
Game of thrones with world chess champion Viswanathan Anand
Game of thrones with world chess champion Viswanathan Anand
From The Strong-Willed Child, pp. 53-4.
1970s
Source: The Emotional Life of Nations (2002), Ch. 5, pp. 108-109.
"Myths of our Afghanistan debate" http://nypost.com/2009/10/15/myths-of-our-afghanistan-debate/, New York Post (October 15, 2009).
New York Post
“I should never have switched from Scotch to Martinis.”
Alleged last words, but Bacall denies this.
Misattributed
Source: By Myself and Then Some, Lauren Bacall http://books.google.co.id/books?id=OTCPSdKei_oC&pg=PT308&dq=lauren+bacall+scotch+to+martinis&hl=en&sa=X&ei=Sd7QU-kCiJO4BP-CgIAL&redir_esc=y#v=onepage&q=goodbye%20kid&f=false,
she cried out. She couldn’t stand violence unless it was part of some beating to teach me respect.
Source: Autobiography of a Brown Buffalo (1972), p. 89.
Source: Systems Thinking, Systems Practice, 1981, p. 152 as cited in: R.L. McCown (2001) "Learning to bridge the gap between science-based decision support and the practice of farming". In: Aust. J. Agric. Res., Vol 52, p. 560-561
After a mobile phone rang at his talk at Moscow State University (3 March 2008)
2000s
“Eight-year-olds can switch into acquisition mode pretty quickly.”
Source: Zoe's Tale (2008), Chapter 4 (p. 53)
Source: No More Bull! (2005), Ch. 6: Message for My Fellow Vegetarians and Vegans, pp. 79-80
"Twisted Times (part 1)" https://web.archive.org/web/20130301034415/http://www.thatsmags.com/shanghai/blog/view/12498 (2013)
"Vegetarian is the New Prius", in the HuffPost (18 January 2007) https://www.huffingtonpost.com/kathy-freston/vegetarian-is-the-new-pri_b_39014.html.
“Courtney Stodden on the Perks of Going Vegetarian,” video interview with PETA (28 March 2012) https://www.youtube.com/watch?v=EyBCZW3FWec.
A Pirate Looks at Forty
Song lyrics, A1A (1974)
Rusbridger (2011), as cited in: John Steel (2013) Journalism and Free Speech. p. 92.
2010s
Caravan
Song lyrics, Moondance (1970)
TV recordings of stage shows, Something Wicked This Way Comes (2006), Something Wicked This Way Comes tour brochure
[199709302338.QAA17037@wall.org, 1997]
Usenet postings, 1997
As quoted in Michael Scheuer's Non-Intervention http://non-intervention.com/1689/democrats-scourge-the-south-after-the-battle-flag-it%e2%80%99s-on-to-old-hickory/ (9 July 2015), by M. Scheuer.
2010s
"An interview with vegan parkour wonder Tim Shieff" https://www.vegansociety.com/whats-new/blog/interview-vegan-parkour-wonder-tim-shieff, interview with The Vegan Society (11 March 2016).
Quoted in "'I've learnt to speak my mind': 10 excerpts from Tony Abbott's climate change speech in London'" http://www.smh.com.au/federal-politics/political-news/ive-learnt-to-speak-my-mind-ten-excerpts-from-tony-abbotts-climate-change-speech-in-london-20171009-gyxk92.html, Sydney Morning Herald, October 10, 2017
2017
“If the meanings of true and false were switched, this sentence wouldn't be false.”
I Am a Strange Loop (2007) p. 68
Arie P. de Geus, " Planning as learning https://hbr.org/1988/03/planning-as-learning/ar/1." Harvard Business Review, March/April 1988: 70-74.
Boston Book Review interview by Harvey Blume http://www.dorislessing.org/boston.html (February 1998)
Come Down in Time
Song lyrics, Tumbleweed Connection (1970)
David Irving's Talk to the Clarendon Club http://www.fpp.co.uk/speeches/speech190992.html
Spark (2014)
Review http://www.reelviews.net/movies/i/id4.html of Independence Day (1996).
