairman, but that is definitely something on the massive scale. I mean, it does make some sense. You stop something, you can't transfer that heat, and the heat goes up. It's just something to think about.

John Howe (illustrator) photo

“From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed.”

John Howe (illustrator) (1957) Canadian illustrator

On Alan Lee
In the Artist's Studio interview (2010)
Context: From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed. Drawing at the right speed is a sort of graphic contrapposto providing what I’d be tempted to call an “intuitional resilience” unobtainable with more energetic methods. I very much enjoyed working with him, a situation of symbiosis between enthusiasm and despair, the former because his work is just so good, the latter because his work is just so good. He is hard to keep up with, but then I believe he says the same of me. He is a dear friend and a wonderful artist.

Margaret Atwood photo

“A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.”

Margaret Atwood (1939) Canadian writer

On Writing Poetry (1995)
Context: My English teacher from 1955, run to ground by some documentary crew trying to explain my life, said that in her class I had showed no particular promise. This was true. Until the descent of the giant thumb, I showed no particular promise. I also showed no particular promise for some time afterwards, but I did not know this. A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately. If I had not been ignorant in this particular way, I would not have announced to an assortment of my high school female friends, in the cafeteria one brown-bag lunchtime, that I was going to be a writer. I said "writer," not "poet;" I did have some common sense. But my announcement was certainly a conversation-stopper. Sticks of celery were suspended in mid-crunch, peanut-butter sandwiches paused halfway between table and mouth; nobody said a word. One of those present reminded me of this incident recently — I had repressed it — and said she had been simply astounded. "Why?," I said. "Because I wanted to be a writer?" "No," she said. "Because you had the guts to say it out loud."

Steve Jobs photo

“And that’s why I don’t like putting on-off switches on Apple devices.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Quoted by his biographer, Walter Isaacson http://www.zdnet.com/blog/btl/steve-jobs-in-the-end-he-didnt-like-the-off-switch/61586?tag=nl.e589
2010s
Context: Sometimes I believe in God, sometimes I don’t. I think it’s 50-50 maybe. But ever since I’ve had cancer, I’ve been thinking about it more. And I find myself believing a bit more. I kind of – maybe it’s ’cause I want to believe in an afterlife. That when you die, it doesn’t just all disappear. The wisdom you’ve accumulated. Somehow it lives on, but sometimes I think it’s just like an on-off switch. Click and you’re gone. And that’s why I don’t like putting on-off switches on Apple devices.

Stanisław Lem photo

“My past had disappeared. Not that I believed for a moment that this was an accident; in fact, I had suspected for some time now that the Cosmic Command, obviously no longer able to supervise every assignment on an individual basis when there were literally trillions of matters in its charge, had switched over to a random system.”

Pamiętnik znaleziony w wannie (1961), translated as Memoirs Found in a Bathtub (1973)
Context: My past had disappeared. Not that I believed for a moment that this was an accident; in fact, I had suspected for some time now that the Cosmic Command, obviously no longer able to supervise every assignment on an individual basis when there were literally trillions of matters in its charge, had switched over to a random system. The assumption would be that every document, circulating endlessly from desk to desk, must eventually hit upon the right one. A time-consuming procedure, perhaps, but one that would never fail. The Universe itself operated on the same principle. And for an institution as everlasting as the Universe — certainly our Building was such an institution — the speed at which these meanderings and perturbations took place was of no consequence.

Ian Fleming photo

“Men want a woman whom they can turn on and off like a light switch. ”

Ian Fleming (1908–1964) English author, journalist and naval intelligence officer
Charles Stross photo
Frances Bean Cobain photo

“I wish there was an on & off switch for my brain. I think too fucking much.”

Frances Bean Cobain (1992) American artist

22 April 2014 https://twitter.com/alka_seltzer666/status/458559591698014208
Twitter https://twitter.com/alka_seltzer666 posts

Eric R. Kandel photo
Kendrick Farris photo
Edsger W. Dijkstra photo

“Using PL/1 must be like flying a plane with 7000 buttons, switches and handles to manipulate in the cockpit.”

Edsger W. Dijkstra (1930–2002) Dutch computer scientist

1970s, The Humble Programmer (1972)

Viktor Pinchuk photo

“It is better to watch TV when it is switched off — that is, in the traditional way, but by pulling the plug out of the socket. One of the advantages of the alternative is electricity saving; in addition — the use of this method does not pose a threat to eyesight.”

Press interview quotes
Source: «A Little Journey into the Past» — South Capital. Crimea: newspaper. — 20.08.2021. — № 32 (1504), M. Kiseleva, ru, simadm.ru, 2021-09-02 http://simadm.ru/media/uploads/userfiles/2021/08/23/ЮС32.pdf,

Joe Armstrong photo

“Processes are isolated by design. Context switching are very lightweight. The processes by design cannot damage each other.”

Joe Armstrong (1950–2019) British computer scientist

Faults, Scaling and Erlang concurrency

Satchel Paige photo

“Cool Papa was so fast that he could turn off the light switch and get into bed before the room got dark.”

Satchel Paige (1906–1982) American baseball player and coach; Negro Leagues

Source: "On Today's Scene: Paige Admits He's Feeling His Age" by William Gildea, The Washington Post (Apr 29, 1969), p. D2

Geling Yan photo

“It’s frustrating seeing things lost in translation. Some expressions are just so Chinese, or so English, you have to switch your thinking to English in order to write it with spontaneity and naturally.”

Geling Yan (1958) Chinese writer and screenwriter

Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)

“You've got a blank face there pal, if you hold that expression for long enough you'd get fucking switched off.”

Frankie Boyle (1972) Scottish comedian

Stand-up, The Last Days of Sodom (2012)