Two star reviews
Opinion: No, Bashar Al-Assad is no Joseph Stalin http://english.aawsat.com/2015/10/article55345413/opinion-no-bashar-al-assad-is-no-joseph-stalin, Ashraq Al-Awsat (16 Oct, 2015).
Christianity and History (1949), p. 104.
Source: Tennis Week "The Tennis Week Interview: Sania Mirza"
Byron Roth`s The Perils Of Diversity: Apologies To The Grandchildren http://www.vdare.com/articles/byron-roths-the-perils-of-diversity-apologies-to-the-grandchildren, VDARE, February 13, 2011
On Werner Herzog, p. 213
Kinski Uncut : The Autobiography of Klaus Kinski (1996)
Source: Information, The New Language of Science (2003), Chapter 18, Information is Physical, The cost of forgetting, p. 154
On the Hurricane Katrina devastation in New Orleans, as quoted in "New Orleans Musicians Hold Benefit in NYC" (21 September 2005) http://music.msn.com/music/article.aspx?news=202276
Quoted in the Sydney Morning Herald, "Abbott accused of being 'incredibly old-fashioned' as he lets off steam" http://www.smh.com.au/national/abbott-accused-of-being-incredibly-oldfashioned-as-he-lets-off-steam-20100209-nnqr.html, February 9, 2010.
2010
Donald Trump is actually a fascist (December 9, 2016)
Malevich
Quote of Malevich, in his letter to Konstantin Rozhdestvenskii, 21 April, 1927, private archive, Moscow (transl. Todd Bludeau); as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 27
1921 - 1930
Jeff Friesen, interview in Canadian Press (November 1, 2006) "The great debate rages on - Ovechkin vs. Phaneuf: Which one has greater impact for their team?", The Record (Kitchner, Ontario, Canada), p. E1.
About
Connections (1979), 1 - The Trigger Effect
Context: These are the great ancient temples of Karnak, on the edge of the Nile about 450 miles south of Cairo. They were the center of Egyptian religion, built in the imperial city of Thebes, when the Egyptian empire was at its height, the greatest power in the world. This was the New York of its time. The temples were built over a period of 2,000 years, each pharaoh adding his bit, leaving his name in stone, to last forever. Inside the temple domain, there were 65 towns, 433 gardens & orchards, 400,000 animals, and it took 80,000 people just to run the place. Small wonder that centuries afterwards the Greeks and Romans came here and gawked like peasants at a civilisation that made their efforts look like well-dressed mud huts. It still has that effect today. You come here from the great modern cities, full of the immense power of modern technology at your finger tips, press a button, turn a switch. And this place... stops you dead.
Revolution (2014)
Context: Who does a baby think he is before he can recognize his face in a mirror, before he’s taught his name, before he’s drummed into stagnant separation, cordoned off from the infinite oneness? Love is innate. We must be taught to hate, and now we must unlearn it, as the Buddhists say; let it burn, that which needs to burn, let it burn. The class system isn’t fair on them either, poor little sods—packed off to school, weaned on privatized maternity shopped in from a northern spinster. Trying to find love in the tangle of dismantled family. No one can be happy imbibing a poisoned brew. It’s poisonous for us all. They’ll gratefully sigh when we unlock them from their opulent penitentiaries, they’ll be grateful when their fallow lords and empty chambers feed the hungry and house the poor. They know contentment cannot be enjoyed when stolen. They need the Revolution as much as we do. The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.
“People are locking their doors and switching off their nervous systems.”
"Bobby Crawford"
Cocaine Nights (1996)
Context: Town-scapes are changing. The open-plan city belongs in the past — no more ramblas, no more pedestrian precincts, no more left banks and Latin quarters. We're moving into the age of security grilles and defensible space. As for living, our surveillance cameras can do that for us. People are locking their doors and switching off their nervous systems.
House of Representative Subcommittee on Energy and Environment Hearing on " Renewable Energy: Complementary Policies for Climate Legislation https://web.archive.org/web/20090325151942/http://energycommerce.house.gov/Press_111/20090226/transcript_20090226_ee.pdf", , quoted in
Context: Wind is God's way of balancing heat. Wind is the way you shift heat from areas where it's hotter to areas where it's cooler. That's what wind is. Wouldn't it be ironic if in the interest of global warming we mandated massive switches to energy, which is a finite resource, which slows the winds down, which causes the temperature to go up? Now, I'm not saying that's going to happen, Mr. Chairman, but that is definitely something on the massive scale. I mean, it does make some sense. You stop something, you can't transfer that heat, and the heat goes up. It's just something to think about.
On Alan Lee
In the Artist's Studio interview (2010)
Context: From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed. Drawing at the right speed is a sort of graphic contrapposto providing what I’d be tempted to call an “intuitional resilience” unobtainable with more energetic methods. I very much enjoyed working with him, a situation of symbiosis between enthusiasm and despair, the former because his work is just so good, the latter because his work is just so good. He is hard to keep up with, but then I believe he says the same of me. He is a dear friend and a wonderful artist.
On Writing Poetry (1995)
Context: My English teacher from 1955, run to ground by some documentary crew trying to explain my life, said that in her class I had showed no particular promise. This was true. Until the descent of the giant thumb, I showed no particular promise. I also showed no particular promise for some time afterwards, but I did not know this. A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately. If I had not been ignorant in this particular way, I would not have announced to an assortment of my high school female friends, in the cafeteria one brown-bag lunchtime, that I was going to be a writer. I said "writer," not "poet;" I did have some common sense. But my announcement was certainly a conversation-stopper. Sticks of celery were suspended in mid-crunch, peanut-butter sandwiches paused halfway between table and mouth; nobody said a word. One of those present reminded me of this incident recently — I had repressed it — and said she had been simply astounded. "Why?," I said. "Because I wanted to be a writer?" "No," she said. "Because you had the guts to say it out loud."
“And that’s why I don’t like putting on-off switches on Apple devices.”
Quoted by his biographer, Walter Isaacson http://www.zdnet.com/blog/btl/steve-jobs-in-the-end-he-didnt-like-the-off-switch/61586?tag=nl.e589
2010s
Context: Sometimes I believe in God, sometimes I don’t. I think it’s 50-50 maybe. But ever since I’ve had cancer, I’ve been thinking about it more. And I find myself believing a bit more. I kind of – maybe it’s ’cause I want to believe in an afterlife. That when you die, it doesn’t just all disappear. The wisdom you’ve accumulated. Somehow it lives on, but sometimes I think it’s just like an on-off switch. Click and you’re gone. And that’s why I don’t like putting on-off switches on Apple devices.
Pamiętnik znaleziony w wannie (1961), translated as Memoirs Found in a Bathtub (1973)
Context: My past had disappeared. Not that I believed for a moment that this was an accident; in fact, I had suspected for some time now that the Cosmic Command, obviously no longer able to supervise every assignment on an individual basis when there were literally trillions of matters in its charge, had switched over to a random system. The assumption would be that every document, circulating endlessly from desk to desk, must eventually hit upon the right one. A time-consuming procedure, perhaps, but one that would never fail. The Universe itself operated on the same principle. And for an institution as everlasting as the Universe — certainly our Building was such an institution — the speed at which these meanderings and perturbations took place was of no consequence.
“Men want a woman whom they can turn on and off like a light switch. ”
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)
“I wish there was an on & off switch for my brain. I think too fucking much.”
22 April 2014 https://twitter.com/alka_seltzer666/status/458559591698014208
Twitter https://twitter.com/alka_seltzer666 posts
Like, "Why didn't I research this before?"
Interview in the documentary-film The Game Changers by Louie Psihoyos (2018).
Press interview quotes
Source: «A Little Journey into the Past» — South Capital. Crimea: newspaper. — 20.08.2021. — № 32 (1504), M. Kiseleva, ru, simadm.ru, 2021-09-02 http://simadm.ru/media/uploads/userfiles/2021/08/23/ЮС32.pdf,
Source: "On Today's Scene: Paige Admits He's Feeling His Age" by William Gildea, The Washington Post (Apr 29, 1969), p. D2
Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)